Interior Paintings

Profusion of Flowers by Max Toutain (French, 20th century) signed oil on canvas, framed framed: 34 x 26 inches canvas : 29 x 21 inches Provenance: private collection, Provence Condit...

In most of the paintings, the artist uses an interior space as his subject, placing a table or similar object at its center. The use of symmetry and eye level often suggests an altar...

Lilac Flowers Oil Painting by Olga Nikitina – Impressionist Impasto Palette Knife Floral Art on Canvas, Large Textured Painting, 85x60 cm Description: This original oil painting on canvas by Olga Nikitina features a lush bouquet of lilac flowers painted in an expressive impressionist style using a palette knife and rich impasto technique. Thick, textured brush and knife strokes create a vibrant surface where light, color, and texture interact, giving the painting depth and movement. The lilac bouquet appears almost sculptural due to the heavy paint application, making the artwork visually dynamic and tactile. The color palette combines various shades of violet, lavender, soft pink, white, and deep green leaves, set against a contemporary abstract background in muted greys, warm neutrals, and soft blues. This balance between impressionistic flowers and a modern background allows the painting to fit both classic and contemporary interiors. The artwork is painted with professional oil paints on high-quality canvas. The painting is sold unframed and will be shipped rolled in a protective tube to ensure safe international delivery and lower shipping costs. Once received, the canvas can be easily stretched at a local framing shop. This large floral oil painting would make an elegant statement piece for a living room, bedroom, dining room, or interior design project. The textured impasto technique makes the painting unique and impossible to fully reproduce in prints or photographs, as the texture changes with light and viewing angle. Details: Artist: Olga Nikitina Title: Lilac Flowers Medium: Oil on canvas Technique: Impasto, palette knife Style: Impressionist / Contemporary Impressionism Size: 85 × 60 cm Condition: Excellent Signature: Signed by artist Framing: Unframed Shipping: Ships rolled in a tube Lilac painting, floral oil painting, impressionist flower painting...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

In The Arches of Time, French contemporary painter Sophie Dumont explores the idea of architectural memory through a refined geometric language shaped by layered oil paint and subtle...

Italian painter (19th-20th century) - Still life with vase of flowers. 83 x 62 cm without frame, 96.5 x 76.5 cm with frame. Antique oil painting on wood, in a wooden frame (not sig...

Incredible early American modernist portrait by Stephen H Booker (1933 - 2016). Oil on canvas. Signed verso. Finely framed. Measuring 24 by 28 inches overall and 16 by 20 paintin...

Autumn Fruits, still life of fruit and wine on a table top French, late 20th century indistinctly signed top right corner titled and signed verso oil on canvas, framed framed: 24.5 x...

Signed Upper Left "Tosca" for Tosca Olinski (American, 1909-1984) and painted in 1941. Provenance: Mongerson Wunderlich Galleries, Chicago. Exhibited: New Directions in American Pai...

This painting explores a quiet, expansive landscape where space feels open and time slows down. Soft transitions of sky and land create a sense of balance, while subtle contrasts sug...

ABOUT THE ARTWORK "Magical Forest" is an artwork that brings the mystique of nature to life through playful color and form. Shades of red and green interweave to create a dense thic...

“Coolness” is a picturesque depiction of a mountain landscape where the lightness and transparency of the sky merge with the soft green waves of the mountains. The painting masterful...

Elaborate Floral Arrangement French artist, 18th Century oil on canvas, framed Framed: 27 x 34 inches Canvas: 22 x 29 inches Provenance: private collection, England Condition: very...

Nadezda's beautiful new oil on panel painting "Smoking Lady" (2024) is an abstract portrait of a woman wearing a black dress smoking inside of her brightly colored house, she is stan...

Signed lower left, 'Belle Golinko' (American, 20th century) and painted circa 1945. This Israeli-American woman Modernist exhibited widely and with success, including at the Dallas ...

Amazing American modernist still life oil painting by Adrian Martinez (Born 1949) . Oil on canvas. Exhibited.

