Interior Paintings

Peonies Still Life signed by Fanch Lel (French b. 1930) size: 8 x 8 inches oil painting on board, unframed condition: the painting is in very good condition. It has previously been s...

In crafting this piece, I layered acrylics, oils, and colored pencils to weave a tapestry of emotion, capturing the cleansing renewal after a downpour. Its vibrant streaks and abstra...

READY TO HANG with the edges painted! Original abstract painting The technique: stretched heavy canvas on wooden reinforced chassis and professional acrylic pigments layered by palle...

You will receive this painting stretched, with painted edges and completely ready for hanging. Framing is not obligatory and depends only on your preference. This series of works a...

48 x 36” inches, Acrylic on Stretched Canvas, Framed - Silver Floater Frame, 2017 in Los Angeles FLORAL ART Irena Orlov's floral art collection is oversized, vibrant and guaranteed ...

In this oil painting, I've poured my passion into capturing a moment of pure, serene anticipation. The subject, viewed from behind, gazes upon the vast, vibrant ocean, embodying a se...

Idle Hour is an intricately painted Impressionist depiction of woman with her pets on her veranda. It is exquisitely framed in a French Gold Leaf frame of quality and value. Paint...

ABOUT THE ARTWORK "Window to the Secret Garden" captures an intimate moment of seclusion, a stillness that speaks volumes in its hushed tones. As if caught in a silent dialogue with ...

Justus Juncker (1703-1763, Germany) Attributed to Scholar Sharpening His Quill Penn Expertise: We would like to thank Dr. Fred G Meijer for his valuab...

Rustic Bouquet signed by Fanch Lel (French b. 1930) Size: 11.75 x 9 inches Oil painting on cardboard, unframed Condition: The painting is in good condition, with minor signs of aging...

"Feelings" is a visual exploration of complex human emotions, relationships, and resilience. The layered figures, abstracted and partially overlapping, reflect the intertwined ident...

Look for Free Shipping at Checkout The Evening Gown is an American Impressionistic painting by Stuart Fullerton. The artist is know ...

A mysterious blond young woman is standing by the window in a plush drawing room which has a velvety feel. With her back turned to us, she is looking out over the spires and roofs of...

In creating this piece, I poured my soul into capturing the serene yet vibrant essence of a park that whispers tales of tranquility and renewal. I employed expressive brushstrokes to...

In creating this piece, I sought to capture the serene yet vibrant spirit of a blossoming pond. With thick, expressive oil strokes, I combined elements of realism and impressionism t...

Sunflowers, Large Scale Modernist Floral Bouquet Still-Life by Tarmo Pasto. A stunning large-scale modernist oil on canvas still-life of sunflowers by Dr. Tarmo Pasto (American, 1906-1986). This modern floral bouquet still-life, painted by Pasto in 1973, harkens back to Van Gogh's world famous turn-of-the-century depiction of the same subject. Pasto uses a modern and fresh color palette of dark green, light yellow, lavender, and peach in this vibrant modern sunflower portrayal. Signed "Tarmo Pasto" and dated "73" lower right. Presented in a brown painted wood frame. Image size: 38"H x 30"L. Framed size: 44"H x 36"W x 2"D. Dr. Tarmo Pasto was a psychiatrist and artist, who taught psychology and art through the 1970s at California State College at Sacramento since the schools inception. He also authored a book on art...

Original painting, inspired by summery feelings, Andrei Sitsko has painted a picture with green, yellow, orange, red, magenta, pink, blue, as well and wh...

This painting is dedicated to the Verbascum, a symbol of resilience and rebirth. Its tall, sunny yellow flowers point towards the sky, symbolizing the desire for light and harmony. T...

This Italian tempera painted on gilt wood gold ground panel is a Tuscan religious artwork in the style of late Renaissance - early Gothic period. The sc...

"Mary's Friends" - Original 1992 Acrylic on Paper Original pop art acrylic painting titled "Mary's Friends" by Sarah Lucas (20th C). Twelve geometric boys and girls are the focal po...

