Horizontal Paintings

#5-01 Large Scale Persian Hunt, circa 1920's oil painting on canvas depicting hunting scene, displayed in a wood-gesso frame.Image size 39 H X 59.5 W Artist unknown. Age wear on the ...

Work on canvas Molded frame in plaster and gilded wood 36 x 40 x 4 cm

Original Oil Southern California Landscape C. 1930s -- The Eucalyptus Grove Vibrant, painterly Southern California landscape of iconic Eucalyptus trees by Andrew Boardo Lund (1877 ...

This stunning British Victorian Pre-Raphaelite Royal Academy exhibited oil painting is by noted historical female artist and suffragette Jessie MacGregor. She was tutored by Lord Frederick Leighton at the Royal Academy art schools in the 1870's and his influence can be seen here. Painted in 1892 and exhibited that year, the subject matter is when Dante, (1265-1321) later an Italian Florentine poet, first met Beatrice, the love of his life when he was nine. They met in a gathering at her father's palazzo in Florence. She was a few months younger than Dante and dressed in a crimson dress. They never actually spoke for another nine years although Dante often observed her. They were both married off during this time, as was the custom then and Beatrice died aged only 24. Dante remained devoted to Beatrice for the rest of his life and she was his principal inspiration for much of his well known work, such as La Vita Nuova (The New Life) and La Divina Commedia (The Divine Comedy). (see below biography for more details on Dante and Beatrice). This stunning Pre-Raphaelite oil painting depicts Beatrice kneeling on the grass, holding flowers and gazing up at Dante as he stands beside her, hands over her head, perhaps miming crowning her. Other children and their maids dance around them. Beyond them is a Florentine garden with beautiful arches and some figures to the right. To the left one can glimpse the landscape under a summer's sky. MacGregor has portrayed superb detail in the figures expressions and clothing with rich red and gold tones and the vivid blue sky echoing in the little boy's tunic. The brushwork is fantastic. MacGregor painted some fantastic paintings in her time, many of which were exhibited and now hang in art galleries. This painting is a superb example of her work, with excellent provenance and would grace any wall. Signed twice 'Jessie Macgregor/1892' lower right. Provenance. Anon. sale, Sotheby's, Belgravia, 11 December 1972, lot 195. Exhibited London, Royal Academy, 1892, no. 905 entitled In the Childhood of Dante. From this time forward love ruled my heart. Literature Royal Academy Illustrated, 1892, p. 78. Condition. Oil on canvas, 65 inches by 35 inches and in good condition. Frame. Housed in a gilt frame with ornate flower corners and reeded edge, 87 inches by 57 inches, in good condition. Jessie MacGregor (1847–1919) was a British painter. She was born in Liverpool to a Scottish father, Alexander (1820-1898) and Liverpudlian mother, Sarah (1820-1894). She had an older brother and 7 younger siblings. MacGregor first learned drawing at the drawing academy in Liverpool run by her grandfather Andrew Hunt, a landscape painter. Her mother taught her to use water colours. Her parents went to live in London and she began to study painting there, becoming a pupil at the Royal Academy Schools in 1870 for seven years where her teachers were Lord Leighton, P. H. Calderon, R.A., and John Pettie, R.A. She won a gold medal at the Royal Academy for history painting in December 1871, the prescribed subject being An Act of Mercy. She was the second woman after Louisa Starr's gold medal in 1867, and the last woman to do so until 1909. She first exhibited at the RA whilst still a student, in 1871. She continued with a historical genre when history paintings were broadening their reach towards literature and romance. Her subjects were almost always women or children. MacGregor was made an Academician for the Liverpool Academy of Art in 1874. By 1880 she was using a studio on Elm Tree Road and exhibiting regularly at the Royal Academy. in 1884 her brother Archibald also started working from this address and they both had paintings at the RA that year. In 1888 she moved studio to Hill Road St John's Wood. In 1892 MacGregor had two painting at the RA, a portrait of Miss Phyllis Eden and our painting, In the Childhood of Dante. This was described as a fresh bit of Italian Childhood and harmonious colour grouping by the Western Daily Press. Portraits rarely got a mention in the papers but narrative works were much more popular. She lectured widely for the Victorian University extension scheme at the Arts Clubs of Liverpool, the National Gallery and Leighton House museum and other regional centres. MacGregor had a studio in Chalcot Gardens Hampstead from 1900 and began to get involved with women's issues. In 1904 she was on the committee of the Lyceum Club London along side Henrietta...

