Paintings

A beautiful late 19th century French Orientalist oil on panel depicting a North African street with figures seated under an awning. Perhaps the location is the pink city of Marrakesh...

La pintura representa a la Virgen María por su iconografía tradicional. Viste un manto azul verdoso que cubre su cabeza y hombros, y una túnica rosada con detalles en tonos claros. S...

Title: Najac Village and Castle French Hilltop Landscape Watercolour Painting Artist: Pierre Neveu (French b.1929) Medium: Watercolour on artist sketchbook paper, unframed Size (H x ...

This artwork " "Waiting for calmness on the ocean waves" "is a vibrant and dynamic depiction of a seascape, masterfully capturing the essence of a lively and tumultuous ocean. The...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

Abstract Expressionist Composition by Jacques COULAIS (1955-2011) watercolour painting on artist paper unframed: 14.75 x 13 inches condition: excellent provenance: all the paintings...

“Still Life, 1936” by Katharine "Kitty" Duff Church (British, 1910-1999). This large, early painting by Katherine Church is among her finest canvases of the period. Characterized by its bold color palette, simplified forms, and expressive brushwork, this composition centers around a tabletop adorned with various objects: potted plants, a ceramic dish, bottles, and what appear to be books or papers. The two potted plants provide contrasting elements: on the left, what appears to be a cyclamen with red blossoms and delicate leaves, and on the right, a lush green plant with darker foliage. These plants, painted with loose, textured strokes, add an organic quality to the otherwise structured arrangement. The tabletop is cluttered yet thoughtfully composed, featuring additional objects like a clear, faceted glass bowl, a small bottle, and books or pads in striking red and green. The dynamic use of color blocks and the juxtaposition of shapes (round pots against rectangular books) create a sense of rhythm and harmony. The background is darker and less defined, emphasizing the brightly lit tabletop. Church's brushwork is gestural and modernist, leaning toward abstraction, challenging traditional still life conventions. This painting reflects Church’s interest in balancing everyday objects with bold artistic expression. It conveys both the simplicity and complexity of daily life, transforming an ordinary moment into a vibrant and engaging work of art. This work is oil on canvas and is signed and dated in the lower right. It is housed in its original gessoed frame and retains various labels and inscriptions on the reverse. Size: 28.25 inches tall by 36 inches wide (painting) 34 inches tall by 42 inches wide by 2 inches deep (frame) Provenance: Private collection, NY; Acquired from the above About the artist: Born in Highgate, north London, Katharine Church, known as ‘Kitty’ amongst friends and family, always wanted to paint. She trained at the Royal Academy of Arts between 1930-1933 and at the Slade between 1933 and 1934. In her early years Kitty exhibited regularly at the Royal Academy. Her first solo exhibition was in 1933 at the Wertheim Gallery. Other artists who exhibited there included Christopher Wood, Victor Pasmore and Cedric Morris. Kitty also showed with the New English Art Club, the London Group and between 1937-1947 her work was exhibited at the influential Lefevre Gallery, which supported avant-garde artists such as Henry Moore, Ben Nicholson and Barbara Hepworth. In 1954 the artist was invited to take part in the Figures in their setting exhibition held at the Tate Gallery. Henry Tonks and Philip Wilson Steer had a strong influence on Kitty’s early work, but it was her friendship with Ivon Hitchens that liberated her painting technique. In 1936 Kitty married Anthony West, the son of writers Rebecca West and H.G. Wells. The couple initially lived in London before moving to Quarry Farm, Chicksgrove, Tisbury, near Salisbury, where they brought up their children Caroline and Edmund. There they hosted many of their friends, including the New Zealand painter Frances Hodgkins. Other regular visitors before the War included John and Mywafany Piper, Ralph and Frances Partridge, Noel and Catharine Carrington, Julian Trevelyan and Mary Fedden. For many of those who visited Kitty would organise painting expeditions. After the war Kitty and Anthony separated, with Anthony moving to the United States. Anthony West moved to the United States to work as a journalist for The New Yorker. In the early years after their parting Kitty visited most years with the children. In the 1960s Kitty purchased Sutton House and ran the Hambledon Gallery at Blandford Forum. There she promoted the work of her early art-school friends Mary Fedden and Julian Trevelyan, alongside work by the Pipers, John Craxton...

“Breathe Slowly/17” - This work is part of a series that encourages the observer to reflect and slow down in the fast pace of modern life. The lightness and spaciousness of the lands...