Large Abstract Acrylic Painting – Modern Geometric Wall Art (80x120 cm) Description: Elevate your interior with this stunning abstract acrylic painting, a perfect blend of modern el...

"Golden Song" is a painting that fascinates with its polyphony of colors and light. The painting with dynamic smooth transitions from the glow of golden fields to the gentle blue sha...

French mid century oil on board of an interior by Léon Nancey. Though not signed the painting was acquired directly from the artist's atelier. This captivating painting depicts a b...

Artist’s Statement: “I have been an abstract painter for over 30 years, and I can't exactly say what caused me to one night go to the studio and paint flowers, of all things. But of ...

The Country House Interior British School, 19th century oil painting on canvas, framed canvas: 21 x 17 inches framed: 24 x 20 inches conditon: very sound, presentable and good. Frame...

In this artwork, I've aimed to capture the transient beauty of nature, an expression of life's fleeting moments. Employing gentle strokes and a harmonious palette, I convey the delic...

French Mid 20th Century oil on board Fauvist still life, flowers in a vase in an interior scene, by Hyppolite Roger. The painting is signed bottom righ...

Marine life painting will be a good addition to your original oil painting collection. Fish art is my favourite theme. Original art is painted on stretched canvas, READY to HANG. Ocean art is signed both sides - in front and at the back by OlgaNikitinArt. Explore the enchanting underwater world with this exquisite oil painting on stretched canvas, sized at 50x40cm. Crafted with the impasto technique and palette knife, this original artwork showcases a vibrant school of fish in a captivating marine setting. The dynamic textures and striking colors breathe life into the oceanic scene, making it an ideal enhancement for any home or office. Perfect for art aficionados and ocean lovers, this unique fish painting adds a touch of brilliance to your decor and invites engaging discussions. Celebrate the allure of marine art with this stunning oil painting today! Fish Wall Art Underwater Oil Painting...

A very good large antique oil on canvas painting by the celebrated Spanish artist Maximo Juderias Caballero (1867-1951), Paris 1910. The painting depicting an interior scene of 17th ...

Polyptych of 4 square Original small oil painting on canvas. Exotic red flower Heliconia in tropical garden., Tropical flora, Green leaf of Palm1, 2 - Original oil paintings mini...

"In my Garden" is a colorful flower painting from my "Colours of Summer" Collection. I created this artwork because the beauty of my own gar...

