Interior Paintings

Painting Study of Al Fresco Spanish Tapas Bar Scene at Night by leading British Landscape Artist, Angela Wakefield. Art measures 12 x 12 inches Frame me...

Antique American oil painting. Oil on canvas. Measuring 18 by 22 inches.

This geometric abstract painting belongs to the "Geometric Abstraction" series, a collection that explores the interplay of shapes, tones, and movement to create depth, balance, and ...

Classical Still Life of Fruit in Basket with other objects Italian artist, 18th century oil on canvas, unframed canvas: 24.5 x 33 inches provenance: private collection, UK condition:...

Artist: Elisabeth Hahn (German 1924-2021), Elisabeth Hahn was born in Dortmund, Germany, where she began her artistic studies. In 1953, she moved to Paris. She continued her studie...

Interior Scene by Jacques COULAIS (1955-2011) oil painting on board unframed: 10.75 x 8.75 inches condition: excellent provenance: all the paintings we have for sale by this artist h...

Classical Still Life of Flowers by the Miguel Canals Studio, Spain oil on canvas, unframed canvas: 23.5 x 18 inches Provenance: Private collection Condition: very good condition Fo...

This painting by Henri Brispot stands out amongst many pieces that he ever painted. It was sold in New York for $20 000 and is a wonderful example of his satirical nature shown throu...

Quang Ho's "Bathroom Window" (2024) is a beautiful impressionist nude portrait of a woman drying off in the bathroom, with sunlight shining dimly through a window behind her. About...

Butterfly. Expressive modern abstract painting created with drops and splashes of paint on a white background! Colors are superimposed on each other and also correspond to different ...

Profusion of Flowers Continental School, late 20th century a pastiche work after the earlier style oil on canvas, unframed canvas : 36 x 24 inches provenance: private collection, Dev...

"Spring Inspiration," an abstract expressive artwork by French artist Natalya Mougenot, is part of her "Floral" series. Natalya enjoys working in a single, focused setting to convey ...

“Geometric Symphony” by Koko Hovaguimain Oil on Canvas. Koko Hovaguimain's Geometric Symphony is a breathtaking masterwork that resonates with rhythm, balance, and visual harmony. Wi...

Bruce Kurland – Still Life with Decoy and Shells Oil on board, framed in antique gold leaf A master of intimacy and restraint, Bruce Kurland’s Still Life with Decoy and Shells is a ...

Urbex is the English acronym for urban exploration and is an activity that consists of searching for and locating abandoned infrastructure with the goal of visiting, photographing an...

Sargy Mann (1937-2015) Studio with standard lamp Signed, upper right Inscribed with title to the reverse Oil on board 48 x 60 inches Provenance: Cadogan Contemporary Private Collection Exhibited: Sargy Mann and Graham Giles, Christchurch Mansion, Ipswich, 1991 A truly beautiful work but also highly significant within Sargy's oeuvre. The painting dates to the late 1980s when Sargy and his family were living at 58 Lyndhurst Grove, SE15. Sadly by this time, Sargy's eyesight had greatly deteriorated to ‘“a very little, blurry, peripheral vision” in his left eye, (he was registered blind)....(he) found it a struggle to paint from direct observation and began to rely on short term memory and tape recordings. Working on a large scale, he taped canvas to the living room wall of the family home on Lyndhurst Grove, “rather as Bonnard had pinned primed canvas to his studio wall”’. The space depicted had initially been a dark, depressing attic space but this was transformed by the addition of some French windows. The painting has an almost abstracted quality with the two light sources creating pools of cool, luminescent energy radiating throughout the picture space. Peter Mann describes the paintings from Lyndhurst Grove as, ‘in some sense a precursor to the very late work, The little sitting room paintings...

