Interior Paintings

Artist Comments
Bright sunshine after a major snowstorm creates a striking contrast across the landscape. In this expressionist painting, a blue sky casts strong, colorful shad...

Artist Commentary: This semi-abstract painting combines suggestions of canopies, windows, pyramids, figures, and patterns to evoke the mystery of travel. Keywords: small semi-abstra...

Charles Hunt Jnr British, (1829-1900) A Deal to be Done Oil on canvas, signed Image size: 24.75 inches x 34.75 inches Size including frame: 32.25 inches x 42.25 inches A superb genre painting of two men and a boy with donkeys and other animals in cottage by Charles Hunt. Two men are depicted conversing at a table in rustic surroundings as a boy watches on. Meanwhile, two donkeys and a pig can be seen chewing the leaves of a turnip on the floor nearby as a small dog stares out at the viewer. Through the open door to the far left, we are shown a glimpse of a garden path leading to a gate with trees and a landscape beyond. Charles Hunt was a genre and figure painter born in Kensington, London in 1829. His sons Reuben Hunt...

Artist Comments
A corridor in a public space hosts a series of windows. Their rhythmic repetition adds a sense of movement, while the harmonious color scheme of beige, grey, ...

DESCHIENS – ASTRUC (1861) Table settings with Orchids Oil on canvas signed down right Frame gilded with gold leaves Dim canvas : 82 X 116 cm Dim Frame : 107 X 141 cm DESCHIENS – ASTRUC Pauline Hélène (1861-NC) French school 19th - 20th century Born the 25th of August 1861 in Angers Painter of flowers and marines. Pupil of Pierre Bourgogne...

Medium: Oil on Paperboard Signature: Signed and Inscribed, Signed Maxfield Parrish and inscribed A gift to his son / Maxfield Parrish Jr. / June 1939 on the reverse Sight Size 3.50" ...

Floral painting. Flowers in a vase. Mortimer Borne, Printmaker, painter, sculptor, and educator was born in Rypin, Poland in 1902 and emigrated to the US in 1916. He studied at the N...

Lake Thun is one of the most picturesque lakes in Switzerland, located in the canton of Bern. Its beauty impresses with its natural harmony and diversity of landscapes. One day,...

A pair of Chinese reverse glass painting representing women and a child in a garden pavillion. Original "Chinese Chippendale" framing. China for expor...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Jan...

Allison Gildersleeve, born in Connecticut in 1970, earned her B.A. from the College of William and Mary and her M.F.A. from Bard College. Gildersleeve lives and works in Brooklyn, Ne...

Artist Commentary: This mixed media painting includes the back of the Ranchos de Taos church that Georgia O'Keefe made famous in her painting. My painting ...

Nude Woman seated on Chair by Jacqueline Boisselot, French late 20th century 13 x 9.5 inches oil on canvas, unframed condition: very good and ready to enjoy provenance: from a privat...

Story illustration for “Julie” by Frederick Orin Bartlett for The Saturday Evening Post, published August 14, 1920, page 7. The full caption reads: “‘Julie, do you love me?’ She ...

Arnold Friedman studied with Robert Henri and Kenneth Hayes Miller at the Art Students League in 1905 . Yet as he developed his style he abandoned the academic influence of his teacher. He started experimenting with materials and techniques. Friedmans intimate style recalls a variety of post-impressionist artists such as Pointillism of Pisarro, Vuillard and Nabis, and perhaps even Seurat. His thick application of paint has definitive textual impasto that was influenced by his trip to Paris in 1909. In "Museum Piece...

Wonderful oil painting of artist's son, Ray Rogers, by Virginia Sevier Rogers (American, 1916-2015). Signed "VSR" 7/50 (July 1950) on verso. Unframed. Image: 34"H x 24"W. Rogers stu...

"Pink Solitude in Abstract" is an abstract painting distinguished by its texture and interwoven layers of color. Pink tones predominate, complemented by flashes of blue, red, and gre...

Pair of French Neoclassical oil paintings by Dubost French, 1809/11 Frame: Height 70.5cm, width 86cm, depth 9cm Panel: Height 45cm, width 61c...

This work presents a refined and atmospheric interpretation of a floral composition in transition. Branches stretch across a softly modulated background, while blossoms appear to de...

Rustic Orange Bouquet by Fanch Lel (French b. 1930) Size: 10.5 x 8.75 inches Oil painting on cardboard, unframed Condition: The painting is in good condition, with minor signs of agi...

