Interior Paintings

When it came to decorating his residences, haute-couture iconoclast Karl Lagerfeld (1933–2019) was known for committing completely to a given style—and then dispensing with it. Follo...

Jordan Wolfson's (US based) "Still Life with Flowers XXXIX" is a striking original still-life oil painting, presenting a vibrant arrangement of flowers in a translucent vase, resting...

Signed oil on canvas still life circa 1960 by French modernist painter Andre Hambourg. This beautiful piece depicts a basket of fruit; grapes, pears and apples, placed on a white clo...

An acrylic painting by Giancarlo Impiglia from 1990. An art deco style pop art portrait of a waiter serving wine in a lavishly formal upper-class setting. Unframed. Artist: Giancarlo Impiglia, American (1940 - ) Title: Butler with Tray...

A vibrant and rhythmic abstract painting composed of a dense network of gestural black lines interwoven with blocks of vivid red, pink, and muted greys. The composition recalls an ur...

Artist: Ian Hornak (1944-2002) Title: Untitled (Abstract Still Life with Flowers and Fruit) Year: 1963 Medium: Watercolor on heavy archival paper Size: 11.5 x 15 inches Condition: Go...

Cover of The Saturday Evening Post, February 5, 1949 Label on back is Falter’s handwriting, his daughter said Curtis Publishing probably titled it “meeting the Date”. The Episcopal ...

Important work by the artist, were exhibited at Kunsthalle Recklinghausen, Radical Innovations, 2024-25. Signed lower right. Natalia Dumitresco (or Dumitrescu) was born in Buchare...

Robert Julius Beyschlag (Germany, 1838-1903) mother and child oil painting, circa 1870 Charming original oil painting by listed 19th ce...

This artwork is shipped rolled in a protective tube (unstretched) for safe international delivery. The canvas includes an additional 2 inches (5 cm) of material on each side for prof...

Harry Leslie Hoffman (1871 - 1964) The Artist's Wife (Beatrice Pope) at the Loom, circa 1915 Oil on canvas 30 x 32 inches Housed in a period Newcomb-Macklin frame Provenance: Estate of the artist Private Collection, Massachusetts This painting depicts the artist's wife at the loom, producing textile versions of Hoffman's underwater paintings. The screen shown behind Bea is an underwater scene also painted by Hoffman. The study of this painting is held in the collection of the Wolfsonian Museum in Florida. Harry Leslie Hoffman was born in Cressona, a small community in Pennsylvania's Schuylkill Valley. His mother was an amateur artist who encouraged her son to pursue a career in the arts. In 1893, Hoffman entered the School of Art at Yale University and studied with John Ferguson Weir, the son of Robert Walter Weir. After graduation in 1897, Hoffman moved to New York to continue his studies at the Art Students League. He also traveled to Paris and took classes at the Académie Julien. In the summer of 1902, Hoffman attended the Lyme Summer School of Art, in the town of Old Lyme on the Connecticut coast. The school was headed by Frank Vincent Dumond and was located in a boarding house owned by Florence Griswold. The school eventually grew into an artists' colony and a center for American Impressionism. When Hoffman first arrived as a student, he was not permitted to stay in the house which was designated for the professional artists only. However, his outgoing personality soon won him many friends at the colony. In 1905, Hoffman settled in Old Lyme and worked as a full member of the artist colony. He was particularly influenced by Willard Leroy Metcalf, an Impressionist also working in Old Lyme. Fellow artists later fondly recalled Hoffman's antics at the Griswold house, which included playing the flute and banjo, tap-dancing, singing humorous songs, and performing magic tricks. In 1910 Hoffman...

In this oil painting, I poured my soul into capturing the tenderness of spring. The delicate blossoms, bathed in soft light, symbolize renewal and hope. I chose a harmonious symphony...

Woman in Kitchen Interior Original oil painting by Jacques COURTADE (French, 1923-1994). Post-Impressionist/ modernist oil painting by the superb 20th century French artist, Jacques...

