Stone Abstract Paintings

This canvas's elongated format matches the horizontality of its subject: the Breton foreshore in the depths of winter. « January in Brittany, a peaceful mood of grey and beige, a tru...

During a walk in the forest, the shade of the trees suddenly appeared as dark blue in contrast with the reddish heather and the branches.

It is a winter without sadness, the clouds loaded and free to transform, it was the year 2016...

A pale, hazy sky settles over two soft headlands that lean toward each other, framing a quiet gap of blue-white light where sea meets horizon. Below, a still expanse of water gives w...

Nostalgia envelops a large square in pastel tones — cream, blue-grey, muted gold, a few touches of coral. A cloud-like mass occupies the centre of the canvas, as though suspended, w...

Taking the liberty of painting a type of sky that does not exist, an improbable water color… it is quite enjoyable.

A broad circular form, pale and translucent, occupies the lower left of the canvas — an almost perfect circle, ringed by a thin outline that barely stands out from the ground. Along ...

Emmanuelle Vroelant approaches Forgetting with disarming candour: « forgetting words, names… it's so annoying! » The painting starts from this very concrete irritation to build a broader reflection on memory and what it leaves behind. The canvas's relief becomes the very site of this reflection: « the relief is worked like an inscription of memory, and covering it all with China paper...

Blue, white, and gray answer one another across the entire surface of the canvas, forming an atmosphere in which one senses, without it ever being clearly depicted, a coastline batte...

Promise of Coolness unfolds in a dense canopy of greens and blue, like branches seen in a slight low-angle view, their foliage seeming in places almost to lift away from the canvas’s...

The elongated horizontal format unfolds across three clearly distinguishable panels. Vast swirls of grey, blue and ochre sweep across the entire composition with no fixed point of re...

A dense mist of water-greens, silvery grays, and off-whites envelops the entire surface of the canvas, with no light source cutting through the composition — a choice fully embraced ...

"Fantasy with Flowers" (series of 300+ pictures) paper 59x42cm  UNSTRETCHED. You'll receive it rolled in a tube. I recommend taking your painting to a local studio or gallery. This w...

Painted in an intimate square format, What Remains is one of the gravest canvases in Emmanuelle Vroelant's work. « The layout of this piece came to me during a night, probably in re...

"Fantasy with Flowers" (series of 300+ pictures) paper 59x42cm  UNSTRETCHED. You'll receive it rolled in a tube. I recommend taking your painting to a local studio or gallery. This w...

"Fantasy with Flowers" (series of 300+ pictures) paper 59x42cm  UNSTRETCHED. You'll receive it rolled in a tube. I recommend taking your painting to a local studio or gallery. This w...

The long horizontal band format unfolds a palette of milky whites and blues, punctuated on the left by a few touches of yellow and soft green, and further to the right by delicate vi...

Abstract painting, large, acrylique, linen canvas, 2020. Chinese Mythology sets a vertical format ablaze, saturated with red and orange as though incandescent from within. A sinuous form in vivid turquoise blue, born of oxidation, winds from top to bottom of the canvas, moving between passages of black and brown that evoke, without naming it, the elongated silhouette of a dragon. The deep red of the ground and the vibrant turquoise of this trail resonate against each other, setting the warmth of memory against the mineral coolness of the chemical reaction. “A travel memory, the need to paint in red... The red made me think of the oxidised bronze dragons you see in the temples of Southeast Asia.” Emmanuelle Vroelant...

The canvas sets a vast, cream and sand-coloured expanse — almost luminous, finely veined with grey — against a broad, black, charcoal-like band that occupies the entire lower part of...

In March 2022, just a few weeks after the start of the war in Ukraine, Cherished Liberty carries the immediate imprint of current events in Emmanuelle Vroelant’s work. The title alon...

Spanish Windows IV Oil, bitumen, graphite, marble powder, burlap on canvas 48" X 72" I am a visual artist whose work investigates small and large -scale abstraction primarily in the...

Untitled 87 Warren Wolf, American (1924–2003) Date: 1999 Oil and Marble Dust on Shaped Wood Size: 19 x 40 x 4 in. (48.26 x 101.6 x 10.16 cm)