A stunning portrait oil painting of Violet Ann Gilbert which was painted by James Peter Quinn in 1929 and was exhibited at The Paris Salon of that year. A beautiful portrait of a young woman from the nineteen twenties. In excellent condition and framed in the original period frame. This is a fine painting by a noted listed artist and a great example of an early 20th century portrait painting. Signed lower left. Provenance. Exhibited at the Paris Salon 1929, labels verso. Condition. Oil on canvas in excellent condition, image size 40 inches by 30 inches. Housed in its original gallery frame, framed size is 47 by 37 inches. Excellent condition. James Peter Quinn (1869-1951) was born on 4 December 1869 at 60 Bourke Street, Melbourne, third son of John Quinn, restaurant-keeper born in Antigua, West Indies, and his English wife Ann, née Long. Little is known of Quinn's childhood and early education; both parents died when he was young. His guardians apprenticed him to an engraver, but he undertook part-time studies at the school of design, National Gallery of Victoria, under Frederick McCubbin in 1887-89, and at the school of painting under George Folingsby and Bernard Hall in 1890-93. Awarded several student prizes, he won the gallery's travelling scholarship in 1893. Quinn went to London in 1894 but quickly left for Paris where he studied at the Académie Julian, at the Académie des Beaux-Arts under Jean Paul Laurens, and with Colarossi and Delécluse. He returned to London about 1902 and married fellow art-student Blanche Louise Guernier there on 29 September. By 1904 he had exhibited with the Royal Academy of Arts and went on to establish a reputation as a highly successful portrait painter. His finest and most sensitive work was produced before 1910. His family were the subjects of many paintings, including 'Mère et Fils', awarded an honourable mention at the Old Salon, Paris, in 1912. He also painted many self-portraits. His many commissioned works included portraits of Joseph Chamberlain, the Duchess of York and, later, the Duke of Windsor. In 1918-19 he was an official war artist with the Australian Imperial Force in France, and exhibited war paintings at the Grafton Galleries, London. In 1919, with George Coates, he was an official artist to the Canadian War Records. He was a council-member of the London Portrait Society, and a member of the Royal Society of Portrait Painters and the Royal Institute of Oil Painters, exhibiting regularly with them and the Royal Academy, and in Paris with the Old and New salons. Quinn's sudden return to Australia in December 1935, alone, followed the death of his gifted artist-son René. He held exhibitions at the Fine Art Society's Gallery, Melbourne, in 1936 and the Royal South Australian Society of Arts Gallery the next year. Quinn ostensibly returned as an acclaimed artist, was invited to rejoin the Victorian Artists' Society he had joined first in 1888, and was its president (but for one year) in 1937-50. Yet a coolness existed. Though he had little in common with the modernist painters of the period, his commitment to a tolerant brotherhood of artists found no allies among the aggressively conservative old guard. In 1937 he clashed publicly with (Sir) Robert Menzies who in opening a V.A.S. exhibition denigrated modern art. In spite of the affection felt for him by many artists and students, Quinn was somewhat isolated. He continued to exhibit, winning the Crouch prize, Ballarat Fine Art Gallery, in 1941. In the mid-1940s he taught briefly at the National Gallery school. A lover of good food, wine and conversation, Quinn delighted in mixing with all classes. Frequenting the haunts of journalists, writers and the more Bohemian fringe, he was easily recognizable with his bow tie, grey curly hair and cigarette dangling from the corner of his mouth. Survived by one son, he died of cancer on 18 February 1951 at Prahran and was buried in St Kilda cemetery. His war portraits are held by the Australian War...

Artist: Ian Hornak (1944-2002) Title: Untitled (Abstract Still Life with Flowers and Fruit) Year: 1963 Medium: Watercolor on heavy archival paper Size: 11.5 x 15 inches Condition: Go...

Roses In Vase by Josine Vignon (French 1922-2022) signed on front oil painting on canvas, unframed canvas: 18 x 13 inches Colors: Blue colors, grey, beige, brown and white Very go...

Elegant Lady in Interior next to a Bowl of Fruit by Josine Vignon (French 1922-2022) signed and stamped verso oil painting on canvas, unframed canvas: 2...

Frank Cassell (British 19th century) signed oil painting on canvas, framed framed: 18.5 x 22 inches canvas: 12 x 16 inches provenance: private collection...

James Cassie was born at Keithhall near Inverurie, Aberdeenshire, the son of a prosperous tea and spirit merchant. Although briefly a pupil of the artist James Giles, Cassie was largely self-taught. He began his career as a painter of animals and portraits, but on moving to Aberdeen he increasingly turned his attention to local seascapes and coastal scenes, especially at dawn and sunset. He favored these outdoor scenes but continued to paint some domestic subjects and portraits throughout his life. In 1869 he moved to Edinburgh and was elected an associate of the Royal Scottish Academy. Shortly before his death in 1879 he was elected an Academician. This piece is framed in its original frame and the painting is signed lower right and inscribed on the reverse. From the inscription on the reverse, this painting was purchased from an important house sale...

Ed. 75 Patrick Hughes (b. 1939) is a British artist working in London. He is the creator of “reverspective,” an optical illusion on a three-dimensional surface where the parts of th...

This piece titled "Abundance Mentality" is an original artwork by Katherine Fraser and is made of oil on canvas. This piece measures approximately 54" x 70" and is shipped in the pic...

Vibrant mid-century floral still-life of a bouquet of Chrysanthemums in a classic Deco style trapezoid vase by C.A. Wilkenson (American, 20th C), c.1960. Signed "C.A. Wilkenson" lowe...