Fedor Encke (1851-1926) – German Full length Portrait of Jeannie Netter, standing in an interior, wearing a Burgundy Velvet Dress holding a Pink Rose Oil on canvas :85 ¾ x 50 ¼ in. Frame :103 x 67 ¼ in. Signed & inscribed ‘New York’. Circa 1910 Jeannie Netter was an American born musician and song-writer but was mostly merited for her sculpture having been taught by the Russian artist Bernstamm. Fedor Encke was born in Berlin, Germany in 1851. Younger brother of Erdmann Encke who was a sculptor, Encke was the illegitimate grandson of King Frederick Wilhelm II of Prussia and Mistress Wilhelmine Encke, Countess of Lichtenau. Fedor studied under Karl Gussow in Berlin and then went on to study in Rome and Paris. Although he set up a studio in Berlin during the 1880’s, he seems to have travelled regularly between Paris and New York painting many American Society sitters, including President Theodore Roosevelt. Encke’s portrait of Roosevelt dressed in Rough Rider uniform, originally hung in the dining room of the White House and is now at the Presidents place of birth, Segamore Hill, New York. This portrait was also published as the frontispiece of ‘The Rough Riders’ by C. Scribners&Sons, 1899. Encke was in Paris in 1902 and painted the two banking giants, John H. Harjes and J.P. Morgan both having their portraits painted at the same time. To try and finish Morgan’s painting Encke hired a young photographer named Edward Steichen to take Morgan’s picture as a kind of aid memoir to minimize the sitting time. This photograph and the painting that resulted from it caused a considerable stir because of the uncompromising pose of Morgan. The portrait became synonymous with the new capitalism. Encke seems to have been very well connected socially and painted for many members of the European nobility as a result. Encke died in 1926. Works in Museums: Segamore Hill, New York (Portrait of Theodore Roosevelt) National Portrait Gallery America; Smithsonian; Brooklyn Museum of Art; Philadelphia Museum of Art. Bibl: Book on Moses Ezekiel...

This painting will come to you stretched on a wooden stretcher and completely ready to be placed in the interior. ABOUT THE ARTWORK "In 'Threads of Soulmates' from my 'Madeleine' se...

Impressive early American interior scene oil painting. Framed. Oil on canvas. Image size, 20H by 16L.

A stunning oil on canvas in the purest art deco style by French born Jean Hanau. It depicts a harlequin-in a tight chequered body suit. Athletically built, ...

ABOUT THE ARTWORK "I Will Play Until Sunrise," from the Inner Garden Series, embodies the theme of perseverance and the joy found in continuous self-expression. This artwork captures...

Divertente interno con tavolo ,oggetti e rospo, il titolo -Baciami- è riferito al rospo..... magari diventa un principe...

Still Life of Fruit Guy Nicod (French 1923 - 2021) signed oil on board, framed framed: 28 x 22 inches board: 26 x 20 inches provenance: artists estate, France condition: very good an...

Walnuts in a whiter bowl, oil on paper on board ADDITIONAL INFORMATION: Kate Verrion [2024] Original painting Oil Paint on paper on board Complete size of framed work: 23.5 H x 28.5...

ABOUT THE ARTWORK "Now I Know What It's Like to Love Myself" from the "Perichoresis" series explores the experience of self-love as an act of healing, acceptance, and a return to who...

This retablo was purchased by the gallery in Mexico City. I knew the family that sold the retablo to me. It is dated 1853 because the story on the retablo was passed down for generations and a relative of Lourdes painted it in her memory. The description on the ex-voto reads: "Thanks to the Virgen of San Juan de los Lagos that I have a new job with my new bosses. That they like my food and they don't mind what I prepare for them. " It is in excellent condition. It is framed behind conservatorship glass. The framed size is 14" x 15". The class should only be cleaned with ammonia free cleaner. An ex-voto is a votive offering to a saint or to a divinity; the term is usually restricted to Christian examples. It is given in fulfillment of a vow (hence the Latin term, short for ex voto suscepto, "from the vow made") or in gratitude or devotion. Ex-votos are placed in a church or chapel where the worshiper seeks grace or wishes to give thanks. The destinations of pilgrimages often include shrines decorated with ex-votos. Ex-votos can take a wide variety of forms. They are not only intended for the helping figure, but also as a testimony to later visitors of the received help. As such they may include texts explaining a miracle attributed to the helper, or symbols such as a painted or modeled reproduction of a miraculously healed body part, or a directly related item such as a crutch given by a person formerly lame. There are places where a very old tradition of depositing ex-votos existed, such as Abydos in ancient Egypt. Especially in the Latin world, there is a tradition of votive paintings...

"Parodia Magnifica" Oil Painting 35" x 26" inch by Mohamed Abla Signed by the artist Mohamed Abla was born in Mansoura (North of Egypt) in 1953. There he spent his childhood and fi...