Signed and dated 92 lower left. Oil on canvas. Frank Bramley British, 1857-1915 Frank Bramley is considered one of the most important artists of the Newlyn School, the group of artists who settled in Newlyn, Cornwall during the 1880s and 1890s, drawn by the light, lifestyle and the example of Alexander Stanhope Forbes, and were at the forefront of 'British Impressionism'. He was particularly ‘in the news’ when his painting of a woman reading in a garden made the astonishing price of $590,000 at Sotheby's New York in late May 1996. As the seminal catalogue of the famous Newlyn School exhibition states, Bramley's reputation has rested for some time on Hopeless Dawn, his major RA exhibition of 1888, and which in recent years has been hung almost constantly at the Tate Gallery. Bramley was born in Lincolnshire and trained at Lincoln Art School, later at Verlat's Academy in Antwerp, from where he went to Venice in 1882-83, where our painting was executed. He first showed at the Royal Academy in London in 1884 (both paintings were Venetian scenes), and it was in the winter of 1884/5 that Bramley settled in Newlyn. He was a quiet and reserved figure, prone to bouts of melancholy. He worked on his own in a tiny studio in an old thatched cottage - the cottage consisted of two rooms, one at ground level (which was the studio) and one which was below ground which was inhabited by a woman who'd lost her arms and who managed to look after a set of tiny children as well as a small potato and turnip shop. Bramley moved to a purpose-built glass studio in 1889. He is known as the master of the so-called 'square-brush technique' which characterizes much of the best Newlyn School work and he used this until 1893, later than most of his colleagues. Bramley was friendly with the great artist Sargent and with him was elected an associate of the Royal Academy in 1894, being elected a full member in 1911. In 1891 he had married, and 4 years later they moved to the Midlands where his work became less socially orientated and more purely decorative. His last years were spent in a London flat...

Lilly Muth's architectural paintings transport viewers on a visual journey to a different world, where imagination knows no bounds and the boundaries between reality and fantasy blur...

The Temptation (Oriental Nudes Series) canvas, oil, acrylic, 70x60cm A masterfully balanced oil and acrylic artwork exploring classical anatomy, symbolic jewelry, and eastern folklo...

Hela is an emerging contemporary artist whose vibrant and playful paintings celebrate the quiet glamour of everyday life. With a focus on table settings, cocktails, glassware, and el...

"Billy at the Sink" by RU8ICON1 is an oil painting on canvas, from 2021. It is a figurative panting that depicts a cat at the kitchen sink. The pallet is earth tones. It measures 26...

Oil on canvas Canvas size: 33.5 x 49 inches Signed lower right

Window. Oil on canvas, 80x120 cm Elga Grinvalde ”ellgrii” Born in Valka (Latvia) 1966 Education: 1982-1986 Riga Applied Art College,Latvia department of glasswork desig. 1994-1998...

Gates to your dreams. 2023., oil on linen, 140x120 cm Modular artwork from 4 pcs. - 70x60 cm total size 140x120 cm Alyona Prokofyeva (1988) From 2016 surname Galaktionova. Alyona...

Valley House Gallery is honored to present a selection of paintings from the estate of American artist, John Hartell (1902-1995). John Hartell taught two disciplines at Cornell University in Ithaca, New York: freshman architecture and graduate painting. He was a much-loved professor there from 1930 until his retirement in 1967; one of his most illustrious students is the architect Richard Meier. As an artist, Hartell's first solo exhibition was in 1937 at Kleeman Gallery in New York. He exhibited at Kraushaar Galleries in New York for four decades, beginning in 1943. The Hartell Gallery at Cornell University, under the Sibley Dome, is named for him. In describing John Hartell, the artist Michael Boyd...

Victor Abeloos 1881 – Brussels – 1965 Belgian Painter 'Girl at the Mirror' Signature: signed lower left and dated 1920 'V. Abeloos. 1920' Medium: oil on panel Dimensions: ima...

Alexis Pierre MILON (Rouen, 1784 - After 1858) View of one of the aisles of the apse of Saint-Germain-des-Prés Oil on canvas Signed and dated lower left 50.5 x 34.5 cm 1838 Exhibi...

