Expressionist Paintings

African Boy is a series of paintings by talented artist Faith Gbadero. This series of Artworks captures the response and attitudes of African young adult...

The painting is signed on the back. The whole artistic output of Robert Bubel centres around subjective emotions and arousing emotion in the beholder. The source of inspiration- tha...

In this oil painting, I've intertwined expressionism with impressionist touches to capture a couple's serene walk under a vibrantly hued autumnal canopy. The realism of the wet path ...

Signed lower right, 'A. Minewski' for Alexander Minewski (American, 1917-1979) and painted circa 1950. Born in Detroit, Alexander Minewski left home at the age of 14 to work in the circus. He subsequently worked as a sign painter and a logger. Minewski first studied at the Society of Arts and Crafts in Detroit (1936-1939) and received scholarships that allowed him to attend the Art Students League in New York City (1939-1942). There, he studied under artists including Jean Charlot, Ernest Fiene, George Grosz and Vaclav Vytlacil. During World War II, Minewski joined the army and fought as a combat engineer. Wounded in Burma while fighting with Merrill's Marauders, he spent two years there recovering from his wounds. Following his time in Burma, Minewski studied for two years on the G.I. Bill in Paris at the Académie de la Grande Chaumiere (1950-1952) and, independently, with Hans Hofmann in New York City (1952-1953). Hofmann was influential on his style and his work shifted away from a moody realism towards a fuller expressionism. In 1954, Minewski began spending his summers at the artist’s colony in Monhegan Island, Maine. While there, he was able to work and collaborate with other artists and friends such as Ted Davis...

This is a bright, colorful modernist oil painting of a vase of Flowers A great floral work. George Chemeche was born in Basra, Iraq in 1934 He emigrated to Israel and studied at th...

Photo Finish -Horses Racing an original painting by Garth Bayley. Pen and ink Capturing the moment the horses fly past the posts Affordable art. Discover works by Garth Bayley online...

