Interior Paintings

Original oil painting by the Swiss artist Anastasia Vasilyeva (b.1982), painted in 2017 in Switzerland. Shopping in Megacity - New York City. Cold shopping street with people who s...

'Noonan Junk Sink no. 1' featured in the historic San Francisco, Pier 70, mixed media painting with mainly acrylic paint. The 'Dog Patch' region in San Francisco is under mass change...

Belgium, 1805 – 1860 Victor-Jules Génissson was born in Sint-Omer (Belgium) on February 24, 1805. He was the son of Jules and Julie Paulmier. And married Reine Marie Van Bree in 183...

Kant's "thing in itself" represents the hidden essence of objects beyond appearances. Painting the thing in itself encourages viewers to look beyond the surface of things and conside...

It is said that Marbling (his painting technique) originated in Japan in the 12th Century. Mikael has been able to reinvent the technique existing for more than hundreds of years li...

Blue Lagoon of Miyako Island lies 300 km west of Okinawa and is known for its beaches, which are considered the best in Japan. The blue water shines like a polished emerald. The Japanese island of Miyako is first of all, it is an incredible color, purity and transparency of water, which shimmers with all shades of blue - turquoise, aquamarine, azure, cobalt. Psychologists believe that the blue palette has a beneficial effect on the human psyche, promotes the development of imagination and good sleep. This artwork is from a series of paintings that heal your space. Acrylic, art-resin, mix-media on canvas 50/60 cm. It does not require a frame. Signed back. Ready to hang. Certificate is attached. One-of-a-Kind Painting. About Artist Vik Schroeder...

"Garden Roses" in a Vase Still Life by Masayoshi Himeno Beautiful still life oil painting on canvas of a vase of multicolored Garden Roses sitting upon a table with a background in hues of green and red by Masayoshi (Masara) Himeno (Japanese/American, 19th-20th century). A green vase is the focal point as it sits upon a table with red, pink and yellow roses in full bloom. The artist uses a oil wet brush technique similar to a watercolor artist. Masayoshi a possible San Francisco Bay area artist who emigrated to America form Japan. Signed "M. Himeno" lower right. Presented in a giltwood frame. Image: 19" W x 23"H. Frame: 26"W x 30"H. Signed on verso, artists label, Japanese Kanji...

This charming British portrait oil painting is by noted artist Allan Douglas Davidson. Painted circa 1920, the painting is an endearing bedtime scene of a mother and young son embracing as she gets his pyjamas on ready for bed. Stood on the bed he is the ideal height to kiss his mother, whilst teddy is already tucked in bed, waiting to be joined. The blond hair of the child and auburn hair of his mother both gleam in the light as they embrace. A really sweet painting and an excellent example of Davidson's skill as an artist. Signed lower left. Provenance. Essex estate. Condition. Oil on canvas 32 inches by 26 inches unframed and in good condition. Frame. Housed in a complementary frame, 40 inches by 34 inches framed and in good condition. Allan Douglas Davidson, R.B.A., R.O.I., R.M.S. (1873-1932) was an English painter who predominantly worked in oils and specialized in portraits, interiors and female nudes. Allan Davidson was born in London on 14 May 1873. His father was the historical painter Thomas Davidson. Allan studied art at the Royal Academy Schools in London, where he won a medal and the Armitage Prize, he also studied at the Académie Julian in Paris. He was elected to the Royal Institute of Oil Painters in 1921 and was also a member of the Langham...

Henri Lucien Joseph BURON This is potentially Henri Buron's premier work of art. It was exhibited in the Salon des Artistes Française in 1934 having been painted in 1933. The revers...

Oil Painting by William Maw Egley "The Coming of Age" 1826- 1916 London historical genre painter. Exhibited at the R.A, B.I and R.B.A and worked with William Powell Frith. In many im...

Antique French impressionist oil painting. Oil on canvas. Signed. Framed. Image size, 40L x 30H.

«Autumn Forest» is a painting depicting the picturesque autumnal nature. On the canvas, you can see colorful leaves of trees, creating a vivid contrast against the backdrop of dark t...