Miguel Condé (Mexican/American, b. 1939) Untitled, 1968 Oil on canvas Signed and dated verso 55.25 x 44 inches Miguel Condé is a Mexican figurative painter, draughtsman, and print m...

Juan Giralt Lerin was a well listed Spanish artist born in 1907. He is best known and his most desirable paintings are of ballerinas. He has had Auction results as high as $2700 for ...

In a symphony of pure emotion and vibrant energy, this magnificent painting bursts with an exuberant floral explosion. Thick, impasto strokes of crimson, sapphire, lavender, and gold...

In a bid to find myself strength amidst an inferiority complex. I realized that, whether as an individual or as a nation, What we call strength and weakness, yellow, black and white...

17th Century Italian School Christ and the Canaanite Woman oil on canvas, framed Framed: 30.5 x 35 inches in an antique gilt 'hollow' fra...

Infinity on Danakil is a unique painting by French contemporary artist Frédérique Domergue. This painting is made with oxidized zinc and bronze leaves on aluminium panel, patina fixe...

Floral Still Life with Roses, 19th Century Spanish Oil Painting Artist: José María Murillo Bracho Birth / death: Seville, 1827 – Málaga, 1882 Title: Floral Still Life Technique: Oil on canvas Artwork size: 34 × 45 cm / 13.4 × 17.7 in Framed size: 56 × 67 cm / 22 × 26.4 in Signature: Signed lower left Frame: Yes, ornate gilded frame included Condition: Good overall condition, with normal signs of age and conservation consistent with a 19th-century painting. The frame shows wear consistent with age. Subject: Floral still life Style: 19th-century Spanish painting, floral realism, Andalusian school Description Elegant 19th-century floral still life painted in oil on canvas by José María Murillo Bracho, a Spanish artist from Seville especially known for his refined flower paintings, fruit compositions and still lifes. The work presents a horizontal bouquet of flowers arranged on a neutral surface, with white roses, vivid red blossoms, mauve flowers, golden yellow accents and deep green leaves. The composition combines naturalistic precision, delicate color and a carefully balanced sense of light, creating a serene and highly decorative image. The contrast between the luminous white flowers at the center, the intense red blooms and the sober blue-grey background gives the painting great visual richness. The brushwork is detailed and sensitive, particularly in the petals and foliage, where the artist’s almost botanical attention to form and texture can be clearly appreciated. This painting is especially attractive within Murillo Bracho’s production because floral still life was one of the genres most closely associated with his work. The piece also retains an ornate gilded frame, enhancing its classical presence and making it highly suitable for a refined interior. A charming antique Spanish flower painting, ideal for collectors of 19th-century Spanish art, floral still lifes, academic realism, Andalusian painting and decorative European oil paintings. A bouquet that does not fade, which is already more than can be said for most modern enthusiasm. Artist Biography José María Murillo Bracho was a Spanish painter born in Seville in 1827 and died in Málaga in 1882. He is also sometimes referenced as José María Murillo y Bracho or José María Bracho Murillo. He trained at the Academy of Fine Arts of Santa Isabel de Hungría in Seville, one of the most important artistic institutions in Andalusia during the 19th century. His work developed within the Spanish academic tradition, with a particular focus on still lifes, flowers and fruit compositions. Murillo Bracho was connected to both Seville and Málaga, and his painting reflects the refined bourgeois taste of 19th-century Andalusia. His works are appreciated for their careful realism, elegant composition, delicate chromatic range and meticulous treatment of floral subjects. Floral still lifes are among the most representative and desirable aspects of his production, combining decorative beauty with technical precision and a distinctly classical Spanish sensibility. Artistic Inspiration This painting belongs to the long European tradition of floral still life, connecting 19th-century Spanish academic painting with the broader history of flower painting. It may appeal to collectors interested in artists and traditions associated with Henri Fantin-Latour, Jan Brueghel the Elder, Rachel Ruysch, Juan de Arellano and classical European botanical painting. With its serene composition, precise floral detail and elegant color harmony, the work is well suited for collectors of antique still lifes, Spanish School paintings, Andalusian art, academic realism and refined decorative interiors. Spanish 19th Century Painting, Floral Still Life, Antique Flower Painting...

Katharina Hormel creates minimalistic landscape paintings featuring everyday scenes of life. Her art often portrays people engaged in their daily activities, such as taking a leisure...