After the painting by John Lomax,who was an English genre painter The scene is great fun, as we can see different groups all enjoying the Classic English Pub interior...

Woodland Landscape French School, signed and dated 1855 indistinctly signed by artist Oil painting on canvas, unframed Canvas: 10.5 x 16 inches Condition: The painting is in very go...

5090 Italian large costal scene painting set in a walnut frame Signed lower left and rear

The artist Anna Shesterikova painted this picture in Italy, during her June trip in 2025. The canvas depicts a picturesque corner of Liguria - the ancient bridge in Dolceacqua, famou...

Oil on cardboard sold with frame Total size with frame 24x39 cm Jean-Philippe GEORGE-JULLIARD is an artist born in Switzerland in 1818 and died in 1888. His works have been sold at ...

Antoine Bouvard, called Marc Aldine (L'Isere 1875 - Paris 1957) Signed 'Bouvard' lower right View of Venice with the Grand Canal (link) oil on canvas 60 x 86 cm Framed 70 x 96 cm. Very good condition We present an evocative view of Venice with a glimpse of the fascinating Grand Canal, signed by the famous French Vedutist Antoine Bouvard, also known by his pseudonym, Marc Aldine. Considered one of the most talented illustrators of the lagoon city who worked there in the first part of the 20th century, he became one of the most acclaimed vedutists of that period, with a success that led him to exhibit throughout France and Italy as well as in numerous European galleries...

Artist: Slonem, Hunt Title: Whydahs in Blue Date: 2024 Medium: Oil on wood Unframed Dimensions: 21.5" x 29.5" Framed Dimensions: 25" x 33" Signature: Si...

"Magnolias and the Whaling Museum" is an impressionistic plein air painting depicting a residential neighborhood in Sag Harbor's Historic District. Early spring has adorned the stree...

Artist/ School: Suzanne Dinkés (French, 1895 - 1984) Medium: oil on board, unframed Size : 18 x 21.5 inches Provenance: private collection, France Condition: The painting is in overa...

Nicely executed early 1900s American impressionist coastal seacape painting. Oil on canvas. In excellent original condition. Handsomely framed in a period giltwood molding. Excel...

A serene, sunny landscape blanketed in a meadow of cheerful wildflowers. S. "Cliff" Chung rendered the scene in the Impressionist tradition know as Pointillism, in which forms are m...

Gordes, Provence signed oil painting on board, framed inscribed verso and dated 2005 framed: 28 x 37 inches provenance: private collection, Provence condition: very good and sound co...

"Lugar 18&19" is a beautiful painting by Nacho Reina rooted in the language of brutalist architecture. Softened by a contemporary palette, this diptych reinterprets industrial forms...

"Simple Tilted Landscape Icon" is a hand-painted acrylic painting on high-quality 300g paper by artist Ryan Rivadeneyra. These painting, influenced by modernist artists of the 50's,...

French Landscape by Bernard Labbe (French mid 20th century) original watercolour on artist paper, unframed stamped verso size: 9.5 x 12.5 inches condition: very good and ready to be ...