The Guildhall, Worcester English School, mid 20th century indistinctly signed verso oil on canvas canvas: 20 x 24 inches provenance: private collection, UK condition: very good and sound condition The Worcester Guildhall was originally built as a meeting place for Worcester merchants around 1227. As with many other guildhalls, it became the centre for civic administration, a role it maintained after the merchant guild had disappeared. The present Worcester Guildhall is a superb Queen Anne building, begun in 1722 by Thomas White, a pupil of Sir Christopher Wren. White was badly paid for his efforts, and he died in poverty in 1738, bestowing the money he was owed on the Worcester Royal Infirmary. The city finally paid its debt in 1753. The exterior of the Guildhall is brick, dressed with stone. White himself is said to have carved the figure of Queen Anne over the entry, as well as those of Charles I and II, a reminder of the city's long history of royal support. The interior is superb, boasting exceptional period decoration. The Tourist Information Centre is now located in the Guildhall. HISTORY In 1227 Henry III granted the citizens of Worcester a royal charter granting them the right to establish a guild of merchants. The guild was responsible for controlling trade in the city, but their meeting place gradually became the main centre of administration for city government and acted as a courthouse. So, in effect, the Guildhall was the town hall, and though the city guilds have long since vanished, the Guildhall name lives on. The medieval guild merchants would not recognise the building that faces onto High Street now. Their guildhall was a large timber-framed building, occupying the same site, with a piazza for shops fronting the street, courts of justice at each end, and a prison to the north of the building. Part of the prison was a cell called 'the peephole', which gained a notorious reputation. There was a gaoler's house, and attached to it an alehouse from which the gaoler sold ale at extremely high prices to any prisoner who could afford the cost. In 1717 the city administration decided on a new Guildhall, and they knew just who to call; upon to build it. Thomas White was not an architect in the way we think of it today, but a stonemason. In 1705 he had carved a statue of Queen Anne to stand in front of the medieval Guildhall and was made a Freeman of the City. The total cost of the fashionable new red-brick building was £3727. The Corporation only put forward £800, and the rest had to be raised by public subscription. The centre section of the new Guildhall was finished by 1724 and has remained almost unchanged since then. The central facade is a wonderful example of early Georgian style, with three bays flanked by Corinthian pillars. Over the entrance is a huge carving incorporating the Hanoverian royal arms. White's earlier statue of Queen Anne was placed in a niche over the door, and on either side were statues of Charles I, depicted holding a church, and Charles II, with an orb and royal sceptre. On the rooftop are figures of Labour, Peace, Justice, Plenty, and Chastisement. North and south wings were added within a few years of the central block. The south wing was used as a judge's lodging when the assizes were taking place, but throughout the rest of the year it housed a coffee shop. The most striking external feature of the Guildhall is a set of iron gates...

This painting is one of a long series, spanning many years, being untitled. These works are large format and are really an exploration in different kinds of transition with paint. Th...

This is an impulsive abstraction of cherry blossoms' kiss. The artist designedly has created an expressive painting that`s both chaotic abstraction and breathtakingly floral beauty...

This painting is about an encounter that is inviting as it is opposite what one expects. The work is in the style of abstract expressionism. This artwork is painted on professional-...

Title: "Blue Dream Landscape" On the canvas, a world of tranquility and serenity emerges, where shades of blue and white intertwine in a harmonious dance that captivates the viewer....

Flowers in Interior French School, circa 1950's indistinctly signed upper corner oil on board, framed framed: 23 x 20 inches board: 18 x 15 inches provenance: private collection, Fra...

Jacob Ochtervelt (Workshop) The Grape Seller oil on canvas unframed: 80.7 x 61 cm.; 31 ¾ x 24 in. framed: 109.5 x 89 cm.; 43 1/8 x 35 in. Essay: This captivating piece, originating from the studio of the revered Dutch artist Jacob Ochtervelt, mirrors the composition of a signed and dated 1669 canvas by Ochtervelt that is presently housed in the Hermitage museum. Its subject, "The Grape Seller" immerses us in a typical 17th-century interior, replete with characters from various strata of society. At the center, a fruit vendor is depicted bending over to weigh grapes for the buyer. A child hands some of the grapes to her mother to taste, their attentive maid standing by. The backdrop showcases typical Ochtervelt details: a hint of the city visible through the doorway, light filtering in through an overhead window, and a playful dog at their side. The exquisite quality of the piece is evident in the minutiae, such as the intricate detailing of the mother's earring, which in reality spans only a few millimeters yet boasts impressive attention to detail. Initially, Sotheby's considered this work to be an autograph piece by Ochtervelt. But due to some uncertainty, it was auctioned as Workshop of Jacob Ochtervelt. On the other hand, the esteemed Cabinet Turquin in Paris leans toward attributing the piece directly to Jacob Ochtervelt himself. The painting is framed in an authentic period frame, which has been delicately restored by Stockholm's Förgyllning och Bildhuggeri. The frame retains its age-old patina and, while in used condition, has minor imperfections adding to its charm. Another interesting thing worth to mention is the painting's provenance. It was once owned by the 1st Viscount Rothermere (1868-1940), the founder of the Daily Mail and Daily Mirror...

