Expressionist Paintings

"Lady on Blue 2" is a captivating piece of art that features a lady with blue skin sitting in a seductive pose. The painting portrays a woman who is both alluring and mysterious, wit...

"Fantasy with Flowers" (series of 200+ pictures)   paper 59x42cm  On the paper acrylic, oil pastel, felt-tip pen, ink, gold leaf, pencils, silver,mixed media. Flowers are a smile of ...

Roma original expressionist acrylic painting RAVENTÓS Mª Assumpció – (San Sadurní d’Anoia, Barcelona 1930). Raventos trained at the elite Sant Jordi School of Fine Arts in Barcelona....

In this painting, I captured a vibrant bullfinch amidst a tranquil winter scene, its rich red breast contrasting beautifully against the soft blue backdrop. Employing oils, I strived...

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Waves gently roll towards the shore, reflecting shades of blue and green under a bright sky. Tall grasses in the foreground sway lightly, adding texture to th...

In creating this piece, I strove to capture the fleeting beauty of a sunset beach scene, emphasizing the deep, emotional connection between the figures and the vast, soothing expanse...

In creating this piece, I embraced the vibrancy of life juxtaposed with moments of serene contemplation. The lush, textured strokes capture the ephemeral beauty of the flowers, which...

In this piece, I've melded acrylic and oil to capture the frailty yet resilience of nature, through a burst of textured strokes embodying both expressionism and impressionism. The ey...

This is a rare unique original large acrylic/oil painting on canvas in a naive primitivism style depicting a group of fantasy characters gathered around a poker table. Signed by Ser...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) In "Euphoria," an evocative artwork by the skilled artist Kehinde Mayowa...

Beethoven original expressionist mixed media painting RAVENTÓS Mª Assumpció – (San Sadurní d’Anoia, Barcelona 1930). Raventos trained at the elite Sant Jordi School of Fine Arts in B...

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Tall, wispy grasses sway in the foreground, leading to the blue-green water that extends towards the horizon. Gentle waves ripple across the surface, meeting ...

Title: French Oil Painting of a Portrait of a Girl in Vibrant Expressionist Style By Fanch Lel (French b. 1930) Size: 7.75 x 6 inches (height x width) Signed: Bottom right Oil painti...

Bellissimo e divertente opera di vacanze al mare Bagnanti che si godono il mare con tuffi e giochi con la palla Toni dei bli Nikolaj Teresenko è nato a Orlov nel 1924 morto nel 2004...

"Eyes of the Gods" is a captivating artwork crafted by the talented artist Samson Tolulope Daramola. This piece showcases a young girl as its central subject, inviting viewers into a...

“In Africa, Yoruba land to be precise where I grew up the nourishing attitude of Omoluwabi, our facial looks is been used to define us as a person, a guy with ear piercing and dreadlocks on his head being looked at as a thug, frauds tars, and so on, Meanwhile, these guys are a cool and calm-hearted person Though there are guys like these that are truly counted in the act not all of them are like that Good and God fearing youth still exist” (Written by the Artist) Painting Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Signed on the front side and accompanied by a Certificate of Authenticity. - About the Artist Joy Eyitayo Alagbe...

"Ripples" by Obiora Anamaleze is a mesmerizing and thought-provoking artwork that beckons viewers to delve into a world of profound symbolism and cont...

"Fantasy with Flowers" (series of 200+ pictures)   paper 59x42cm  On the paper acrylic, oil pastel, felt-tip pen, ink, gold leaf, pencils, silver,mixed media. Flowers are a smile of ...

Painted plein air on a beach in Sicily. Kirsten Savage is one of Colorado’s top representational artists. As an avid world traveler and experienced mountaineer, Kirsten spends her t...

The painting "The One Inside" from the Alter Ego series, shows a man with a bird beside him and a strange creature emerging from his chest. The scene is quiet but tense, with soft, ...

In this piece, I've embraced the vivid, pulsating life of nature, capturing the wild, untamed energy of a poppy field. The strokes of oil paint bring out an almost tactile experience...

In this oil painting, I have poured my soul into capturing the timeless elegance of these blossoms. Swirling with emotion, they dance on the canvas—expressive brushstrokes marry real...