Jichak Pressburger, Painter. b. 1933, Bratislava, Czechoslovakia. A concentration camp survivior. Came to Israel aboard the ship, "The Exodus". 1964 Went to Paris. In 1979 Returned as new immigrant. Education Tel Aviv University, B.A. in art, with Marcel Janco and Isidor Ascheim at Avni art school. Beaux Arts, Paris with Professor Coutaud. Itzchak Pressburger Stays in Paris from 1963 – 1979, Resident of the “Cité des Arts” 1969-1972. Lives and works in Jerusalem since 1979. One-Man Exhibitions 1963 Gallery Dugit, Tel-Aviv 1968 Cultural Center Enkhuizen, Netherlands 1968 Gallery Zunini, Paris (chosen by the art critic of « Opus : Jean-Jacques Lévèque) 1970 Gallery Zunini, Paris 1973 Gallery Maitre Albert, Paris. Cultural Center Verfeil sur Seye, France 1974 Gallery Maitre Albert, Paris 1976 Gallery Mundo, Barcelone 1980 Artists’ House, Jerusalem 1981 Gallery Alain Gerard, Paris Group Exhibitions 1966 Rathaus Charlottenburg, Berlin. (The first show of Israeli painters in Germany Artists Center of Silvarouvres, Nantes, Ffance XXXth Salon of Finances at “l’Hotel des Monnaies”, Paris 1969 Maison de Culture, Le Havre, France 1968 Gallery Zunini, Paris (chosen by the art critic of « Opus : Jean-Jacques Lévèque) Salon « Grands et Jeunes d’Aujourd’hui », Paris Museum of Fine Arts, Nantes, France Cultural Center Vitry, France Gallery Il Giorno, Milan Cité des Arts, Paris 1972 Salon “Grands et Jeunes d’Aujourd’hui”, Paris Salon de Mai, Paris 1973 Städtische Galerie, Siegen, Germany 1974 Jewish Cultural Center, Paris Publicis, Paris 1975 Réalitiés Nouvelles, Paris 1976 Salon de Mai, Paris 1977 “Perspectives Israeliennes”, Grand Palais, Paris 1981 Salon Alain Gerard, Paris 1984 Artists’ House, Jerusalem Publication 1990 Haggadah Yom Kippour (Hebrew/French) Abraham Bliah (private edition), Paris Acquisitions 1968 The City of Paris 1972 The State of France The Yitzchak Pressburger artist was born in Bratislava – known for centuries by its German name of Pressburg – but the outbreak of World War II found him and his family in Prague. His father realized they had to escape from the Nazi occupiers and tried to get the family across the border into Hungary. However, they were caught near the crossing point, arrested and incarcerated overnight at the nearby railway station. The Czechs put them on a train to Hungary early the next morning. That was their first miracle in their quest for survival. They survived with relative ease until late 1943, when the father was taken away to a forced labor camp. He subsequently died in a death march. Things became even more precarious in early 1944, when the Holocaust made its full-blown presence felt in Hungary. “It wasn’t the Germans, it was the Hungarian Nazis who did the dirty work,” Pressburger points out. The family lived in so-called “safe houses” that were protected by Switzerland, Finland and Sweden. The havens were dismantled in late 1944, and the Pressburgers moved into one of the two Jewish ghettos in Budapest. The Nazis had found two houses with Jews, including the one where we had been, and took them all out and shot them next to the Danube. Today there is a monument by the river [called Shoes on the Danube Bank]. We should have been with the Jews who were killed by the river,” he says. After the war, Pressburger and his siblings were farmed out to various orphanages run by the Jewish Agency, and things took a decidedly better turn. “We finally had food to eat,” he recalls. “After a while we were put on trains that were protected by the Jewish Brigade [of the British Army], and we were sent to Austria, and then to Germany.” “My uncle was a famous artist, and I learned a lot from him,” he says. While in Germany, Pressburger also took some lessons with a local artist. His mother managed to get him and two of his siblings berths on the Exodus, which set sail from Marseilles for Palestine in July 1947. Pressburger was 13 at the time and clearly recalls the aborted attempt to get to the Promised Land. “It was so crowded on the boat. This was a ship that was made to ply rivers in the United States, with a few hundred people on board, and we had over 4,500 passengers crammed in.” As we know, the British prevented the Exodus from docking in Palestine, and the passengers were shipped – in three far more seaworthy vessels – back to France. After the French government refused to cooperate with the British, Pressburger and the others found themselves back in Germany. The teenager eventually made it here in 1948, just one month before the Declaration of Independence. After a short furlough in Tel Aviv, during the first lull in the fighting in the War of Independence, he moved to Kibbutz Kfar Ruppin, where he worked in the cowshed. All the while he continued feverishly drawing and honing his artistic skills, which he says came in handy when he joined the IDF. After completing his military service, which included a spell as one of the founding members of the Flotilla 13 naval commando unit, he worked in Sdom for a while at the Dead Sea Works before starting his formal arts training in earnest. I was in the first group of students at the Avni Institute [in Tel Aviv],” he says. “There was quite a famous bunch of students and teachers like Moshe Mokadi and Isidore Ascheim and Aaron Giladi.” In such illustrious company, one might have thought Pressburger was set to unleash his burgeoning talents on art connoisseurs across the globe, but it was a while before that happened. Pressburger arrived in the French capital in 1964 and spent close to 15 years there, with a short interlude in Germany, before returning to Israel. His time in Paris was a professionally rewarding period of his life, and he also found love. “[Avni Institute teacher] Yochanan Simon gave me the name and address of a French-Israeli family in Paris, but when I got to the house, a young woman opened the door and told me the family was on vacation in Israel,” he explains. Despite missing his expected hosts’ welcome, he and the German-born young lady who greeted him soon fell for each other, and romance quickly led to wedding bells. By all accounts, Pressburger did well in Europe. He secured a rare three-year berth at Cité Internationale des Arts, where artists are normally provided with accommodation and studio space for between two months and a year. He was also accepted to the prestigious Beaux Arts academy of fine arts, mounted solo exhibitions, and took part in group shows all over Europe. One of these last was a group exhibition at Rathaus Charlottenburg in Berlin in 1966 – the first exhibition of Israeli artists in Germany after the Holocaust. When he arrived in Berlin, the lineup for the Israeli show was already signed and sealed, but somehow his work came to the attention of the German culture minister, who arranged for him to join. The Pressburgers’ year-long sojourn came to an abrupt end following an encounter he had one day while walking through the crowded Berlin streets...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) The painting depicts an old-fashioned barber shop, The background showcases the classic decor of the barber shop, including Vintage posters flaunting the hairstyles of yesteryear, showcasing the timeless Afro, the tailored flat-tops, and the meticulous parts — each style a statement of identity and pride. Off in the corner stands a vintage radio, the spiritual storyteller of the room, murmuring Jazz and Afrobeat rhythms — a harmonious time capsule that echoes the beat of African culture as much as the progression of its fashion. "Vintage Vibe" is a celebration of a proud heritage, marking the intersection of traditional grooming rituals and the timeless aesthetic of the African fashion legacy. It salutes the continuity of style, the evolution of self-care from the foundations laid out by ancestors to the modern interpretations we see today. In this room, history intertwines with the present, evoking a sense of nostalgia and the inclination to preserve the unique cultural threads woven through time. About Artist Oluwaseun Ojebiyi...

'Still Life with Pineapple', oil on panel, by Lucien Martial (circa 1960s). Like human life, fruit is perishable and ephemeral, and thus many believe th...