This is an original abstract acrylic painting on canvas. Discover new works by Julia Craig available to buy online and in our art gallery. Julia is an abstract artist whose love of c...

The painting "Summer" from the Seasons series. I wanted to show the delight and abundance of summer blooms that we enjoy in the warmer months. That's why I put a luxurious bouquet in a beautiful antique oriental vase...

William M. Hart (1823 - 1894) Interior of a Stable Oil on canvas 17 x 12 inches Provenance William Macbeth Gallery, New York Mrs. Mabel Brady Garvan Collection Christie's New York, Sporting Art, November 28, 1995, Lot 116 Ann Carter Stonesifer, Maryland Estate of above Brunk Auctions, Asheville, North Carolina, January 27 2018, Lot 777 Exhibited New York, The Metropolitan Museum of Art, Life in America, April 24 - October 29, 1939, no. 123, illustrated. New York, Macbeth Gallery, 1892: Sixtieth Anniversary Exhibition, April 1952, p. 5, no. 18. Literature Turner Reuter Jr, Animal and Sporting Artists in America, Middleburg, Virginia, 2008, p. 306. Gary Stiles, William Hart: Catalogue Raisonné and Artistic Biography, no. 1126, illustrated. It should be noted that the Francis Patrick Garvan and Mrs. Mabel Brady Garvan collection, of which this painting was a part of, was one of the foremost American Art collections and now makes up a large part of the Smithsonian American Art Museum and the Yale University Art Gallery collections. Born in 1823 in Paisley, Scotland, William Hart emigrated with his parents to the United States at the age of nine and settled in Albany, New York. It was here that Hart first began his artistic training when he was placed under the tutelage of Messrs, Eaton & Gilbert, the prestigious coach-makers from Troy, New York. During this time, Hart learned how to decorate coach panels, covering them with either landscapes or figurative compositions. At the age of seventeen, he was eagerly contemplating an artist’s profession. Consequently, he left the mechanical trade of coach-making and began expanding his artistic pursuits to more refined endeavors. Hart followed coach-making with decorating window shades and later developed an interest in portraiture. Around 1840, he established his first formal studio in his father’s woodshed in Troy. There, he created many likenesses of individuals, affording him a nominal income. Once, he remarked that he felt prouder over his first fee of five dollars for painting a head then for the larger sums he would command later in his career. Nevertheless, his wages from portraits during this early period proved insufficient. Thus, he expanded into landscape painting, allowing him to barter his works or sell them for modest prices. In 1842, Hart moved to Michigan in an attempt to further his success; portraiture remained his primary means of support. Unfortunately, his experiences in the West were disappointing. Hart spent three years living a rough existence until he finally returned to Albany in 1845. Upon his return, he fully devoted himself to the art of landscape painting. Despite his failing health, he worked diligently to perfect his skill until 1849 when he traveled abroad to his native land of Scotland. This trip was made possible through the generosity of his patron and advisor, Dr. Ormsby of Albany. For three years, he studied in the open-air, creating brilliant sketches of the Scottish Highlands and the surrounding British Isles. Returning to Albany once more in 1852, Hart enjoyed improved health and was reinvigorated with purpose. The following year, he moved to New York and opened a studio, promoting himself as a specialist in landscape painting. Hart became a regular contributor to the National Academy of Design. His works received a great deal of attention from artists and connoisseurs alike, all of whom praised him for his fresh, self-taught style. In 1855, he was designated as an associate of the National Academy of Design; three years later he was elected to Academician. In 1865, he was unanimously chosen to be the first president of the Brooklyn Academy of Design. It was during his tenure there that he delivered his famous lecture The Field and Easel, which emphasized the distinguishing principles of landscape art in America. Hart argued that landscape painters should express the “look of the place” being depicted.Critics during the 1870s noted his sensitive balance between capturing a strict “real” interpretation of nature and that of a more “ideal” sentimental tone. For instance, in 1869, Putnam Magazine noted that Hart brought back “exquisite studies” of the surrounding Tappan...

