Panel Paintings

Composition with jars and fruit. Realistic Oil painting still-life Bright colors. Oil on panel by Spanish artist Álvaro Toledo. Measurements in centimeters: 44 x 71 x 1 cm / Framed...

"Wendover 3" by Joseph Ostraff, oil on panel, 36 X 31 inches, $4,800. "For me, paint documents the state of things, how I feel and what is at the forefront in my thinking—maybe it’s like the soup of the day. I do not consider this process to be anything special in itself. The paintings record the daily random and absurd associations I make, which seem interesting to me after the fact. The Domestic paintings are a case in point. My wife and I have six children. Four have left home. Three are married. We are left with two children, both currently in middle school. We have about five years and they too will move out. This is on my mind. I am thinking about the layers of memories and it comes out as layers of paint. Feeling nostalgic, I think about all the noise and activity our home has absorbed. In turn, I found children’s large vinyl decals from Angry Birds...

"Up All Night" is a captivating oil on panel painting by Matt Talbert, created in 2023. This square-format artwork measures 22 x 22 inches (55.88 x 55.88 cm), and it is presented wit...

Acrylic and oil on wooden panel Marie-Pierre Autonne is a French artist born in 1960 who lives & works in Angers, France. She studied at Penninghen in Paris, France. She worked for ...

Finding My Way 2 Cheryl D. McClure oil on paper on wood panel 20 x 20 x 0 in Inv #: 795 Price $1800 To make my paintings I have come to the realization that I use what I call the ‘Three I’s” of INFLUENCES, INTUITION. and INTENT. Like a lot of artists, McClure’s interest in art developed early in childhood. She recalls, “When I was eight years old, I begged my dad to let me take an after-school painting class. I was shocked when I got there and found out they were painting with paint by number kits. I did not want to do that. I hate coloring inside the lines. So, the teacher allowed me to look for images to use as inspiration. In my memory, I think the first one must have been a reproduction of a Cezanne landscape. I just did what I did all on my own, but I loved mixing colors. Then my dad died, and we moved from Oklahoma to Texas. Sadly, I never really did anything else until I was in my twenties. I then took up painting again all on my own and trying to learn from other artists demonstrating their painting techniques and taking workshops. I have been painting ever since, more than forty years.” She continues, “For many years I only painted with acrylics or mixed media collage. In 2005, I also started painting with encaustic and have gone back to using oil paint again. I suppose acrylic remains my dominant medium. Mixing it up now and then keeps me on my toes and is a great way to learn. Each medium can teach you certain aspects of painting others do not. Each medium has its strengths and weaknesses depending on what you want to express. You can learn from all. I did not love watercolor because it took too much pre-planning. But I learned a lot about negative shapes and composition. I learned a lot with pastel and charcoal about making marks. By working back and forth with different media, I am growing as a painter.” If I used only intent, I would more than likely be disappointed because my imagined intent is always elusive. I get more than I imagined by not setting too many rules about how to get there. Using all of these factors, I can use the knowledge of formal issues that comes from viewing a lot of art and, also, from being in the studio making art all of the time. Using that comprehension of formal design as an aid to intuitively know what is the right relationship of color, mark, space, etc. is the intent. Intention is necessary to direct you to explore the former two. Intention also demands you delve more into your own reasons for making art. 2020 University of Texas, College of Pharmacy Partnership Exhibit, Tyler, TX Beauty of Art and Medicine IV, Rogers Nursing and Health Sciences Building, Tyler Junior College, Tyler, TX Stable, Cerulean Gallery, Dallas, TX 2019 Mississippi Art Colony Fall Travel Show, juror, Stanley Kurth Small Works, Gallery Mack, Seattle, WA 2017 Black Tie (optional), Invitational, Adam Peck Gallery, Provincetown, Mass. Mississippi Art Colony Fall Travel Show, David Hornung, juror, Meridian Museum of Art, Meridian, Miss., Southern Cultural Arts Center, Vicksburg, Miss., Museum of the Mississippi Delta, Greenwood, Miss. You Name It, Cerulean Gallery, Amarillo, Texas 2016 N° 10, Invitational, Adam Peck Gallery, Provincetown, Mass. 2015 One + One, Invitational, A Gallery Art, Provincetown, Mass. 2014 East Texas Regional...

