Paintings

A stunning and atmospheric painting by Marius Petit (1882-1960). It dates from the 1920s, the height of the art deco period. Glorious, scintillating and beautifully coloured; it is a...

P Solomon Raj Adoration Watercolour on Paper 2006 Sheet Size: 19cm x 24.6cm Image size: 14.6cm x 19.6cm

Artist Comments
Bold, expressive strokes present an abstract interpretation of a flower. Thick paint and dynamic application evoke a sense of vitality and spontaneity. Subtle h...

Urszula Wilk – artist statment: I have always been interested in the idea of infiniteness of a painting and its opposite – that is the physical finitenes...

Amazing Figurative Expressionism painting with exceptional color and movement. Oil on canvas, ca. 1960s. Measures 40 x 52 inches. Unsigned and unattributed. Excellent condition.

Artist Comments
This abstract landscape painting, built through multiple layers of wet-on-wet mediums, creates a rich surface. The tactile depth contrasts with smooth, glossy p...

Villefranche, South of France French Post-Impressionist artist, late 20th century indistinctly signed oil on canvas, framed framed: 29.5 x 26 inches canvas : 22 x 18 inches Provenanc...

Late 19th century oil on canvas copy of The King Drinks by Jacques Jordeans, currently held in the Louvre, Paris. The painting is not signed but is probably an academic copy painted ...

A vibrant small oil painting on canvas featuring a lively street scene rendered in thick, expressive impasto. The artist captures the movement and energy of pedestrians, cyclists, an...

A beautiful painting of NYC by contemporary artist Paul Bachem oil on canvas on panel 11 x 14 unframed, 17.38 x 20.5 framed signed LR BIOGRAPHY Paul Bachem studied with Harold R. S...

Hydrangea Flowers - Floral Harmony – Original Oil Painting on Canvas by Olga Nikitina Hydrangea Painting is an original oil painting by Olga Nikitina, created with a palette knife i...

Title: The Italian City Artist/ School: English/ Italian School, late 18th century; a Grand Tour work. Medium: pencil drawing. Size: 6.75 x 9.75 inches Provenance: from a priva...

Stuart Dunkel has spent decades refining his hyper-realistic style. He paints realistic imagery based on real world inspirations. His paintings show that the everyday object can be f...

A huge mid 19th century oil on canvas depicting sheep in an extensive landscape, by Edwin L. Meadows. Excellent quality work on a grand scale by this important British landscape pa...

Beautiful illustration art painting depicts a gentleman calling on a Southern belle. Oil on canvas measures 16 x 20 inches; 18 x 22 inches framed. Signed lower left.

Glass Ornament Josine Vignon (French 1922-2022) ...

This painting named "Sunkissed sunflowers in a terracotta vase " celebrates my love for these beautiful joyful summer flowers. Van Gogh and my admiration for his art, inspired me ...

Senses, 2021, Horizons Series Handwoven painting, linen, cotton yarn, acrylic textile paint, 65 x 50 cm ‘Horizons’ are a symbiosis of two disciplines of art, Painting and Weaving. ...

This is an original oil painting on canvas by European Artist R.Kardau (XX). This painting depicts a vibrant riverside scene, capturing a market bustling with life along a waterfr...

A square-format river landscape rendered in soft blues and earthy undertones. This contemporary painting captures a quiet, introspective moment where water and land dissolve into one...

Beautiful cubist portrait of a woman by unknown Russian artist. Oil on canvas measures 17 x 25 inches. Signed and dated lower right. Label fragments affixed on verso.

Alejandro Casanova (Spanish artist) No title 80 x 80 cm Oil paint on canvas Alejandro (Ale) Casanova was born in Valencia (Spain) in 1981. In the capital of Turia, he studied Fine ...

Signed Adolfo Perez Frame size 75x64 cm.

Maria C Bernhardsson's original artworks are influenced by the architecture and geometry of houses. Born in Sweden, Bernhardsson travels the world photographing and sketching houses ...

