Interior Paintings

Around each corner of the print, a brilliant stripe of green outlines the image field, as if the viewer were looking through an eye, or peering through a frame. The back of a figure’...

Charles Blum (New York, 1925-1998), Windowsill Garden, Oil on Masonite Panel, 1966, signed and dated lower right, wood frame. Image: 48" H x 23.75" W; frame: 53" H x 29" W. Provenanc...

Red Lilies by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back oil painting on board, unframed measures: 18 high by 13 inches wide condition: overall ve...

Whistlers Mother by Anonymous Artist Original Oil on Canvas 1924 Nicely executed painting after James McNeil Whistler of his mother by an anonymous artist (American, 19th-20th C.) I...

Multi Coloured Floral Bouquet signed by the artist 'L.Seeyer', late 20th Century Signed by the artist on the lower right hand corner Oil painting on canvas, framed Frame size: 15 x 1...

“The Color of a Kiss” – Romantic Abstract Floral Painting in Shades of Pink, Yellow & White by Michelle Thomas Soft, radiant, and richly textured, The Color of a Kiss captures the f...

Neutral Abstract, Muted Colours, Signed Oil Painting By French artist 'Jean Briant', 20th Century Signed by the artist on the lower right hand corner ...

Impressive early American modernist flower still life oil painting. Framed. Oil on canvas. Signed. Image size, 12H by 10L.

Antique American school surreal oil painting. Oil on canvas. Framed. Measuring 30 by 35 inches overall and 25 by 30 painting alone.In excellent original condition. Handsomely fram...

Untitled 05, 2015-16 Oil on canvas (signed on reverse) 13.77 H x 9.84 W in. 35 H x 25 W cm The notion of “abjection”, which at the beginnings referred to the idea of spirit degradat...

Nicely painted Flamenco dancer portrait. Framed. Oil on board. Signed. Image size, 20H by 16L.

Jordi Curós Ventura (1930-2007) - Woman Mixed technique on canvas board. Work measurements 46x38 cm. Frame size 63x55 cm. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Span...

Interior scene oil/canvas, 64x70. cm., 1995.

Rustic Bouquet signed by Fanch Lel (French b. 1930) Size: 11.75 x 9 inches Oil painting on cardboard, unframed Condition: The painting is in good condition, with minor signs of aging...

This charming late 19th-century oil painting by English artist Walter Dendy Sadler RBA (1854-1923) depicts an introduction between a demure young Regency lady and her potential suito...

En esta obra, he vertido mi energía creativa en un lienzo que respira dinamismo y pasión. Usando acrílicos, he fusionado minimalismo con expresionismo abstracto, donde cada pincelada...

ARTIST : Alex Senchenko © Title : Abstract 2378 Technique: Acrylic & structure on canvas 100cm. x 100cm. Original Painting on a 1.5cm Deep Canvas Ready to hang 2023 -------...

Attributed to Antoine Felix Boisselier (19th Century) French 'Classical figures in a bed chamber Medium: oil on canvas, with inscription verso Size of pain...

This framed and matted 16" x 19" watercolor painting by an Unknown artist depicts an historic English chapel interior. The interior of the church features the large stained glass window pane...

A large & important Orientalist oil on canvas painting, Moorish Spain, by Pollok Sinclair Nesbit (1848-1922) ASRA, "The Gate of the Sun" Toledo, 1872. A member of The Royal Scottish ...

Ida Sedgwick Proper At the Claremont (View of the Hudson River and Palisades) circa 1912 Signed lower right Oil on canvas 45 1/4 x 57 1/2 inches Exhibited New York, Heterodoxy, Malv...

Title: Modern French Oil Painting Standing Male Nude Expressive Figurative Study by Bernadette Kelly (French b. 1933) Unsigned Medium: oil painting on board, unframed Painting size: ...

In "Between the Lines," Sophie Dumont masterfully transforms the canvas into a visual symphony using her expert knife painting technique. This painting, measuring 65 x 54 cm, is dist...

A very beautiful large colorful abstract painting with many neon nuances, heavy relief textured with palette knife, vibrant and emotional. READY TO HANG - GALLERY QUALITY It's all ab...

Incredible signed early American dog portrait painting. Oil on board. Signed. Housed in a period gold giltwood frame.

Large Colour Block Abstract, Mixed Medium, Original Painting French School, circa 1990s sigend indistinctly on the bottom of the painting Mixed m...

Italian painter (18th century) - Saint Monica in prayer. 56 x 32 cm. Antique oil painting on canvas, without frame (not signed). Condition report: Good state of conservation of th...

Exquisite antique portrait painting of a young fashionable woman. Framed. Oil on canvas. Signed. Image size, 31H by 24L.

The bird’s eye view and strong light on the mother-of-pearl of oysters and folds create this image. The medium used is oil on canvas, which captures the vibrant color, delicate textu...

Sunny colours of the autumn plein-air painting will always give you only positive emotions and good mood, the artwork is full of yellow, red, orange colors, that's why golden autumn ...

This painting by Henri Brispot stands out amongst many pieces that he ever painted. It was sold in New York for $20 000 and is a wonderful example of his satirical nature shown throu...

Portrait of a Lady French School, 20th century oil painting on canvas, unframed 40 x 29 inches condition: very good and presentable provenance: private collection, Provence Superb ...