This painting by Astrid Ritmeester belongs to a series she has called 'Memories' Ritmeester also works as a costume and graphic designer for theatre productions. Astrid Ritmeester...

Unique and original painting, ready to hang. Campbell La Pun’s unique spray can paintings merge street art sensibilities with vibrant pop culture influences, transforming ordinary s...

Ventura A. Pérez (1992) is one of the most seductive artists on the contemporary Spanish scene. After earning a doctorate in contemporary art from the University of Vigo, he moved to...

Charles Hunt, Jr. was born in Kensington, London, in 1829 and was part of a dynasty of painters. He was the son of the genre painter Charles Hunt (1803-1877) and father to four sons ...

Medium: Oil on Panel Signature: Signed Lower Right An FFA student with his father receiving a check for his first delivery of steers to the Omaha stockyard.

In WARM CIRCLE QUILT, Natalie Harrison draws on the historically domestic crafts of molding and quilting to create a new work of collage. Shaping yell...

“Spending a lifetime of summers on Martha's Vineyard my work has evolved into natural forms of coastal scenes. My connection to the island developed a deep concern with natural forms life-plants, shells, hills, trees, stones and water. My paintings create a path of self-discovery. Reassembling pieces together from memory and imagination using textures, patterns and transparent layers make the viewer question how far reality can be pushed before it will yield the powerful essence of what is seen.” Anne Harney is a Boston-based painter who received her BFA with Honors in painting from Mass College of Art and Design in 2011. Awards include George Nick...

Saint Dorothea, 19th Century by KATHERINE MURIEL MASON EADIE, RMS, ARBSA (BRITISH, 1880-1945) Large 19th Century Art & Crafts Pre-Raphaelite Saint Dorothea, tempera and gold with e...

Signed lower right American, b. 1958 Designated a living master by the Art Renewal Center and widely regarded as a leader of the American landscape school, Joseph McGurl is one of ...

Franck Bailleul is a French painter born in 1964 who lives & works in Abbeville, Normandy, France. He has exhibited nationally as well as in the United States and China. His works e...

'Central Park, Spring Afternoon' 2009 by American artist, Lawrence Kelsey. Oil on panel, 19.5 x 13.5 in. / Handmade gold frame: 24 x 18 in. Depicting a view of Central Park in New Yo...

Ana Hefco's "White Sand Beach #32" is an original, hand made resin painting that depicts an abstracted color field of blue, teal and beige, that is reminiscent of an aerial/satellite...

Tatiana Flis’ “A Satellite’s View” is a 48 x 36 inch abstract acrylic painting created with multiple monoprinting methods on a birch wood panel. Bold black graphic shapes overlay a r...

West Knoyle, Autumn Painting by Martin Yeoman B. 1953 Additional information: Medium: Oil on panel Dimensions: 19.5 x 36 cm 7 5/8 x 14 1/8 in Martin Yeoman was born in 1953, and s...

red, odalisque,orange,yellow Giulio DA MILANO (Nizza, 1895 - Torino, 1990) Giulio Da Milano was a Giacomo Grosso's disciple and he was very close to the artists that used to patronize La Coupole de Montparnasse (from Kisling to Pascin, from Derain to Vlaminck). He is considered one of most representative exponents of the Turin’s artistic scene in the ‘30s-‘40s, close to the Gruppo dei Sei. His works can be found in the following museums: Turin, Modern Art Gallery...

Kevin Weckbach's (US based) "Gonske' House" is an original, hand made oil painting that depicts an adobe house in Taos with a colorful entrance and blooming flowers in the foreground. Artist Statement: "Subject matter to me is a vehicle for me to explore how I observe life. My urban influences are an assembly of varied fabrics stitched together to form a tapestry. It is not to resemble a literal story of what it is; moreover, it is a quilt that explains my visual expression. What I find particularly interesting in human intervention in nature is how we are still intertwined with it. Roads, buildings, and farmlands bend with the natural curves of mountains, hills, and streams. City nights are lit up like lightning bugs...

Loneliness – Nijoujou Pine is a unique painting by contemporary artist Lumi Mizutani. The painting is made with pigments, Indian ink and gold leaf on Japanese paper mounted on panels...

"Evening in peace" (Tarde en calma). Acrylic and mixed media on wood panel. Dimensions: centimeters (H) 45 x (W) 60 (D) 6 / inches: 17.72 x 23.62 x 2.36 The pictures of Raquel Fariñas...