A bright and inviting interior scene with two tea cups sit beside a fruit bowl and an arrangement of dark red flowers on a table in front of an open window, offering a view of verdan...

"Association Day" by Morakinyo Femi captures the essence of everyday life with remarkable finesse. In this captivating artwork, we see a woman with her ...

Antique American modernist oil painting by William Edward Starkweather (1879 - 1969). Oil on board. Framed. Signed lower right.

Wonderful English Abstract scene of an interior with still life, landscape and table top. William Yates painted exciting colorful vibrant scenes often of interiors and abstract fig...

This beautiful late 19th century portrait oil painting is attributed to circle of Walter Langley. It has the hallmarks of the Newlyn School of artists such as the subject matter, com...

A young woman with a chinon in profile studies seated at a donkey's desk. The light falls from an attic with paintings and plants. The rest of the room is rather dark. The scene is ...

Karl Stohner (1894 Mannheim - 1957 Paris), Ballerina in the dressing room, 1924. Pastel on painting cardboard, 65 x 45 cm, 77,5 x 59,5 (frame), signed lower left "Stohner" and dated "[19]24". Behind glass in gold stucco frame of the time. - Painting cardboard slightly warped, in the lower area minimally stained, frame with age patina and traces of abrasion. - The Naturalness of Artificiality - We see a ballerina putting on her right ballet shoe while the left one is still lying on the floor in front of her. It is precisely the casualness of the scene that gives it its intimacy: the blonde young woman is completely absorbed in the activity of getting ready for the dance, oblivious to us, while we are positioned right in front of her in the dressing room, inaccessible to the audience, watching her dress. Even though she does not yet perform a dance step, there is a graceful elegance in the action shown that seems quite natural in contrast to the rehearsed art form of dance. The young woman is not presenting herself to an audience in a perfectly formed movement, but is performing an everyday action, unaware that she is being watched. Concentrated, almost devotional, she pulls the ballet slipper over the verses, not noticing that one of the straps of the tutu has slipped off her shoulder, reinforcing the erotic moment of the scene. Inspired by Edgar Degas, Karl Stohner has painted the scene in strong pastel tones. The dominant blues and turquoises give the scene a magical, mysterious quality and, like the pink of the stockings and ballet slippers, are borrowed from Degas's dancers. Degas's colors, however, are cooler tempered, which is particularly evident in the light impasto applied incarnate. This is where the vividness of Auguste Renoir comes into play, making the dancer seem entirely flesh and blood. Karl Stohner, who has studied the pastels of Degas and Renoir intensively, combines the two artists here to create his own pictorial language. He has laid out the background in broad layers of strokes, ranging in color from white to turquoise to dark blue. The result is a dynamic, pattern-like structure that contrasts with the woman's calm, inward-looking posture. The fund anticipates the dynamics of the choreography of the dance for which the ballerina is preparing. At the same time, the broad pastel line in the background is an adequate means of painting to depict the soft, flowing elegance of the dancer. About the artist Against the wishes of his wealthy parents, Karl Stohner decided to become a painter. His talent was discovered by the director of the Mannheim Art Gallery, Fritz Wichert, who supported him from then on, including financing study trips to Paris. There he discovered the art of Degas, Cézanne and Renoir, which inspired his work. GERMAN VERSION Karl Stohner (1894 Mannheim - 1957 Paris), Ballerina im Ankleideraum, 1924. Pastell auf Malkarton, 65 x 45 cm, 77,5 x 59,5 (Rahmen), unten links mit „Stohner“ signiert und auf „[19]24“ datiert. Hinter Glas im Goldstuckrahmen der Zeit. - Malkarton leicht verzogen, im unteren Bereich minimal fleckig, Rahmen mit Alterspatina und Abriebspuren - Die Natürlichkeit der Kunstform - Wir sehen eine Ballerina, die sich den rechten Ballettschuh anzieht, während der linke noch vor ihr auf dem Boden liegt. Gerade aus der Beiläufigkeit der Szenerie speist sich ihre Intimität: Die blonde...

