Abstract Geometric Paintings

Rolph Scarlett Untitled Mid-Century Modern Geometric Abstraction, ca. 1950 Gouache on paper painting Hand signed on lower right front This is a stunning original, signed vintage 1950...

This piece Owen depicts an abstract composition with the use of mixed media and bold patterns producing work which is visually textured and rich with layers and is a part of the arti...

Unusual and stunning vertical collotype and hand-painted triptych (3 panels) abstract composition titled "Mutable Green" of subtle gold and silver gilding evoking Frank Loyd Wright b...

"New World City" Abstract Geometric Landscape in Oil on Canvas Bold abstract composition by Veronica "Roni" Bloch (American, 1925-1998). Strong shapes of dark red, blue, grey-blue, ...

GEOMETRIC COLLAGE 12 SQUARES Size: 32.5 x 28 cm (including frame) Repurposed book binding materials on wooden panel A very unique original artwork by contemporary British artist Dav...

Artist: Lloyd Martin Title: Folio 8 Size: 66 x 72” Year: 2016 American artist Lloyd Martin, known internationally for his rhythmically constructed abstract painting, continues his e...

GEOMETRIC COLLAGE IN BLUE TRIANGLES Size: 30 x 22.5 cm (including frame) Repurposed book binding materials on wooden panel A very unique original artwork by contemporary British art...

"Ode to Roundel" Abstract Painting in Acrylic and Gouache, Signed Embellished with added texture and machine sewn gold thread patterns throughout the gouache. Signed "Morgan" and ...

Abstract painting. Geometric style. Light wood frame. About the Artist: Manhattan based mural and studio artist Tony “Rubin” Sjöman has painte...

Title: Mid Century French Abstract Line Drawing Twin Female Figures Ink on Paper Signed (initials) by Serge Guerin (b. 1916), French Black ink on paper, unframed Size: 19.75 (height) x 12.75 (width) inches Provenance: private collection, Paris, France Condition: good and sound, light handling to sheet and faint age toning consistent with age; deckled edges present Description: An elegant and meticulously balanced ink drawing by French modernist Serge Guerin, this mid-century composition captures two mirrored female forms rendered in flowing black lines. The symmetrical structure and interwoven contours create a sense of duality and rhythm, merging sensuality with abstraction. Guerin’s precise yet fluid style distils the human figure into an almost architectural motif, evoking both Surrealist automatism and the graphic minimalism associated with the post-war Ecole de Paris. The subtle interplay between curved and angular forms reveals the artist’s deep understanding of balance and design. Executed in crisp black ink on textured wove paper, the work exemplifies Guerin’s refined linear technique and meditative control. The paired figures may be read as symbols of harmony, reflection, or unity—an exploration of femininity abstracted into pure form. Signed with the artist’s monogram in the lower right, this drawing would suit collectors of modernist works on paper, mid-century line art, or minimalist figurative compositions. Keywords for collectors and interiors: French mid century abstract, modernist nude, twin figures, symmetrical line art, Ecole de Paris ink drawing...

Large, abstract geometric painting in bright yellow, blue, with accents of pale pink Oil on canvas, unframed 64 x 60 x 2 inches Signed on reverse Wire and d-rings installed on the b...

Mexican-American visual artist Javier Arizmendi-Kalb’s expressive and texturally rich paintings are nuanced with symbolic and narrative motif in oil and oil-crayon on canvas. 'Hacked...

Title: Dynamic Geometric Abstract Ink Drawing by Serge Guerin French b1916 by Serge Guerin (b. 1916), French Black ink on paper, unframed Size: 25.5 (height) x 19.75 (width) inches P...

The abstract painting "World in Reflections" reveals one of the key themes of Anna Shesterikova's work—the idea of ​​reality as a multilayered, fragmented, and simultaneously coheren...

Collectors searching for a statement contemporary mixed media artwork with crushed crystals, mirrored surfaces, black textures, and metallic sculptural elements will be captivated by...

Description: Artist: Marilina Marchica (b. 1984, Italy) Title: Frammento CN Year: 2025 Medium: Charcoal on translucent drafting paper (carta da lucido) Size: 75 × 145 cm Framing: Unf...