Pigments, pastels and oil on wood Marie-Pierre Autonne is a French artist born in 1960 who lives & works in Angers, France. She studied at Penninghen in Paris, France. She worked fo...

Abstract House (Pink) Painting by Daisy Cook B. 1965, 2024 Additional information: Medium: Oil on panel Dimensions: 18 x 24 cm 7 1/8 x 9 1/2 in Daisy Cook is a British painter of l...

Astounding painting and carving on wood panel by the “Hound of Heaven” artist Robert Gammell. Created 1947. This beautiful work features rich color, gold accents and incredible detail. Signed lower right “R.H. Ives Gammell” and dated ‘47. The subject comes from the imagination of the artist and is titled “Lady of the Seven Sorrows.” The work measures 34 1/2"h x 11 1/4"w and is considered to be one of the artist’s “Puppy Panels.” The ornate frame measures 38 1/2"h x 15 1/2"w x 1 1/4"d. The weight is 9 ½ pounds. A label is attached to the verso listing the work as being an entry for the 1967 Grand National Show with the American Artists Professional League in New York. This detailed and beautiful painting is a work to be treasured. More Information Robert Hale Ives Gammell: After completing his major allegorical sequence, the Hound of Heaven, Gammell felt compelled to revisit certain themes and figurative compositions in later years. His original plan was to display the smaller panels, or "Puppy Panels" as he affectionately called them, between the larger Hound panels. Robert Hale Ives Gammell (1893-1981) was a prolific professional painter working in Boston, Provincetown, and Williamstown, Massachusetts. During the sixty-five years of his career, Gammell painted murals, portraits, landscapes, and still lifes, but the pieces which excited him most were the allegorical works drawn from his imagination. In his diary Gammell wrote that he was “fascinated by the drama of man in his relationship to the forces of the universe and of his own nature.” Over the years he experimented using ancient myths and rituals as well as contemporary symbols in his attempts to articulate images of man’s terror, wonder and yearning in the face of a century of upheaval. Excerpt from Elizabeth Ives Hunter, the God-daughter of R. H. Ives Gammell and the daughter of his assistant, Theodore W. J. Valsam. R. H. Ives Gammell believed in the practice and standards of art should rest on the Gold standard established by the 19th-century French system of learning, as practiced by the Ecole des Beaux-Arts and Academie Julian of Paris. His personal mission was to follow that tradition, so he established his own Studio working with a handful of students at a time. His book ‘Twilight of Painting’ would help define a way back to those lofty goals for future artists, reflecting the uncompromising levels of quality that he embraced, and maintained. Robert Hale Ives Gammell was born to wealth in Providence, Rhode Island and spent the majority of his artistic life in Boston at the Fenway Studios and in Williamstown, MA, where he died in 1981. In 1910, Gammell studied briefly with William C. Loring and Wm. Sergeant Kendall before training in 1913 at Boston's Museum School with Philip Hale, F.W. Benson and Edmund C. Tarbell for a few months. Gammell then went to Provincetown, MA to study with Charles Hawthorn and then to the Academie Julian in Paris and the Academie Baschet until the end of 1914. He was tremendously influenced by the teachings of Tarbell and the work of Joseph DeCamp and William M. Paxton. He was so influenced by the Boston School he vowed to hand down their teaching traditions to generations of students and he did exactly that. Some of the painters who are "Gammellites" are Samuel Rose, Thomas R. Dunlay, Robert Cormier, Richard Lack, Gary Hoffman, Stephen Gjerston, Robert Douglas Hunter, David Lowrey, David Curtis...

Abra Johnson's "Tomahawk Steak" is a mouthwatering gem of culinary realism. This 24" x 12" oil painting showcases a perfectly cooked rare Tomahawk steak on a rustic cutting board...

Mia Bergeron's (US based) "Resist" is an original, handmade oil painting that depicts a woman, with straight across bangs, in profile where the bright light from a window casts her s...

When it came to decorating his residences, haute-couture iconoclast Karl Lagerfeld (1933–2019) was known for committing completely to a given style—and then dispensing with it. Follo...