Gorgeous late 19th century Tonalist landscape painting of foothills and oak trees in the style of Willard Leroy Metcalf circa 1900. Inscribed "M" in circle monogram lower left corner and on frame verso. Presented in original rustic giltwood frame. Image size: 6"H x 8"W. Framed size: 8.5"H x 10.5"W. Tonalist are usually intimate works, painted with a limited palette. Tonalist paintings are softly expressive, suggestive rather than detailed, often depicting the landscape at twilight or evening, when there is an absence of contrast. Tonalist paintings could also be figurative, but in them, the figure was usually out of doors or in an interior in a low-key setting with little detail. Tonalism had its origins in the works of the French Barbizon school and in the works of American painters who were influenced by them. California Tonalism was born when the emphasis in California landscape painting passed from the grand landscapes of works like those of Thomas Hill and William Keith's early career, to more intimate views of a domesticated landscape. At the same time, the parallel Pictorialist Photography...

The Fountain I is a unique oil on canvas painting by contemporary artist Joachim van der Vlugt, dimensions are 75 × 140 cm (29.5 × 55.1 in). The artwork is signed, sold unframed and ...

Oil on canvas realized by Franco Marzilli (1934-2010) in 1970s. Hand signed lower right. Very good condition. Franco Marzilli was born in Rome in 1934. He received his first artis...

A wonderful impressionist pastoral landscape with beautiful color tones throughout. David Chapple has portrayed this piece in a most intimate, yet energetic way, and has packed much ...

“Summer in the Pasture (Farmer’s Wife with Cow)” (Sommertag auf der Weide (Bäuerin mit Kuh)) Paul Junghanns (German, 1876-1958) Oil on Canvas Signed verso 36 ¼ x 28 inches (43 ¾ x 35...

A gorgeously colored summer landscape by Important American Impressionist, Frank V Dumond. Fresh in color and elegant in the tonally complimentary French frame with silk liner. Atm...

This stunning Scottish Impressionist Victorian landscape oil painting is by noted Glasgow Boy artist Robert Macaulay Stevenson. Painted circa 1899 the composition is a rising moon ov...

Tomales Bay Morning- The painting was created in 2024 by celebrated American realist artist Willard Dixon, who has captured the undeniable beauty of the west for the past 35 years. ...

Enthralled with the lore and spirituality of American Indian cultures, his work often depicts these traditional subjects in nontraditional ways. Hawkins captures the raw sense of ele...

Léon Frédéric (1856-1940) A Summer landscape signed at the lower left Oil on canvas transfered on panel 29 x 44 cm Framed : 39 x 54.5 cm in good condition, However, there is a cr...

Vue sur la Ville au Toit Rouge (View Over the City of Red Roofs), oil on canvas, by Guy Le Péqueux (circa late 1960s). The artist channels his expressionist sensibility into a vivid,...

Hawaiian landscape, ocean, sunset, small painting, impressionism, marine art, interior artwork, American artist, American art, American landscape “Piece of Ocean” is a small plein a...

ALCHEMY 2 by M.Y. I am constantly looking for different techniques, colors and materials to experiment with, and always strive to achieve sensual harmony in every composition. I am ...

‘A Breeze after a Bathe’ by Walter Duncan ARWS (1847-1932). The painting – which depicts three young Victorian ladies and their dogs on Bournemouth beach after a swim – is signed by ...

I was inspired to begin this series during the winter when I was on a hike and discovered the movement of the branches that often go unnoticed during other times of the year when the...

Title: Mountain Scenery Medium: Oil on canvas Size: 19.5 x 23.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: Thi...

The red bull emerges as a powerful symbol of vitality, freedom, and unrestrained energy — a creature caught between instinct and transcendence. In Power of the Red, Zura channels the...

North Wales by Charles Leslie (1835-1890) signed & dated 1882 oil on canvas framed: 16 x 28 inches canvas: 12 x 24 inches Provenance: private collection, UK Condition: very good con...

A beautiful 1930's landscape titled "Trail into California Mountains" by Oklahoman artist Sidney Lorenzo Brock (American, 1869-1943). Presented in ...

Oriental nude odalisque oil painting on canvas " Thais" by Adrien Tanoux 1920 Our painting is the original preparatory painting for the large size one hanging in the collections of ...

Title: Wild Flowers Medium: Oil on canvas Size: 23.5 x 31 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This pain...