Realistic painting with autumn landscape is very cozy - purple flowers, yellow, orange, red colours create an amazing autumn mood. The artist was creating the painting about 2 years....

Bea Sarrias is an artist from Barcelona who has created her pictorial artwork in this city, drawing inspiration from the topics and places that have given birth to the most significa...

Vintage American still life oil painting. Oil on board. Signed in monogram lower right. Framed. Measuring: 31 by 24 inches overall, and 24 by 19 painting alone.Excellent condition, r...

A cluster of red roses unfolds in full bloom — vivid, untamed, and irresistibly alive. Red Roses’ Temptation captures not only the beauty of flowers, but the emotional pull they hold...

In this work, the artist constructs a rhythm from natural elements, combining the dynamism of form with an inner stillness inherent to their nature. The composition does not focus o...

Irises by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back oil painting on canvas, unframed measures: 24 high by 15 inches wide condition: overall very...

READY TO HANG with the edges painted so you don't need to frame it.. A beautiful modern atmospherical seascape, semi-abstract, made with professional varnished acrylics and Amsterdam...

Original oil on canvas painting. Hand signed on front; signed and titled on verso by the artist. Canvas is stretched. Artwork is in excellent condition. Stretched. Certificate of au...

My latest series opening at the George Billis Gallery, titled “Modern Society,” continues my exploration into midcentury architecture and design found in New York City, but focuses o...

Work sold to benefit the CLEVELAND INSTITUTE OF ART Joseph B. O’Sickey (American, 1918–2013) Interior Still Life with Chair and Flowers Pastel and oil on gre...

In this contemporary interior painting in acrylic on paper, colorful clothes, accessories, and a suitcase are strewn across a bed with cheerful yellow bedding in a bedroom with brigh...

This contemporary abstract landscape painting explores transformation and the evolving inner landscape. Soft layers of color, textured surfaces, and fluid paint drips create a sense ...

In this artwork, I've channeled my passion into each stroke, using a medley of acrylic, watercolor, and colored pencil. My style blends abstract, expressionism, impressionism, and p...

This painting arrives with an incredible history, having recently returned from London Design Week 2026. Featured in the Artfinder curated selection, it became a genuine crowd-favour...

Vulnerability is a state of nakedness - being without protection, without a form behind which one can hide. Yet vulnerability here is not frightening. A chandelier, a garland, and ac...

Joseph Solman 1940’s Oil on Masonite signed JS lower left 20x12 inches image size 26x18 inches with frame Good condition Private collection NYC Painting depicts a fantastic NYC Bri...

Émile Renard (French, 1850-1930) A Fine and Charming Oil on Canvas "A Good Poker Hand", depicting a joyous seated man, smoking a pipe, showing his Poker hand of cards. Within a carve...

Minimalist New Media Original Painting on Canvas ❘❘❙❙❚❚ Invest in original paintings today! ❘❙❙❚❚ Discover Art You Love. Start and build your art collection. Innovative and Conte...

Terriers Ratting in the Barn by Frank Cassell (British 1862-1908) signed and dated 1889 oil on canvas, framed framed: 14.75 x 19.75 inches canvas : 12 x 16 inches Provenance: private...

"Organized Chaos" is a striking exploration of movement and contrast rendered in bold, abstract form. Painted on a solid birch panel, the piece features dynamic white brushstrokes se...

Oil on canvas Canvas size: 33.5 x 49 inches Signed lower right

"Tropical Summer" by Troy Smith is an explosion of vibrant colours that evokes the lively, dynamic energy of a lush, tropical landscape in full bloom. Swirls of deep greens, electric...

Miriam Schapiro Cabinet, 1999 Fabric, Rickrack, photography, magazine images, greeting cards, lithography, collage, text Hand Signed and dated by the artist on the lower right front ...

This fantastic British 1940's figurative interior oil painting is by noted artist Leonard Fuller. Painted circa 1940, the colourful composition is looking into a busy Woolworths stor...

Antique American folk art landscape oil painting. Oil on board. Signed. Framed. Provenance from a Sag Harbor, NY collection. Measuring: 16 by 19 inches overall. Handsomely framed in...

Jordi Curós Ventura (1930-2007) - Woman Mixed technique on canvas cardboard. Work measurements 46x38 cm. Frameless. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Spanish pa...