This 18th-century painting, attributed to Christian Wilhelm Ernst Dietrich (1712–1774), depicts a rustic inn interior, a subject frequently explored by Dutch and German genre painter...

Blacksmith (Untitled), 1936, oil on canvas, signed and dated lower right, 28 x 30 inches Erle Loran was an influential American painter, art historian, and educator, renowned for h...

Mural Study for "History of Water" American Scene Modernism Social Realism WPA Thomas Hart Benton (American, 1889-1975) "Water Story" (Study for The History of Water) Tempera and o...

Daniel Sprick's (US based) "Fire Flower" is an original, handmade oil painting that depicts a colorful rose bathed in light contrasted with a dramatic background. About the artist...

A compelling antique Mexican ex-voto retablo hand-painted on tin, depicting a miraculous healing and offering a vivid glimpse into Mexico's rich devotional folk art tradition. Create...

"Coloured Horizons" is a painting by Spanish artist Natalia Roman. This series of abstract geometric paintings by Natalia Roman draws its inspiration from the sleek grids and curves ...

A sophisticated interplay of form and abstraction. This composition explores the female figure through a prism of analytic cubism, blending monochromatic depths with sudden bursts of...

Item is in excellent condition and has only been displayed in a gallery setting. Item includes frame; framed dimensions are approximately 31 x 38 inches. Cornelis le Mair is truly a renaissance man, encompassing all disciplines of the arts. He enjoys painting, drawing, writing, architecture, sculpture, and interior design. Le Mair was born in Eindhoven, The Netherlands in 1944. He began drawing and painting at the young age of five and while in kindergarten, he was often made to show his paintings in other classes even though he was shy about doing so. “When I could not play outside because of bad weather, I would sit in my bedroom and would draw.” His early art studies were widely influenced by the Rembrandt exhibit in the Rijksmuseum (1956) that he attended with his father. There le Mair was inspired by the Old Masters and “the desire to unravel all the mysteries hidden under the cracked varnish” began. Already having painted a lifesize copy of “The Nightwatch” on the wall of his bedroom, le Mair was continually driven by the Rembrandt exhibit. He began to experiment with resins, pigments and oils in order to hone and perfect the technique of the old masters. He studied drawings and paintings and early on developed the feeling of color and composition. After completing high school, he worked for a short period as a designer of woven fabrics. Although his heart desired to paint, he enjoyed having a pencil and brush in hand and a case full of art books and says, “This treasure of inspiring information took me further on track to the traditional trade.” At this same time, le Mair’s artistic endeavors led him to learn the art of music. First learning to play the guitar from friends, he began performing at youth centers. This love of music expanded into him learning to play the mandolin, turning lye, banjo, and bagpipes. Just after his eighteenth birthday, le Mair was accepted into military service where his lack of conforming led him to a maximum solitary confinement sentence. After a month in training, the army physician and le Mair agreed that he was born to be an artist and released le Mair from military services. Once he returned home, with the encouragement from his parents, le Mair began his art schooling at the Art Academy (Kustacademie) in ‘s-Hertogenbosch, The Netherlands. There he found that the school was geared for modernism and after painting a portrait of a fellow classmate, his teachers advised le Mair to look for a school where the traditional ideas were still taught. Longing to study the classical arts, he applied and was accepted to the Academy of Fine Arts (Koninklijke Kunstacademie) in Antwerp, Belgium in 1965. After studying under Professor Victor Dolphijn, le Mair graduated cum laude in portrait and figure paintings in 1968. He was then promoted to study as a student of the Higher Institute, a structure at a higher university level where he studied under Rik Slabbinck...

Very Shiny Very Red Apple is an original oil painting by Dani Humberstone as part of her series of realistic oil paintings of fruit with a nod to baroque still life painting. The pai...

This painting will come to you stretched on a wooden stretcher and completely ready to be placed in the interior. ABOUT THE ARTWORK "I Was Lost But I'm Found" from the "PERICHORESIS...

This is a one of a kind original painting by southern California artist, Leslie Winokur. Its dimensions are 20" x 10" x 1" (HxWxD). It is oil on linen. ...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Aka...