The bird’s eye view, strong light on the mother-of-pearl of oysters and folds create this image. The medium used is oil on canvas, which allows to capture the vibrant color, delicate texture, and the play of light on the subject matter. The iridescent oysters contrast on a black plate focusing the viewer's eye towards the center of the composition. Color palette in “Oysters and lemon...

This geometric abstract painting belongs to the "Geometric Abstraction" series, a collection that explores the interplay of shapes and tones to create depth, balance, and harmony. G...

Floral Still Life signed by Fanch Lel (French b. 1930) size: 22 x 15 inches oil painting on board, unframed condition: the painting is in very good condition. It has previously been...

Artist/ School: French artist, circa 1950s, signed to the lower corner Title: Sea Food Table (wine bottle, lobster, oysters, etc) Medium: oil painting on ca...

Classical Still Life of Flowers in a Vase Attributed to Edouard Charton (French, born 1855) signed oil on canvas, unframed canvas: 22 x 18 inches provenance: private collection, Fran...

A painting in abstract acrylic is an explosion of shapes, textures, and colors that invite personal interpretation. Across the canvas, dynamic and free brushstrokes intertwine, creat...

Oil on board realized by Emile François Rouseau in 1910. Hand signed, dated and dedicated by the author. Includes a coeval gilded wooden frame.

In crafting this piece, I've poured my soul into rendering the delicate interplay of petal and light, capturing the essence of blooms with a whisper of nostalgia. The textured oil st...

1920's Portrait of an Elegant Woman, Oil Painting, British British School, Early 20th Century Oil painting on wood panel, unframed Board size: 9.25 x 6 inches Quite a stunning portr...

Lady Knitting in Interior by Emile Courtin (French 1923-1997) signed lower right corner oil painting on canvas, unframed canvas size: 57.5 x 45.5 inches condition: overall good and s...

Spring Collection: Pocket Bluebells is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale realistic oil paintings, with a nod to...

Pink and White Water Lilies on the Pond, READY TO HANG PAINTING - the painting contine on the edges. A beautiful large modern floral painting, a marvelous water liliy on the pond ar...

Signed lower right, 'Dambourgez' for Edouard-Jean Dambourgez (French, 1844-1931), titled, 'Paris' and painted circa 1880. Titled with inscription, verso, on old backing, ''Taverne Pausset', grands boulevards a Paris". A fine and detailed, cabinet-size oil painting showing an elegant Parisian cafe and bar, the interior lit by luminous, floor-to-ceiling stained-glass windows and filled with fashionably-dressed patrons drinking and socializing beneath a haze of pipe and cigar smoke. A minor, period masterpiece, providing an animated view of the city's fin-de-siècle nightlife, and characterised by finely observed and fully-realized figures showing an unusual degree of both social commentary and psychological penetration. Edouard-Jean Dambourgez first studied with Jules Lefebvre and, subsequently, as an engraver and chromo-lithographer under Gustave Boulanger. In 1880, Dambourgez commenced exhibiting at the Salon des Artistes Français, and, in 1883, was elected a member of the Society. Throughout the 1880's, he exhibited frequently and with success at the major Paris salons including the Salon d'Automne, the Salon des Independants and the Salon des Champs-de-Mars. In 1884, he was commissioned by the Louvre to engrave all illustrations for the catalog to the Thiers Collection, recently bequeathed to the Museum. The recipient of numerous prizes, medals and juried awards, Dambourgez was awarded an honorable distinction by the Salon in 1888, and an honorable mention in 1891. In 1888, the critic Albert Wolff recommended his painting, 'A Cheese Shop', for inclusion at the Salon des Artistes Français. In 1891, the city of Paris bought his large canvas, 'The Cream and Cheese Market...

Spring Collection: Pocket Daffodil is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale realistic oil paintings, with a nod to ...

This original painting from collection «Unity with Nature» in which the theme of herbal spirits helping us to remain in harmony with nature speaks on a symbolic level about the re...

Pocket Peacock Butterfly 2 is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale realistic oil paintings, with a nod to baroque ...

In "Between the Lines," Sophie Dumont masterfully transforms the canvas into a visual symphony using her expert knife painting technique. This painting, measuring 65 x 54 cm, is dist...

In creating this painting, I was inspired by the tranquil beauty of water lilies. I aimed to capture their serene essence and the dynamic interplay of light on water. This piece blen...

