Emulsion Abstract Paintings

In Untitled 7.1.25, Bryan Ricci presents a richly layered abstraction that moves between structure and release, color and gesture. Dense clusters of thick, block-like marks float acr...

Archiver [2020] original Acrylic and emulsion on cradled plywood panel Image size: H:40 cm x W:27 cm Complete Size of Unframed Work: H:40 cm x W:27 cm x D:4cm Sold Unframed Plea...

In Untitled 10.4.25, Bryan Ricci creates small, deliberate strokes that gather across the surface, accumulating into layered fields of blooming color. These marks oscillate between p...

A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...

A commanding presence in any interior, this monumental 8 × 8 foot canvas by John Millei is executed entirely within a single cobalt-to-ultramarine blue register, differentiating grou...

The material used in this series of works is not typically painterly. By using plush as the basic foundation, it is positioned as a building element - the material is no longer just ...

The material used in this series of works is not typically painterly. By using plush as the basic foundation, it is positioned as a building element - the material is no longer just ...

The material used in this series of works is not typically painterly. By using plush as the basic foundation, it is positioned as a building element - the material is no longer just ...

The material used in this series of works is not typically painterly. By using plush as the basic foundation, it is positioned as a building element - the material is no longer just ...

The material used in this series of works is not typically painterly. By using plush as the basic foundation, it is positioned as a building element - the material is no longer just ...

The material used in this series of works is not typically painterly. By using plush as the basic foundation, it is positioned as a building element - the material is no longer just ...

The material used in this series of works is not typically painterly. By using plush as the basic foundation, it is positioned as a building element - the material is no longer just ...

The material used in this series of works is not typically painterly. By using plush as the basic foundation, it is positioned as a building element - the material is no longer just ...

The material used in this series of works is not typically painterly. By using plush as the basic foundation, it is positioned as a building element - the material is no longer just ...

The material used in this series of works is not typically painterly. By using plush as the basic foundation, it is positioned as a building element - the material is no longer just ...

A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...

This is a unique mixed media piece: it is a hand-painted botanical abstract colorful shape upon a background that is a cyanotype print of a cloudy texture, giving it a modern, abstract geometric feel that will look great in contemporary and classic homes and businesses. Details: + Title: Turquoise Leaf...

A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...

A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...

A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...

A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...

A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...

A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...

Matt Emulsion, Gloss Varnish, 24 carat Gold Leaf on Aluminium

A commanding presence at eight feet square, this large-scale abstract painting by Los Angeles-based artist John Millei is one of four works in his "Lasso" series, executed in 1990 du...

This painting explores the graphic simplification of the wild coastline around the Hartland Point lighthouse in North Devon, England. The point marks th...

A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...

A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...

A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...

A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...

Bergamasque (Mini), Abstract Painting by Alan Reynolds, 1972 Additional information: Medium: Emulsion on cut-out board on wood, with relief; in the Arti...

Artist Statement Since Roger Weik was early in college in the 70's, he has always held an affinity for thickness and texture. There was something very organic about his work, a sens...