This painting is signed on the back, the frames are made of oak A few words of the artist about his art: When i painting landscapes, I usually choose simple geometric arrangements,...

Artist: Raphael Soyer (1899-1987) Title: Girl with Braided Hair Year: Circa 1947 Medium: Oil on canvas Size: 12 x 9 inches; framed size, 19 x 16 inches Condition: Excellent Inscripti...

Richard Andres (American, 1927–2013) Saturday on Wednesday, c. 1975 acrylic on canvas signed lower right, signed and titled verso 48.5 x 62.5 inches Richard Andres was born in Buff...

Early 20th Century French Barbizon School of a lake and cottage by G Jouyet. The painting is signed bottom left and there is a birthday inscription, signature and title to the back o...

Original oil painting by Huguette Baudrot (French, 1929-2023) *see further notes below Post-Impressionist oil painting by the well listed and admired female French painter, Huguett...

Pink Harbor Reflections signed by Fanch Lel (French b. 1930) size: 13.5 x 16 inches dated 93' oil painting on board, unframed condition: the painting is in very good condition. It ha...

Frank Usher de Voll Paris Street Scene, circa 1910 Signed lower right Oil on canvas 21 x 27 1/2 inches Frederick Usher De Voll was an American la...

“Breathe Slowly/17” - This work is part of a series that encourages the observer to reflect and slow down in the fast pace of modern life. The lightness and spaciousness of the lands...

Betsy Podlach (American, born 1964.) Still life with Tin Cup, 1996 17.5 X 16.5 inches. Framed it measures 18.25 X 17.25 Betsy Podlach graduated from Harvard, cum laude, (she studied...

Winter Woods is a beautiful impressionistic winter landscape snow scene. The painting is on a canvas panel and exudes the rich qualities of oil paint with bright strong color, a vari...

Gwen Wong's work is both painterly and allegorical, caught somewhere in the middle between the representational painter and the narrator. "I am inspired by the idea of a childhood re...

This late 19th-century oil painting by Rudolf Giffinger (act. c. 1870-1895) depicts a moonlit mountain torrent - its rushing waters carving a luminous path through a darkened Alpine ...

A Large, Captivating, 1960s Mid-Century Modern Floral Still Life Painting by Notable Chicago Artist, Rudolph Pen. A painting of dynamic color and patterned forms. Painted in the 19...

The artwork is unframed and will be shipped rolled in a tube Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video. Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...

