Stone Abstract Paintings

This canvas's elongated format matches the horizontality of its subject: the Breton foreshore in the depths of winter. « January in Brittany, a peaceful mood of grey and beige, a tru...

During a walk in the forest, the shade of the trees suddenly appeared as dark blue in contrast with the reddish heather and the branches.

The sculpture "Soul" embodies the interconnection of the material and spiritual, the external and internal world of man. The figure of a graceful female form is divided into two part...

Painted in April 2024, this vertical 81 × 65 cm linen builds its surface like a chalky wall, thickened with marble powder until it takes on the grain of an old stone. In the upper ri...

Gold Landscape mixed media on canvas 60x60 cm material painting ready to hang original artworks it is sold with a certificate of authenticity

Taking the liberty of painting a type of sky that does not exist, an improbable water color… it is quite enjoyable.

Black Globe Oil, bitumen, graphite, marble powder, burlap on canvas 72" X 70" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium...

It is a winter without sadness, the clouds loaded and free to transform, it was the year 2016...

Evanescent memories, softened colours, the breath of passing time… Ned to enter into a pastel color atmosphere, the need to change register between two paintings, as an alternation o...

Emmanuelle Vroelant approaches Forgetting with disarming candour: « forgetting words, names… it's so annoying! » The painting starts from this very concrete irritation to build a broader reflection on memory and what it leaves behind. The canvas's relief becomes the very site of this reflection: « the relief is worked like an inscription of memory, and covering it all with China paper...

A broad circular form, pale and translucent, occupies the lower left of the canvas — an almost perfect circle, ringed by a thin outline that barely stands out from the ground. Along ...

"Guarantee of freshness" abstract acrylic paint on linen panel 81x100cm 2022 In these days of pleasant but disturbing heat, I pay tribute to the foliage of trees on the banks of pe...

This idea came to me during the period of confinement and COVID, when I had the chance to breathe a beneficial, tonic, iodized and refreshing air. It was while rejoicing at each insp...

I believe it is increasingly necessary to rise above the mediocity of men: barbarism, vulgarity, rejection of the other. A dear friend having read me the poem of Saint-John Perse, I ...

"Fantasy with Flowers" (series of 300+ pictures) paper 59x42cm  UNSTRETCHED. You'll receive it rolled in a tube. I recommend taking your painting to a local studio or gallery. This w...

"In the Same Time" is a nod to Emmanuel Macron's favorite phrase and a visual testament to my perception of the sluggish atmosphere brought about by the confinement and curfew. I tr...

Thomas Edward Nozkowski (American, 1944-2019). Original mixed media abstract composition art utilizing colored rock gravel. Titled, "Gravel Piece." Hand signed on verso, dated 5/73. Provenance: Collection of the Bass Museum of Art, Miami Beach, Florida (Museum Inventory No. t.13.2000.053.) Thomas Nozkowski was an American contemporary painter. He achieved a place of prominence through his small scale paintings and drawings that push the limits of visual language. His work appeared in more than 300 exhibitions over the past 40 years. He had more than 70 solo exhibitions, and 24 of his paintings were featured in a large-scale retrospective in 1987 at Corcoran Gallery of Art in Washington, DC Nozkowski was born in Teaneck, New Jersey and raised in Dumont, where he graduated from Dumont High School in 1961. He spent his youth in the New Jersey suburbs, admiring New York culture from afar before moving there after graduating high school. His father worked in an Alcoa Aluminum factory and then as a postman. His mother worked in factories and as a bookkeeper. One of his aunts was a schoolteacher who gave him and his younger sister art supplies. When he was a senior in high school he won a scholarship to attend a painting class at New York University's School of Education, where he studied with Robert Kaupelis and Hale Woodruff. While he earned his BFA at Cooper Union, Nozkowski was making sculpture. He graduated in 1967. He later transitioned to large scale abstract expressionist painting, and exhibited some of his earliest works in group shows at the storied Betty Parsons Gallery. Richard Tuttle had his first show a year after he began assisting Betty Parsons. Thomas Nozkowski worked for her after graduating from Cooper Union. Between 1949 and 1951. In the course of 36 years, the Betty Parsons Gallery mounted important early shows of Robert Rauschenberg, Kenzo Okada, Richard Pousette-Dart, Leon Polk Smith, Forrest Bess, Sonia Sekula, Herbert Ferber, Seymour Lipton, Eduardo Paolozzi, Alexander Liberman, Barbara Chase-Riboud, Richard Lindner, Agnes Martin, Ellsworth Kelly, John Walker, Patrick Ireland...