The Agony in the Garden. (Christ on the Mount of Olives). Technique: Oil on Panel, 4 wooden boards, not parqueted. Dim. with frame: 78cm x 67cm Dim. without frame: 52 x 62 cm Germa...

Classical Still Life of Fruit in Basket with other objects Italian artist, 18th century oil on canvas, unframed canvas: 24.5 x 33 inches provenance: private collection, UK condition:...

"Mushrooms in the Forest" is an oil painting by Volskaya Liliуa. Have you been to a forest where there are so many trees that it becomes dark under their canopy? How does it feel? I ...

Intriguing vintage acrylic painting on canvas of a leopard in repose glowing in the light of the moon, executed in a unique naive style with a reference to French impressionist Henr...

Franz Werner Von Tamm known as Monsieur Daparait (Hamburg 1658-Vienna 1754) Attributed to Still life of fruit with lizard Oil on canvas, 58 x 74 cm. Framed 76 x 92 cm. This magnifi...

William Huggins (1820-1884) Horses watering signed and dated 'W. Huggins/ 1849' (lower right) Oil on canvas Canvas Size - 25 x 30 in Framed Size - 33 x 38 in Provenance Anonymous sa...

Original oil and acrylic painting on canvas titled “Sandscape 2” by the well known American artist, Syd Solomon. Signed Syd Solomon lower left. Signed and dated Syd Solomon 1972 and inscribed as titled on the reverse. 22 × 30 inches. Overall very good to excellent condition. No notable issues detected during inspection. No signs of restoration under UV inspection. The painting is in its original wood with silver reveal floating frame. Overall framed measurements are 24.25 by 32.25 inches. Provenance: A private collector. Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd. There, Solomon met and befriended many of the artists of the New York School, including Jackson Pollock, Franz Kline, Willem de Kooning, James Brooks, Alfonso Ossorio, and Conrad Marca-Relli. By 1959, and for the next thirty-five years, the Solomons split the year between Sarasota (in the winter and spring) and the Hamptons (in the summer and fall). In 1959, Solomon began showing regularly in New York City at the Saidenberg Gallery with collector Joseph Hirshhorn buying three paintings from Solomon’s first show. At the same time, his works entered the collections of the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Wadsworth Athenaeum in Hartford, Connecticut, among others. Solomon also began showing at Signa Gallery in East Hampton and at the James David Gallery in Miami run by the renowned art dealer, Dorothy Blau. In 1961, the Guggenheim Museum’s H. H. Arnason bestowed to him the Silvermine Award at the 13th New England Annual. Additionally, Thomas Hess of ARTnews magazine chose Solomon as one of the ten outstanding painters of the year. At the suggestion of Alfred H. Barr, Jr., the Museum of Modern Art’s Director, the John and Mable Ringling Museum in Sarasota began its contemporary collection by purchasing Solomon’s painting, Silent World, 1961. Solomon became influential in the Hamptons and in Florida during the 1960s. In late 1964, he created the Institute of Fine Art at the New College in Sarasota. He is credited with bringing many nationally known artists to Florida to teach, including Larry Rivers, Philip Guston, James Brooks, and Conrad Marca-Relli. Later Jimmy Ernst, John Chamberlain, James Rosenquist, and Robert Rauschenberg settled near Solomon in Florida. In East Hampton, the Solomon home was the epicenter of artists and writers who spent time in the Hamptons, including Alfred Leslie, Jim Dine, Ibram Lassaw, Saul Bellow, Barney Rosset, Arthur Kopit, and Harold Rosenberg. In 1970, Solomon, along with architect Gene Leedy, one of the founders of the Sarasota School of Architecture, built an award-winning precast concrete and glass house and studio on the Gulf of Mexico near Midnight Pass in Sarasota. Because of its siting, it functioned much like Monet’s home in Giverny, France. Open to the sky, sea, and shore with inside and outside studios, Solomon was able to fully solicit all the environmental forces that influenced his work. His friend, the art critic Harold Rosenberg, said Solomon’s best work was produced in the period he lived on the beach. During 1974 and 1975, a retrospective exhibition of Solomon’s work was held at the New York Cultural Center and traveled to the John and Mable Ringling Museum in Sarasota. Writer Kurt Vonnegut, Jr. conducted an important interview with Solomon for the exhibition catalogue. The artist was close to many writers, including Harold Rosenberg, Joy Williams, John D. McDonald, Budd Schulberg, Elia Kazan, Betty Friedan...