Randall Exon (b.1956). Matthew, 1990. Oil on wood panel. Measures 24 x 36 inches. Unframed. Excellent condition with no damage or conservation. Signed and dated lower right. Gallery stamp on verso. Plastic wall mount taped down on verso. Provenance: The More Gallery INC, Philadelphia; Aramark Corporate Collection. Randall Exon (b. 1956) was born in Vermillion, South Dakota. Exon earned his B.F.A. in painting from Washburn University in Topeka, Kansas, and an M.F.A. at the University of Iowa. In 2003, the James A. Michener Art Museum in Doylestown, Pennsylvania, staged a solo exhibition of his work. He was awarded the Thomas Benedict Clarke Prize in the 2004 179th Annual Invitation Exhibition of Contemporary American Art at the National Academy Museum and School of Fine Arts, New York. More recently, Exon’s work was featured in Visions of the Susquehanna, a traveling exhibition organized by the Lancaster Museum of Art, Pennsylvania, in 2008, and Haunting Narratives, a major exhibition at the Woodmere Art Museum, Philadelphia, in 2012. BORN 1956 Vermillion, SD EDUCATION 1982 M.F.A. in Painting, University of Iowa, Iowa City, IA 1981 Skowhegan School of Painting, Skowhegan, ME 1981 M.A. in Painting, University of Iowa, Iowa City, IA 1978 B.F.A. in Painting, Washburn University, Topeka, KS SOLO EXHIBITIONS 2013 Hirschl & Adler Modern, New York, NY 2009 Hirschl & Adler Modern, New York, NY 2007 Hirschl & Adler Modern, New York, NY 2004 Hirschl & Adler Modern, New York, NY 2003 Randall Exon: A Quiet Light, James A. Michener Art Museum, Doylestown, PA 2001 Mulvane Museum of Art, Topeka, KS 2000 More Gallery, Philadelphia, PA 1998 More Gallery, Philadelphia, PA 1996 More Gallery, Philadelphia, PA 1994 More Gallery, Philadelphia, PA 1993 Tasis England American School, Main Gallery, Thorpe, Surrey, England 1992 More Gallery, Philadelphia, PA Theatre Gallery, Washburn University, Topeka, KS Widener University Art Museum, Chester, PA 1990 Charles More Gallery, Philadelphia, PA 1988 West Chester University, McKinney Gallery, Mitchell Hall, West Chester, PA Charles More Gallery, Philadelphia, PA Carleton College, Northfield, MN 1987 University of Maine at Machias, University Gallery, ME Topeka Public Library, Central Gallery, KS 1986 More Gallery, Philadelphia, PA 1984 More Gallery, Philadelphia, PA Stoneybrook School, Suffolk, Long Island, NY 1981-82 Florence Wilcox Gallery, Swarthmore College, PA Beauchamp Gallery, Topeka, KS SELECTED GROUP EXHIBITIONS 2019 Unforeseeable Thereness, Stanek Gallery, Philadelphia, PA 2018 Vis-à-Vis, Hirschl & Adler Galleries, New York, NY 2017 The New Baroque, Booth Gallery, New York, NY, curated by Robert Zeller Painted Landscapes: Contemporary Views, Heritage Museums and Gardens, Sandwich, MA 2016 Mixed Environs: Contemporary Painters, Lore Degenstein Gallery, Susquehanna University, Selinsgrove, PA 2015 Home is Where the Art Is, Hirschl & Adler Galleries, New York, NY 2014 Our American Life, Hirschl & Adler Galleries, New York, NY 2014 Edge of the Seat, The Rye Arts Center Gallery, Rye, NY 2013 Duets: Art in Conversation, Hirschl & Adler Galleries, New York, NY 2012 Haunting Narratives: Detours from Philadelphia Realism, 1935-Present, Woodmere Art Museum, Philadelphia, PA Structuring Nature, Walton Arts Center, Fayetteville, AR Summer Selections, Hirschl & Adler Modern, New York, NY 2011 Masterworks: The Best of Hirschl & Adler, Hirschl & Adler Galleries, New York, NY 2010 Summer Selections, Hirschl & Adler Modern, New York, NY 2009 Holiday Selections, Hirschl & Adler Modern, New York, NY 2008-2009 American Green – Art and Stewardship, Somerville-Manning Gallery, Greenville, DE 2008 Holiday Selections, Hirschl & Adler Modern, New York, NY Summer Selections, Hirschl & Adler Modern, New York, NY 2007 Finding a Form: Influences in Figurative Painting, Tower Gallery, Philadelphia, PA Holiday Selections, Hirschl & Adler Modern, New York, NY Summer Selections, Hirschl & Adler Modern, New York, NY 2006-2008 Visions of the Susquehanna, Susquehanna Art Museum, PA; Governor’s Residence, Harrisburgh, PA; Washington County Museum of Fine Arts, Hagerstown, MD; Roberson Center for Art and Science, Binghamton, NY. 2006 Summer Selections, Hirschl & Adler Modern, New York, NY 2004 179th Annual: An Invitational Exhibition of Contemporary American Art, National Academy of Design, New York, NY Selected Works from the Ballinglen Collection, United States Embassy to Ireland, Ambassadors Residence, Phoenix Park, Dublin, Republic of Ireland. Part of the Art in the Embassies Program, Washington D.C. 2001 Personal Affinities, Contemporary Artists Influenced by the works of Edwin Dickinson, Pennsylvania Academy of the Fine Arts Museum, Philadelphia, PA 2000 December Show, Fenton Gallery, Cork City, Ireland Works from the Archives, Ballinglen Arts Foundation, Ballycastle, County Mayo, Ireland 1999 New Realism for a New Millennium, Memorial Art Gallery, University of Rochester, NY Indomitable Spirits, The Figure At The End Of The Century, The Art Institute of Southern California, Laguna Beach, CA 1998 Visual Poetry, A Selection of Work by Artists Inspired by the Words and Sentiments of Walt Whitman, Stedman Gallery, Rutgers University, Camden, NJ The Artist's Window, Lee Hansley Gallery, Raleigh, NC Embodied Fictions, Twelve Contemporary Figure Painters, The Boyden Gallery, St. Mary's College of Maryland, St. Mary’s City, MD 1997 Abstract and Image, Four Painters, Hopkin's Center, Dartmouth College, Hanover, NH An Extended View: Landscapes by Philadelphia Artists, Levy and Paley Galleries, Moore College of Art and Design, Philadelphia, PA 1996 Figure Drawings, Hillyer Hall, Smith College, Northampton, MA Figurative Paintings, Edith Caldwell Gallery, San Francisco, CA A Show of Hands (Exhibit and auction to assist AIDS research), Moore College of Art and Design, Philadelphia, PA 1994 Figures in the Landscape, More Gallery, Philadelphia, PA 1992 Landscapes by Randall Exon & Joseph Byrne, Dartmouth College, Hanover, NH 1991 A Show of Hands, Moore College of Art and Design, Philadelphia, PA 1991 Ten Contemporary Philadelphia Painters, Westmoreland Museum, Greensburg, PA 1991 Sport in Art, Woodmere Museum, Chestnut Hill, PA 1990 Myth and Monument, More Gallery, Philadelphia, PA 1990 Evidence of the Senses, 7 Painters, Woodmere Museum, Chestnut Hill, PA Pollack Award Winners, Mulvane Gallery, Washburn University, Topeka, KS 1989 Works on Paper, More Gallery, Philadelphia, PA Nocturnes, More Gallery, Philadelphia, PA 1986 Nature Morte, Southern Alleghenies Museum of Art, St. Francis College, Loretto, PA 1984 The Spirit of the Coast: Paintings, Monmouth Museum, NJ Drawings: Personal and Intimate, More Gallery, Philadelphia, PA Night Paintings, Florence Wilcox Gallery, Swarthmore, PA 1983 Realist Direction, Penn State University Museum, University Park, PA 1981 Graduate Student Traveling Exhibit, University of Iowa, Iowa City, IA 1980 Selected Painters, Mulvane Gallery, Washburn University, Topeka, KS 1979 Artists Choose Artists Exhibit, University of Missouri at Kansas City Art Gallery, MO JURIED SHOWS 1990 Philadelphia Art Now, Philadelphia Museum of Art, PA 1989 State of Pennsylvania Juried Exhibition, William Penn Museum, Harrisburg, PA 1987 State of Pennsylvania Juried Exhibition, William Penn Museum, Harrisburg, PA 1984 Butler Institute of American Art Annual Exhibit, Youngstown, OH