Panel Paintings

Jason Walker's (CAN based) "Donut Pile" is an oil painting that depicts a pile of varied glazed and powdered donuts all sitting together in the dark.

This piece depicts a colorful collage composition portrait of a Pin-up model from the 1950s, as Jon Davenport explores the process of deconstructing iconic imagery from the past and present. Davenport start’s out with photos of his paint-stained studio floor and collages in articles/advertising from an array of vintage magazines collected over the years; plus any other interesting stuff captured on his travels. He then transfers the images to a panel board, layering them on with gel medium, together with strokes, splashes, drips, and splats of paint. Once it's dry, another layer of gel medium is poured on to give it a melting effect. After it drys off again, another layer of paint is added to embellish a few areas and to accentuate or fade out certain aspects. And then, he finally adds a coat of polyurethane for protection and making the colors pop. This unique work is executed on a wood panel board and comes ready to be displayed with hanging wire on verso, signed by the artist lower right. Art measures 36 x 36 inches From biology student to owning and running a creative agency in London to a career as a fine artist, life has taken Jon Davenport on a rewarding and unconventional journey. Despite his scientific beginnings, he’s always had a strong artistic streak weaving its way through his different career paths. Growing up in Ipswich, UK, Jon was always an avid drawer, and could often be found with a pencil and paper in hand. With the arrival of his first computer, he embraced the new frontier of digital art and had work published in one of those early computer magazines. His creative urges took a backseat to get a biology degree at Brunel University in London. It was afterward, in his first job working at the Archant newspaper group in Ipswich, that he quickly progressed from plate maker to becoming an integral member of the art studio. It was during this time that he taught himself photoshop, desktop publishing, and graphic & web design. After a few years, he set up a design agency, and eventually went full time and moved to London. This proved to be a successful move, working for a number of clients such as Nike and Virgin, and gaining praise from the likes of Richard Branson and Tony Blair. It wasn’t until Jon moved to the USA to marry his wife, Atlanta artist Christy Kinard...

Acrylic on wooden panel with a white frame Lee Yu Min is a Korean artist born in 1987 who lives and works in Daejeon, South Korea. She is specialized in Korean painting, completing ...

Hunt Slonem "Enraptured" Bunny Couple in Silver and Pink A pair of bunnies gestured in black on a pink textured metallic background in a vintage frame Unframed: 30 x 23.5 inches Fra...

A vibrant painting depicting an avenue lined with poplar trees in fall colors, prominently featuring a very large, centrally placed yellow poplar. Possibly an American poplar. The artist, Agda Holst, has employed a diverse palette of colors to the poplars, creating a dynamic and colorful composition. This oil on panel is signed and dated by Holst in 1948. The work exemplifies her use of color and form, characteristics that defined her artistic practice throughout her career. Agda Holst was a Swedish modernist painter known for her precise study of form, stylized compositions, and ability to merge structured geometry with expressive color. Her works, often still lifes, portraits, and figure studies, reflect a balance between naturalistic representation and modernist influences such as Cubism and New Objectivity. Holst's artistic journey began in 1907 at the Académie Colarossi in Paris, where she studied under Christian Krohg. Seeking further refinement, she moved to Munich between 1910 and 1911, studying with Julius Exter, known for his teachings in portrait and genre painting. In 1911–1912, she returned to Paris to study under Kees van Dongen, whose bold use of color and strong contrasts left a lasting impression on her work. The early 1920s marked another period of study in Paris, this time under André Lhote, who instilled in her a structured approach to composition and geometric clarity. Holst’s first public exhibition took place in 1916, when she displayed paintings in a bookstore...

Genevieve Hamel Vintage Flowers Oil on Wood Panel Year: 2024 Size: 12 x 12 x 1.625 inches Signed by hand COA provided Ref.: 924802-2099 These vintage colors transport you back in ti...

Ciberurban in "tondo". Architectural colorful landscape inspired in the Bauhaus School. Acrylic paint, mixed media on panel. 2021 Dimensions in cm.: 132 x 129 x 4 cm. In inches: 51.97 " x 50.79" x 1.57 " The landscape of the big city, futurism, Fritz Lang's Metropolis... Juan Pita...