Perception is a painting that addresses individual perceptions about herself and how others see her. The subject in this painting gazes directly at the viewer to have eye-to-eye contact for an engaging conversation. She poses confidently and is ready for a dialogue. The motifs and icons generated from peacock feathers are used to weave the subject to further show the dignity of the personality. In the background of the painting are African icons to highlight the background of the subject. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Emmanuel Ibitoye hails from Aiyedun in the Oke-Ero Local Government Area of Kwara State Nigeria. He developed an interest in art right from primary school. He further fuelled his passion for art at Osi Central Secondary School, Osi. He proceeded to Osun State College of Education Ila-Orangun where he studied fine and Applied art from 2012 to 2015. He is an Art Educator and a multi-media painter who uses his art to address issues such as environmental decadence, culture, and racism. He believes that art is a tool that can be used to bring about environmental and human sanity, cultural integration, and the breaking of racial barriers. He uses his art to project the black race in a dignified manner, he is the exponent of Neo- black Renaissance Art...

Late 20th century abstract expressionist oil on board representation of a lively jazz night by French artist, Thierry Miramon, signed top left and pres...

Tunde Bakare, a visionary artist with an uncanny ability to infuse profound emotions into his works, has risen to prominence for his powerful portrayal of marginalized voices and the...

BALAGUER , Alex ( Barcelona 1968 ) During early childhood, Àlex Balaguer began to sketch motorcars symbolic of Maranello’s trademark vehicle. Self-taught in the art world, Balaguer d...

Jean-Michel Basquiat, a prodigious talent who tragically left this world too soon, was a force of nature in the art world of the 1980s. His works were characterized by a unique fusio...

In this piece, I captured the serene embrace of Venetian gondolas floating gently at dawn. The interplay of light and water reflects a peaceful yet vibrant energy, inviting you to fe...