Work composed of a wooden frame supported by a high-quality cotton fabric. I have used acrylic and enamel paints to make the composition and generate relief and shapes. I want to fu...

White Horse Carousel, 1956 - Oil On Canvas Oil painting of an empty carousel ride, a single white horse gleams in the center. Three doorways are seen to the right, with sunlight ema...

Choose the color of thr frame Sophie Dumont's work "Geometric Balance" deftly explores the interplay of shapes and colors in a space governed by a subtle tension between order and di...

"Look at a tree, a flower, a plant. Let your awareness rest upon it. How still they are, how deeply rooted in Being. Allow nature to teach you stillness." - Eckhart Tolle Let your g...

The painting was created in a lilac season from a bouquet of many fresh flowers. The aroma of lilac is conveyed by the power of contrast and at the same time by the crystal state of...

The Ballet Lesson by Maria Tort Xirau (Catalan, 1924-2018) signed lower corner dated 1993 oil painting on board, framed framed: 24 x 30.5 inches board: 20 ...

Title: Interconnected Dream Bold Abstract Contemporary Colorful Masculine Investment Red Yellow Grey Blue Orange Texture Detail This series expresses our unity and our interconnecte...

Signed still life oil on canvas circa 1920 by French post impressionist painter Georges D'Espagnat. The work depicts a colourful ceramic vase filled with red and white anemones set a...

Impressive early American modernist interior scene oil painting. Framed. Oil on board. Signed. Image size, 28 by 22 inches.

March 1989. Oil on canvas, 80x90 cm

Original small oil painting on canvas . How often are we in the moment, genuinely captivated by the beauty of nature, connecting with ourselves? Filled with the nature of Thailand,...

English artist Jonjo Elliot's large-scale still-life works are a collision of expressionistic fauvism and his collections encourage a youthful candor. Plants thrive in environments t...

This work from the series “Autumn Talks” immerses the viewer in the world of soft, muted colors of the autumn landscape. The characteristic texture of the painting, which imitates th...

The Artists Studio by Josine Vignon (French 1922-2022) signed on front and back oil painting on canvas, unframed canvas: 22 x 18 inches Colors: Red colors, brown, blue, white and o...

Emerald Coral Reef Painting Underwater Art Palette Knife Original Oil Painting 🎨 Materials: Oil, Rolled Canvas, Palette Knife. 🎨 Shipping: gallery standards packaging, rolled in ...