National Academy of Design Biannual Competition, New York, NY 1981 32nd Iowa Artists Exhibition, Des Moines Art Center, Des Moines, IA 1980 Iowa Artists Solon, Burnnier Gallery, Iowa State University, Ames, IA 1979 Kansas Bankers Association Exhibition, Topeka, KS AWARDS/GRANTS/RESIDENCIES 2004 The Thomas Benedict Clarke Prize, 179th Annual Invitational Exhibition of Contemporary American Art, National Academy Museum and School of Fine Arts, New York, NY 2001 2nd Fellowship, Ballinglen Arts Foundation, Ballycastle, County Mayo, Ireland Eugene M. Lang Faculty Fellowship, Swarthmore College, PA 1997 Fellow, Ballinglen Arts Foundation, Ballycastle, County Mayo, Ireland 1992 Washburn Fellow, Washburn University, Topeka, KS 1989 Eugene M. Lang Faculty Fellowship, Swarthmore College, PA 1988 Andrew Carnegie Prize, 163rd Annual Exhibition of the National Academy of Design, New York, NY 1987 1985-86 1984 1981 1981 1980 1976, 78 TEACHING 1982-present 1994-00 1980-82 Best of Show prize, juried museum exhibition, The State Museum of Pennsylvania, Harrisburg, PA Henry Luce Scholar, Bali, Indonesia Julius Halgarten Prize for Best Painting by an Artist under 35 years of age Academy of Design Annual Exhibition, New York, NY Iowa Artists Salon, Second Prize Skowhegan Scholarship Award, University of Iowa, Iowa City, IA Student Award, 32nd Iowa Artists Exhibition, Des Moines Art Center, IA Charles Pollack purchase prize for the best painting from annual student exhibition, Washburn University, Topeka, KS Professor in Studio Arts, Swarthmore College, Swarthmore, PA Chair, Department of Art, Swarthmore College, Swarthmore, PA Teaching Assistant to Ben Frank Moss, University of Iowa, Iowa City, IA VISITING ARTIST/LECTURES 2002 2001 1998 1995 1994 1993 1994, 1992 1992 1989 1987 1986 1985 1982 Pennsylvania State University, Abington, PA Hollins College, Roanoke, VA Maryland Arts Institute, Baltimore, MD Beaver College, Glenside, PA Union College, Department of Art, Schenectady, NY Allentown Art Museum, PA Pennsylvania Academy of the Fine Arts, Philadelphia, PA Bucks County Community College, Newtown, PA Tasis England American School, Thorpe, Surrey, England Boston Art Institute, MA Boston University, M.F.A. program, MA Beaver College, Department of Art, Philadelphia, PA Dartmouth College, Department of Visual Studies, Hanover, NH Dartmouth College, Department of Visual Studies, Hanover, NH Carleton College, Northfield, MN University of Maine at Machias, ME Horsham College of Art, Horsham, England Stoneybrook School, Suffolk, Long Island, NY Moore College of Art, Basic Drawing, Philadelphia, PA Vassar College, Department of Art, Poughkeepsie, NY PUBLIC COLLECTIONS Allentown Art Museum, PA ARA Corporation, Philadelphia, PA Security Pacific National Bank, Sanger Branch, Los Angeles, CA University of Iowa, Permanent Collection, Iowa City, IA Mulvane Gallery Permanent Collection, Washburn University, Topeka, KS Woodmere Museum, Mt. Airy, Philadelphia, PA Henry Luce Foundation, New York, NY Henry Wendt Collection, Philadelphia, PA Susquehanna Art Museum, Harrisburg, PA SELECTED BIBLIOGRAPHY Sozanski, Edward J. “Simple Situations, in almost holy light,” Philadelphia Inquirer , February 7, 2003 Francis, Naila,“Studies in Light, Space,” The Intelligencer, January 9, 2003 Thompson, Jodi, “Fabulous Realism, seeing the light,” Out & About, January 9, 2003 Hopkin, Alannah, The Irish Examiner, July 1, 2002 Hopkin, Alannah, The Irish Examiner, January 2002 Sosanski, Edward, Philadelphia Inquirer, February 2001 Carr, Jeffrey, “Landscapes of the Imagination,” American Artist, January 1999 “On The Town,” New York Times Art Review, November 1998 Adelson, Fred B...