In this piece, I poured my soul into capturing the vibrant energy and delicate beauty of tulips. Through bold brushstrokes and rich oil hues, I aimed to evoke warmth and resilience. ...

Still Life of Flowers in a Vase by Cécile Hertz-Eyrolles (1875-1974) stamped with the artists studio mark oil on thin board, unframed board: 20 x 15.5 inches Provenance: the artists...

Italian artist, 19th century Still Life with Hunting Dogs indistinctly signed oil on canvas, unframed Canvas: 14.25 x 24 inches Provenance: private collection, UK Condition: very goo...

“Look at the flowers. It is simply unbelievable how happy flowers are.” — Osho Garden of Light is a contemporary floral painting inspired by the energy of nature. Slender branches m...

The evening painting with the Moon over the river is an unordinary wall decoration of any interior. The artwork is full of different difficult colours. The artist masterfully capture...

Still Life of Flowers on a Stone Plinth European artist, late 20th century oil on canvas, unframed canvas : 24 x 36 inches provenance: private collection, south west of England condi...

In this contemporary still life painting in oil on canvas, a clear glass vase holds bright lush chrysanthemum blossoms in coral red and pink beside orange and yellow fruits in a frui...

"Paper Making" WPA Industrial Mid-Century American Scene Social Realism Workers Douglas Crockwell (1904-1968) "Paper Making" 19 x 39 inches Oil on board, c. 1936 Signed verso Framed: 28 x 47 Provenance: Estate of the Artist BIO Spencer Douglass Crockwell was born into a comfortable middle class household on April 29, 1904 in Columbus, Ohio. His father, Charles Roland Crockwell, was a mining engineer; his mother, Cora, was the daughter of an Iowa attorney. He became a commercial artist and experimental filmmaker who spent a good part of his career creating illustrations and advertisements for the Saturday Evening Post. In 1907 the Crockwell family moved to St. Louis, Missouri, where he graduated from high school and then attended from Washington University. Initially he studied engineering, but soon switched to business. While still an undergraduate, Crockwell took courses at the St. Louis School of Fine Arts and quickly realized that he wanted to be an artist. After graduating from Washington University in 1926, Crockwell continued to study at the St. Louis School of Fine Arts until 1929. The following year he relocated to Chicago and continued his studies at the American Academy of Art. In 1930 and 1931 he studied in Europe on a Traveling Fellowship. In 1932 Douglass Crockwell moved to Glens Falls, New York, which was to be his home for the remainder of his life. The following year he married Margaret Braman. They had three children, a son Douglass and two daughters, Johanna and Margaret. During the depression he created murals and posters for the Works Progress Administration including Post Office murals in White River junction, Vermont; Endicott, New York; and Macon, Mississippi. In 1934 he painted Paper Workers, Finch Pruyn & Co. (the leading Glens Falls, New York company) for the WPA. In the 1930s Crockwell developed an interest in experimental animated films that occupied him for the rest of his life. In 1936 and 1937, he collaborated with David Smith, a sculptor, to create surrealist films. Because of his interest in experimental films, his output of paintings was limited to just twenty to forty illustrations a year during this time. Crockwell painted his first of many Saturday Evening Post cover in 1933. He also worked for Life, Look, and Esquire, and numerous national advertisers including Friskies dog food, Welch’s Grape Juice, Republic Steel...

Artist Comments
Sunlight filters through the dilapidated room, illuminating dust motes and peeling paint. Before the crumbling fireplace, the translucent figures of the home'...

This painting will come to you stretched on a wooden stretcher and completely ready to be placed in the interior. ABOUT THE ARTWORK In 'Little Woman', I reflect on the inner strengt...

"Premonition" captures the enchantment of a tranquil morning hour when light tenderly embraces the earth, merging sky and land in a harbinger of the day to come. The gentle hues on t...

Floral Still Life signed and dated 94' by Fanch Lel (French b. 1930) Size: 11 x 9 inches Oil painting on board, unframed Condition: The painting is in good condition, with minor sign...