Artist: Peter Tovpev Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Canvas Year: 2009 Style: Impressionism Title: Morning in the City Size: 25.5" x 31....

NYC EL American Scene Social Realism Mid 20th Century Modern WPA Era Figurative Cecil Bell (1906 – 1970) Street Life Under the EL 22 x 30 inches Oil on canvas, c. 1930s Signed upper...

Abstract encaustic painting with dyed teal, indigo, white and beige fabrics "White Breezes & Blue Skies" made by Hudson Valley artist, Alaina Enslen, in 2022 Encaustic & dyed fabrics mounted on panel 17 x 26 x 2 inches unframed, sides reveal raw panel and wrapped fabric Excellent condition, ready to hang Lightweight Signed, verso This abstract minimalist painting is made with repurposed pieces of found fabrics in complementary tones of teal, indigo, and beige on an encaustic white background. The fabrics, which are adhered to a light wood Birch panel and layered with a subtle layer of encaustic, are arranged in a whimsical motif that accentuates the spontaneous dyed patterns. The layers of fabric and encaustic create a textured, impasto surface. About the artist: Alaina Enslen expresses her artistic vision through repurposed fabrics infused with beeswax. The Cornwall-On-Hudson based artist collects pieces of textile that evoke memory, tradition, or experience like cherished worn heirlooms, discarded clothes, and religious garments, which are then assembled on panel in an abstract patchwork. Favoring fabrics with a neutral or subtle cool palette, she flattens and frays the material to explore color, form, and lines, reimaging used cloth...

Signed Adolfo Perez Frameless

Highland Cattle at Sunset by Alfred Fontville de Breanski (British 1877-1945) signed lower front corner oil on canvas, framed framed: 23 x 31.5 inches canvas: 16 x 24 inches Provenan...

Katheryn Holt (American, born 1951) "Quarry" 2022 Oil Paint, Mixed Media, Wood Panel, Wood The artist signed the back of the painting. About the Artist: Katheryn Holt paints memory....

Dale Bessire Winter Landscape Signed lower right Oil on canvas 20 x 24 inches A founding member of the Brown County Art Gallery Association, Dale Bessire was a native of Indianapol...

Artist: Sophie Dumont (b. 1964, Paris) – works in private and museum collections worldwide Dimensions (unframed): 50 x 150 x 2 cm (19.7 x 59.1 in) Framed dimensions: approx. 57 x 15...

Wright BARKER Exhibited 1885 - 1935 Canvas Size: 20 x 26" (50 x 65cm) Outside Frame Size: 29 x 35" (72.5 x 87.5) He was a figure and animal painter who was based originally in Bradford, where he lived until 1885, when he moved to Edwinstowe, near Mansfield, Nottingham. In 1901 he moved to Hampstead and then back north to Harrogate where he stayed until his death. In his later years he became a picture dealer, but in his will he referred to himself as ‘animal painter’. Barker became a member of the Royal Society of British Artists in 1896. Although he called himself an animal painter he is also known to have painted ‘Roman Maidens...

This series by the multidisciplinary artist TUSET (1997, A Coruña, Spain) titled "Land paintings (or what painting is not)", is a series of paintings that the artist had buried in th...