Eileen Murphy’s paintings on panels are a mirage of disparate memories. Lived experience, borrowed art historical footnotes, and imagery drawn from literary references swirl together and coalesce into shimmering sylvan scenes. Allusions to Patinir, Jacob von Ruisdael, Frederick Church, lines pulled from Rilke, and Murphy’s own personal history emerge deftly from the same brushstroke. The result is images that are simultaneously foreign and familiar, deeply intimate yet shared in a common vernacular. Murphy builds these compositions from layers of carefully applied oil paint, her brushstrokes growing increasingly specific and nuanced with each new stratum. Because she works on panel, the pigment is not absorbed into the material, but rather, sits atop the surface, the color remaining fully saturated. Without this anchoring effect, Murphy’s landscapes become lofty and voluminous, further intensifying their surrealist quality. Eileen Murphy has spent her life along the Hudson River and has lived in Brooklyn, NY for the last seventeen years. Her current paintings are based on the landscape of Columbia County...

Whitney was born in Connecticut in 1981, lived in Surrey, England for nearly a decade, and currently resides in Richmond, Virginia. She earned her Bachelor of Fine Arts Degree from D...

Inspired by all the places we wish we were. The artist paints expressively and with lots of colour. Oil paint on gesso wood panel. Framed in a white wooden painted frame. Ready to ha...

(r)evolution 31 (Abstract painting) Pigmented Beeswax, Oil & Collage on Panel. Unframed. This painting is part of a series titled (r)evolution which started in 2014. This process...

Valerio D'Ospina's (US based) "Viridian's Ride" is an oil painting depicting an urban street in green, at night, with a motion blur. Valerio D’Ospina was born in Taranto in 1980. O...

Sunlit Peaches and Copper is a Representational painting by Jared Brady. The artist was selected as one of the top 21 under 31 artist by Southwest Art ...

Garden Urn Painting by David Pearce B. 1963, 2023 Additional information: Medium: Acrylic on panel Dimensions: 60 x 60 cm 23 5/8 x 23 5/8 in Signed with...

This painting (in an excellent state of conservation and of fine executive workmanship, attests to the enormous luck of Raphael's inventions in the years following his death: in fact...

Both spare and dynamic, Karl Hartman’s hyper-saturated countrysides and surreal depictions of Americana perfectly match the vividness of our late-summer heatwave. Hartman’s tightly c...

full title: "So Abram departed, as the LORD had spoken unto him; and Lot went with him: and Abram was seventy and five years old when he departed out of Haran" After: “Basket of Clams” by Winslow Homer (1873) and “Moses Striking the Rock” by Abraham Bloemaert (1596) Framed: 12h x 10.50w in This piece began with two stories about striking a rock to get water – that of Moses from Exodus and that of the S.S. Minnow of Gilligan’s Island...

Provenance Acquired by the gallery directly from the artist Artist Statement "The effect from the afterglow resulted in a play of complementary colors ~ enhancing the mood." —Amy Si...

Peter was born in New York in 1946. He received a BFA from the Tyler School of Art and an MFA from the University of Pennsylvania. Peter taught at the Ge...

An 18” x 18” Magic Realism Figurative Artwork by artist Evgeniya Golik. A certificate of authenticity will accompany the piece upon its purchase or delivery. Evgeniya Golik (also k...

Provenance Acquired by the gallery directly from the artist Artist Statement "Escaping the traffic of the freeway and slipping into downtown from the east, I find so much inspiratio...

This original oil on birch-wood panel is a signature work of Roanheads, Scotland by painter and master print-maker Agnes Murray. Ms. Murray is notable for capturing the crystalline ...

A 2023 painting from the plein air painter, and American Impressionist, Nelson Holbrook White. White depicts one of his iconic red umbrellas on a beach in Long Island, NY. Framed Dimensions: 13.5 x 17.75 inches Artist Bio: Nelson H. White was born in New London, Connecticut in 1932. White has been surrounded by art and artists from the time he was born. He received his earliest art instruction from his grandfather, Henry Cooke White (1861-1952) and his father Nelson Cooke White (1900-1989), both important American artists. The family lived in Waterford, Connecticut and the elder White had been an early member of the art colony in Old Lyme, Connecticut. Known for his paintings of the Connecticut landscape and shoreline, Henry Cooke White became a teacher to his son, Nelson Cooke White. Living with his parents at the Florence Griswold house in Old Lyme, he met some of the most important and influential artists of the day, Childe Hassam, Will Howe Foote and Harry Hoffman. Later, Nelson White's father began to take his family to summer on Shelter Island and became friendly with many of the artists of the Peconic colony...

**PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 20 INCHES X 18 INCHES** Jean Pierre Haag French, (1842-1921) Daily Chores & Little Drummer Boy Oil on panel, pair, both sig...

Katheryn Holt (American, born 1951) "Rust" 2023 Oil paint, Mixed Media, Wood Panel, Wood The artist signed the back of the painting. "Rust" by Katheryn Holt is an 18" x 18" mixed me...

“Everybody has that feeling when they look at a work of art and it’s right, that sudden familiarity, a sort of...recognition, as though they were creating it themselves, as though it...

Obsidian Blue (Abstract Painting) Beeswax, resin and pigment on canvas mounted on panel - Unframed. The images Yntema creates are the result of accumulated, semi-translucent layers...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

Oil painting on panel.

Dalessio's plein air painting captures the light that reflects off the water and cliffs at Ponta da Piedade in Portugal. Framed dimensions: 17.5 x 13.5 inches Artist Bio: Marc Dale...

"True North - Identity" is a worms-eye view of a brilliant blue sky with a maze of distinctive clouds. The surreal quality of the imagery makes the viewer question reality. Are the clouds actual clouds or made by some other means? Are those fluffy clouds behind the bare branches or mountains? The ellipsed edges confirm the scene as an inner vision rather than a window on the world. The painting itself is painted on a handmade wooden panel with beautifully finished edges so no frame is needed. Mark Bowers True North - Identity oil on panel 9h x 12w in 22.86h x 30.48w cm MJB014 TRUE NORTH PAINTINGS Unconscious systemic biases may guide our actions or direct us---similar to the human construct of “True North”, which holds to coordinate systems. The Earth’s “Magnetic North” moves over time according to polar shifts; flux and correction is enabled by polarity. In these paintings (Privilege, Orientation, Belief, Identity, Equity), I use compositional elements referencing nautical com- passes to suggest that society must navigate not within systems, but naturally through positive relationships and change. I hope that my art represents our present day - but also imparts a dreamful glimpse of hope and faith within. Explanation: A magnetic compass does not point toward the true North Pole of the Earth. Rather, it more closely points toward the North Magnetic Pole of the Earth. The North Magnetic Pole is currently located in northern Canada. It wanders in an elliptical path each day, and moves, on the average, more than forty meters northward each day. Evidence indicates that the North Magnetic Pole has wandered over much of the Earth's surface in the 4.5 billion years since the Earth formed. Mark Bowers- Artist Statement With the depiction of landscape playing such a central role in the history of North American art, it seemed to offer many of the critical possibilities I was looking for, and it felt more and more like something I have always known. Something I could easily apply, stage, and manipulate as a diary. My work consists of small-scale highly detailed landscape paintings. They are inspired by the comfort, trepidation, and beauty found in the mundane Chicago Suburbs. I combine nature, decorative house wares...

Dintino's abstract oil paintings have to do with the melding of title and piece. His paintings all illustrate his ideas and words through visuality and color. Creating large panoramic pieces makes his work atmospheric and immersive, allowing the viewer to literally feel the title of his painting. This is quite a synesthetic approach to making art and allows ideas and words to sing. Born in San Francisco, California in 1964, Patrick Dintino grew up in Sunnyvale, in the south bay area. He went to college in San Diego earning a BA degree in Industrial Arts from San Diego State University, and co-founded Artists in Motion...

Robertson K. Mygatt (American, 1862-1919) Green Field and Barn Oil on panel, 6 1/8 x 9 7/8 inches Framed: 10 x 15 inches The landscape painter and etcher Robertson K. Mygatt was born in New York City and studied at the Art Students’ League with John Twachtman...

Slim vertical bands of lime green, sky blue, turquoise, pink and cerise repeat in a mirrored pattern and appear optically to move back and forth on the violet and maroon ground. The ...

Materials: oil painting on custom cut Birchwood Abra Johnson's "Blue Ribbon Coffee" transforms a vintage tin into a mesmerizing work of art. This oil painting, painstakingly rendered...

Lacey Lewis's (US based) "Amber Ray" is an original, handmade oil painting that depicts a female model sitting on a red couch, with big dark hair, and pasties over her nipples. Thi...