This contemporary impressionist painting represents the deepest ocean with its varied blues and textures.

In this contemporary oil painting on canvas, a dining room interior scene is vibrant and colorful with an arrangement of flowers in a painted vase next to blue and white China teapot...

Mi obra, creada con acrílicos, refleja una exploración abstracta y vibrante del espíritu humano. La elección de colores vivos y las formas entrelazadas capturan la complejidad emocio...

The abstract floral artwork "Flourish of Colors" by French artist Natalya Mougenot is part of her Floral series. This vibrant painting bursts with energy, capturing a rich array of c...

Artist/ School: French School, indistinctly signed, dated 1910 Title: Portrait of a man seated in a library room of books. Medium: signed oil painting on canvas, unframed canvas...

READY TO HANG PAINTING with the edges painted - the painting is continuing on the edges. Gallery Quality 4cm chassis. A beautiful modern sunflower field painting, made in relief with...

This original 20" x 20" oil painting captures a serene interior scene bathed in soft, filtered light. The light streams through a kitchen window, casting a warm glow on the bright gr...

French School, late 19th century Post Impressionist painter, circa 1880-1890 period oil on canvas, framed framed: 12.5 x 15 inches canvas: 7.75 x 10 inches provenance: private collec...

Richard Andres (American, 1927-2013) Untitled, c. 1949 oil on canvas 18 x 32 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller designed and made the simple gold wedding ring Avis wore for their 65 years of marriage. During those 65 years neither wavered in their mutual love, nor in the respect they shared for one another’s art. The couple lived in a converted chicken coop in Missouri while Richard was in boot camp. At the camp, he would volunteer for any job offered and one of those jobs ended up being painting road signs. His commander noticed how quickly and neatly he worked and gave him more painting work to do - eventually recommending him for a position painting murals for Army offices in Panama. Until her dying day, Avis remained angry that “The army got to keep those fabulous murals and they probably didn’t even know how wonderful they were.” In Panama, their first son, Mark, was born. After Richard’s discharge in 1953, they moved back to the Cleveland area and used the GI bill to attend Kent State gaining his BA in education. The small family then moved briefly to Buffalo, where Richard taught at the Albright Art School and the University of Buffalo – and their second son, Peter, was born. Richard had exhibited work in the Cleveland May Show and the Butler Art Museum during his art school years, and during the years in Buffalo, his work was exhibited at the gallery he had so loved as a child, the Albright Art Gallery. In 1956, the family moved back to the Cleveland area and Richard began teaching art at Lincoln West High School during the day while working toward his MA in art at Kent State in the evenings. Avis and Richard, with the help of an architect, designed their first home - a saltbox style house in Hudson, Ohio, and in 1958, their third son, Max (after Max Beckmann) was born. Richard enjoyed the consistency of teaching high school as well as the time it gave him to paint on the weekends and during the summer months. In 1961, he received his MA and his daughter, Claire, was born. With a fourth child, the house was much too small, and Avis and Richard began designing their second home. An admirer of MCM architecture, Richard’s favorite example of the style was the Farnsworth house – he often spoke of how the concepts behind this architectural style, particularly that of Mies van der Rohe, influenced his painting. Andres described himself as a 1950’s...

American school realist portrait oil painting. Framed. Oil on canvas. Signed. Image size, 20H by 16L.

Collie Dog with Kittens English artist, 19th century oil on canvas, framed framed: 22 x 30 inches canvas: 16.5 x 23.5 inches Provenance: private collection, England Condition: The ...

Vivid and dynamic painting of leopard skin Dr. Scholls spa sandals by Marc Foster Grant (American, b. 1947). Signed, titled and dated "Leopard Skin D...

Willard Dixon, who says "the charm of Still Life painting for the artist lies in the ability to manipulate ones subject matter and in the intimate, direct nature of the painting proc...

Elegant Interior signed by Charles Martin-Sauvaigo (French 1881-1970) * see notes below French Impressionist painter oil painting on canvas unframed size: 18 x 15 inches condition: ...

Artichokes, oil paint on paper on board ADDITIONAL INFORMATION: Kate Verrion [2024] Original painting Oil Paint on paper on board Complete size of framed work: 23.5 H x 28.5 W x 2 D...