Clyde Steadman's "Bathsheba" is an original, handmade oil painting that depicts an impasto painting of a nude female model in an interior setting.

Jon Doran's (UK based) "Fragmented Roses" is an oil painting created in 2019 and it depicts white roses with an abstracted background. Artist statement: "I am interested in taking ...

Abstract, interior / exterior figurative. colorful, abstract brushwork, loose perspective similar to Anselm Kiefer Oil on panel.

"My interest in the formal and pictorial aspects of painting is in addition to my interest in the sensuality of the oil medium, nuanced edges, and subtleties of light. Each painting ...

These two royal portraits are a major historical testimony to the stay of the Comte d'Artois (the future Charles X) and his family in Edinburgh in 1796-1797. Given by the sitters to Lord Adam Gordon, the Governor of Edinburgh, and kept by family descent to this day, these two portraits provide us with a vivid and spontaneous image of the Duc d’Angoulême and his brother the Duc de Berry. Danloux, who had emigrated to London a few years before, demonstrate his full assimilation of the art of British portrait painters in the brilliant execution of these portraits. 1. Henri-Pierre Danloux, a portraitist in the revolutionary turmoil Born in Paris in 1753, Henri-Pierre Danloux was first a pupil of the painter Nicolas-Bernard Lépicié (1735 - 1784) and then, in 1773, of Joseph-Marie Vien (1716 - 1809), whom he followed to Rome when, at the end of 1775, Vien became Director of the Académie de France. In Rome he became friends with the painter Jacques-Louis David (1748 - 1825). Returning to France around 1782, he settled in Lyon for a few years before returning to Paris in 1785. One of his first portraits was commissioned by the Baroness d'Etigny, the widow of the former Intendant of the Provinces of Gascony, Bearn and Navarre Antoine Mégret d'Etigny (1719 – 1767). He then became close to his two sons, Mégret de Sérilly and Mégret d'Etigny, who in turn became his patrons. In 1787, this close relationship with the d'Etigny family was further strengthened by his marriage to Antoinette de Saint-Redan, a relative of Madame d'Etigny. After his marriage, he left for Rome and did not return to France until 1789. It was during the winter of 1790-1791 that he painted one of his masterpieces, the portrait of Baron de Besenval. Set in a twilight atmosphere, this portrait of an aristocrat who knows that his death is imminent symbolizes the disappearance of an erudite and refined society which would be swept away by the French Revolution. The Jacobin excesses led Danloux to emigrate to England in 1792; many members of his family-in-law who remained in France were guillotined on 10 May 1794. Danloux enjoyed great success as a portrait painter in England before returning to France in 1801. During his stay in England, Danloux was deeply under the influence of English portraitists: his colors became warmer (as shown by the portrait of the Duc d'Angoulême that we are presenting), and his execution broader. 2. Description of the two portraits and biographical details of the sitters The Duc d'Angoulême (1775-1844) was the eldest son of the Comte d'Artois, the younger brother of King Louis XVI (the future King Charles X), and his wife Marie-Thérèse of Savoie. He is shown here, in the freshness of his youth, wearing the uniform of colonel-general of the "Angoulême-Dragons" regiment. He is wearing the blue cordon of the Order of the Holy Spirit, which was awarded to him in 1787, and two decorations: the Cross of Saint-Louis and the Maltese Cross, as he was also Grand Prior of the Order of Malta. Born on 16 August 1775 in Versailles, Louis-Antoine d'Artois followed his parents into emigration on 16 July 1789. In 1792, he joined the émigrés’ army led by the Prince de Condé. After his stay in Edinburgh (which will be further discussed), he went to the court of the future King Louis XVIII, who was in exile at the time, and in 1799 married his first cousin Marie-Thérèse Charlotte of France, the daughter of Louis XVI and the sole survivor of the royal family. The couple had no descendants. He became Dauphin of France in 1824, upon the accession to the throne of his father but played only a minor political role, preferring his military position as Grand Admiral. Enlisted in Spain on the side of Ferdinand VII, he returned home crowned with glory after his victory at Trocadero in 1823. He reigned for a very short time at the abdication of Charles X in 1830, before relinquishing his rights in favor of his nephew Henri d'Artois, the Duc de Bordeaux. He then followed his father into exile and died on 3 June 1844 in Gorizia (now in Italy). His younger brother, the Duc de Berry, is shown in the uniform of the noble cavalry of the émigrés’ Army. He is wearing the blue cordon of the Order of the Holy Spirit, awarded to him in May 1789, and the Cross of Saint-Louis (partly hidden by his blue cordon). Born on 24 January 1778 in Versailles, Charles-Ferdinand d'Artois also followed his parents into emigration and joined the émigrés’ army in 1792. After his stay in Edinburgh, he remained in Great Britain, where he had an affair with Amy Brown...