Jeff Aeling has a deep connection to the vastness of our landscape. In "Pond Near St. Cloud", we see the interplay between sky, land and water to create a sense of wonder and awe. Painted on panel, the scene is serene and calming. Jeff Aeling Pond Near St. Cloud, MN oil on panel 16h x 24w in 40.64h x 60.96w cm JAE003 Education BFA, Painting and Printmaking, Kansas City Art Institute – Kansas City, MO School of the Art Institute of Chicago – Chicago, IL Solo Exhibitions 2016 Philip Slein Gallery - St. Louis, MO 2016 William Havu Gallery - Denver, CO 2015 Perimeter Gallery - Chicago, IL 2015 Sherry Leedy Contemporary Art - Kansas City, MO 2014 J Mark Sublette Gallery - Tucson, AZ 2014 Philip Slein Gallery - St. Louis, MO 2013 Perimeter Gallery - Chicago, IL 2013 Sherry Leedy Contemporary Art - Kansas City, MO 2012 Philip Slein Gallery - St. Louis, MO 2012 William Havu Gallery - Denver, CO 2011 Philip Slein Gallery - St. Louis, MO 2011 Sherry Leedy Contemporary Art - Kansas City, MO 2010 Perimeter Gallery - Chicago, IL 2010 Richard Demato Fine Arts Gallery - Sag Harbor, NY 2010 William Havu Gallery - Denver, CO 2009 J Mark Sublette Gallery - Tucson, AZ 2009 Sherry Leedy Contemporary Art - Kansas City, MO 2008 Perimeter Gallery - Chicago, IL 2008 William Havu Gallery - Denver, CO 2007 J Mark Sublette Gallery - Santa Fe, NM 2007 Philip Slein Gallery - St. Louis, MO 2007 Sherry Leedy Contemporary Art - Kansas City, MO 2006 Tory Folliard Gallery - Milwaukee, WI 2006 William Havu Gallery - Denver, CO 2005 Lisa Kurts Gallery - Memphis, TN 2005 Perimeter Gallery - Chicago, IL 2005 Philip Slein Gallery - St. Louis, MO 2005 Sherry Leedy Contemporary Art - Kansas City, MO 2004 J Mark Sublette Gallery - Santa Fe, NM 2004 William Havu Gallery - Denver, CO 2003 J Mark Sublette Gallery - Tucson, AZ 2003 Lisa Kurts Gallery - Memphis, TN 2003 Sherry Leedy Contemporary Art - Kansas City, MO 2002 J Mark Sublette Gallery - Santa Fe, NM 2002 Perimeter Gallery - Chicago, IL 2002 Perimeter Gallery - New York, NY 2001 J Mark Sublette Gallery - Tucson, AZ 2001 J Mark Sublette Gallery - Santa Fe, NM 2001 Sherry Leedy Contemporary Art - Kansas City, MO 2000 Charlene Cody Gallery - Santa Fe, NM 2000 Perimeter Gallery - Chicago, IL 2000 Sherry Leedy Contemporary Art - Kansas City, MO 1999 Charlene Cody Gallery - Santa Fe, NM 1999 Elliot Smith Contemporary Art - St. Louis, MO 1999 Sherry Leedy Contemporary Art - Kansas City, MO 1998 Charlene Cody Gallery - Santa Fe, NM 1998 Elliot Smith Contemporary Art - St. Louis, MO 1998 Leedy-Voulkos Art Center Gallery - Kansas City, MO 1998 Perimeter Gallery - Chicago, IL 1996 Grand Arts - Kansas City, MO 1994 Gallery V - Kansas City, MO 1993 Sean Kelly Gallery - Kansas City, MO 1991 Tribal Textile Gallery - Kansas City, MO Selected Group Exhibitions 2004 Art Chicago, Navy Pier, Perimeter - Chicago, IL and New York, NY 2004 FADA - Los Angeles, CA 2004 "5 Views of the Midwest" Traveling Museum Show 2003 Art Chicago, Navy Pier, Perimeter - Chicago, IL and New York, NY 2003 FADA - Los Angeles, CA 2002 Art Chicago, Navy Pier, Perimeter - Chicago, IL and New York, NY 2002 "Exhibition of Works from Permanent Collection," Daum Museum - Sedalia, MO 2002 FADA - Los Angeles, CA 2002 "Winter in Tucson," Medicine Man Gallery - Santa Fe, NM 2001 Los Angeles Art and Antique Show 2001 Medicine Man Gallery - Santa Fe, NM 2001 FADA - Los Angeles, CA 2001 Art Chicago, Navy Pier, Perimeter - Chicago, IL and New York, NY 2000 Art San Francisco - San Francisco, CA 2000 Art Chicago, Navy Pier, Perimeter - Chicago, IL and New York, NY 2000 FADA - Los Angeles, CA 2000 "Landscape," Des Lee Gallery, Washington University - St. Louis, MO 2000 "Landscape," Tory Folliard Gallery, Milwaukee, WI 1999 Art Chicago, Navy Pier, Perimeter - Chicago, IL and New York, NY 1998 "Going Places," Elliot Smith Contemporary Art - St. Louis, MO 1998 "Summer," Sherry Leedy Contemporary Art - St. Louis, MO 1998 Art Chicago, Navy Pier, Perimeter - Chicago, IL and New York, NY 1998 "Air, Land and Sea," Elliot Smith Contemporary Art - St. Louis, MO 1997 Art Chicago, Navy Pier, Perimeter - Chicago, IL and New York, NY 1997 "Summer Show," Elliot Smith Contemporary Art - St. Louis, MO 1994 Summer Invitational, Sean Kelly Gallery - Kansas City, MO Collections 4 Point Energy American Century Investments Art Embassies Program - Zimbabwe Biltmore Hotel - Phoenix, AZ Capri Capital - Chicago, IL Charles Schwab - Denver, CO D.S.T. Systems Daniel Taylor and Associates Exeter Oil Corporation Federal Reserve Bank - Denver, CO Federal Reserve Bank - St. Louis, MO Federal Reserve Bank -Kansas City, MO First Western Trust Bank Gates Rubber Company Grand Hyatt Denver Convention Center H&R Block Hall-Marshall Collection, Hallmark Hall-Silva Collection, Hallmark Johnson County Community College Johnson National Bank - Racine, WI Kansas City Art Institute Kansas State University Madison Dearborn Partners National Association of College Business Offices Renaissance Grand Hotel - St. Louis, MO Sprint St. Regis Hotel - Los Angeles, CA Wilmington Trust Company Museum Collections Beach Museum - Manhattan, KS Daum Museum - Sedalia, MO Denver Art Museum - Denver, CO Museum of the West - Tucson, AZ Nerman Museum of Contemporary Art - Overland Park, KS Tucson Museum of Art - Tucson, AZ Selected Bibliography 2015 Jul Westword - Denver, CO 2015 Oct Crossroads Art District 2014 Dec Western Art Collector 2014 Sep Riverfront Times - St. Louis, MO 2014 Sep St. Louis Magazine 2013 Jan Southwest Art 2013 Sep Huffington Post 2012 Sep Dan's Papers - Southampton, NY 2011 Riverfront Times - St. Louis, MO 2010 Sep American Art Collector Cover 2008 Jul Western Art Collector 2008 Sep New City Art - Chicago, IL 2006 Oct American Art Collector 2005 Sep Chicago Tribune 2003 Jul-Aug Frontier Magazine 2003 Review Magazine 2002 Aug Southwest Art 2002 Sep Artsope 2002 Chicago Tribune 2001 Feb Southwest Art 2000 Jan St. Louis Post Dispatch 1999 Jan Kansas City Star 1999 Jul Santa Fe New Mexican 1999 Sep Southwest Art "People to Watch" 1998 Aug New American Paintings 1998 Feb Dialogue Magazine 1998 Jan Focus Santa Fe, "Searching for Essentials" 1998 Jan Southwest Art, "What's New in Santa Fe Galleries...

Richard Bankes Harraden (1778-1862) Italian landscape with Monte Socrate (after Jan Both) Signed and dated 1823 on the reverse Oil on canvas Canvas size ...

Rebecca Jack "Golden Hour" Acrylic on Canvas 40 x 60 in. __________________________ Rebecca Jack, an intuitive painter, creates vibrant, figurative works that highlight the beauty...