Richard Andres (American, 1927-2013) Naval Occurrence, c. 1963 oil on canvas signed and titled verso 24 x 32 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller designed and made the simple gold wedding ring Avis wore for their 65 years of marriage. During those 65 years neither wavered in their mutual love, nor in the respect they shared for one another’s art. The couple lived in a converted chicken coop in Missouri while Richard was in boot camp. At the camp, he would volunteer for any job offered and one of those jobs ended up being painting road signs. His commander noticed how quickly and neatly he worked and gave him more painting work to do - eventually recommending him for a position painting murals for Army offices in Panama. Until her dying day, Avis remained angry that “The army got to keep those fabulous murals and they probably didn’t even know how wonderful they were.” In Panama, their first son, Mark, was born. After Richard’s discharge in 1953, they moved back to the Cleveland area and used the GI bill to attend Kent State gaining his BA in education. The small family then moved briefly to Buffalo, where Richard taught at the Albright Art School and the University of Buffalo – and their second son, Peter, was born. Richard had exhibited work in the Cleveland May Show and the Butler Art Museum during his art school years, and during the years in Buffalo, his work was exhibited at the gallery he had so loved as a child, the Albright Art Gallery. In 1956, the family moved back to the Cleveland area and Richard began teaching art at Lincoln West High School during the day while working toward his MA in art at Kent State in the evenings. Avis and Richard, with the help of an architect, designed their first home - a saltbox style house in Hudson, Ohio, and in 1958, their third son, Max (after Max Beckmann) was born. Richard enjoyed the consistency of teaching high school as well as the time it gave him to paint on the weekends and during the summer months. In 1961, he received his MA and his daughter, Claire, was born. With a fourth child, the house was much too small, and Avis and Richard began designing their second home. An admirer of MCM architecture, Richard’s favorite example of the style was the Farnsworth house – he often spoke of how the concepts behind this architectural style, particularly that of Mies van der Rohe, influenced his painting. Andres described himself as a 1950’s...

Lively Geometric Abstraction - Original Painting with Mosaic Color Blocks This bold painting by an unknown artist features areas of tiled color with twisting, patterned line weaving...

Title: Mid Century French Abstract Seascape in Blue and Green Signed SG by Serge Guerin (b. 1916), French Acrylic and gouache on artists paper, unframed Size: 19.75 (height) x 25.75 ...

Abstract Composition signed by Serge Guerin (b. 1916), French oil painting on canvas, unframed size: 20 x 26 inches provenance: private collection, Paris, France condition: overall g...

Black & Gold Glyphs III by Cheryl R. Riley Metallic abstract geometric symbols Gouache and metallic ink on 140# cold press watercolor paper Feminist Art and Contemporary Feminis...

Irene Zweig creates exquisitely detailed works constructed from her own watercolor and ink drawings, which she carefully dissects and reorganizes into entirely new compositions on pa...

acrylic rhombus painting on panel. colors: blue grey gray orange blue pink Born in Tallahasee Fl, William started his artistic career as a color consultant for his family's Design...

Erin O'Brien I Remember You, 2025 acrylic on linen 12 x 11 in. (obri038) This original acrylic painting by Erin O'Brien features painterly abstract shapes in shades of lavender, yel...

Rectangles and squares, large and small, in grey, green, red, blue and orange, dance across an orthogonal of light blue on a white ground in this canvas by Burton Kramer. The title o...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Title: Mid Century French Linear Geometric Abstract Drawing in Black Ink on Paper by Serge Guerin (b. 1916), French Ink on artists paper, unframed Size: 25.75 (height) x 19.75 (width...

"Ritmos Abstratos" invites us to explore the visual universe of the artist Juan Carlos Amador, who, through his unique perspective, translates the pulsations of space and the invisi...

This series draws inspiration from Hatillo’s Fiesta de los Santos Inocentes, translating the festival’s vibrant movement and collective energy into a refined abstract vocabulary. Thr...

"The constant search for matter with its limitations has led me to work with different elements throughout my career, but it is now with cement, waxes and tar that I have found my ow...

Kramer’s modern and graphic paintings express lyrical, geometric abstraction via a harmonic interplay of syncopated shapes of various sizes and colours. Trained at Yale University ...

Irene Zweig creates exquisitely detailed works constructed from her own watercolor and ink drawings, which she carefully dissects and reorganizes into entirely new compositions on pa...

MARNA SHOPOFF is an Indianapolis-based visual artist with an emphasis on abstract painting and intuitive drawing. She received her Bachelor of Fine Arts degree and Master of Fine Ar...

Irene Zweig creates exquisitely detailed works constructed from her own watercolor and ink drawings, which she carefully dissects and reorganizes into entirely new compositions on pa...

This series draws inspiration from Hatillo’s Fiesta de los Santos Inocentes, translating the festival’s vibrant movement and collective energy into a refined abstract vocabulary. Thr...

Artist: John Chambers (British, 1934–2015) Medium: Oil on hardboard Date: April 2006 Size: 36 x 24 inches Signature: Initialled to the front, signed and dated verso, titled “SERTH 4”...