This vibrant semi-abstract painting is a response to a wildflower meadow managed by Worcestershire Wildlife Trust. Hardwick Green meadows are rich in plants with wonderful names such...

About the Artist: Claudia Griesbach- Martucci was born in Monmouth New Jersey, 1990. She attended the School of Visual Arts undergrad in 2008 and went on to obtain her Master's Degr...

Elegant antique original oil painting on canvas depicting a romantic pastoral scene inspired by 19th-century European traditions. The composition portrays a young couple resting in a...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

Gwen Wong's work is both painterly and allegorical, caught somewhere in the middle between the representational painter and the narrator. "I am inspired by the idea of a childhood re...

The Border Terrier by Leonard Richard Finn (British, b. 1891) signed oil on canvas, framed framed: 24 x 20 inches canvas: 20 x 16 inches provenance: private collection, UK condition:...

Blue, indigo, navy, water, sky 31 x 31" Inspired by the drama of nature and light, Cynthia creates abstracted landscapes with oil on canvas.

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

* No US duty or taxes to pay on artwork * A beautiful late 19th century English oil on canvas portrait of a white haired terrier wearing a leather collar. Excellent quality and fin...

The landscape painting of Isola del Garda is painted in the impressionism style en plein air on Lake Garda in Italy. "That day, my friends and I were painting at a private villa, w...

Artist/ School: 18th/ 19th century Continental School, after Murillo Title: Figures eating Grapes Medium: signed oil painting on metal, framed. Size:...

This artwork is inspired by one of the issues amongst many in the traditional Yoruba African society where I'm still growing up as the son of the soil. As I was growing up and up til...

Vignel N3 is a unique oil on canvas painting by Spanish contemporary artist Calo Carratalá, dimensions are 114 × 162 cm (44.9 × 63.8 in). The artwork is signed, sold framed and come...

Cubist Interior Scene Marcel Seignobos (1892-1972) signed oil on canvas, unframed Canvas : 18 x 22 inches Provenance: private collection, Cote d'Azur, France Condition: good conditio...

The Quiet River French Impressionist, signed and dated 1940's oil on canvas, framed in original French frame. signed and dated framed: 35.5 x 36 inches canvas: 24 x 29 inches Prove...

Gwen Wong's work is both painterly and allegorical, caught somewhere in the middle between the representational painter and the narrator. "I am inspired by the idea of a childhood re...

"Be Bold" is a striking piece that demands attention from the moment one sets eyes on it. The central figure, a woman with flowing blue hair, exudes an air of confidence and resilience. The blue hue not only serves as an aesthetic choice but also carries deeper significance, representing the freedom to break societal norms and embrace personal identity without fear. The composition is masterfully crafted, with bold brushstrokes and intricate details that draw the viewer into the artwork. The woman's piercing gaze locks with the observer, inviting them to explore their own journey of self-discovery and empowerment. Each stroke of Theophilus's brush seems to radiate energy and passion, capturing the spirit of the subject and infusing the artwork with a powerful presence. "Be Bold" serves as a powerful symbol of embracing individuality and embracing one's true self. The woman with blue hair stands as a representation of those who dare to be different, challenging societal expectations and norms. The vibrant blue color symbolizes freedom, confidence, and the courage to break free from conformity. In a world that often pressures individuals to fit into predefined molds, Theophilus's artwork is a reminder of the beauty and strength found in embracing one's unique qualities. "Be Bold" calls on viewers to celebrate their differences, encouraging them to step out of their comfort zones and express their true selves without hesitation or fear of judgment. The power of "Be Bold" lies in its ability to evoke a strong emotional response in those who experience it. The artwork serves as a catalyst for introspection, urging viewers to reflect on their own lives and choices. The confident and defiant gaze of the woman with blue hair prompts individuals to question their own limitations and seek the courage to break free from them. By inspiring viewers to be bold, Theophilus encourages self-empowerment and personal growth. Through his art, he instills a sense of pride and confidence, reminding us that our uniqueness is a strength to be celebrated, not hidden away. The artwork's impact extends beyond the confines of the gallery walls, inspiring individuals to embrace their authentic selves and pursue their passions with unwavering determination. "Be Bold" by Adewuyi Theophilus...

A stunning and masterful depiction of a Parisian street view from the 20th Century. The artist executed this painting en plein air with street life and cars parked along into the dis...

“A Mulatto Girl, 1879” by Walter Scott Boyd (British, c. 1860-c. 1950) The identity of this young girl is presently unknown; however, the title of the work reveals some information ...

Elsa Sroka is a popular contemporary artist based in Colorado, celebrated for her wonderfully creative and evocative paintings. Her work blends elements of realism and abstraction, r...

Artist Comments
Green, blue, and orange with black accents create a dynamic abstract composition. Scratches and marks add texture and energy. Artist Dorothy Gaziano used oil pa...