Jichak Pressburger, Painter. b. 1933, Bratislava, Czechoslovakia. A concentration camp survivior. Came to Israel aboard the ship, "The Exodus". 1964 Went to Paris. In 1979 Returned as new immigrant. Education Tel Aviv University, B.A. in art, with Marcel Janco and Isidor Ascheim at Avni art school. Beaux Arts, Paris with Professor Coutaud. Itzchak Pressburger Stays in Paris from 1963 – 1979, Resident of the “Cité des Arts” 1969-1972. Lives and works in Jerusalem since 1979. One-Man Exhibitions 1963 Gallery Dugit, Tel-Aviv 1968 Cultural Center Enkhuizen, Netherlands 1968 Gallery Zunini, Paris (chosen by the art critic of « Opus : Jean-Jacques Lévèque) 1970 Gallery Zunini, Paris 1973 Gallery Maitre Albert, Paris. Cultural Center Verfeil sur Seye, France 1974 Gallery Maitre Albert, Paris 1976 Gallery Mundo, Barcelone 1980 Artists’ House, Jerusalem 1981 Gallery Alain Gerard, Paris Group Exhibitions 1966 Rathaus Charlottenburg, Berlin. (The first show of Israeli painters in Germany Artists Center of Silvarouvres, Nantes, Ffance XXXth Salon of Finances at “l’Hotel des Monnaies”, Paris 1969 Maison de Culture, Le Havre, France 1968 Gallery Zunini, Paris (chosen by the art critic of « Opus : Jean-Jacques Lévèque) Salon « Grands et Jeunes d’Aujourd’hui », Paris Museum of Fine Arts, Nantes, France Cultural Center Vitry, France Gallery Il Giorno, Milan Cité des Arts, Paris 1972 Salon “Grands et Jeunes d’Aujourd’hui”, Paris Salon de Mai, Paris 1973 Städtische Galerie, Siegen, Germany 1974 Jewish Cultural Center, Paris Publicis, Paris 1975 Réalitiés Nouvelles, Paris 1976 Salon de Mai, Paris 1977 “Perspectives Israeliennes”, Grand Palais, Paris 1981 Salon Alain Gerard, Paris 1984 Artists’ House, Jerusalem Publication 1990 Haggadah Yom Kippour (Hebrew/French) Abraham Bliah (private edition), Paris Acquisitions 1968 The City of Paris 1972 The State of France The Yitzchak Pressburger artist was born in Bratislava – known for centuries by its German name of Pressburg – but the outbreak of World War II found him and his family in Prague. His father realized they had to escape from the Nazi occupiers and tried to get the family across the border into Hungary. However, they were caught near the crossing point, arrested and incarcerated overnight at the nearby railway station. The Czechs put them on a train to Hungary early the next morning. That was their first miracle in their quest for survival. They survived with relative ease until late 1943, when the father was taken away to a forced labor camp. He subsequently died in a death march. Things became even more precarious in early 1944, when the Holocaust made its full-blown presence felt in Hungary. “It wasn’t the Germans, it was the Hungarian Nazis who did the dirty work,” Pressburger points out. The family lived in so-called “safe houses” that were protected by Switzerland, Finland and Sweden. The havens were dismantled in late 1944, and the Pressburgers moved into one of the two Jewish ghettos in Budapest. The Nazis had found two houses with Jews, including the one where we had been, and took them all out and shot them next to the Danube. Today there is a monument by the river [called Shoes on the Danube Bank]. We should have been with the Jews who were killed by the river,” he says. After the war, Pressburger and his siblings were farmed out to various orphanages run by the Jewish Agency, and things took a decidedly better turn. “We finally had food to eat,” he recalls. “After a while we were put on trains that were protected by the Jewish Brigade [of the British Army], and we were sent to Austria, and then to Germany.” “My uncle was a famous artist, and I learned a lot from him,” he says. While in Germany, Pressburger also took some lessons with a local artist. His mother managed to get him and two of his siblings berths on the Exodus, which set sail from Marseilles for Palestine in July 1947. Pressburger was 13 at the time and clearly recalls the aborted attempt to get to the Promised Land. “It was so crowded on the boat. This was a ship that was made to ply rivers in the United States, with a few hundred people on board, and we had over 4,500 passengers crammed in.” As we know, the British prevented the Exodus from docking in Palestine, and the passengers were shipped – in three far more seaworthy vessels – back to France. After the French government refused to cooperate with the British, Pressburger and the others found themselves back in Germany. The teenager eventually made it here in 1948, just one month before the Declaration of Independence. After a short furlough in Tel Aviv, during the first lull in the fighting in the War of Independence, he moved to Kibbutz Kfar Ruppin, where he worked in the cowshed. All the while he continued feverishly drawing and honing his artistic skills, which he says came in handy when he joined the IDF. After completing his military service, which included a spell as one of the founding members of the Flotilla 13 naval commando unit, he worked in Sdom for a while at the Dead Sea Works before starting his formal arts training in earnest. I was in the first group of students at the Avni Institute [in Tel Aviv],” he says. “There was quite a famous bunch of students and teachers like Moshe Mokadi and Isidore Ascheim and Aaron Giladi.” In such illustrious company, one might have thought Pressburger was set to unleash his burgeoning talents on art connoisseurs across the globe, but it was a while before that happened. Pressburger arrived in the French capital in 1964 and spent close to 15 years there, with a short interlude in Germany, before returning to Israel. His time in Paris was a professionally rewarding period of his life, and he also found love. “[Avni Institute teacher] Yochanan Simon gave me the name and address of a French-Israeli family in Paris, but when I got to the house, a young woman opened the door and told me the family was on vacation in Israel,” he explains. Despite missing his expected hosts’ welcome, he and the German-born young lady who greeted him soon fell for each other, and romance quickly led to wedding bells. By all accounts, Pressburger did well in Europe. He secured a rare three-year berth at Cité Internationale des Arts, where artists are normally provided with accommodation and studio space for between two months and a year. He was also accepted to the prestigious Beaux Arts academy of fine arts, mounted solo exhibitions, and took part in group shows all over Europe. One of these last was a group exhibition at Rathaus Charlottenburg in Berlin in 1966 – the first exhibition of Israeli artists in Germany after the Holocaust. When he arrived in Berlin, the lineup for the Israeli show was already signed and sealed, but somehow his work came to the attention of the German culture minister, who arranged for him to join. The Pressburgers’ year-long sojourn came to an abrupt end following an encounter he had one day while walking through the crowded Berlin streets...