Gardens V is an oil on canvas painting by the Croatian artist, Zoran Šimunović from the series GARDENS. Dimensions are 145 × 145 cm (57 x57 in). The artwork is sold framed. Dimension...

A beautiful 1950's French impressionist oil on board depicting a busy coastal scene with figures on the beach and sailing boats on the sea. The work is very well painted and atmosp...

Intimate reclining woman in blue, modern European figurative interior Artist: Josep Lloveras i Feliu (Spanish, 1922–2014) Title: Reclining woman in blue Medium: Oil on canvas Dimens...

Les Alpilles, St. Remy-de-Provence French School, mid 20th century signed oil on board, framed framed: 18 x 21 inches board: 13 x 16 inches provenance: private collection, Paris cond...

Oil on canvas signed R.B.FELTRAP, France, 1937. Nude. With frame : 101.5x82.5 cm - 40x32.5 inches ; without frame : 92x73 cm - 36.2x28.75 inches. Format 30F. Signed and dated "R.B.Fe...

Woodland Landscape French School, signed and dated 1855 indistinctly signed by artist Oil painting on canvas, unframed Canvas: 10.5 x 16 inches Condition: The painting is in very go...

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2024 Style: Impressionism, Title: Summer Season, Size: 28.5" x 56.5...

Layers of foliage in shades of bright teal blue, dark navy cobalt and a faint pale bluish gray grace dark teal blue branches on the pristine white background of this painting in acry...

A. Pavlov (Lithuanian/Russian) " Coast of Batumi ", Abstract Landscape signed Oil on Canvas, 20.50 x 25.50, Late 20th Century, 1979 Colors: Yellow, White, Black, Blue, White, Purple...

Artist/ School: Rene Hutet (French, 1907-1994) Title: Provence Medium: oil painting on board Size: painting: 8.5 x 6.25 inches Provenance: private col...

Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About the Artist Joy Eyitayo...

The Border Terrier by Leonard Richard Finn (British, b. 1891) signed oil on canvas, framed framed: 24 x 20 inches canvas: 20 x 16 inches provenance: private collection, UK condition:...

Frederick Serger (1889-1965). Still Life, ca. 1950. Oil on gessoed paper mounted to illustration board. Image measures 16 x 17 inches. Framed measurement: 25.5 x 25.5 inches. ...

Jim Beckner's (US based) "View to the Kitchen" is an original, handmade oil painting depicting a trio at a bar with a view to the establishment's kitchen. About the Artist: (Bor...

A beautiful oil on canvas painting by the French artist, Te Pencke. Pencke was a Parisian painter known for his colorful cityscapes depicting the times of his generation. His work is...

Robert Motelski's paintings are exceptional visions of nature, visions of space which surrounds us. They tell about being, fate and passing. They depend on the season of year, the ti...

The Loch Keepers Cottage by Joel B. Owen (British, signed and dated 1918) oil painting on canvas: 20 x 30 inches original antique gilt frame: 23 x 33 inches condition: overall very g...

Artist Comments
Green, blue, and orange with black accents create a dynamic abstract composition. Scratches and marks add texture and energy. Artist Dorothy Gaziano used oil pa...

Joost Verhagen Save Haven 6 45 x 85 cm Acrylic paint on canvas We ship worldwide for free in a wooden crate, framed as seen on the pictures. Because of the constantly changing pric...

"Philosopher" . Original, unique painting. oil on canvas, 30x38in. Shipped rolled in a tube from Europe to the USA using DHL or FedEx, no custom or import fees in the US. Shipped rol...

Italian School, Late 17th Century (circa 1670–1700) Christ in the Garden of Gethsemane Oil on panel, in a carved and gilded Baroque frame The painting is unsigned A moving devotiona...

Donald S. Vogel has been a set designer and technical director in the theater, a fine art dealer, and a writer, but first and foremost he is a painter. From a young age he was intrig...

Kerry Smith Kurt Cobain Journals #11 Mixed Media on torn canvas Year: 2022 Size: 27x18in Framed: 32x24in Signed, dated by hand COA provided Ref.: 924802-1619 -----------------------...

Head Portrait of a Spaniel English School, mid 20th century signed oil on board, framed framed: 3 x 3.5 inches board: 2 x 2.5 inches Provenance: private collection Condition: sound a...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Ola...

Maritime Painting of a Tall Ship in the Harbour at Twilight by British Artist, Dion Pears (1929 - 1985) Art measures 36 x 24 inches Frame measures 39 x 27 inches A beautifully atmo...