ARTIST: Guy Roddon (1919-2006) British TITLE: "French Cafe Street Scene" SIGNED: lower left MEDIUM: oil on board SIZE: 80cm x 70cm inc frame CONDITION: excellent DETAIL: Painter and teacher, born in London. After Bryanston School he studied at Goldsmiths’ College School of Art with James Bateman and Clive Gardiner, 1937–9, then at the Byam Shaw School of Drawing and Painting, 1939–40, with Ernest Jackson, and drawing at La Grande Chaumière, Paris. During World War II he served in Royal Engineers before transferring to the Camouflage Unit, which included Frederick Gore, Oliver Messel, Roland Penrose and Claude Rogers. Roddon spent part of the war stationed in the Old Assembly Rooms, Norwich, as a camouflage instructor alongside Messel and Penrose. From 1948–50, he taught at Goldsmiths’; from 1960–1 was commissioned to paint The Stations of the Cross and Resurrrection for St Thomas More, Patcham; from 1960–3 moved to Paris; rented Edwin John’s studio in Tite Street for 10 years; and began a series of portraits, sitters including the novelist L P Hartley, composer John Ireland...

Vintage American modernist abstract oil painting. Oil on canvas. Provenance from a Sag Harbor, NY collection. Measuring: 24 by 36 inches overall. Excellent condition, ready to hang ...

You'll receive it rolled, in a tube. This artwork portrays a hauntingly serene face, partially obscured by a cascade of abstract elements and vivid yellow flowers. The use of cool bl...

Lodewijk Bruckman(1903-1995), was a professional artist along with his twin brother Karel. They lived and worked in the Hague in Holland. Lodewijk was a student at the Royal Academy of Art, The Hague, Holland. Exhibited at Raymond Agler Fine Arts Gallery, Gloucester, Cooley Gallery; T. Scott & Fowles Gal, NYC (1948, Boston Arts Festival, (1953, 1957, both prize winners), Cape Cod Museum of Art, Provincetown Art...

A vibrant explosion of joy where abstract expressionism meets the delicate world of nature. Through a dynamic dance of colorful splatters and rich textures, hidden butterflies emerge...

Seated Nude Woman by Jacqueline Boisselot, French late 20th century 11 x 7.5 inches oil on canvas, unframed condition: very good and ready to enjoy provenance: from a private collect...

"Interior with Chair and Vanity" circa 1918 Ricardo Gomez-Gimeno (Spain/France 1892-1954) Oil on cardboard Signed 17 1/4 x 14 1/4 (22 1/2 x 19 1/2 frame) This painting and its mat...

Charles Van Den Eycken 1859 – Brussels – 1923 Belgian Painter 'Curious Kittens' Signature: signed lower left and dated 'Ch. Van den Eycken 1900.' Medium: oil on canvas Dimensions:...

Sophie Dumont – Éloge de la Lecture (In Praise of Reading) Oil on canvas – 50 x 50 cm (19.68 x 19.68 in) Framed: 57 x 57 cm (22.44 x 22.44 in) Choice of natural wood or black floatin...

French School, 20th century oil on canvas, unframed canvas: 24 x 18 inches provenance: private collection condition: very good and sound condition

"Pelham Bay" WPA American Scene Social Realism Modern NYC Subway Transportation Daniel Ralph Celantano (1902-1980) "Pelham Bay" 12 1/4 x 16 inches Oil on canvas Signed lower cente...

Vintage American impressionist flower still life oil painting. Oil on canvas. Signed. Framed. Provenance from a Sag Harbor, NY collection. Measuring: 32 by 38 inches overall. Handso...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Sophie Dumont, French contemporary painter whose works are held in private and museum collections, created The Studio in 2018. This large oil on canvas belongs to her celebrated “ate...