"Azure Opulence" is an emotional yet refined work, filled with light, air, and a sense of natural splendor. The composition is built on a rich interplay of azure, ultramarine, lilac,...

The sunny winter painting is filled only with positive energy and emotions.A beautiful play of sunlight and purple shadows create the magical atmosphere of winter. The picture is au...

Suchitra Bhosle's "Girl with Tambourine" is an original, handmade oil painting that depicts a woman, in all white, holding a tambourine close to h...

"Pink Table" is a contemporary still life oil painting. An impressionist and textural still life from Kelly Carmody. Kelly Carmody has exhibited at venues including the Portrait Society of America and the Art Students League. Most recently, she was selected for the 2015 BP Portrait Award Show at the National Portrait Gallery in London and the 2016 Outwin Boochever Award at the National Portrait Gallery in Washington D.C. In addition, the historic Guild of Boston Artists...

Little Cherry Glitter by Nicky Chubb [2022] Hand signed by the artist Acrylic and glitter on Canvas Image size: H:20 cm x W:20 cm Frame Size: H:23 cm x W:23 cm x D:3.5cm Please note ...

Framed 21.2 X 25.5 Unframed 17 X 21 Signed and dated 1920. Nina Karasek (Joële) born 1883 Kuttenberg, Czech Lands, Austro-Hungarian Empire, died in 1952 (I have also seen the date recorded as 1933) Vienna, Austria. Nina Karasek was an Austrian Impressionist & Modern artist who was born in 1883. Her work was featured in exhibitions at the Es Baluard, Museum of Modern & Contemporary Art and the Bildraum Bodensee. Little is known of Nina Karasek's life. She was born in 1883 in Kuttenberg (Kutná Hora) in Bohemia, studied art at the Kunstschule für Frauen und Mädchen (Art School for Women and Girls) in Vienna, Austria, under Adalbert Seligmann and Tina Blau. She studied at the Frauenakademie in Vienna and Munich. In the 1920's she worked first as a landscape painter and an illustrator, later turning toward symbolism, painting mystical subjects after her interest in spiritualism. Her conventional works were shown at various exhibitions. At the age of 44, while she was copying a work by Rembrandt in an Italian museum, she fell into an altered state of consciousness. Rembrandt appeared to her, took possession of her arm, and immediately her hand started to draw something quite different from what she had intended. From then on, for the rest of her life Nina Karasek was in “supernatural” contact with a series of great masters like Rembrandt, Albrecht Dürer, Goya, Raphael, Leonardo da Vinci, Gustav Klimt and others. Under their guidance and inspiration, she drew and painted works "in the style" of the masters. But very soon her works became stylistically more and more unrestricted and Symbolist, showing an enormous range of creative expression, ranging from symbolic and allegorical motifs to bewildering images with a fantastic arsenal of figures and private characters, signs, and symbols, and to frantic, gestural sketches and abstract compositions. From then on, she often signed her works with her esoteric “primordial name” Joële. (Nina Karasik-Joel) Almost everything we know about her life was from what she noted on the reverse of her drawings: sometimes diary-like notes of her horrible living conditions during World War II, but often strangely impenetrable explanations of the depicted motifs – often as fascinating and mysterious as the drawings themselves. In her works and notes, an exciting private cosmology and mythology unfolds, a drama of hidden powers and principles that flow through macrocosm as well as microcosm. Shortly after their discovery, Nina Karasek's Spiritualist, mediumistic works have found their way into galleries and major international collections. SELECT EXHIBITIONS 2019 The Medium’s Medium: Spiritualist Art Practices From the Turn of the Century and Beyond. The Gallery of Everything, London, (she showed with Madge Gill, Augustin Lesage, Fleury-Joseph Crépin...

Artist Comments
A woman in a blue jacket and red pants walks across the crosswalk. Her relaxed posture mirrors the city's slow Saturday morning rhythm. The scene captures the q...

“Light Field” is a two-part composition consisting of Light Field I and Light Field II. Each painting can exist independently, while together they form a continuous visual dialogue. ...

