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A large scale oil painting - totally abstract, non representational. Largely pink, and blue, with pops of assorted colors peaking up from beneath. Thickly painted globs of paint are ...

This piece titled "MJ-af66128ff0c0" is an original artwork by Tuft the World and is made tufted 100% New Zealand wool, and part of the inaugural launch of TTW Editions. The artists t...

Bearbrick 400% & 100% 8

Asger Jorn (1914-1973) Ege Axminster, Denmark. Danish Tapestry Rug Art-Line Etiquette de l'éditeur Ege Axminster (Danemark) titrée au revers. Les Emigrants 132 x 98 inches, Pure ...

Diptych "Day", each part 90x60cm

MEDIUM: Gicleé on Canvas EDITION SIZE: 50 + 15 Artist Proofs IMAGE SIZE: 30" x 20″ SIGNED AND REMARQUED BY: Lee Bermejo SKU: LB2019D DESCRIPTION: This i...

Cy Twombly Galleria La Tartaruga, Rome 1958: RARE 1950’s announcement card illustrated by Twombly, on the occasion of, what is believed to be Twombly’s first ever European Exhibitio...

Shabbat Confetti, 100x200cm, Oil, Canvas

C Plate - The Alphabet is a beautiful color ceramic plate realized after Erté in 1986, as the back of each plate reports. This plate reproduces the original painting representing th...

flower of my love ,120x100cm, acrylic on canvas

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The painting portrays a tree with colorful foliage in the middle of a vast field. The leaves are painted yellow and red, with a hint of purple. The wind gentl...

In colors that pop like jazz, Live Composition II, 2024 by African American artist Bai is a 30” x 22” acrylic, oil pastel, and ballpoint pen painting on paper. A raw energetic style ...

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Mallard ducks cast their reflections on the swiftly moving water, with a pair gracefully gliding near a third one perched on a log. Dynamic brushwork and pale...

Early 19th century European folk art painted wood wedding, hope or bridal chest. A superb example of a European hope or wedding chest in remarkable condition Of characteristic dome ...

Andy Warhol Paris, Musee d’Art Moderne de la Ville de Paris, 1970: Rare original Andy Warhol exhibition catalog featuring a Warhol Pink Cow cover. Published on the occasion of the Warhol solo show at the MAM, Paris, Dec. 16, 1970 - Jan. 14, 1971. A must have rare vintage Andy Warhol Cows collectible. 1st edition; 1970. Single sheet folded, twelve-page accordion style booklet. Text by Alfred Pacquement (French). Exhibition checklist found within. Reverse features a candid, black and white portrait of Warhol. Medium: Offset printed Exhibition Catalog. Dimensions: Folded 7.75 × 10.5 inches; Unfolded: 7.75 x 47 inches. Condition: Very good overall vintage condition; hand written notations to interior first page. Unsigned from edition of unknown. Further Background: Andy Warhol was inspired to by art dealer Ivan Karp to create his Cows in the 1960s. Warhol’s printer Gerard Malanga chose the photograph of the cow, however it was Warhol’s unique pop art style that made the final product so interested. He chose a bold color scheme of bright pink on yellow, which turned the pastoral animal into an amusing and oddly exciting subject matter. Warhol then printed the electrifying Cow image on wallpaper, introducing this process to his creative production. In Warhol’s classic mode of repetition, every inch of the walls were covered with hot pink and yellow Cows. Castelli was so moved by the show, that he had professionals install the wallpaper so that the guests could experience Andy Warhol’s vision. _ Obsessed with celebrity, consumer culture, and mechanical reproduction, Pop Art king, Andy Warhol created some of the 20th century’s most iconic images. Warhol was widely influenced by popular & consumer culture, with this being evident in some of his most famous works: 32 Campbell's soup cans, Brillo pad box sculptures, and portraits of Marilyn Monroe & Mick Jagger, for example. Rejecting the standard painting and sculpting modes of his era, Warhol embraced silk-screen printmaking to achieve his characteristic hard edges and flat areas of color. The artist mentored Keith Haring and Jean-Michel Basquiat and continues to influence contemporary art around the world: His most bold successors include Richard Prince, Takashi Murakami, and Jeff Koons. Warhol has been the subject of exhibitions at the Whitney Museum of American Art, Museum of Modern Art, Tate Modern, and Centre Pompidou, among other institutions. Related Categories Warhol prints. Warhol prints. Warhol screen print...

Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different seasons and flowers. In 1970 the significant place...

Beat of the Drum Paul Moore bronze Native American man with Drum, headdress Paul Moore was born in Oklahoma City a member of the (Creek) Muscogee N...

This 5.5" x 8.5" ceramic wall sculpture was created by Brian Bosworth. This is a contemporary piece that demonstrates sophisticated glazing techniques and compositional balance. The ...

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Set during an evening on Wacker Drive, the artwork offers an atmospheric view of Chicago, featuring the iconic Tribune Tower and surrounding buildings. The st...

Amlash JaAN is a contemporary symbolic figure, inspired by ancient mythological archetypes associated with prosperity and fertility. Evolving beyond its origins, it has developed int...

Harrison Gilman's large original artworks begin with a layer of fast-paced gestural abstraction followed by organic shapes and geometric structures. Some of his paintings remain in t...

Animation Celluloid Image Size: 7.5 x 9.5 Frame Size: 13 x 15 Medium: Celluloid "Daffy Duck" Signed by Chuck Jones

Pair of Antique Hand Painted Chinese Vases with Foo Dogs and Inscriptions China, early 20th century Porcelain 17 x 8 x 8 inches Painted in iron red, these Foo Dogs or Imperial Guard...

Composition by ANDRÉ LANSKOY (1902-1976) Oil on canvas 81 x 54 cm (31 ⅞ x 21 ¼ inches) Signed lower right, LANSKOY This work is accompanied by a certificate of authenticity issued and signed by the artist, and by a certificate of authenticity dated 15th April 2015 from the Comité Lanskoy, confirming its inclusion in the forthcoming catalogue raisonné currently being prepared by the Comité Lanskoy. Artist biography: André Lanskoy was born Andrei Michailovich Lanskoy in Moscow in 1902, the son of Count Lanskoy. The family moved to St. Petersburg in 1909 and in 1918 he moved to Kiev, where he made his first paintings. During the Russian Civil War Lanskoy fought in the Tsarist White Army but after an injury moved to Constantinople and in 1921 arrived in Paris where he stayed for the rest of his life. Recalling his arrival in the French capital, Lanskoy said: "Literally in the first night...

