Found Objects Abstract Paintings

“Rift Valley, Sonde III” is a richly textured mixed-media composition that captures the interplay between natural and abstract forms, evoking the raw beauty of nature while offering ...

Nyasha Mashumba, having been the apprentice of Mark Hilltout, has now carved out a career for himself as artist and designer, utilizing the medium and craft he has mastered over the ...

Nyasha Mashumba, having been the apprentice of Mark Hilltout, has now carved out a career for himself as artist and designer, utilizing the medium and craft he has mastered over the ...

Abstract expressionist assemblage with found objects typical of an artist's studio floor by Bay Area artist Michael Pauker (American, b. 1957). Applied paint brushes, caps and tubes of paint, a few letters, putty knife, with splashes of color on wood. Unsigned. From the collection of the artist's work. Unframed. Image size: 11.25"H x 25.75"W Bay Area artist and art educator Michael Pauker was born in New York in 1957 and knew he wanted to be an artist from the age of 15. He earned a Bachelor’s in Fine Arts at SUNY Purchase in his native state of New York. In 1989 he went on to earn an M.F.A at Mills College in Oakland and was awarded the City of Oakland Artist Fellowship in Painting. He has been a Bay Area resident since 1988. His work has been exhibited widely across the U.S., as well as in Japan and Costa Rica, and is included in the collection of the Fine Arts Museums of San Francisco. Exhibitions include: 2007 Contemporary Art Museum, San Jose, Costa Rica 2007 “The Ebay Art Project,” Works/San Jose, San Jose, CA 2003 “Found Imagery: The Art of Collage,” Fresno Art Museum,Fresno, CA 2003 “Cut, Copy, Paste,” De Saisset Museum, Santa Clara, CA 2003 “20th Annual Exhibition,” Berkeley Art Center, Berkeley, CA 2002 “40 by 40...

Contemporary large-scale abstract assemblage oil painting with various paint brushes, paint tube, and other found objects affixed to the surface of the canvas with a brown and black ...

Large Found Object Abstract Mixed Media Panel, colorful abstract composition within black painted frame. Overall: 50.75" H x 62" W x 2.5" D. Provenance: From a New York City Collec...

“Rift Valley, Sonde IV” is a richly textured mixed-media composition that captures the interplay between natural and abstract forms, evoking the raw beauty of nature while offering a...

Mark Hilltout has always been drawn to the random, the discarded and the broken. Car dumps fascinate him - he is attracted to the broken edge, not the pe...

Vestiges spectrales IV continues Melisa Taylor Metzger’s exploration of oceanic memory and material transformation through mixed media and impasto. This smaller-scale work, rich in t...

Vestiges spectrales II is a large-scale mixed-media painting on canvas that transforms the surface into a textured terrain where the visible and invisible intermingle. Built from lay...

Nyasha Mashumba, having been the apprentice of Mark Hilltout, has now started to carve out a career for himself as artist and designer, utilizing the medium and craft he has mastered...

Seeking the Sound of Cobalt Blue is a series of paintings and sculptures that have been created since the spring of 2014. Ellen Hackl Fagan_SeekingtheSoundofCobaltBlue_Found Object...

Abstract expressionist found object assemblage on wood with highly expressive silver and gold paint by Bay Area artist Michael Pauker (American, b. 1957). Against the raw woodgrain, the artist has attached several objects, including paper fragments of ornithological illustrations of birds...

Artist: Robert Melee Title: Another Unrendered Quasi-Articulated Substitution Year: 2006 Medium: Beer bottle caps, Plaster and Enamel on Wood, signed verso Size: 40 inch Diameter

Artist: William Copley Title: Firecracker Year: 1975 Medium: Oil on Canvas with Match and Firecracker, signed and dated Size: 12 in. x 12 in. (30.48 cm x 30.48 cm) Frame Size: 13 x 1...

Seeking the Sound of Cobalt Blue is a series of paintings and sculptures that have been created since the spring of 2014. Using domestic construction materials from her garage, extras from home improvement projects or the garden, have been captured, much like a photogram, but with paint, not silver. By blending photography and painting, Fagan finds that the patterns created with industrial, mass-produced objects around the house and garage, speak to her interest in producing paintings that link to sound. These works are portraits of the artist’s home, its history, and the materials used to build that maintain her home. Ellen Hackl Fagan builds connections between color and sound using installations, interactive games, and collaborative projects that combine color-and-texture saturated paintings with music...