This piece captures the delicate spirit of a little bird perched quietly, radiating calm and gentle energy. I poured my love for nature into each brushstroke, blending realism with e...

Work on cardboard Dimensions with frame :52.5 x 60.5 x 7 cm This work depicts an outdoor scene, probably in a lively park or garden, where bourgeois life in the early 20th century s...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Ayandare Adeniran, Ayanmuyiwa (born 1991) is an Artist who hails from Ogbomosho, Oyo state, Nigeria. At his early stage of life, his artistic talents sprang up and his parent helped to develop them by providing him with what they understood he needed by buying drawing books, crayons, and watercolors among others to help his creative skills. After his primary and secondary education, he received a Nigeria Certificate on Education (NCE) from a prestigious college; the Federal College of Education (SPECIAL), Oyo, where he studied Fine and Applied Arts. Musa Ibrahim was the first practicing Artist who helped Ayandare in his Artistic career which was during a compulsory Industrial Training program for students in the Fine Arts department. After College, yawning for knowledge and flare for artistic work dragged him to Arowolo Wasiu, a metal sculptor who trained him in sculpting metal. A thirst for one's zeal can only be quenched by following the path thus making him proceed to TOPE FATUNMBI...

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This dramatic coastal scene depicts the mood of summer rains. Wispy grasses stretch across the foreground, while warm tones soften patches of the shore. Above, ...

Black Pose for Beauty, Elegance, and More Black pose for beauty, elegance, and grace, A stance that defies and leaves a lasting trace. It speaks of strength and dignity too, A symbol...

Chicago original expressionist acrylic painting. RAVENTÓS Mª Assumpció – (San Sadurní d’Anoia, Barcelona 1930). Raventos trained at the elite Sant Jordi School of Fine Arts in Barce...

In this oil painting, I've immersed myself in the raw emotion of human connection against nature's canvas. I've melded expressionism with a touch of realism to capture an intimate mo...

'Stay with me' highlights the importance of company and friendships in our lives for days when we are not strong alone. While considering the positive role companionship takes in loneliness, mental health, and wellness. Shipping Procedure Ships in a well-protected tube from Nigeria. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist: Born in Lagos (Nigeria) in 1994 and based in Abeokuta, Nigeria. Eniafe Gbenga...

Boats at sunset. Inspired by Rachaels life in Norfolk where she she enjoys dog walks along the North Norfolk coast and working in her studio close to the Norfolk Broads. Surrounded b...

Expressionist oil on canvas portrait of a clown by Italian artist Luciano Morterra. Signed bottom right and dated 1976 to the bottom left and presented in a period frame under glass....

Katherine Borkowski-Byrne’s ‘No Title” is an oil painting on canvas 30 x 40 x 1.5 inches with spontaneous brushwork with mostly blues with accents of green, violet, red and orange. T...

Art is a form of expression that can take many shapes and forms. One such form is painting, and Esther Obiwuru is an artist who has created a powerful piece of artwork titled "Sittin...

The title, "Lady in Red," sets the tone for the artwork, drawing attention to the woman's commanding presence. Red is a color often associated with passion, power, and sensuality, and in this context, it symbolizes the woman's self-assurance and poise. Her choice of attire reflects her unapologetic embrace of femininity and her willingness to stand out with grace and charm. The sophisticated hairstyle of the young woman is a captivating element of the artwork. It showcases the artist's attention to detail and skill in portraying intricate features. The hairstyle's complexity symbolizes the complexity of the woman herself – a multi-faceted individual with dreams, aspirations, and a unique personality that shines through her every glance. In "Lady in Red," Daniel Oguche...

In this oil painting, I have poured my soul into capturing the timeless elegance of these blossoms. Swirling with emotion, they dance on the canvas—expressive brushstrokes marry real...

In creating this artwork, I poured my reverence for the rhythmic dance of Venetian gondolas. The vibrant blue hues and expressive strokes embody the fluidity and reflective beauty of...

In this artwork, I've captured the vibrant dance of light on water, blending impressionist strokes with the emotive dynamism of expressionism. Using oils, I layered colors to evoke t...