Portrait of Mary Hammond in Sumptuous Attire, Jewels and Lace c.1618-22 Circle of Cornelius Johnson (1593-1661) This portrait of a lady, presented by Titan Fine Art, is an exquisite example of early seventeenth-century portraiture, remarkable both for the lavishness of its subject’s attire and for the distinguished provenance that has accompanied it across four centuries that adds a rich layer of historical significance. It was once part of the notable collection of Sir William Temple, 1st Baronet (1628–1699) at Moor Park, a stately mansion in Hertfordshire. Temple was a diplomat, essayist, philosopher, and the patron of Jonathan Swift. He was a key participate at an important period in English history, helping not only to negotiate the Triple Alliance, but also the marriage between William of Orange and Princess Mary. His collection at Moor Park was well known in its day, reflecting both his cultivated taste in art and literature and his international connections. Its fabulous attire, rendered with almost microscopic attention, is not merely decorative but emblematic of a world in which visual display was a language of power. Its provenance, stretching from the English country house and Enlightenment scholarship to modernist circles, forms a microcosm of cultural exchange across four centuries. Thus, the portrait of Mary Hammond stands as both a masterpiece of early seventeenth-century craftsmanship and a witness to the grand narrative of collecting and connoisseurship—a testament to the enduring fascination of beauty, status, and history intertwined. By tradition the portrait depicts Mary Hammond (born c.1602), who was Sir William Temple’s mother, and the daughter of the royal physician who served James I, Dr John Hammond (c.1555–1617) and whose family owned Chertsey Abbey in Surrey. The woman appears between 18 and 25 years old, and Mary would be about 18–20 when the portrait was painted circa 1620, therefore this matches the apparent age of the sitter and the fashion perfectly. Mary stood at the intersection of learned/courtly and gentry worlds. On 22 June 1627 she married her first cousin (a common practice for consolidating family wealth and influence during that era.) Sir John Temple (1600-1677) at St Michael, Cornhill in the City of London. The couple resided nearby, at Blackfriars. Her marriage to Sir Temple placed her at the heart of the social and political circles that shaped British history. The couple had at least five children, and they became highly significant historical figures: The eldest son, Sir William Temple, 1st Baronet, became a distinguished diplomat, statesman, and essayist, famous for his role in the Triple Alliance and as a patron and mentor to the writer Jonathan Swift – our portrait was in his collection. Their daughter, Martha Temple, later Lady Giffard, was a notable figure in her own right. She became her brother William's first biographer and a respected letter-writer, providing a rare female perspective on the events and high society of the time. Another son, also named Sir John Temple, became Attorney General for Ireland and was involved in the turbulent politics surrounding the English Civil War and the Act of Settlement in Ireland. Mary died in November 1638 after giving birth to twins and was buried at Penshurst, Kent. The family's connection to Penshurst Place is a major point of interest as this historic manor was the seat of the Sidney family, a major aristocratic and literary dynasty. The portrait was in the collection of the Mary’s son, Sir William Temple. From there it descended to his daughter, and then to her nephew, the Reverend Nicholas Bacon of Spixworth Park, Norfolk (his mother was Dorothy Temple who died in 1758). Indeed, by this time, many Temple relics were in the collection at Spixworth including the engagement ring of the illustrious Dorothy Osborne, Lady Temple, wife of Sir William Temple. The portrait thus linked two prominent English families—the Temples and the Bacons—for generations. It is listed in a Spixworth Park inventory of 27 October 1910 by the local collector and art historian, Prince Duleep Singh. He described it with characteristic precision as: “No. 69. Lady Half Length, body and face turned towards the sinister, hazel eyes upwards to the dexter, red hair dressed low and over the ears, a jewelled coronet behind, pearl ear-rings tied with black strings. Dress: black, bodice cut low and square, with lace all round the opening and over shoulders, sleeves with double slashes showing red lining and lace under, falling thin pleated lace collar, black strings tied behind it, a jewel suspended on a black string round the neck, and a double row of agate and silver beads all round to the shoulders. M. In brown veined stone frame. Age 30. Date c.1620. It is called ‘Dutch portrait from Moor Park, mentioned by Nicholas Bacon of Coddenham and Shrubland as a very valuable painting.’ A few years later, when Robert Bacon Longe’s executors sold the contents of Spixworth Park (19–22 May 1912), the portrait appeared as lot 262, described as: “A very valuable half-length portrait on panel, ‘Dutch Lady, with deep lace collar and pearl and amethyst necklace, pendant, and ear-rings, and auburn hair, with coronet’ Early Dutch School 1620.” Following this sale the painting entered the collection of David and Constance Garnett, prominent literary figures of the early twentieth century, before being gifted to Andre Vladimervitch Tchernavin by 1949, and subsequently passed by him to the present owners in 1994. The two great houses associated with the painting, Moor Park and Spixworth Park, further underscore its pedigree. Moor Park, in Hertfordshire, was among the grandest country estates of seventeenth-century England—its gardens famously redesigned by Sir William Temple himself and later influencing landscape design across Europe. Sir William's Temple's secretary was Jonathan Swift, who lived at Moor Park between 1689 and 1699. Swift began to write "A Tale of the Tub" and "The Battle of the Books" at Moor Park. Spixworth Park, near Norwich, was an Elizabethan country house in Spixworth, Norfolk, located just north of the city of Norwich. It was home to successive generations of the Bacon family, one of Norfolk’s most distinguished dynasties (later, the Bacon Longe family), who were considerable land owners (owning Reymerston Hall, Norfolk, Hingham Hall, Norfolk, Dunston Hall, Norfolk, Abbot's Hall, Stowmarket, and Yelverton Hall, Norfolk). Spixworth Hall and the surrounding parkland remained in the Longe family for 257 years until 1952, when it was demolished. Rendered with meticulous precision and sumptuous detail, the painting depicts an elegantly dressed woman—her poise, costume, and jewels all communicating a message of wealth, refinement, and social rank. Every brushstroke conveys an artist deeply attuned to the textures of luxury and the nuances of feminine dignity. The sitter’s attire is nothing short of magnificent. Her bodice and sleeves are fashioned from the finest black silk or satin, the fabric absorbing and reflecting light in equal measure, suggesting both depth and lustre. Around her shoulders lies an opulent lace ruff—a deep, radiating lace collar worked in such intricate detail that it testifies to both the artist’s technical skill and the sitter’s extravagant taste. Lace of this quality, especially Venetian or Flemish bobbin lace, was one of the costliest materials available in early seventeenth-century Europe, its weight worth more than gold, and was a marker of prestige that rivalled jewels in value. The painter has taken great care to delineate every loop and scallop of the lace, achieving an almost tactile realism. Pale skin was also a desired beauty standard, sometimes accentuated with contrasting black ribbons or strings. Her jewels amplify this display of affluence. Matching earrings and a delicate coronet or jewelled hair ornament with a feather adorn her hair, which is styled in the modest yet fashionable manner of the time. These details are far from decorative excess—they serve as visual emblems of social standing, refinement, and lineage. Portraits of this kind were statements of both identity and aspiration, intended to project a family’s prosperity and moral virtue to posterity. The portrait was most likely painted in London around 1618-1622. The low-cut, décolletage-revealing neckline was fashionable in the courts of England and France during the late Elizabethan and Jacobean eras (c. 1590s-1610s), this style did not prevail in the public fashion of the Low Countries at this time. This style of lace ruff — delicate needle lace with geometric openwork — was fashionable from c.1615 to 1622, and the jewelled caul (hair net) and lace edging over a stiffened coif are consistent with high-status English women’s portraiture between 1610–1620. The puffed sleeve slash and the use of pink satin beneath black velvet belong squarely to the late Jacobean...