Painted in an intimate square format, What Remains is one of the gravest canvases in Emmanuelle Vroelant's work. « The layout of this piece came to me during a night, probably in re...

"Chinese mythology" It makes me think of dragons, oxidized that I see in the multitude of temples of South-West Asia to temples. I associate the deep reds of the pillars and fra...

The joy and lightness of yellow is for me the freedom to breathe and think, which is always threatened. I wanted very spontaneous colors in opposition to the heavy reality of the war...

The canvas sets a vast, cream and sand-coloured expanse — almost luminous, finely veined with grey — against a broad, black, charcoal-like band that occupies the entire lower part of...

The joy and lightness of yellow is for me the freedom to breathe and think, which is always threatened. I wanted very spontaneous colors in opposition to the heavy reality of the war...

Cala Pragonda Oil, bitumen, graphite, marble powder, burlap on canvas 66" X 56" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medi...

Listening to a quantum physicist talking about matter and light… This level of knowledge, this new look that opens horizons of almost metaphysical or spiritual order… makes me think...

Artist: Warren Wolf, American (1924 - 2003) Title: Yashal & 'Aniyah #2 Year: 1996 Medium: Oil and Marble Dust on Shaped Masonite, signed, titled and dated verso Size: 32 in. x 34 in....

Untitled 87 Warren Wolf, American (1924–2003) Date: 1999 Oil and Marble Dust on Shaped Wood Size: 19 x 40 x 4 in. (48.26 x 101.6 x 10.16 cm)

"And the tenderness?" In this age of digital communication and social networks, the lack of courtesy and respect for the human offends me There is a lot of...

Second confinement, the slaughter of a teacher: a sense of a world that is losing its bearings, saturated with narcissism and intolerance, like a return to a society that no longer k...

"Persever" I have always been fascinated by frigates and adventurous sailors who confront the unknown and the elements I always thinks of the wind and the sea. This painting expres...

"Along the water" abstract acrylic marble powder on canvas linen black white send in wooden crate at cost the beneficial water, which opens to tranquility, to reverie… Emmanuelle vroelant...

Edges of a Summit II Oil, bitumen, graphite, marble powder, burlap on canvas 60" X 72" I am a visual artist whose work investigates small and large -scale abstraction primarily in t...

Wind Dancing Oil, bitumen, graphite, marble powder, burlap on canvas 72" X 60" I am a visual artist whose work investigates small and large -scale abstraction primarily in the mediu...

This dramatic work-on-paper is an abstract geometric painting that references colors, shapes, and aesthetics that artist Nancy Agati encountered in Italy. The rich, dark background i...

Manana Blanca II Oil, bitumen, graphite, marble powder, burlap on canvas 73" X 70" I am a visual artist whose work investigates small and large -scale abstraction primarily in the m...

Spanish Windows III Oil, bitumen, graphite, marble powder, burlap on canvas 48" X 72" I am a visual artist whose work investigates small and large -scale abstraction primarily in th...

Emmanuelle Vroelant started this painting after watching a news report on the National Assembly, struck by a cacophony in which egos jostled together, each claiming their own truth. ...

The Source Oil, bitumen, graphite, marble powder, burlap on canvas 60" X 48" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium ...

Artist: Warren Wolf, American (1924 - 2003) Title: Zebuwl 2 Year: 1990 Medium: Oil and Marble Dust on Shaped Masonite, signed, titled and dated verso Size: 34 in. x 31 in. (86.36 cm...

Glass, sand, sumi-ink on panel Tomo Sakurai is a Japanese artist born in 1987 who lives & works in Tokyo, Japan. She had an awakening of her talent in pencil drawing as a teenager. ...