This series draws inspiration from Hatillo’s Fiesta de los Santos Inocentes, translating the festival’s vibrant movement and collective energy into a refined abstract vocabulary. Thr...

This series draws inspiration from Hatillo’s Fiesta de los Santos Inocentes, translating the festival’s vibrant movement and collective energy into a refined abstract vocabulary. Thr...

Daniel Hill’s work is an exploration between vision and sound and the power of this connection to generate compelling visual environments. The inquiry of this integration has also sa...

Working within the constraints of unyielding ninety-degree angles, Brindle applies color with a Fauvist abandon, creating works with an otherworldly presence.

Abstract Composition - the Urban Landscape signed by Jacqueline VERDET (French, 1931-2023) oil painting on canvas, framed framed: 20 x 20 inches canvas: 19.5 x 19.5 inches condition:...

Abstract Composition of A Girl Lying On A Deck Chair by Jacqueline VERDET (French, 1931-2023) signed oil painting on canvas, in wooden frame with the bottom part of frame missing siz...

Abstract Composition signed by Jacqueline VERDET (French, 1931-2023) oil painting on canvas, unframed canvas: 39.5 x 32 inches condition: the work is in overall very sound and good c...

Very Large Square Painting of New York City Skyscrapers USA - Red Blue & Yellow - by Polish Artist, Katarzyna Szulc. Signed Kasha on the front of the canvas. Art measures 47.2 x...

Ces McCully, Australian, b. 1982 Untitled (Altar), 2021 Signed and dated CES '21 on the reverse Oil on canvas 39 1/2 x 31 1/2 inches (100.3 x 80 cm) Unframed Ces McCully (born 1982, Melbourne, Australia) Now based in Southern France, Ces McCully is a contemporary Australian artist, whose work is collected and shown internationally. ​ Rachael McCully's oeuvre includes text based pieces which utilize chance in color relationships, and abstract geometric paintings which often have a meditative effect; both sharing autobiographical elements with a reflection on society, and a minimalist approach. "I dabbled in painting, photography, writing and design over the years," before settling more firmly on painting. Feminist icons Cindy Sherman and Barbara Kruger were amongst her inspirations as she began studying art. However now Rachael McCully-Kerwick is forging her own visual language in the south of France. Ces McCully explores themes of female relationships and identity through minimalistic forms, geometric compositions and repeated tribal motifs. Her work, which moves between text pieces and abstract painting, is collected and shown internationally. In McCully’s typography works, she uses vivid colours to create stylised and geometric typographical pieces, divulging secret, and often brutally honest thoughts. Muted-color, cloth-like ‘Patchwork’; geometric and linear works including ‘Mono’ and ‘Shape’; and three-dimensional Cubes with bold colors which brighten up the space. More recently however, we have seen McCully embrace the folk art like characteristics of her work, incorporating religious iconography and human figures into her paintings. Her works are held in private collections internationally and has been shown within Europe and Australia. Mccully has had her work on display in the Louis Vuitton flagship store, Sydney CBD. SELECT SOLO EXHIBITIONS 2022 More Than This, Breach, Miami, USA 2021 Strange Like Me, PIERMARQ*, Sydney, Australia 2019 A Cure for Melancholy, Galerie 42B, France 2017 Beyond the Blablabla Sky, Galerie Rompone, Germany SELECTED GROUP EXHIBITIONS 2022 PINK, PIERMARQ*, Sydney, Australia (with new work by Maximilian Daniels, Gabriele Herzog, Ces McCully, Galina Munroe, Rob Tucker, Andrew Salgado and Spencer Shakespeare). 2019 Bluerider Art Gallery, Taiwan Delphian X Guts Gallery, London, UK (Douglas Cantor, Florence Hutchings, Geoffrey Bohm, Igor Moritz, Jake Grewal, Lauren Roche, Morteza Khakshoor, Rachael McCully, Sebastian Eriksson, Sunyoung Hwang, Tania Alvarez, Valerie Savchits.) Ten Hours By Train, PIERMARQ*, Sydney, Australia Andenken Gallery, Portugal Rachael McCully & Jordi Kerwick HOME@735 Gallery, Sydney, Australia Inhabitants, PIERMARQ*, Sydney, Australia 2018 A Little Christmas Tree, Valerius Gallery, Luxembourg Spring Time, RVCA, Melbourne, Australia (Patrizia Cercamondi ( Italy ) (Ella Mittas, Alice Oehr...

This piece Owen depicts an abstract composition with the use of mixed media and bold patterns producing work which is visually textured and rich with layers and is a part of the arti...