Triptych "A Story for Three" 100x50cm x3, acrylic, canvas

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Early evening colors reflect on a peaceful lake, painting its surface with soft purple hues. Aquatic plants pick up different tones as they recede into the sh...

"Japanese Garden" 100x120 cm, acrylic on canvas

Landscape , 90x120 cm, oil on canvas

This unframed, signed, limited edition pigment print by world renown artist Ricardo Mazal exists in an edition of 30. Paper size is 35 inches h x 30 inches w with an image size of 26...

After Banksy, Kate Moss Postcard, 2005 Offset Lithograph on postcard. Rare Kate Moss postcard originally released in 2005 for Banksy's Crude Oils exhibition of remixed masterpiece...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

This piece titled DALL·E 2023-04-23 11.28.12 is a crafted original piece by Tuft the World as part of the inaugural collection of TTW Editions. This piece measures 57"h x 57"w and is...

Edition of 20 pieces

MEDIUM: Limited Edition Hand-Painted Cel IMAGE SIZE: 12 x 17 inches SKU: CCV2003 The film is the first animated Disney feature film to be based on a real historic character, and th...

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Inspired by English painter Keith Vaughan, artist Robert Hofherr reimagines a forest scene with a sense of fantasy and playful abstraction. Stylized trees inter...

A fine Cape Cod scene with fisherman heading out on the dock in heavy fog by American artist Tod Lindenmuth (1885-1976). Lindenmuth was born in Allentown, Pennsylvania, and later worked in Provincetown and Rockport, Massachusetts, with a home in St. Augustine. A founder of the Provincetown Art Association and one of the original Provincetown Printers, Lindenmuth was a semi-abstract painter and graphic artist who did much to promote modernist styles and was well known for his modernist, semi-abstract and marine subject paintings. Lindenmuth studied with Robert Henri and was a member of the Salmagundi Club and the Rockport Art Association. He was also active in Provincetown until 1941, and then retired to Florida in the 1960s, having spent his winters there since the 1930s. Oil on canvas, signed lower right, title inscribed on verso Provincetown Art Association Regular Jury 1938 label “Thick Outside...