«Breathe Slowly/6» by Helen Mount immerses the viewer in the soft, sunny atmosphere of dawn, where delicate shades of blue intertwine with gray shadows, creating an impression of pea...

This little plant sat on my window sil all Winter. I wondered what colour the flowers would be - I'd planted it in my Mum's old terracotta pot beca...

In my creation, I've captured the wild essence of freedom and the dynamic energy of life. Through vigorous strokes of acrylic and oil, I've melded expressionism with impressionism, g...

As in all Michael John Hunt's paintings, the atmosphere is one of tranquility. It is the height of summer and fresh flowers sit alongside a blue and white vase on the windowsill. A...

Clyde Singer captures a moment between bar patrons at the historic McSorley's Old Ale House in New York City. The painting titled, Be Good or Be Gone, takes its name from a sign be...

Artist: Lowell Nesbitt (1933–1993) Title: Six Robes '74 Year: 1974 Medium: Oil on linen Size: 75 × 117 inches Condition: Excellent Inscription: Signed, dated, and titled by the artis...

Signed divisionist style still life oil on canvas by Swiss neo-impressionist painter Beatrice Duval. The work depicts a vase of flowers painted predominantly in yellows and greens an...

"Untitled 2" Abstract Acrylic on Linen Painting 36" x 38" inch by Hossam Dirar Untitled 2" by Hossam Dirar Acrylic on linen canvas 2016 This work in on loose canvas, ships rolle...

This is a recent oil on linen canvas mounted on cradled wood panel signed and dated on reverse . Created earlier this year, the artist has titled it in response to the current politi...

Original oil painting depicting a serene coastal interior where modern architecture meets the beauty of nature. This contemporary oil painting invites the viewer into a peaceful spac...

Barber Schaumann is a contemporary artist known for her vibrant, abstract interpretations of the female form. Her work combines bold colors with modern, geometric shapes, blending el...

Asters ~ 1970, oil on canvas, 55x80 cm Laimdots Murnieks has said: "I am a sunny artist. The sun and a woman are the center of the world. It is not for nothing that the sun always...

Antique American modernist interior portrait oil painting. Oil on board, circa 1930. Unsigned. Displayed in a period modernist frame. Exhibition provenance verso. Image size, 25"L ...

In most of the paintings, the artist uses an interior space as his subject, placing a table or similar object at its center. The use of symmetry and eye level often suggests an altar...

Oil on canvas

Aditya Basak - Untitled - 36 x 30 inches (unframed size) Acrylic & Tempera on Canvas ** This work will be shipped in a roll form. "Through the medium of the fantasy, Basak probes...

In painting this piece, I poured my admiration for the dance between light and color onto the canvas, capturing the ephemeral beauty of flora. Each stroke is imbued with the energy o...

A serene and exquisitely composed work that captures the quiet poetry of a sunlit bedroom in the early hours of daybreak. A descendant of the renowned Wyeth artistic dynasty, McCoy h...

"City Lines" 40X50x1.75" acrylic on canvas 2018 NYC Signed, dated and titled on the reverse side. "Line series influenced by the digital city"

Signed lower right Unframed dimensions: 30 x 52 inches Framed dimensions: 39 x 61 inches Paul G. Oxborough studied at Minneapolis College of Art and Design and Atelier Lesueur, a 4...

Candid, straightforward paintings of various vintage objects. Depicted with painterly realism, natural styling and subtle, quiet narrative.

Title: "Musician Trio No. 2 : Exploring the Movement of Music Through Art" Koko, a classically trained musician, has created a captivating series of paintings titled the "Musician" ...

In his very Californian settings, Marius Messinese creates an environment that is both synthetic and realistic, halfway between seduction and intrigue. At the crossroads of different...

Edgard Farasyn 1858 – Antwerp – 1938 Belgian Painter 'The Mischievous Little Artists' Signature: signed middle lower left and dated 'Edg. Farasyn 1881' Medium: oil on canvas Dimens...

powerful abstract composition defined by a restrained, almost monochromatic palette of blacks, greys, and subtle earthy tones. The surface is richly worked, with sweeping gestures an...