Acrylic & oil on wooden panel Marie-Pierre Autonne is a French artist born in 1960 who lives & works in Angers, France. She studied at Penninghen in Paris, France. She worked for se...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

Robert Lebsack creates artworks using mixed media with ink, acrylic, and charcoal on archival copies of newspapers, textbooks, and sheet music. As a visionary artist, Lebsack weaves ...

Chuck Sperry Iphigenia Wood Panel Edition out of 30 Screen print on wood panel - comes framed 31.5 x 20 inches 33.1 x 21.5 x 2.2 inches Framed Signed and numbered by the artist

Saint Jerome in the desert Cercle of Lambert Van Noort (1520-1571, Antwerp) Antwerp School, mid-16th century Oil on oak panel. Dimensions: panel h. 69 cm (27.16 in), l. 52.5 cm (20.6...

Carl Skånberg (1850-1883) Sweden A Barbizon Garden (1879) oil on wood panel signed C. Skånberg, dated 1879 (lower front) unframed: 19 × 24 cm (7.5 × 9.4 inches) framed: 40 × 45 cm ...

Provenance Acquired by the gallery directly from the artist Signed "Obermeyer" on lower left Artist Statement "During a recent stay in San Francisco, I had this gorgeous view of this beautiful city from my room. Mason Street glows as it heads up to Nob Hill...

Artist: Eduard Matevosyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Panel Year: 2025 Style: Impressionism, Title: Summer Grove, Size: 37.5" x 25.5...

A peaceful outdoor scene in summer of delicately painted lavender and violet blue flowers in a grassy field beneath a tree with dark green leaves, beautifully capturing the idyllic f...

Portrait of Catherine Murray (nee Bruce), Countess Of Dysart, 17th Century Attributed to DAVID SCOUGALL (1610-C1680) Large 17th century portrait of a lady traditionally identified...

Dimensions with frame: 49 x 31 x 4,5 cm. Signed "Ricciardi" in the lower left corner. This evocative street market painting captures a sunlit urban scene animated by figures moving ...

Bright pale lavender encaustic (pigmented beeswax) painting on birch panel with pale mint blue in the background and light purple along the edges. Signed and titled on verso. Joanne...

Judd Mercer's (US based) "Gods on Fire" (2023) is an original handmade oil painting depicting two large rock formations. Artist bio/statement Judd Mercer is a contemporary landscap...

Adolphe Joseph Thomas Monticelli 1824-1886, was a French painter and influencer of Vincent van Gogh. Monticelli was well known to Theo and Vincent Van Gogh, Theo acted as agent for ...

"Lost In Light" (FRAMED) Oil Painting 43" x 33" inch by Casey Baugh Medium: oil on panel Painting size: 43" x 33" inch Size framed: 52" x 42" inch Signed by the Artist ABOUT THE ...

Devin Michael Roberts' (US based) "Winter Moon" is an oil painting depicting a winter landscape with a brightly lit moon. Artist bio/statement: Devin Michael Roberts is an American...