Our company has been present on this platform for many years, with numerous sales made and just as many excellent reviews received that you can under our Furniture account. Mid-Centu...

The gentleman in this exquisite oil on canvas portrait, presented by Titan Fine Art, is shown with the grandiloquence characteristic of the English School of painting. He is portray...

comes with original packaging

Danny Brown’s artworks allocate an intrinsic connection between himself and the diverse communities occupying Los Angeles. Brown combines art history, streetwear trends, and pop art symbolism to create a signature style with a soft and fun, yet edgy character. He is willing to address a very unique point of view about social issues of our day with unmistakable perspectives. His artworks have the potential to influence a new generation of artists, incorporating diversity and respect for varying cultures. This one-of-a-kind acrylic and oil stick painting...

KAWS The Promise (grey): A unique KAWS Companion featuring a blue & green globe being affectionately shared between parent & child. This timeless, highly collectible KAWS art toy was...

Set of Six Hand Coloured Botanical Prints/Lithographs and Engravings Published by G. Ridgway, S. Curtis, W. Baxter and W. Fitch Early Mid 19th Century Size: image: 8.5 x 5.5 inches P...

INSTANTDREAMS - Monograph - signed Hardcover Edition, 62 pages. published by Avanso, Berlin, 2014 ISBN 978-3-935971-69-0 This book comes with "Her Last Call II" a 20x20cm Edition o...

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Part of artist Onelio Marrero's ongoing series featuring museum interiors and gallery-goers. In this piece, Onelio depicts a woman sketching...

Capturing movement in acrylic and spray paint, Armen Ges experiments with optical illusions and perspective in his original abstract artworks. To create these intriguing visuals, Ges...

Syrian roses, 46x30 cm, oil on canvas

A Pair of Italian Carved Gilt Wood Antique Frames , Mirror not included. Circa 1755. Frame Size: Width: 20.25″ X Height: 23.75″ Thickness: 4″ Pict...

German Steel Fireplace "Globe" with base, is available in different sizes, and also available in stainless steel on request. Please contact us. This firep...

Jean-Michel Basquiat Test Pattern 1979: Basquiat created this impossibly rare flyer on the occasion of a performance by his band, Test Pattern (l...

Lithograph on white Arches Cover paper. One of 5 artist's proofs, aside from an edition of 35. Signed by the artist, dated and numbered, in Roman numerals, V/V in pencil, lower rig...

The Diorama was in a private collection for more than 20 years and is said to have been exposed at the China Exposition 1902 in Copenhagen.This group of Chinese polychromed-decorate...

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A stylized hawk spreads its wings before an orange sun, surveying a tiny pond below. This scene is inspired by a morning fishing outing where artist Jessica J...

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A bright blue sky stretches over a scalloped coastline. Safe in the rookery below the cliffs, elephant seals bask in the sun, their voices blending with the c...

This is a lifetime edition - hand signed and numbered by Jean-Michel Basquiat himself in Basquiat's lifetime. Many younger collectors don't appreciate the difference between the num...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Linen Serviette 12 pieces / 1 plain white, 11 white with blue embroided, size 40x40 cm, Linen table cloth white and blue, linen, size 150x260 cm. Jud...

Christopher Wool & Felix Gonzalez - Torres (After) Christopher Wool’s paintings and prints explore the confluence of image, text, and pattern. They oft...

A fine impressionist painting of boats by a bridge in Paris by French artist Claude Montier (b. 1900). Oil on canvas, signed lower right, a...

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A soft winter hush settles over a quiet bend where a dark ribbon of water slips gently through snow-covered banks. Sparse reeds and delicate branches create a m...