Aaron Fink (American, b. 1955) Hand signed and dated 1986, verso. The large canvas size measures approx: 72" x 66". This painting is part of the artist's "Images of Gambling" series, amongst his best figural work. Aaron Fink was born in Boston in 1955. He received his MFA from Yale University and his BFA from the Maryland Institute College of Art. His work has been exhibited widely throughout the U.S., Europe and Japan and Australia, and is included in the collections of the Museum of Modern Art, NY, the Art Institute of Chicago, the Museum of Fine Arts, Boston and the Walker Art Center, Minneapolis, among many others. He lives and works in the Boston area. He has been the subject of solo exhibitions at the Massachusetts Institute of Technology, the Muskegon Museum of Art, Michigan, the Rockford Art Museum, Illinois, and Colorado State University, Fort Collins. Figurative abstract expressionist art. In 2002 a monograph on Fink’s work, Out of the Ordinary, was published, with text by Eleanor Heartney. In 1983 Fink met the collector John Powers, who remained a strong supporter of his work until his death in 1999. Fink’s work is represented in the collections of the Art Institute of Chicago, the Hara Museum, Tokyo, the Metropolitan Museum of Art, New York, the Museum of Modern Art, New York and the National Gallery of Art, Washington, DC, among many others. Fink currently divides his time between Boston and Rockport, Massachusetts. He was included in the show The Expressive Voice: Selections from the Permanent Collection at the Danforth Museum of Art. An exhibition of Boston Expressionism, a school that embraced a distinctive blend of visionary painting, dark humor, religious mysticism, and social commentary. Historical roots of this movement can be traced to European Symbolism and German Expressionism, but artists living and working in the Boston area from the 1930’s through the 1950’s, were particularly inspired by Chaim Soutine and Max Beckmann. Artists included; Aaron Fink, Bernard Chaet, David Aronson, Ernst Ludwig Kirchner, Hyman Bloom, Jack Levine, Jackson Pollock, Jason Berger, Karl Zerbe, Lawrence Kupferman, Michael Mazur, Sigmund Abeles and Willem de Kooning. He was included in the show 40 Years of Printmaking: From the Center Street Studio Archives, along other great figural artists Gabor Peterdi, John Walker, Lester Johnson and Nell Blaine. S E L E C T E D C O L L E C T I O N S Art Institute of Chicago Bank of America Boston Public Library Bouwfonds Nederlandse Gemeenten, The Netherlands Brooklyn Museum of Art Castelli Collection, New York Chase Manhattan Bank Chemical Bank Choate Rosemary Hall, Wallingford, CT Citizens Bank, Boston Coopers & Lybrand Danforth Museum, Framingham, MA Danish House of Parliament Davis Museum, Wellesley College, Wellesley, MA DeCordova Museum and Sculpture Park Lincoln, MA Farnsworth Museum, Maine Fidelity Investments, Boston Fogg Museum of Art, Harvard University, Cambridge, MA Fuller Museum of Art, Brockton, MA G.E. Corporation Goldman Sachs & Company IBM, New York Indianapolis Museum of Art Library of Congress Massachusetts Institute of Technology, Cambridge, MA Metropolitan Museum of Art, New York Museum of Contemporary Art, Chicago Museum of Fine Arts, Boston Museum of Modern Art, New York National Gallery of Art, Washington, DC New York Public Library Philadelphia Museum of Art Portland Museum of Art, Portland, Maine United States Department of State University of Massachusetts, Amherst Awards Residency, Anderson Ranch, Snowmass, CO, 1998, 1996 National Endowment for the Arts, 1987, 1982 Artist Fellowship, Massachusetts Council on the Arts and Humanities, 1984 American Academy in Rome, Prix de Rome – Alternate in Painting, 1979 Yale University, Ford Foundation Special Project Grant, Fall 1979 Skowhegan Scholarship Award, conferred by the Maryland Institute College of Art, Spring 1976 SELECTED GROUP EXHIBITIONS Contemporary Responses to Modernism: A New England Perspective, University of Southern Maine Color and Line: Expressive Tradition in Boston, Endicott College, Beverly, MA, Beautiful Decay, Danforth Art Museum, Framingham, MA MICA Then and Now, Ethan Cohen Gallery, Beacon, NY Bon Appetit, Concord Art Association Celebrating Ten Years, Galerie D’Avignon, Montreal, Canada New England Impressions: Exploring the Woodcut, Concord Art, Concord, MA Go Figure: The Figure in Contemporary Art – A Response to Art History, Painting in Boston: 1950-2000, DeCordova Museum and Sculpture Park, Lincoln, MA Working Sources: The Painter and the Photographic Image, Alpha Gallery, Boston, MA The Unique Print: Six Innovative Approaches to the Monotype, Starr Gallery, Newton, MA Selections from Atelier Mourlot, Hankyu Department Store, Tokyo, Japan Yale Collects Yale, Yale University Art Gallery, New Haven, CT, 1993 70’s and 80’s: Printmaking Now, Museum of Fine Arts, Boston, MA, 1986-1987 Skowhegan Alumni, Leo Castelli Gallery, New York, and Portland Museum of Art, Portland, Maine, Public and Private: American Prints Today, Brooklyn Museum, Brooklyn, NY Contemporary Miami Collectors, Metropolitan Museum, Coral Gables, FL, 1984 The American Artist as Printmaker, Brooklyn Museum, Brooklyn, NY, 1983-84 Jon Abbott, Aaron Fink, Tom Lieber, Chris Wool...