Seeking the Sound of Cobalt Blue is a series of paintings and sculptures that have been created since the spring of 2014. Using domestic construction materials from her garage, extras from home improvement projects or the garden, have been captured, much like a photogram, but with paint, not silver. By blending photography and painting, Fagan finds that the patterns created with industrial, mass-produced objects around the house and garage, speak to her interest in producing paintings that link to sound. These works are portraits of the artist’s home, its history, and the materials used to build that maintain her home. Ellen Hackl Fagan builds connections between color and sound using installations, interactive games, and collaborative projects that combine color-and-texture saturated paintings with music...

Schwartz received a degree in fine art from the Victorian College of the Arts in Melbourne, Australia, and later studied sculpture at Columbia University. Her work has been shown in...

A unique contemporary abstract expressionist painting with collaged found object elements, including a torn page from Robinson Crusoe, vintage stamps, and old letters by Bay Area art...

Vestiges spectrales II is a large-scale mixed-media painting on canvas that transforms the surface into a textured terrain where the visible and invisible intermingle. Built from lay...

Jane Sangerman lives and works in New York City. She received her BFA from the University of New Mexico and her MFA from the State University of New York at Buffalo. She has had on...

“Rift Valley, Sonde III” is a richly textured mixed-media composition that captures the interplay between organic and abstract forms, evoking the raw beauty of nature. The earthy pa...

"At Sea Between Fossils and Satellites II2" is a textured mixed-media painting that explores the connection between the ancient and the celestial. Created with acrylic, latex, copper...

This mixed-media painting by contemporary artist Patrick Burns is a departure from his "Concrete Gardens" flower paintings, yet continues his use of heavy texture and reverberating, ...

"Concrete Gardens" is a body of work that translates Patrick Burns' deep love of the land into mixed-media paintings with rich texture and reverberating, monochrome color. Using pres...

"Concrete Gardens" is a body of work that translates Patrick Burns' deep love of the land into mixed-media paintings with rich texture and reverberating, monochrome color. Using pres...

At Sea Between Fossils and Satellites 11 (horizontal) is a richly textured, mixed-media painting from Melisa Taylor Metzger’s decade-long series At Sea Between Fossils and Satellites...

At Sea Between Fossils and Satellites 13 (horizontal) is a vivid mixed-media painting by Melisa Taylor Metzger from her long-term series At Sea Between Fossils and Satellites (2015–2...

Nyasha Mashumba, having been the apprentice of Mark Hilltout, has now started to carve out a career for himself as artist and designer, utilizing the medium and craft he has mastered...

At Sea Between Fossils and Satellites 14 is a vertical mixed-media work from Melisa Taylor Metzger’s decade-long series At Sea Between Fossils and Satellites (2015–2025). This piece ...

Nyasha Mashumba, having been the apprentice of Mark Hilltout, has now started to carve out a career for himself as artist and designer, utilizing the medium and craft he has mastered...

Jane Skingley b. 1963 Hokusai Indigo IV, 2025 mixed media on vintage book pages laid onto canvas 100 x 100 cm 39 3/8 x 39 3/8 in signed, titled and dated on reverse Jane Skingley pa...

HUBLOT NACRE is a small-scale, mixed-media assemblage on wood that captures the raw materiality and ephemeral beauty of the natural world. Created following a trip to the Caribbean, ...

This is a shadow box construction approx. 13" x 9" x 2.5" with painted and collaged materials and found objects. Encased in a dark wood frame under glass. It is signed and dated twice, at different orientations. PROVENANCE: Exhibited in "Portals + Revelations: Richard J. Watson," the African American Museum in Philadelphia, Oct 2021 - Mar 2022. "Most of my works are supported by memories of the past and suggested realities. Issues of social politics, ancestral references, and astral projections are presented with fragmented elements...

Mark Hilltout has always been drawn to the random, the discarded and the broken. Car dumps fascinate him - he is attracted to the broken edge, not the perfectly straight line. For th...

Mark Hilltout has always been drawn to the random, the discarded and the broken. Car dumps fascinate him - he is attracted to the broken edge, not the perfectly straight line. For th...

