Plaster Abstract Paintings

Big Little #175 (Small, Square Abstract Painting with Geometric Patterns in Purple and Orange) acrylic, pigmented plaster, and wax on wood panel 12 x 12 inches, unframed Signed, vers...

Large, brightly colored abstract geometric painting in various shades of red, pink, and peach with accents of mint green, teal, blue, yellow, white and black. "Memory Wall #6" made ...

Textured Abstract Expressionist Composition in Plaster and Acrylic on Canvas Brightly colored and deeply textured abstract composition by an unknown artist (20th century). Layers of...

AUDRA WEASER "Golden Pearl" Acrylic, Metallic Pigments, Plaster Paint on Canvas 40 x 60 in. ___________________ Utilizing a minimalist color palette, Weaser’s process-based paintin...

Rosa Roig-Fiol b. 1991 Do Not Splash Me III, 2025 acrylic and plaster on canvas 76 x 61 cm 29 7/8 x 24 in signed, titled and dated verso Rosa Roig-Fiol is a Spanish-British artist w...

This is a one of a kind original painting by southern California artist, Kathleen Kane Murrell. Its dimensions are 40" x 90" x 1.5" (HxWxD). It is acrylic and plaster on canvas. It i...

AUDRA WEASER "Ocean Flight I" Acrylic, Metallic Pigments, Plaster Paint on Panel 30 x 30 in. ___________________ Utilizing a minimalist color palette, Weaser’s process-based painti...

Vertical, brightly colored abstract painting in various shades of red and pink with accents of light yellow, orange, white, and black "It's Not You It's Me" made by Hudson Valley art...

"Enter Uncertainty" – A state where control dissolves, and the need for stability clashes with the inevitability of change. Fear and hope exist together, shaping what comes next—not ...

Abstract minimalist artist Jason DeMeo presents a collection of artworks designed to engage viewers in a meditative experience, drawing them closer to the enduring ideals of truth, b...

Yvonne Lammerich has used a dynamic pattern, bold colours and geometric form to create this visually stunning contemporary piece. The ‘building block ...

Postcard 2442 is a unique one-of-a-kind tiny contemporary modern painting relief by Dutch artist Sander Martijn Jonker. His reliefs are made by c...

Colorful abstract geometric painting in various shades of red, orange, green and blue, with accents of white, black, pink and light yellow "Partly Perpendicular", made by Hudson Vall...

This is a one of a kind original painting by southern California artist, Kathleen Kane Murrell. Its dimensions are 40" x 40" x 2". It is acrylic and oil on panel, painted, plexiglass...

Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he developed from his childhood. His fa...

In crafting this piece, I poured my soul into each brushstroke, seeking to capture the essence of emotion in a bold yet refined visual language. The work interweaves the dynamism of ...

Rosa Roig-Fiol b. 1991 Do Not Splash Me II, 2025 acrylic and plaster on canvas 76 x 61 cm 29 7/8 x 24 in signed, titled and dated verso Rosa Roig-Fiol is a Spanish-British artist wh...

"Storm" captures the tumultuous whirlwind of human emotions—a true tempest of feelings where passion, fear, love, hope, sorrow, and determination all converge. This artwork embodies ...

SHORT SPURTS 2021 Paris, France This piece is a visual interpretation of a poem the artist wrote around frenzied, short-sighted behaviors: “That part usually stays hidden. Those colors are not known for blending. Us? We come from a rib. And we tangle ourselves in the traps we set for our prey.” - Nicholas Evans The painting is composed of plaster, oil and acrylic, with the main detail shape, in white, positioned over wood glue, leaving a slightly raised effect. Embracing the unique imperfections of reclaimed objects aged over time, Evans uses antique found...

Work on plaster and cement

AUDRA WEASER "Bathing Light" Acrylic, Metallic Pigments, Plaster Paint on Canvas 36 x 36 in. ___________________ Utilizing a minimalist color palette, Weaser’s process-based painti...

Abstract Geometric square mixed media painting on panel in colorful shades with aqua, yellow, pink, light green, and red on a background of brown with yellow highlights Big Little #1...

Essential Silence is a contemplative series of monochromatic, three-dimensional abstract paintings that explore the expressive power of reduction and material presence. In this body...