Plaines & Mines, d’Ombre 2025.2 by Melisa Taylor Metzger envelops the viewer in a delicate tension between structure and atmosphere. Diaphanous layers of cool greens and blues, lilac...

acrylic on birch panel

Anne Sargent Walker’s Oil and Acrylic painting "In It Together", depicts three beautifully rendered birds in migration flight against a deep blue, starlit night sky. The sky lightens...

Canadian artist Peter Hoffer (1965) is best known for his landscape paintings. His style has also been compared to the idealistic landscapes of the 19th-century landscape painter Joh...

Watchful Eyes

Judd Mercer's ( US based) "Brighter Prospects" is an oil painting depicting a the Rocky mountains with a river winding through a forest. Artist bio/statement Judd Mercer is a conte...

Peter Hoffer Muskoka, 2020 oil, acrylic and resin on panel 20 x 36 in (hoff186) This original landscape painting on panel by Peter Hoffer is simultaneously contemporary and traditio...

A Beauty with a Chrysanthemum Garland signed Eisman-Semenowsky (lower left) Artist: Emile Eisman-Semenowsky (Russian, 1857-1911) Medium: oil on panel Frame: 44 1/4 x 23 inches.

Rinat Goren (Israeli, American, born 1964) "Waiting" 2023 Encaustic paint on cradled wood panel The artist signed the bottom right corner of the painting. “Waiting” is a refined, contemporary figurative-abstract encaustic work. The composition centers on a stylized female figure set against a richly layered grid of warm reds, oranges, and golden tones. The figure is integrated into the architectural structure of the painting, appearing both present and suspended within the surrounding geometry. Goren’s encaustic technique builds luminous depth through translucent wax layers, incised lines, and embedded shapes. The grid-like background evokes urban systems, schedules, and quiet rhythms, while the elongated figure introduces a human pause within this ordered framework. Her posture suggests stillness and anticipation, reinforcing the painting’s title and emotional undercurrent. Balancing abstraction with figuration, “Waiting” reflects Goren’s ongoing exploration of time, presence, and human experience within structured environments. The warm palette and tactile surface give the work an inviting yet contemplative quality. About the Artist: Rinat Goren is an Israeli-American artist based in California whose contemporary encaustic works explore the relationship between thought, structure, and emotion. Born in Israel and residing most of her life in the U.S., Goren has long been drawn to both observation and creation, translating the complexity of the human mind into layered visual compositions. Her encaustic paintings—formed by applying molten beeswax mixed with pigment—evoke a tactile, sensory experience that reflects her fascination with systems, decision-making, and the creative act itself. She works with geometry, color, and abstraction to celebrate our innate capacity to reflect, choose, and act with intention. Goren’s process is rooted in one of the world’s oldest painting...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on a cerise red background with thick use of paint. In...

Ventura A. Pérez (1992) is one of the most seductive artists on the contemporary Spanish scene. After earning a doctorate in contemporary art from the University of Vigo, he moved to...

Jennifer Hornyak was born in England, where she studied at the Grimsby School of Art before coming to Canada. For more than forty years, her work has been exhibited in prestigious ga...

Justin Allen Springfield, MO Justin Allen brings extraordinary technical mastery to oil painting, rendering everyday objects with precision so striking they verge on the surreal. A...

Acquired by the gallery directly from the artist Signed "Ray Roberts" on lower right UNFRAMED: 18" x 24" FRAMED: 24.5" x 30.5" x 1" Artist Statement "...

Born in Columbus, Ohio, in 1965, Ron Hicks was an avid artist from an early age. Hicks began his formal studies in art at the Columbus College of Art and Design in Ohio. Hicks contin...

Ulrich Gleiter's (EUR based) "Alley up to the castle (Redondo, Portugal)" is an oil painting that depicts the impressionistic rendering of an alley and white buildings with a bright ...

Genevieve Hamel By the Mountains Oil on Wood Panel Year: 2024 Size: 36 x 18 x 1.625 inches Signed by hand COA provided *wired and ready to hang Genevieve Hamel’s passions for desi...