Queen of Outer Space - Original Sci- Fi Surrealist Composition On Board Dramatic sci-fi scene by Russell R. Tripp (American, 1942-2025). This sci-fi surrealist painting blends indus...

Vintage American impressionist oil painting. Oil on canvas, lain to board. Unsigned. Framed. Provenance from a Sag Harbor, NY collection. Measuring: 13 by 12 inches overall. Handsom...

Colin Fraser is a contemporary Scottish painter, who is recognized for his intricate still lifes, interiors, and landscapes. He was born in Glasgow, Scotland in 1957 and received tra...

In my work, I explore how inherited emotional distance turns into a lifelong search for intimacy. I am interested in moments in which connection does not require justification, where...

Immerse yourself in a captivating visual journey where deep storm clouds meet the gentle warmth of a new dawn. "Lake of Hope" is a museum-quality original abstract painting that brin...

ABOUT THE ARTWORK Flowers Grow on My Pain refuses the idea that pain must remain silent, closed, or disfiguring. The figure’s body opens into floral forms, turning sites of vulnerabi...

GENTY Emmanuel (1830-1904) Portrait of an Elegant Lady Oil on canvas signed low right and dated 1897 Old Frame regilded with gold leaves Dim canvas : 100 x 81 cm Dim frame : 120 x 10...

My latest series opening at the George Billis Gallery, titled “Modern Society,” continues my exploration into midcentury architecture and design found in New York City, but focuses o...

Beautifully executed oil on panel painting of the interior of the Bourges Cathedral in Bourges, France. The artist is Pierre Gaston Rigaud. Rigaud is known for his many interior pai...

Ferjo Original “litchenstein” Painting On Canvas 70x50. In good condition buyer must pickup in nj or hire a delivery service.

Antique realist church interior oil painting. Oil on canvas. Framed. Measuring: 17 by 22 inches overall, and 13 by 17 painting alone. Excellent condition, ready to hang and enjoy.

Pietro Longhi (Venice, 1701–1785) Circle The Lady’s Awakening Oil on canvas 73 x 56 cm. - Framed 85 x 69 cm. Anyone wishing to learn about the social life of 18th-century Ven...