Please send zip code for best shipping/delivery costs and timeline -- I will work with you to get you the best price. Mat Tomezko's "Price" series of mixed media paintings are const...

Diptych Rainbow Landscape- cold wax, tissue paper, found object, and oil stick over acrylic paint on panel, 2023, through a rainbow as a lens into the landscape. The many layers of l...

“Rift Valley, Sonde 8” is a striking mixed-media composition that harmonizes Color-field staining, impasto-relief techniques, and gestural painting to create an immersive, multilayer...

Jane Skingley b. 1963 Hokusai Ocean Blue III, 2024 mixed media on vintage book pages laid onto canvas 50 x 50 cm 19 3/4 x 19 3/4 in signed and titled verso Jane Skingley paints seas...

Mark Hilltout has always been drawn to the random, the discarded and the broken. Car dumps fascinate him - he is attracted to the broken edge, not the pe...

Exhibited in "Benji Stiles: A Human Day" at Reeves Art + Design. In “A Human Day,” a solo show dedicated to the work of contemporary multidisciplinary artist Benji Stiles, we explor...

Mark Hilltout has always been drawn to the random, the discarded and the broken. Car dumps fascinate him - he is attracted to the broken edge, not the perfectly straight line. For th...

Mark Hilltout has always been drawn to the random, the discarded and the broken. For the past 12 years he has been looking intently at something that mo...

"At Sea Between Fossils and Satellites II2" is a textured mixed-media painting that explores the connection between the ancient and the celestial. Created with acrylic, latex, copper...

Mark Hilltout has always been drawn to the random, the discarded and the broken. For the past 12 years he has been looking intently at something that mo...

Exhibited in "Benji Stiles: A Human Day" at Reeves Art + Design. In “A Human Day,” a solo show dedicated to the work of contemporary multidisciplinary artist Benji Stiles, we explor...

At Sea Between Fossils and Satellites 12 (horizontal) is a luminous, mixed-media painting by Melisa Taylor Metzger from her decade-long series At Sea Between Fossils and Satellites (...

Mark Hilltout has always been drawn to the random, the discarded and the broken. For the past 12 years he has been looking intently at something that m...

Abstract painting by Katherine Filice, created with ink, stucco, mica, charcoal, and found objects on a wood panel. Part of the artist’s "Common Ground" series, this work explores ma...

Abstract diptych painting by Katherine Filice created with layered ink, stucco, mica, charcoal, and found materials on two wood panels. Part of her "Common Ground" series, this work ...

Mark Hilltout has always been drawn to the random, the discarded and the broken. Car dumps fascinate him - he is attracted to the broken edge, not the pe...

Mark Hilltout has always been drawn to the random, the discarded and the broken. Car dumps fascinate him - he is attracted to the broken edge, not the perfectly straight line. For th...

“Rift Valley, Sonde 7” is a striking mixed-media composition that harmonizes Color-field staining, impasto-relief techniques, and gestural painting to create an immersive, multilayer...

HUBLOT CARIBBEAN BLUE is a small-scale, mixed-media assemblage on wood that captures the raw materiality and ephemeral beauty of the natural world. Created following a trip to the C...

A 2010 documentary on Harald focused on his impressive exhibition in the Chelsea art district of New York City. In this heavily textured abstract painting, Harald M. Olson uses oil...

"At Sea Between Fossils and Satellites I1" is a textured mixed-media painting that explores the connection between the ancient and the celestial. Created with acrylic, latex, copper ...

"Concrete Gardens" is a body of work that translates Patrick Burns' deep love of the land and complicated past into richly textured, mixed-media paintings with reverberating, monochr...

Daniel Fiorda in this new series of sculptures, continues in many ways the themes that have infused his previous work. For the last several years, Fiorda has dealt with technology, obsolescence, with the trail of discarded tech that humanity leaves behind and what it says about us. The new work takes this thematic one step further. These new wall pieces feature barely concealed found objects, almost fully engulfed by concrete, and yet still eerily discernible: industrial gears, computer keyboards, objects that evoke industrial post-digital eras. This piece is a set of 3 artworks...

"Concrete Gardens" is a body of work that translates Patrick Burns' deep love of the land and complicated past into richly textured, mixed-media paintings with reverberating, monochr...