Painting Study of Al Fresco Spanish Tapas Bar Scene at Night by leading British Landscape Artist, Angela Wakefield. Art measures 12 x 12 inches Frame me...

"Enchanted Blooms" is a beautiful composition within my collection of colorfully abstract floral artworks. This collection shows how much I love and appreciate the incredible power o...

The evening expressionist painting with the snowy forest and the setting Sun is a beautiful wall decor, the painting is full of different colours, combinations of warm and cold shade...

Sarah Benham is a Massachusetts-based artist whose straightforward figurative paintings subtly portray suburban New England society. Drawing inspiration from painters such as David H...

Title: "Blue Dream Landscape" On the canvas, a world of tranquility and serenity emerges, where shades of blue and white intertwine in a harmonious dance that captivates the viewer....

Sunny evening summer landscape is one of the best paintings created by Nikolay. When the artist came to the place he was impressed by the beautiful evening sunlight. Warm light, over...

A sunny summer impressionistic landscape is painted en plein air, the artwork is created in different green colours, combinations of warm and cold shades are professionally captured ...

STILL LIFE WITH LAMP Size: 61 x 72.5 cm (including frame) Oil on canvas A beautifully textured and very expressive still life composition, executed in oil onto canvas and dated 1959...

"Les Oliviers” Landscape Oil Painting 12" x 12" inch by Katherine Bakhoum Tisné Katherine Bakhoum represents art that has been forgotten for a long while. She draws upon the concept...

Louis XVI #4 Part of "Mixed Moods" solo show, until September 29 2023 Original painting. Size 27.5x19.5in / 70x50cm . Acrylic on canvas. The period armchair, style Louis XVI, becom...

Spring plein air painting is always a wonderful and lively wall decor, green colours of nature fid perfectly into the interior. Green color is one of the most difficult, Nikolay mast...

Dear art lover, I enjoy working on floral and nature compositions. This one was inspired by my trip to Arles, Provence ( south of France) where Vincent Van Gogh lived for one year. ...

"Enchanted Blooms III" is a beautiful composition within my collection of colourfully abstract floral artworks. This collection shows how much I love and appreciate the incredible po...

A superb oil on panel nude portrait by the noted Scottish artist Sir Robin Philipson PRSA. A fabulous painting painted circa 1970, the composition three women in various states of un...

"Solicitude" invites the audience into a world of contemplation and reflection, where the central theme revolves around the power of empathy and its a...

A French oil on canvas study of a fish, a dorade, by French artist Marie Boucher. The painting is signed bottom right and signed titled and dated to the rear of the canvas. A charmi...

Work on wood Brown wooden frame 49 x 58 x 4 cm

The painting is about a brand of popular portable audio players manufactured and marketed by Sony since 1979. The original Walkman was a portable cassette player and its popularity made "Walkman" an unofficial term for personal stereos of any producer or brand. By 2010, when production stopped, Sony had built about 200 million cassette-based Walkmans. The Walkman brand was extended to serve most of Sony's portable audio devices, including DAT players, MiniDisc players/recorders, CD players (originally Discman then renamed the CD Walkman), transistor radios, mobile phones, and digital audio/media players. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Morakinyo Femi...

Louis XVI #6 Part of "Mixed Moods" solo show, until September 29. Original painting. Size 27.5x19.5in / 70x50cm . Acrylic on canvas. The period armchair, style Louis XVI, become th...

Is a captivating masterpiece that embodies the essence of the action painting movement. With its vibrant display of colors against a pristine white backdrop, this artwork emanates an...

Dear art lover, I have worked on a new collection of abstract paintings.This new abstract series is dedicated to a "heart- mind connection". This semi-abstract expressive artwork o...

Mickaël Doucet is a French, Paris-based artist whose work largely focuses on vibrancy of color and minimalistic interiors, one bouncing off the other to create bright, dynamic scene...

'Blue' glows with serene aqua blue. The abstract meditative painting is inspired by Taoist teachings and meditations, with a focus on color, rhythm and flow. Matuszewski creates medi...

"The Music Room (interior with Piano)" Original painting. Size 39x23.5in / 100x60cm . Oil on canvas. Interior. "The Music Room" was part of Mixed Moods, solo show in September 20...