Thomas Edward Nozkowski (American, 1944-2019). Original mixed media abstract composition art utilizing colored rock gravel. Titled, "Gravel Piece." Hand signed on verso, dated 5/73. Provenance: Collection of the Bass Museum of Art, Miami Beach, Florida (Museum Inventory No. t.13.2000.053.) Thomas Nozkowski was an American contemporary painter. He achieved a place of prominence through his small scale paintings and drawings that push the limits of visual language. His work appeared in more than 300 exhibitions over the past 40 years. He had more than 70 solo exhibitions, and 24 of his paintings were featured in a large-scale retrospective in 1987 at Corcoran Gallery of Art in Washington, DC Nozkowski was born in Teaneck, New Jersey and raised in Dumont, where he graduated from Dumont High School in 1961. He spent his youth in the New Jersey suburbs, admiring New York culture from afar before moving there after graduating high school. His father worked in an Alcoa Aluminum factory and then as a postman. His mother worked in factories and as a bookkeeper. One of his aunts was a schoolteacher who gave him and his younger sister art supplies. When he was a senior in high school he won a scholarship to attend a painting class at New York University's School of Education, where he studied with Robert Kaupelis and Hale Woodruff. While he earned his BFA at Cooper Union, Nozkowski was making sculpture. He graduated in 1967. He later transitioned to large scale abstract expressionist painting, and exhibited some of his earliest works in group shows at the storied Betty Parsons Gallery. Richard Tuttle had his first show a year after he began assisting Betty Parsons. Thomas Nozkowski worked for her after graduating from Cooper Union. Between 1949 and 1951. In the course of 36 years, the Betty Parsons Gallery mounted important early shows of Robert Rauschenberg, Kenzo Okada, Richard Pousette-Dart, Leon Polk Smith, Forrest Bess, Sonia Sekula, Herbert Ferber, Seymour Lipton, Eduardo Paolozzi, Alexander Liberman, Barbara Chase-Riboud, Richard Lindner, Agnes Martin, Ellsworth Kelly, John Walker, Patrick Ireland...

Faces emerge gently from a pale, cracked ground, as if surfacing out of a mist or a shared memory. None is given an age or an origin: children, adults, and elderly people stand side ...

A World Tipping Over sets two clearly distinct territories against each other: on the left, a clear, vaporous space, almost empty, in off-white and blue-grey; on the right, an imposing, rough mass, anthracite grey and brown, where the collage of Laotian paper creates a dense relief, almost a rock face or a piece of bark. Between the two, at the boundary, a thin dark silhouette barely stands out, tiny against this mass that seems ready to topple onto it. In the lower left, a murkier zone, streaked with red and beige, seems to spill out beyond the frame. The art paper, thick and grainy, gives the whole composition a raw, almost tactile materiality. A World Tipping Over is born of a shock — that of a tragic news event, evoked without flinching by Emmanuelle Vroelant...

Abstract painting, acrylic on Linen Canvas, 100 x 100 cm, 2019 The composition unfolds a pictorial gust of wind: a sky heavy with beige, ochre, and grey tones collides with a sea of...

abstract painting acrylic on linen canvas 100x120cm 2020 The whole painting unfolds in broad horizontal bands, within a tight range of greys, whites, and pale blues. Light seems to run across a liquid surface, at times bright and shimmering at the centre, at times muted by darker, almost black passages that streak the canvas like traces of foam. At the lower right, a dark silhouette and its vertical reflection break the softness of the whole: the only recognisable form within an otherwise abstract expanse. This silhouette is not incidental: Emmanuelle Vroelant...

Black Globe Oil, bitumen, graphite, marble powder, burlap on canvas 72" X 70" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium...

Artist: Warren Wolf, American (1924 - 2003) Title: Yashal & 'Aniyah #2 Year: 1996 Medium: Oil and Marble Dust on Shaped Masonite, signed, titled and dated verso Size: 32 in. x 34 in....

Abstract Acrylic Mortier on Linen Canvas, 80x60cm, 2026 I like the early morning, the streets are quiet, the sky is clear... And suddenly emerges a melodious song, so clear, so clos...

Abstract Acrylic Mixed media on Linen Canvas, 80x80cm, 2026 The summer of 2026 was very paradoxical. While in Brittany it was miraculous Everywhere else, the issue of drought threat...

This dramatic work-on-paper is an abstract geometric painting that references colors, shapes, and aesthetics that artist Nancy Agati encountered in Italy. The rich, dark background i...

Edges of a Summit II Oil, bitumen, graphite, marble powder, burlap on canvas 60" X 72" I am a visual artist whose work investigates small and large -scale abstraction primarily in t...

Wind Dancing Oil, bitumen, graphite, marble powder, burlap on canvas 72" X 60" I am a visual artist whose work investigates small and large -scale abstraction primarily in the mediu...

Emmanuelle Vroelant started this painting after watching a news report on the National Assembly, struck by a cacophony in which egos jostled together, each claiming their own truth. ...

A golden disc, almost solar in its very matter — metallic deposits, impastos of marble powder that catch the light — rises above a jagged black-and-white ridgeline, where mortar and ...

Manana Blanca II Oil, bitumen, graphite, marble powder, burlap on canvas 73" X 70" I am a visual artist whose work investigates small and large -scale abstraction primarily in the m...

Artist: Warren Wolf, American (1924 - 2003) Title: Zebuwl 2 Year: 1990 Medium: Oil and Marble Dust on Shaped Masonite, signed, titled and dated verso Size: 34 in. x 31 in. (86.36 cm...