AUDRA WEASER "Cascading" Acrylic, Metallic Pigments, Plaster Paint on Canvas 40 x 72 in. ___________________ Utilizing a minimalist color palette, Weaser’s process-based paintings ...

Seeking the Sound of Cobalt Blue is a series of paintings and sculptures that have been created since the spring of 2014. Using domestic construction materials from her garage, extras from home improvement projects or the garden, have been captured, much like a photogram, but with paint, not silver. By blending photography and painting, Fagan finds that the patterns created with industrial, mass-produced objects around the house and garage, speak to her interest in producing paintings that link to sound. These works are portraits of the artist’s home, its history, and the materials used to build that maintain her home. Ellen Hackl Fagan builds connections between color and sound using installations, interactive games, and collaborative projects that combine color-and-texture saturated paintings with music...

Highly detailed surrealist composition evoking tribal, abstracted carved stone-like shapes fitting together like a three dimensional sphere shaped puzzle, floating in a sky blue space by Clayton Anderson (American b. 1943). Textured plaster border around the edge of the piece. Signed "Clayton Anderson" along the upper left edge and on verso. Presented in a deep maple box frame. Clayton Anderson (American, b. 1943) studied at the Pennsylvania Academy of the Fine Arts and worked with Ben Kimihira, Walter...

Signed lower right, 'Fink' for Ray Fink (American, 1922-1998) and painted circa 1985. A substantial oil by this well-listed American Abstractionist who studied at the Art Institute ...

Signed lower left, 'Wood' for Virginia Wood (American, 1938-2019), additionally signed, verso, and dated 1968. Virginia Wood studied at the University of South Carolina and, subsequ...

"Concrete Gardens" is a body of work that translates Patrick Burns' deep love of the land and complicated past into richly textured, mixed-media paintings with reverberating, monochr...

Untitled is an original work of art by the Catalan artist Pau Escat. This painting is created by the artist Pau Escat. The artist wants to represent landscape through his feelings a...

In crafting this piece, I poured my soul into each brushstroke, seeking to capture the essence of emotion in a bold yet refined visual language. The work interweaves the dynamism of ...

AUDRA WEASER’s abstracted, organic paintings reference those places where rivers or streams may be traversed as well as to mental states of pause or reflection. The paintings themse...

AUDRA WEASER’s abstracted, organic paintings reference those places where rivers or streams may be traversed as well as to mental states of pause or reflection. The paintings themse...

AUDRA WEASER’s abstracted, organic paintings reference those places where rivers or streams may be traversed as well as to mental states of pause or reflection. The paintings themselves suggest watery scenes pierced by light; there is a vibratory contrast between elements that shimmer with recognition yet remain elusive. And it is there where viewers may find themselves with a heightened feeling of awareness. To achieve this effect, she starts by building layers of paint over loose charcoal sketches. As the composition emerges, she refines it to a certain point, then obscures it with a veil of white until the initial colors disappear. From there, she excavates through the layers to reveal the final balance of color and form. Audra was...

In crafting this piece, I poured my soul into each brushstroke, seeking to capture the essence of emotion in a bold yet refined visual language. The work interweaves the dynamism of ...

Self-Portrait This is not a portrait of appearance — it is a map of scars, inner cracks, and wounds that remain unseen. I am not a victim, and not a heroine. I simply exist. Alive. ...

Big Little #146 (Small, Square Abstract Painting with Linear Patterns) by Vincent Pomilio acrylic, pigmented plaster, and wax on wood panel 12 x 12 inches, unframed signed, verso Th...

This 48 inch square textural mixed media painting on canvas is wired and ready to hang. It is hand signed by the artist on the back of the artwork. This piece is brought to life by a...

Series "Ocean Waves" is a powerful series of three-dimensional abstract paintings that captures the rhythmic essence of nature through sculptural textures and elemental contrasts. In...

The set of six can also be sold as a set of three or two sets of three. The frames shown are a mock up. Please see image for frame with mat. Albion Vu is an architect, fashion desig...

Rosa Roig-Fiol b. 1991 I Left a Piece of Me Behind, 2024 acrylic and plaster on canvas 30.5 x 40.5 cm 12 x 16 in signed, titled and dated verso Rosa Roig-Fiol is a Spanish-British a...