The Parade Oil, bitumen, graphite, marble powder, burlap on canvas 72" X 60" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium ...

This piece Owen depicts an abstract composition with the use of mixed media and bold patterns producing work which is visually textured and rich with layers and is a part of the artist's "Elements" series which creates intricate geometric minimalistic compositions. This work has a rustic and heavily textured quality, but the final result is intended to appear quiet to reflect a more minimal outlook on life and art. Creating pieces that allow us to escape the technological realm, contemplate modern living and nature and then communicate how each domain influences another. Her pieces aim to engage the viewer with an emotional and environmental disposition that evokes a sense of balance and tranquility in the modern world. This is a unique work is on baltic birch...

This stunning original abstract painting, titled Abstract Dancer, was created by renowned artist Pawel Kontny (also known as Paul Kontny) in the 1960s-1970s. Using a unique combinati...

This piece Owen depicts an abstract composition with the use of mixed media and bold patterns producing work which is visually textured and rich with layers and is a part of the arti...

This piece Owen depicts an abstract composition with the use of mixed media and bold patterns producing work which is visually textured and rich with layers and is a part of the artist's "Elements" series which creates intricate geometric minimalistic compositions. This work has a rustic and heavily textured quality, but the final result is intended to appear quiet to reflect a more minimal outlook on life and art. Creating pieces that allow us to escape the technological realm, contemplate modern living and nature and then communicate how each domain influences another. Her pieces aim to engage the viewer with an emotional and environmental disposition that evokes a sense of balance and tranquility in the modern world. This is a unique work is on baltic birch panel, and signed and titled by the artist on verso. Art measures 8 × 8 inches A native New Yorker, Christie Owen...

This piece Owen depicts an abstract composition with the use of mixed media and bold patterns producing work which is visually textured and rich with layers and is a part of the arti...

This piece Owen depicts an abstract composition with the use of mixed media and bold patterns producing work which is visually textured and rich with layers and is a part of the arti...

24 Hours at Sea Oil, bitumen, graphite, marble powder, burlap on canvas 72" X 60" I am a visual artist whose work investigates small and large -scale abstraction primarily in the me...

“A wind blows across this canvas,” says Emmanuelle Vroelant, just as one is currently blowing across the world’s atmosphere: the sense that the markers of otherness, courtesy and eth...

OCBLK009102723 Oil, bitumen, graphite, marble powder, burlap on canvas 72" X 60" I am a visual artist whose work investigates small and large -scale abstraction primarily in the med...

Best Laid Plans Oil, bitumen, collage, marble powder, burlap on canvas 96" x 48" I am a visual artist whose work investigates small and large -scale abstraction primarily in the med...

Balsam, ground marble and hand ground pigments give this work great depth. This piece from Sax Berlin works on different levels; the beautiful, subtle palette & the contemplative dra...

Adaizan Oil, Marble Powder, Asphalt, Burlap On Canvas 73.3 x 70" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium of painting ...

Painted in parallel, Fantasy 1 and Fantasy 2 naturally form a duo in Emmanuelle Vroelant’s eyes: “I find that these two paintings, made in parallel, form a duo.” Presented side by ...

Taysha Oil, Marble Powder, Asphalt, Burlap On Canvas 73.25 x 70" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium of painting ...

Work on the impact of elements on urban structures and organisation. I endeavored to give thickness to the texture that coats and engulfs.

In the Open Air unfolds a square almost entirely absorbed by light. Marble powder carves the canvas with relief and striations, giving the dominant white a rough, almost mineral text...

"Concrete Gardens" is a body of work that translates Patrick Burns' deep love of the land and complicated past into richly textured, mixed-media paintings with reverberating, monochr...

Upside Down by Brook Soss is a richly textured contemporary abstract painting that blends sandstone and acrylic on canvas to create a layered, atmospheric composition. Measuring 40 x...

Wanawhite (Abstract painting) Cement & marble powder on foam panel. Structural and hanging frame on the back. Auville works with construction cement. Applying techniques used in th...

I have, at one point in mylife, practiced art therapy, blue is the color of refocusing, one must be centered and have a positive relationship to oneself to be benevolent.