In Chemistry Lab This artwork were painted from nature. Painting is on stretched canvas and are ready to hang. This is the “hidden frame” behind a mounted canvas, meaning y...

A stunning portrait oil painting of Violet Ann Gilbert which was painted by James Peter Quinn in 1929 and was exhibited at The Paris Salon of that year. A beautiful portrait of a young woman from the nineteen twenties. In excellent condition and framed in the original period frame. This is a fine painting by a noted listed artist and a great example of an early 20th century portrait painting. Signed lower left. Provenance. Exhibited at the Paris Salon 1929, labels verso. Condition. Oil on canvas in excellent condition, image size 40 inches by 30 inches. Housed in its original gallery frame, framed size is 47 by 37 inches. Excellent condition. James Peter Quinn (1869-1951) was born on 4 December 1869 at 60 Bourke Street, Melbourne, third son of John Quinn, restaurant-keeper born in Antigua, West Indies, and his English wife Ann, née Long. Little is known of Quinn's childhood and early education; both parents died when he was young. His guardians apprenticed him to an engraver, but he undertook part-time studies at the school of design, National Gallery of Victoria, under Frederick McCubbin in 1887-89, and at the school of painting under George Folingsby and Bernard Hall in 1890-93. Awarded several student prizes, he won the gallery's travelling scholarship in 1893. Quinn went to London in 1894 but quickly left for Paris where he studied at the Académie Julian, at the Académie des Beaux-Arts under Jean Paul Laurens, and with Colarossi and Delécluse. He returned to London about 1902 and married fellow art-student Blanche Louise Guernier there on 29 September. By 1904 he had exhibited with the Royal Academy of Arts and went on to establish a reputation as a highly successful portrait painter. His finest and most sensitive work was produced before 1910. His family were the subjects of many paintings, including 'Mère et Fils', awarded an honourable mention at the Old Salon, Paris, in 1912. He also painted many self-portraits. His many commissioned works included portraits of Joseph Chamberlain, the Duchess of York and, later, the Duke of Windsor. In 1918-19 he was an official war artist with the Australian Imperial Force in France, and exhibited war paintings at the Grafton Galleries, London. In 1919, with George Coates, he was an official artist to the Canadian War Records. He was a council-member of the London Portrait Society, and a member of the Royal Society of Portrait Painters and the Royal Institute of Oil Painters, exhibiting regularly with them and the Royal Academy, and in Paris with the Old and New salons. Quinn's sudden return to Australia in December 1935, alone, followed the death of his gifted artist-son René. He held exhibitions at the Fine Art Society's Gallery, Melbourne, in 1936 and the Royal South Australian Society of Arts Gallery the next year. Quinn ostensibly returned as an acclaimed artist, was invited to rejoin the Victorian Artists' Society he had joined first in 1888, and was its president (but for one year) in 1937-50. Yet a coolness existed. Though he had little in common with the modernist painters of the period, his commitment to a tolerant brotherhood of artists found no allies among the aggressively conservative old guard. In 1937 he clashed publicly with (Sir) Robert Menzies who in opening a V.A.S. exhibition denigrated modern art. In spite of the affection felt for him by many artists and students, Quinn was somewhat isolated. He continued to exhibit, winning the Crouch prize, Ballarat Fine Art Gallery, in 1941. In the mid-1940s he taught briefly at the National Gallery school. A lover of good food, wine and conversation, Quinn delighted in mixing with all classes. Frequenting the haunts of journalists, writers and the more Bohemian fringe, he was easily recognizable with his bow tie, grey curly hair and cigarette dangling from the corner of his mouth. Survived by one son, he died of cancer on 18 February 1951 at Prahran and was buried in St Kilda cemetery. His war portraits are held by the Australian War...

"Dance of the Flowers" is a beautiful composition within my collection of colorfully abstract floral artworks. This collection shows how much I love and appreciate the incredible pow...

The painting is dated and signed on the bottom left side. Description: Alfred Jacomin was a landscape and genre painter. He was a student of his father, Jean-Marie Jacomin, the Swiss...

A bright and inviting interior scene with colorful patterned china plates leaning beside a floral arrangement with green flowers in a vase on a kitchen counter and a crimson red teap...

Dear art lover, This vibrant expressive artwork inspired by nature is called " Peace 0.2". This artwork is done with acrylic paints on a stretched canvas. It was vanished to be pro...