Spanish Windows III Oil, bitumen, graphite, marble powder, burlap on canvas 48" X 72" I am a visual artist whose work investigates small and large -scale abstraction primarily in th...

Glass, sand, sumi-ink on panel Tomo Sakurai is a Japanese artist born in 1987 who lives & works in Tokyo, Japan. She had an awakening of her talent in pencil drawing as a teenager. ...

This piece Owen depicts an abstract composition with the use of mixed media and bold patterns producing work which is visually textured and rich with layers and is a part of the artist's "Elements" series which creates intricate geometric minimalistic compositions. This work has a rustic and heavily textured quality, but the final result is intended to appear quiet to reflect a more minimal outlook on life and art. Creating pieces that allow us to escape the technological realm, contemplate modern living and nature and then communicate how each domain influences another. Her pieces aim to engage the viewer with an emotional and environmental disposition that evokes a sense of balance and tranquility in the modern world. This is a unique work is on baltic birch...

This piece Owen depicts an abstract composition with the use of mixed media and bold patterns producing work which is visually textured and rich with layers and is a part of the artist's "Elements" series which creates intricate geometric minimalistic compositions. This work has a rustic and heavily textured quality, but the final result is intended to appear quiet to reflect a more minimal outlook on life and art. Creating pieces that allow us to escape the technological realm, contemplate modern living and nature and then communicate how each domain influences another. Her pieces aim to engage the viewer with an emotional and environmental disposition that evokes a sense of balance and tranquility in the modern world. This is a unique work is on baltic birch panel, and signed and titled by the artist on verso. Art measures 8 × 8 inches A native New Yorker, Christie Owen...

This piece Owen depicts an abstract composition with the use of mixed media and bold patterns producing work which is visually textured and rich with layers and is a part of the arti...

This piece Owen depicts an abstract composition with the use of mixed media and bold patterns producing work which is visually textured and rich with layers and is a part of the arti...

The Parade Oil, bitumen, graphite, marble powder, burlap on canvas 72" X 60" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium ...

24 Hours at Sea Oil, bitumen, graphite, marble powder, burlap on canvas 72" X 60" I am a visual artist whose work investigates small and large -scale abstraction primarily in the me...

OCBLK009102723 Oil, bitumen, graphite, marble powder, burlap on canvas 72" X 60" I am a visual artist whose work investigates small and large -scale abstraction primarily in the med...

This stunning original abstract painting, titled Abstract Dancer, was created by renowned artist Pawel Kontny (also known as Paul Kontny) in the 1960s-1970s. Using a unique combinati...

Balsam, ground marble and hand ground pigments give this work great depth. This piece from Sax Berlin works on different levels; the beautiful, subtle palette & the contemplative dra...

Adaizan Oil, Marble Powder, Asphalt, Burlap On Canvas 73.3 x 70" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium of painting ...

Best Laid Plans Oil, bitumen, collage, marble powder, burlap on canvas 96" x 48" I am a visual artist whose work investigates small and large -scale abstraction primarily in the med...

Painted in parallel, Fantasy 1 and Fantasy 2 naturally form a duo in Emmanuelle Vroelant’s eyes: “I find that these two paintings, made in parallel, form a duo.” Presented side by si...

Fine, rust-colored, almost metallic lines cross the surface diagonally over a white, powdery ground, intersecting here and there like the fault lines of a cracked wall. Impact draws...

In the Open Air unfolds a square almost entirely absorbed by light. Marble powder carves the canvas with relief and striations, giving the dominant white a rough, almost mineral text...

"Concrete Gardens" is a body of work that translates Patrick Burns' deep love of the land and complicated past into richly textured, mixed-media paintings with reverberating, monochr...

Seeking the Sound of Cobalt Blue is a series of paintings and sculptures that have been created since the spring of 2014. Using domestic construction materials from her garage, extras from home improvement projects or the garden, have been captured, much like a photogram, but with paint, not silver. By blending photography and painting, Fagan finds that the patterns created with industrial, mass-produced objects around the house and garage, speak to her interest in producing paintings that link to sound. These works are portraits of the artist’s home, its history, and the materials used to build that maintain her home. Ellen Hackl Fagan builds connections between color and sound using installations, interactive games, and collaborative projects that combine color-and-texture saturated paintings with music...

Upside Down by Brook Soss is a richly textured contemporary abstract painting that blends sandstone and acrylic on canvas to create a layered, atmospheric composition. Measuring 40 x...

I have, at one point in mylife, practiced art therapy, blue is the color of refocusing, one must be centered and have a positive relationship to oneself to be benevolent.

"Concrete Gardens" is a body of work that translates Patrick Burns' deep love of the land and complicated past into richly textured, mixed-media paintings with reverberating, monochr...

Underwater Adventure-Driftwood, Slate Sandstone 48 X 48 Nancy Seibert began her art studies in Washington D.C. at George Washington University. She gradu...