* Original unique fluid hand painted artwork * Ready to hang with the edges painted. * Size: 100x50X2 cm, 39.4x19.7x0.8 inches * Signed and dated on the front and back * Certificate ...

Artist: Francis Wynne Thomas (1907-1988), signed Painter and art teacher born in Bromley, Kent. He was an architectural graduate from Cambridge University but went on to study art at Heatherleys (193-34) under Frederick Whiting. Title: Portrait of a Stylish Lady...

Elegant Floral Still Life French School, mid 20th century signed oil on canvas, unframed Canvas : 39.5 x 32 inches Provenance: private collection, France Condition: very good conditi...

The Flower Pot by Josine Vignon (French 1922-2022) signed pastel on paper, unframed painting: 19 x 25 inches good condition provenance: from the artists estate, France Josine Vigno...

I bought this beautiful instrument. Tuner told me that the instrument was in perfect working order and sounded great. But the black lacquer on the piano looked old and worn from tim...

In this oil painting, I've explored the delicate interplay of color and light, capturing the ethereal beauty of blooms. My strokes convey passion and emotion, creating a dance betwee...

Wonderful American modernist portrait painting. Framed. Oil on canvas. Image size, 20H by 16L.

The overall dimensions including the frame are 70 x 42 inches. Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Voge...

Conditions : Good overall Conditions. Provenance: Bonhams sale, MA. US René Lelong studied at the Académie Julian from 1879 to 18913. He was awarded a 3rd class medal at the Salon d...

Dimensions: 31.5 x 31.5 inches (80 x 80 cm) Medium: Oil on linen canvas, framed in black. The work, crafted by Sophie Dumont—a renowned French painter with growing international acc...

Signed lower left, 'Mogens Hertz' (Danish, 1909-1999) and dated 1953. A substantial figural oil of a young woman, shown seated at a table and arranging her hair before an open wind...

Artist: Fermin Santos Alcade Title: Catedral de Toledo, Espana II Year: Circa 1960 Medium: Oil on canvas board Canvas board size: 28.5 x 21.25 inches...

Wonderful American school impressionist family portrait oil painting. Oil on canvas. Image size, 38H by 30L.

Title: Modern Impressionist French Oil Painting Lush Garden Scene with Seated Figure by Bernadette Kelly (French b. 1933) Unsigned Medium: oil painting on board, unframed Painting si...

Still Life of Fruit French School, mid 19th century indistinctly signed lower right corner oil on canvas laid on board, framed framed: 27 x 35 inches board: 25 x 33 inches provenance...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. Rich in symbolism and exquisite in detail, Phoenician Pomegran...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Ori...

Mi obra, creada con oleos, refleja una exploración abstracta y vibrante del espíritu humano. La elección de colores vivos y las formas entrelazadas capturan la complejidad emocional ...

Created circa 1955 by Victor Di Gesu (American, 1914-1988) and stamped, verso, with Victor di Gesu estate stamp. Winner of the Prix Othon Friesz, Victor di Gesu first attended the L...

Artist: Ian Hornak (1944-2002) Title: Untitled (Abstract Still Life with Flowers and Fruit) Year: 1963 Medium: Watercolor on heavy archival paper Size: 29.5 x 21 inches Condition: Go...

Figure standing with window

Abstract textured acrylic painting on canvas 80x80x2 cm (31,4 x 31,4 x 0,8 inches). Mixed Media on gallery wrapped canvas. The work is ready to hang. No framing required. The sides o...

Richard Andres (American, 1927-2013) Untitled, c. 1949 oil on canvas 18 x 32 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller designed and made the simple gold wedding ring Avis wore for their 65 years of marriage. During those 65 years neither wavered in their mutual love, nor in the respect they shared for one another’s art. The couple lived in a converted chicken coop in Missouri while Richard was in boot camp. At the camp, he would volunteer for any job offered and one of those jobs ended up being painting road signs. His commander noticed how quickly and neatly he worked and gave him more painting work to do - eventually recommending him for a position painting murals for Army offices in Panama. Until her dying day, Avis remained angry that “The army got to keep those fabulous murals and they probably didn’t even know how wonderful they were.” In Panama, their first son, Mark, was born. After Richard’s discharge in 1953, they moved back to the Cleveland area and used the GI bill to attend Kent State gaining his BA in education. The small family then moved briefly to Buffalo, where Richard taught at the Albright Art School and the University of Buffalo – and their second son, Peter, was born. Richard had exhibited work in the Cleveland May Show and the Butler Art Museum during his art school years, and during the years in Buffalo, his work was exhibited at the gallery he had so loved as a child, the Albright Art Gallery. In 1956, the family moved back to the Cleveland area and Richard began teaching art at Lincoln West High School during the day while working toward his MA in art at Kent State in the evenings. Avis and Richard, with the help of an architect, designed their first home - a saltbox style house in Hudson, Ohio, and in 1958, their third son, Max (after Max Beckmann) was born. Richard enjoyed the consistency of teaching high school as well as the time it gave him to paint on the weekends and during the summer months. In 1961, he received his MA and his daughter, Claire, was born. With a fourth child, the house was much too small, and Avis and Richard began designing their second home. An admirer of MCM architecture, Richard’s favorite example of the style was the Farnsworth house – he often spoke of how the concepts behind this architectural style, particularly that of Mies van der Rohe, influenced his painting. Andres described himself as a 1950’s...