Beyond the Limits is a work that explains what youth in a developing country goes through. Most youth who have to experience the squalor of a developing economy are characterized by wholesale dejection and despair with many of them resorting to drug use and various crimes that jeopardized their lives. Many cannot see a future beyond their present abode. Artist Busari Adewale...

In this oil painting, I've captured the essence of love and beauty inspired by the enchanting city of Paris. The vivid, soft brushstrokes of the blooming roses in the foreground are ...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

In this piece, I poured my soul into the delicate blooms, capturing their tender energy with vibrant, soft hues of coral and pink. Using oil, I aimed to blend expressionism and reali...

landscape of vineyar - original expressionist mixed media painting RAVENTÓS Mª Assumpció – (San Sadurní d’Anoia, Barcelona 1930). Raventos trained at the elite Sant Jordi School of F...

Aba Linus's "The More I See" presents a visually striking portrayal of a young boy in a contemplative state. The artist skillfully captures the nuances of hu...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

In this oil painting, I sought to capture the delicate interplay between strength and ephemeral beauty. The dandelions, poised against a field of gold and green, embody nature's flee...

In this fervent composition, I melded acrylics and oils to capture Venice's aura, blending realism's clarity with impressionism's vigor and expressionism's raw emotion. Each stroke e...

Cloaks 3: Expose" is a poignant and powerful artwork that speaks to the issue of oppression, marginalization, and societal judgment. The painting features a figure draped in a cloak, standing, and pointing. The cloak in the painting represents the societal pressure to conform, and the figure represents the consequences of not conforming. The painting is a powerful representation of the consequences of non-conformity, and the emotional weight that comes with it. The artwork is a reminder of the power of societal judgment and the role it plays in oppressing those who do not conform. The figure's stance and body language convey a sense of defeat and shame, reflecting the psychological and emotional toll that comes with societal judgment. The impact of societal norms and the fear of rejection that comes with not conforming. The painting is not just a representation of oppression and societal pressure, but it is also an example of artistic excellence. The intricate details of the cloak, the figure, and the crowd demonstrate the artist's mastery of the craft. The use of light and shadow is also exemplary, creating a sense of depth and emotion that draws the viewer into the painting. Moreover, the painting is a call to action, urging us to challenge societal norms and expectations that oppress and marginalize individuals. It is a call for empathy, compassion, and understanding, and a reminder that everyone deserves to be accepted and loved for who they are, regardless of whether they conform to societal norms or not. In conclusion, "Cloaks 3: Expose" is a powerful work of art that speaks to the issue of oppression, marginalization, and societal judgment. It is a poignant reminder of the power of societal norms and the consequences of not conforming. It is also an example of artistic excellence, showcasing the artist's skill and creativity. The painting is a call to action, urging us to challenge societal norms and expectations and embrace empathy, compassion, and understanding. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Victor Chigozie Anachuna...

"Duduyemi" captures the enduring resilience that black women possess in the face of adversity. The artwork depicts a black woman with a serene expression, exuding strength and grace....

Still Life Painting of Two Plants on an Orange Table by Fauvist British Artist, Steve Capper Art measures 20 x 28 inches Frame measures 25.5 x 33.5 inches Presented in a high quality black wooden moulding Steve Capper attended Manchester’s High School of Art in 1955, the Manchester College of Art in 1962 and Bretton Hall College in 1965. He taught painting for thirty years as head of a large art faculty in an Oldham comprehensive school, before taking early retirement in 1996 to concentrate on producing his own work. Capper produces on-the-spot sketches which are then taken into his studio where he re-works them into a painting. Both his landscapes and his still-life paintings reflect the influences of the cubists and the fauves. The work of Picasso, Braque and Matisse are amongst his major influences. Capper still lives and works near Oldham, in the Pennines...

Falling Together, Large-Scale Contemporary Multi-Color Abstract Beautiful and compelling large-scale contemporary abstract by an unknown San Francisco bay area artist (American, 20t...

Inspired by Rachaels winter dog walks along the Norfolk Broads with her lovely dog Sandy. Rachael Dalzell’s paintings are colourful and expressive. Her free and lively use of paint...