He. Lost Figure A figure that should have been — but is lost. What remains is only a trace, suspended in memory, evoking both curiosity and quiet pain. He exists as an imprint, not a...

Artist: Sam Peacock Title: Bury Materials: Oil, Coffee and Parafin on steel Medium: Mild steel sheet Size: 85 x 35 cm Edition: Original Artwork Year: 2018 ____________________...

Series "Touch of Tranquility" is a sculptural painting series that delves into the silent strength of black and the tactile language of texture. Through three-dimensional abstract su...

"Building Boom" (Contemporary Abstract Geometric Painting) by Vincent Pomilio Colorful abstract painting on panel made with mixed media in a pastel palette acrylic, pigmented plaste...

This is a one of a kind original mixed media (Acrylic, plaster, plexiglass) abstract composition by California artist and educator, Kathleen Kane-Murrell, titled, "Poppy". Its dimens...

"Existential Matter" This work captures a state where matter becomes the carrier of existential tension. Inner pressure does not find release but condenses into a dense core. Emotio...

Even in the hardest moments, when darkness seems to engulf everything, if you pause, listen, and look closely — you can find the light. It never disappears, it only fades from sight ...

Abstract minimalist artist Jason DeMeo presents a collection of artworks designed to engage viewers in a meditative experience, drawing them closer to the enduring ideals of truth, b...

Artist: Sam Peacock Title: Bury Materials: Oil, Coffee and Parafin on steel Medium: Mild steel sheet Size: 85 x 35 cm Edition: Original Artwork Year: 2018 ____________________...

Big Little 117 (Striped Abstract Geometric Painting in Tones of Blue & Red) by Vincent Pomilio Colorful abstract painting on panel made with mixed media in tones of blue & burgundy ...

When the world feels like it’s falling apart and pain fills every corner around you, dear, breathe. Don’t forget to breathe, because with each new breath, you grow stronger. The cast...

Harald M. Olson's work has been compared to Keith Haring. This large painting titled "Symphony in Black and White" measures 52x40" on canvas. The dy...

"Big Little #142" (Contemporary Abstract Geometric Painting) by Vincent Pomilio Colorful abstract painting on panel made with mixed media in a bright red and blue palette acrylic, p...

Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he developed from his childhood. His fa...

Abstract Composition by Gwen Roc'h (French, contemporary) oil painting with collage applied, mixed media surface, on canvas 39.5 x 39.5 inches signed & dated 1994 verso Striking and...

PLATO'S CAVE 2024, Paris, France A bold and graphic black & white painting with primitive undertones. Black and white acrylic paint lay over a purple-brown wash forming shapes. Very...