Kenneth Marcus Hugh (American, 1916-2011) Self Portrait Oil on canvas Signed lower right and dated ’36 33 x 27 inches 39 x 33 inches, framed Kenne...

French, large mid century oil on paper, Post Impressionist Fauvist landscape with trees in blossom by Jean Perret. The painting is signed bottom and centre...

‘Green Bay, Porthcurno’ by Samuel Phillips Jackson RWS (1830-1904). The painting is signed by the artist and dated 1862. Samuel Phillips Jackson’s early oil paintings are rare and ...

Francis Mabel Hollams (1877–1963) The Farrier’s Visit, circa 1925 Oil on canvas, monogrammed lower right. Presented in its original gilt frame. Francis Mabel Hollams was one of Britain’s most accomplished painters of horses and domestic animals during the late nineteenth and early twentieth centuries. A gifted sporting artist, she studied under the distinguished equestrian painter Lucy Kemp-Welch and went on to establish a successful career exhibiting at London’s foremost institutions, including the Royal Academy, the Royal Institute of Oil Painters, the Royal Society of British Artists and the Walker Art Gallery in Liverpool. Her paintings are celebrated for their exceptional draughtsmanship, sensitive observation and genuine understanding of animal character, qualities that have secured her place among the finest female sporting artists of her generation. The Farrier’s Visit beautifully encapsulates the quiet rhythms of rural England during the years when the working horse remained indispensable to everyday agricultural life. Hollams depicts a magnificent grey Shire horse standing patiently outside a traditional brick stable as the village farrier carefully replaces one of its shoes. The scene is entirely unforced and deeply authentic, celebrating the mutual trust between horse and craftsman, a relationship forged through generations of skilled husbandry. The monumental presence of the Shire horse dominates the composition, yet Hollams avoids sentimentality, instead conveying its immense strength through calm composure and gentle dignity. Every detail, from the worn leather harness to the weathered stable doors and simple blacksmith’s tools...

Still Life of Flowers by Laure Noetzin-Azam (French 1929-2024) pupil of André LHOTE oil on canvas, unframed canvas: 29 x 23.5 inches Provenance: all the paintings we have by this art...

Artist/ School: French School signed A.Bertin signed on back, dated 1965 Title: Period portrait of a woman Medium: oil on board, framed Framed: 18.5 x 12.5 inches Board : 18 x 12 ...

Leigh Ann Van Fossan's "Le Jardin de Monet, II" is an original, handmade oil painting that depicts an impression of a lily pond. Van Fossan was born in Vail, Colorado, and began oi...

Antique European oil painting. Oil on board. Signed. Framed. Measuring: 11 by 9 inches overall, and 9 by 7 painting alone. Excellent con...

Karen Offutt's "Glow" is an original, handmade painting that depicts a close up view of a feminine face with her eyes closed as her necklace and alabaster skin reflect brightly again...

A fine 1920's oil on board portrait of a smartly dressed gentleman, close to the work of James Abbott McNeil Whistler. The work is indistinctly signed and dated 1924 lower right. P...

This mid 19th-century British rural landscape titled "Near Norwich" is by Victorian artist Edward Charles Williams (1807-1881). Against a backdrop of a windmill situated a little bey...

Deep Flowers signed initials by Irina Hale (British 1932-2022) oil painting on card stuck on paper, unframed inscribed verso overall size: 11 x 8.5 inches painting: 6.5 x 6 inches pr...

As I connect with life's rhythm, I see my small but important role in the big picture of life. Time keeps moving, reminding me to enjoy each moment and think carefully. Like plants t...

Low Tide signed by Georges Bordonave (French contemporary) dated 1969 oil painting on canvas, unframed canvas: 18 x 21.5 inches condition: very good provenance: from a large private ...

Woven Identities is a body of work that explores the intersection of indigenous African heritage and modern global culture. In these paintings, I focus on hairstyle, tribal marks, dr...

Iqi Qoror's surreal figurative paintings are arresting in their earthy palettes offset by pops of fluorescent textile embroidery. His artworks revolve around questions of trust, inte...

Title: Autumn Colors Medium: Oil on canvas Size: 24.25 x 36.25 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This...

Tavern Interior Dutch School, 17th century oil on metal, framed framed: 8 x 6.75 inches painting: 6 x 4.25 inches provenance: private collection condition: very good and sound condit...