A stunning portrait oil painting of Violet Ann Gilbert which was painted by James Peter Quinn in 1929 and was exhibited at The Paris Salon of that year. A beautiful portrait of a young woman from the nineteen twenties. In excellent condition and framed in the original period frame. This is a fine painting by a noted listed artist and a great example of an early 20th century portrait painting. Signed lower left. Provenance. Exhibited at the Paris Salon 1929, labels verso. Condition. Oil on canvas in excellent condition, image size 40 inches by 30 inches. Housed in its original gallery frame, framed size is 47 by 37 inches. Excellent condition. James Peter Quinn (1869-1951) was born on 4 December 1869 at 60 Bourke Street, Melbourne, third son of John Quinn, restaurant-keeper born in Antigua, West Indies, and his English wife Ann, née Long. Little is known of Quinn's childhood and early education; both parents died when he was young. His guardians apprenticed him to an engraver, but he undertook part-time studies at the school of design, National Gallery of Victoria, under Frederick McCubbin in 1887-89, and at the school of painting under George Folingsby and Bernard Hall in 1890-93. Awarded several student prizes, he won the gallery's travelling scholarship in 1893. Quinn went to London in 1894 but quickly left for Paris where he studied at the Académie Julian, at the Académie des Beaux-Arts under Jean Paul Laurens, and with Colarossi and Delécluse. He returned to London about 1902 and married fellow art-student Blanche Louise Guernier there on 29 September. By 1904 he had exhibited with the Royal Academy of Arts and went on to establish a reputation as a highly successful portrait painter. His finest and most sensitive work was produced before 1910. His family were the subjects of many paintings, including 'Mère et Fils', awarded an honourable mention at the Old Salon, Paris, in 1912. He also painted many self-portraits. His many commissioned works included portraits of Joseph Chamberlain, the Duchess of York and, later, the Duke of Windsor. In 1918-19 he was an official war artist with the Australian Imperial Force in France, and exhibited war paintings at the Grafton Galleries, London. In 1919, with George Coates, he was an official artist to the Canadian War Records. He was a council-member of the London Portrait Society, and a member of the Royal Society of Portrait Painters and the Royal Institute of Oil Painters, exhibiting regularly with them and the Royal Academy, and in Paris with the Old and New salons. Quinn's sudden return to Australia in December 1935, alone, followed the death of his gifted artist-son René. He held exhibitions at the Fine Art Society's Gallery, Melbourne, in 1936 and the Royal South Australian Society of Arts Gallery the next year. Quinn ostensibly returned as an acclaimed artist, was invited to rejoin the Victorian Artists' Society he had joined first in 1888, and was its president (but for one year) in 1937-50. Yet a coolness existed. Though he had little in common with the modernist painters of the period, his commitment to a tolerant brotherhood of artists found no allies among the aggressively conservative old guard. In 1937 he clashed publicly with (Sir) Robert Menzies who in opening a V.A.S. exhibition denigrated modern art. In spite of the affection felt for him by many artists and students, Quinn was somewhat isolated. He continued to exhibit, winning the Crouch prize, Ballarat Fine Art Gallery, in 1941. In the mid-1940s he taught briefly at the National Gallery school. A lover of good food, wine and conversation, Quinn delighted in mixing with all classes. Frequenting the haunts of journalists, writers and the more Bohemian fringe, he was easily recognizable with his bow tie, grey curly hair and cigarette dangling from the corner of his mouth. Survived by one son, he died of cancer on 18 February 1951 at Prahran and was buried in St Kilda cemetery. His war portraits are held by the Australian War...

ABOUT THE ARTWORK The painting "Ageless Eyes" from the MADELEINE series is a meditation on memory that does not age, on a gaze that holds centuries, and on feminine resilience passed...

French School, 19th century. Still life with oranges. Oil on canvas mounted on panel. 22.5 x 54 cm (49 x 60,5 cm with frame) without signature

Color Block Modernist Still Life with Fruit Bowl by Ellis Hopkins (American, b. 1952). This bold still life depicts a yellow bowl of fruit sitting on a table next to a long bottle,...

Jordan Wolfson's (US based) "Still Life with Flowers XXXI" is an oil painting that depicts yellow and red flowers gathered in a vase contrasted with a forest green background. Jord...

Harry Dunn (1929-1998). Acrylic on board painting Sleeping Matilda Hand signed lower right Mid 20th century Dimensions: Sight: 19" x 27". Overall: 20.5" x ...