Katherine Bowling (American, b. 1955) Oil on spackle on wood 1988 Hand signed, titled and dated verso, Dimensions: 48"h x 48"w Provenance: From an Important Private Collection, NYC; bears gallery label from Blum Helman Gallery, NYC Notes/Literature: Exhibited: "Earth and Sky: Recent Paintings by Katherine Bowling, Joan Nelson and Ellen Phelan", Hood Museum of Art, Dartmouth College 1992 Katherine Bowling (born 1955, Washington, D.C.) is a modernist painter known for her layered landscape paintings that draw inspiration from nature in the Hudson Valley. Katherine Bowling grew up in Tidewater, Virginia. She received her BFA from Virginia Commonwealth University in 1978. Bowling's first New York show, as well as her first solo exhibition, was in 1987. Bowling's works tend to be luminous landscape paintings that often feature woods and fields as well as roads. Many of her paintings are based on her photographs of woods and fields surrounding and in Schoharie County, where she rents a house. As Molly O'Neill notes in an essay on Bowling and her work, this area is "fifty miles northwest of the vistas that inspired the Hudson River School painters in the mid-1800s." Bowling focused in particular on the imagery of roads for the theme of her exhibition at Greenberg Van Doren, Divide. As the title implies, writes Lilly Wei in the exhibition's accompanying catalog, Bowling views the roads as "abstract marks in the landscape that divide and order space." Even with roads she has often traveled, Bowling finds something new on closer inspection that alters her perception of the familiar and mundane. Bowling explains that the roads "function as a metaphor for memory and displacement." In 2001, Bowling exhibited a number of seascape paintings. In her essay on the exhibition, art historian and critic Nancy Princenthal writes that, far from being an aberration from Bowling's typically home-based scenes, the ocean paintings are "a return to childhood memories and life long inclinations. A native of Virginia, she spent her first summers at the Atlantic shore and on the Chesapeake Bay." Primarily, however, Bowling's works focus on capturing the play of light and shadow. Art critic Eleanor Heartney notes that "Her paintings, like those of Monet, Pissarro, and Renoir, focus on the ephemeral moment and the fleeting impression, conjuring the flicker of sunlight through the trees, the shifting shadows of early evening, the reflections of clouds and foliage glancing across the rippling surface of a lake." They have a luminist quality to them. O'Neill argues that Bowling additionally "has an innate sense of abstraction and she ranges happy as an uncaged chicken, pecking elements from the Impressionists' obsession with light; from modern photography; and the drip paintings of Jackson Pollock." Bowling is influenced by the use of light in the paintings of European Romantics such as J. M. W. Turner and John Constable as well as by the later work of George Inness:  Her paintings also recall landscapes by Claude Lorraine, Albert Pinkham Ryder and Camille Corot. Bowling is known for her use of spackle. She uses a long process of layering and sanding to create the "back-lit" effect found in her paintings. First, the paintings begin as a photograph which she typically takes near her rented house in the Hudson Valley. Then, she uses these photographs, which serve as her "preliminary drawings," to aid in the painting process. She also paints from memory and direct observation. Bowling paints on square panels of plywood. Bowling considers rectangular pieces to be too horizontal and rife of implications already of landscapes and horizons. She sometimes paints on one of these square and sometimes paints on several square panels together. The seams between these adjoined panels are left visible. Next, Bowling applies layers of spackle. O'Neill remarks that "Inspired, perhaps, by her day job of painting houses, [Bowling] turned to more industrial media: damp vinyl spackle, a building compound that is applied to wooden panels to create a matte, fresco-like surface. Thinned oil pigments are poured, allowed to dry, and then the Sisyphean task of sanding begins."  Initial layers generally correspond with the color of the light—varying from pinks, golds, blues, and oranges. Through this layering and sanding, she creates a luminous quality in her landscapes. Despite rigorous sanding, air bubbles within the spackle layers are revealed occasionally on the surface. Rather than disguise them, Bowling integrates them. Heartney writes that Bowling "allows these irregularities to become part of the painting so that the viewer's perception of the play of light and shadow across the image cannot be separated from an awareness of surface itself." In later stages of painting, Bowling stands above panels to throw, dribble, and splatter paint with a hair dryer, recalling the techniques of Abstract Expressionist artists such as Jackson Pollock. Awards and honors 1991 National Endowment for the Arts Grant 1989 New York State Foundation for the Arts Fellowship 1988 Mid Atlantic Arts Foundation Fellowship Notable public collections The Metropolitan Museum of Art, New York, NY Brooklyn Museum of Art, New York, NY Mary and Leigh Block Museum of Art, Evanston, IL Phoenix Art Museum, Phoenix, AZ Norton Museum of Art, West Palm Beach, CA Fisher Landau Center, New York, NY Select exhibitions 2025 PS122 Gallery Lower East Side, New York 2022 Katherine Bowling: Trees Winston Wachter Fine Art, New York 2013 Woods, Lovely Dark and Deep. DC Moore Gallery Chelsea NY Featuring: Eric Aho, Milton Avery, Romare Bearden, Dozier Bell, Jake Berthot, Katherine Bowling, Charles Burchfield, Mary Frank, Noriko Furunishi, April Gornik, Marsden Hartley, Daniel Heidkamp, David Hilliard, Mark Innerst, Max Jansons, Sissel Kardel, Whitfield...

Artwork is exclusive to IdeelArt. Knaut builds her compositions slowly over time, adding layers of colors and materials and then scraping them away, working them over and over. Gest...

The woods are lovely, dark and deep… A forest in snowfall. A space both shadowed and luminous. It draws you in — quiet, vast, unknowable — and yet calming in its purity. The snow sof...