Harry Humphrey Moore led a cosmopolitan lifestyle, dividing his time between Europe, New York City, and California. This globe-trotting painter was also active in Morocco, and most importantly, he was among the first generation of American artists to live and work in Japan, where he depicted temples, tombs, gardens, merchants, children, and Geisha girls. Praised by fellow painters such as Thomas Eakins, John Singer Sargent, and Jean-Léon Gérôme, Moore’s fame was attributed to his exotic subject matter, as well as to the “brilliant coloring, delicate brush work [sic] and the always present depth of feeling” that characterized his work (Eugene A. Hajdel, Harry H. Moore, American 19th Century: Collection of Information on Harry Humphrey Moore, 19th Century Artist, Based on His Scrap Book and Other Data [Jersey City, New Jersey: privately published, 1950], p. 8). Born in New York City, Moore was the son of Captain George Humphrey, an affluent shipbuilder, and a descendant of the English painter, Ozias Humphrey (1742–1810). He became deaf at age three, and later went to special schools where he learned lip-reading and sign language. After developing an interest in art as a young boy, Moore studied painting with the portraitist Samuel Waugh in Philadelphia, where he met and became friendly with Eakins. He also received instruction from the painter Louis Bail in New Haven, Connecticut. In 1864, Moore attended classes at the Mark Hopkins Institute in San Francisco, and until 1907, he would visit the “City by the Bay” regularly. In 1865, Moore went to Europe, spending time in Munich before traveling to Paris, where, in October 1866, he resumed his formal training in Gérôme’s atelier, drawing inspiration from his teacher’s emphasis on authentic detail and his taste for picturesque genre subjects. There, Moore worked alongside Eakins, who had mastered sign language in order to communicate with his friend. In March 1867, Moore enrolled at the prestigious École des Beaux-Arts, honing his drawing skills under the tutelage of Adolphe Yvon, among other leading French painters. In December 1869, Moore traveled around Spain with Eakins and the Philadelphia engraver, William Sartain. In 1870, he went to Madrid, where he met the Spanish painters Mariano Fortuny and Martin Rico y Ortega. When Eakins and Sartain returned to Paris, Moore remained in Spain, painting depictions of Moorish life in cities such as Segovia and Granada and fraternizing with upper-crust society. In 1872, he married Isabella de Cistue, the well-connected daughter of Colonel Cistue of Saragossa, who was related to the Queen of Spain. For the next two-and-a-half years, the couple lived in Morocco, where Moore painted portraits, interiors, and streetscapes, often accompanied by an armed guard (courtesy of the Grand Sharif) when painting outdoors. (For this aspect of Moore’s oeuvre, see Gerald M. Ackerman, American Orientalists [Courbevoie, France: ACR Édition, 1994], pp. 135–39.) In 1873, he went to Rome, spending two years studying with Fortuny, whose lively technique, bright palette, and penchant for small-format genre scenes made a lasting impression on him. By this point in his career, Moore had emerged as a “rapid workman” who could “finish a picture of given size and containing a given subject quicker than most painters whose style is more simple and less exacting” (New York Times, as quoted in Hajdel, p. 23). In 1874, Moore settled in New York City, maintaining a studio on East 14th Street, where he would remain until 1880. During these years, he participated intermittently in the annuals of the National Academy of Design in New York and the Pennsylvania Academy of the Fine Arts in Philadelphia, exhibiting Moorish subjects and views of Spain. A well-known figure in Bay Area art circles, Moore had a one-man show at the Snow & May Gallery in San Francisco in 1877, and a solo exhibition at the Bohemian Club, also in San Francisco, in 1880. Indeed, Moore fraternized with many members of the city’s cultural elite, including Katherine Birdsall Johnson (1834–1893), a philanthropist and art collector who owned The Captive (current location unknown), one of his Orientalist subjects. (Johnson’s ownership of The Captive was reported in L. K., “A Popular Paris Artist,” New York Times, July 23, 1893.) According to one contemporary account, Johnson invited Moore and his wife to accompany her on a trip to Japan in 1880 and they readily accepted. (For Johnson’s connection to Moore’s visit to Japan, see Emma Willard and Her Pupils; or, Fifty Years of Troy Female Seminary [New York: Mrs. Russell Sage, 1898]. Johnson’s bond with the Moores was obviously strong, evidenced by the fact that she left them $25,000.00 in her will, which was published in the San Francisco Call on December 10, 1893.) That Moore would be receptive to making the arduous voyage across the Pacific is understandable in view of his penchant for foreign motifs. Having opened its doors to trade with the West in 1854, and in the wake of Japan’s presence at the Philadelphia Centennial Exposition of 1876, American artists were becoming increasingly fascinated by what one commentator referred to as that “ideal dreamland of the poet” (L. K., “A Popular Paris Artist”). Moore, who was in Japan during 1880–81, became one of the first American artists to travel to the “land of the rising sun,” preceded only by the illustrator, William Heime, who went there in 1851 in conjunction with the Japanese expedition of Commodore Matthew C. Perry; Edward Kern, a topographical artist and explorer who mapped the Japanese coast in 1855; and the Boston landscapist, Winckleworth Allan Gay, a resident of Japan from 1877 to 1880. More specifically, as William H. Gerdts has pointed out, Moore was the “first American painter to seriously address the appearance and mores of the Japanese people” (William H. Gerdts, American Artists in Japan, 1859–1925, exhib. cat. [New York: Hollis Taggart Galleries, 1996], p. 5). During his sojourn in Nippon (which means, “The Land of the Rising Sun”), Moore spent time in locales such as Tokyo, Yokohama, Kyoto, Nikko, and Osaka, carefully observing the local citizenry, their manners and mode of dress, and the country’s distinctive architecture. Working on easily portable panels, he created about sixty scenes of daily life, among them this depiction of an interior of a dwelling. The location of the view is unknown, but the presence of a rustic rail fence demarcating a yard bordering a distant house flanked by tall trees, shrubs and some blossoming fruit trees, suggests that the work likely portrays a building in a city suburb or a small village. In his book, Japanese Homes and Their Surroundings, Edward S. Morse (an American zoologist, orientalist, and “japanophile” who taught at Tokyo Imperial University from 1877 to 1879, and visited Japan again in 1891 and 1882) noted the “openness and accessibility of the Japanese house...

Andrei Illich Potapenko (Ukranian, 1925-2011), Interior Scene, Oil on Board, 1961, depicting woman in headscarf standing by window, signed and dated lower right, with artist's name a...