Pascal Jarrion was born in 1961 in Perpignan, France, a region known for its Catalan culture as well as its influence on artists before him, including Picasso, Van Gogh, and Maillol....

"Approach" by Blair Atherholt is a an original, hand made painting depicting a cluster of suspended grapes above a brilliantly lit orange. Blair Atherholt is an award-winning conte...

John Ferguson Weir West Point, 1873 Signed and dated lower left Oil on panel 12 1/8 x 20 1/8 inches Provenance: Sotheby's Arcade, American Paintings, December 19, 2003, Lot 1091 Spanierman Gallery, New York Private Collection, New York (acquired directly from the above) Exhibited: Roslyn, Nassau County Museum of Fine Art, William Cullen Bryant, The Weirs and American Impressionism, April 24, 1983-July 31, 1983. A painter, sculptor, writer, and teacher, John Weir was a highly talented man whose painting was overshadowed by his father, Robert Weir, the long-time West Point Academy drawing teacher, and his brother, J Alden Weir, well-known impressionist painter. His distinguished reputation was primarily based on his accomplishments as a teacher and administrator. For many years, from 1869 to 1913, John Weir was the Director of the Yale University School of Fine Arts. He was also a commissioner of the art exhibition at the Centennial Exposition in Philadelphia. Weir was born at West Point, New York, and by age 20, had a studio in New York City in the Tenth Street Studio Building, the first building in America dedicated to art studios, and there he associated with many leading painters of the day. He earned attention early in his career for paintings of industrial scenes...

Pink Peony is a 14" x 10" oil on panel painting by European /Croatian artist Tina Orsolic Dalessio who is classically trained. This is part of her new 2024 series of still-life pai...

A vibrant orange, yellow and lime green encaustic (pigmented beeswax) painting on birch panel accented with lime green edges. Signed, dated and titled on verso. Joanne Mattera’s pai...

Robin Hextrum's (US based) "Pegasus" is an original oil painting that depicts a mythical white horse with wings. Artist Statement: This painting is part of my "Magical Realism" ser...

Brian O'Neill's "Patina" is a captivating original artwork created in 2024. This piece measures 24 x 24 x 1.50 inches (60.96 x 60.96 x 3.81 cm) and features a sophisticated blend of ...

This piece titled "building up" is original artwork made from pencil, marker, acrylic paint on panel by Miriam Singer. This piece measures 6"h x 6"w. Miriam Singer grew up in Buffalo, New York, In 2000 she received her BA from Brandeis University, and in 2003 her MFA from Massachusetts College of Art. Since moving to Philadelphia in 2004; Miriam Singer has exhibited at James Oliver Gallery. Stanek Gallery, LG Tripp Gallery, Woodmere Art Museum, Space 1026, Friends of the Print and Picture Collection...

Presenting Mary Carroll's "Locket II" a 2024 original that showcases a masterful use of acrylic on a 10 x 8 x 1.5 inch panel that depicts a photo of a woman leaning against an old tr...

"Stand Still" is a beautiful original impressionist Gouache painting depicting a forest scene, with a lightly flowing creek shore with steep fractured rocks, leading to a pathway sur...

The European Academy recognized still-life painting as the lowest form in its hierarchy. Being the depiction of the things of everyday life, it was considered a poor container for th...

James Vaulkhard Yosemite, 2025 Oil stick and pastel on wood panel 85 x 60 cm 33.5 x 23.6 inches James Vaulkhard holds a BA degree in History of Art from Leeds University, and has bo...

Nature-Inspired Minimalist Abstract Color Field painting on two wood panels in shades of light, icy blue, white and grey Acrylic on two wood panel, Each panel is 18 x 24 x 1.5 inche...

Hunt Slonem "Awaiting Flutter" Multicolor Butterflies A group of seven butterflies on a scored gold metallic background in a vintage frame Unframed: 22 x 30 inches Framed: 26.5 x 34...

3rd Version's (Ben Patterson) "Version 3" is a 2025 oil painting on cradled panel measuring 24 x 18 x 1.5 inches. The work is unframed but ready to hang. Centered against a stylized ...