A vibrant original abstract acrylic painting by American artist William Dale Panzer, inspired by the landscape and distinctive light of Taos, New Mexico. The composition is dominated...

Bold and balanced abstract composition by Russell Green (American, 1910-1986). Completed in Green's characteristic style, this piece has a balanced interplay of shapes and colors. Blocks of black, reds, blues, and greys create a strong background. Over the top, lines of black, red, and white outline and divide the background shapes. Signed "Russell Green" in the lower left corner. Presented in a wood frame with a double mat. Frame size: 23.5"H x 30"W Image size: 14.5"H x 22.5"W Russell Davis Green (American, 1910-1986) painter, printmaker and teacher, was born in Traer, Iowa on December 29, 1910. He studied art at Iowa State College and the School of the Art Institute of Chicago. Green worked in the Illinois and New York Works Progress Administration-Federal Art Projects in the 1930s and two of his woodcuts are listed in the General Services Administration’s book WPA Artwork in Non-Federal Repositories. Green was also a painter and lithographer, and he was included in the Exhibition by Artists of Chicago and Vicinity at the Art Institute of Chicago in 1934. His work was also included in exhibitions at the Philadelphia Art Alliance; Museum of Modern Art and the Grand Central Galleries in New York; and the Iowa Federation of Women's Clubs, 1935. Green began his long teaching career at Stephens College in Columbia, Missouri in 1940 and eventually headed the art department. He is represented in the collections of the Baltimore Museum of Art; Art Institute of Chicago; Metropolitan Museum of Art; Newark Museum; and the St. Louis Art Museum. [After graduating from the Art Institute of Chicago in 1933, he returned to Iowa to begin teaching. In 1935, approximately the time he completed Thanksgiving, he served as a private art teacher in Sioux City. He also had a one-person exhibition of his work at the Sioux City School of Music, Dramatic Art and Dancing, which was located in the Commerce Building. The exhibition included 81 oil paintings, watercolors and prints.] Russell Green 1910 - 1986 A FINE SENSE OF BALANCE — Russell Green started attending college in small town Iowa during an era of unparalleled prosperity in the United States. Yet by the time Green graduated five years later from the Art Institute of Chicago, the Depression had brought the country to its knees economically. In those few years, ending with his Bachelor of Arts, Green had also undergone a personal transformation from a farm boy...

Irene Zweig creates exquisitely detailed works constructed from her own watercolor and ink drawings, which she carefully dissects and reorganizes into entirely new compositions on pa...

Irene Zweig creates exquisitely detailed works constructed from her own watercolor and ink drawings, which she carefully dissects and reorganizes into entirely new compositions on pa...

Vibrant abstract composition by an unknown artist. Presented in a wood slat frame with aluminum accents. Canvas size: 18"H x 24"W

Petra Rös-Nickel’s original paintings merge playful forms, bright colors, and architectural compositions in oil and mixed media on canvas. Her contemporary artworks contain rich text...

Charles Green Shaw Painting 44, 1956 Signed lower right; signed on the reverse Oil on board 24 x 36 inches Provenance Private Collection, New York Charles Green Shaw, born into a ...

"My paintings emerge from an inner landscape where images follow their own logic. Influenced by abstract expressionism, I value freedom of expression and the alchemy of color as cent...

Abstract Composition signed by Serge Guerin (b. 1916), French oil painting on canvas, unframed size: 20 x 26 inches provenance: private collection, Paris, France condition: overall g...

Title: Mid Century French Geometric Abstract Black and Brown Ink Drawing on Paper by Serge Guerin (b. 1916), French Signed with initials bottom right Black and brown ink on paper, un...

Artist/ School: French School, signed lower corner, circa 1980's period. Title: Cubist abstract composition of figures. Medium: oil painting, on canvas. Size: frame: 32.5 x ...

Abstract Composition signed by Jacqueline VERDET (French, 1931-2023) oil painting on canvas, unframed canvas: 36 x 29 inches condition: the work is in overall very sound and good con...

Artist: Jack Graves III (American, 1988-) Title: "Diamond XLI" Series: Diamond *Signed by Graves lower right. It is also signed, dated, and titled on verso Year: 2022 Medium: Original Acrylic Painting on Canvas Canvas size: 26" x 22" Condition: The stretched canvas was custom built by the artist himself. In mint condition Biography: Jack Graves III is an American artist, born in 1988 in Jacksonville, Florida. He grew up surrounded by inspiration having an art dealer as a father, John Graves...

Erin O'Brien The Constant, 2025 acrylic on linen 30 x 26 in. (obri041) This original acrylic painting by Erin O'Brien features painterly abstract shapes in shades of lavender, yello...