In "Ray of Hope," a captivating portrait, the audience is drawn into the arresting gaze of a black African woman, her shoulders raised with unwavering stre...

Sophie Dumont's oil painting captivates the viewer with a bold representation of a reclining woman, seen from behind. The artist's style, characterized by rounded and sensual figures...

'The Church of Saint-Nicolas du Chardonnet, Paris', gouache on art paper by Lucien Génin (circa 1930s). In Paris' 5th Arrondissement the site in which Saint-Nicolas du Chardonnet is ...

Le Tennis is a beautiful large painting by the artist and painted painted in 1981. The artist has one of the paintings in his own collection and was happy to hear when we acquired t...

The Beauty Within Us" is a compelling narrative series of paintings that celebrates the unique and diverse beauty of Black hair, serving as a powerful symbol of identity, heritage, a...

There is a common thread that binds us all, and that is our shared humanity. Everyone has a general desire in their heart - to be seen, heard and understood. Each of us has dreams, f...

Bernard Lorjou (1908-1985 Fr.) Don Quixote is from the Bull Fighter series from the period of 1960 and was in one collection till recently. In 1948, he sh...

Louis Bosa (Italian-American, 1905–1981) Island of the Monks, c. 1930 Oil on masonite Signed lower right 14 x 24 inches 23 x 33 inches, framed Born in Codroipo, a small village only...

Regal Beauty 1 is an oil painting that showcases the elegance and majesty of a black African woman. The subject is depicted with an afro hairstyle and a tribal mark on her face, which highlights her cultural identity and connection to her African roots. The Ankara fabric provides the backdrop, adding texture and depth to the piece and making the subject stand out even more. The oil on Ankara fabric medium creates a stunning visual effect, bringing out the richness of the colors and capturing the subject's beauty and strength. This painting serves as a tribute to the beauty, elegance, and resilience of African women and is a powerful reminder of the importance of cultural appreciation and representation. Shipping Procedure: Ships in a well-protected tube from Nigeria. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Bakare Babatunde...

A substantial, American School figural oil of a young woman with dark hair shown seated, wearing a simple white cotton shift and gazing to the viewer's left. A dramatically composed...

At first glance, "Independent" captures the viewer's attention with its striking imagery of a woman wearing a vibrant yellow coat. The choice of yellow as the dominant color is symbo...

Village. Oil on cardboard, 79.5 x 100.5 cm Aleksandr Rodin (1922-2001) Painter Born in a family of farmers. Wife Rasma Lace - art scholar. Studied at the Stalingrad School of Art, S...

"Woman with Earrings" is an oil on board portrait painting by Philadelphia born Expressionist painter Bernard Harmon of an elegantly dressed woman sitting on a chair. This work features a second environmental portrait on verso. The painting is 40" x 34" in size and is signed "Harmon" on verso. Figurative expressionism in the style of Alice Neel. Provenance: Estate of the Artist; Gratz Gallery & Conservation Studio, Doylestown, Pennsylvania. Bernard Harmon was born in Philadelphia, Pennsylvania in 1935. Harmon was primarily a portrait painter and a well loved teacher in the Philadelphia area. A graduate of the Philadelphia Museum School and Temples Tyler School of Art, Harmon traveled extensively in Europe and South America. Beloved by many, Harmon taught in the Philadelphia School District for 32 of his 54 years of life. Beginning his career as an art teacher at West Philadelphia High School, in the early 1960s he became one of the district's artists in residence, traveling from school to school to demonstrate for students how an artist works. Returning to the classroom, Harmon joined the art department at Central High School where he taught for 14 years and became an innovator in art curriculum, developing a program offering advanced placement art classes to gifted students. In his final years Harmon became a supervisor, mentoring teachers and overseeing programs in the Philadelphia school systems District #1. During his short life Harmon taught collage preparatory art classes at the Pennsylvania Academy of the Fine Arts, summer classes at the University of the Arts, and a Saturday program for gifted children at Drexel University. Among Harmon's portraits were commissioned by Philadelphia Jazz organist Jimmy Smith and Mayor Richardson Dilworth. Bernard Harmon was active in promoting African American Artist throughout his life time. He organized many early shows such as the "Afro American Artists 1800 - 1969" at the Museum of the Philadelphia Civic Center in 1969. He was considered a Renaissance man by friends and colleagues for his interests not only in art but music and theater as well. He was familiar and friends with many other African American artists such as Doc Thrash, Selma Burke...

Shana Wilson (Canadian, born 1966) "Two Young Women on Couch" 2012 Oil Paint, Canvas, Stretcher Bars The artist signed the back of the painting. "Two Young Women on Couch" by renown...

Colorful image of a powerful woman enjoying the dance. This painting is in a series called the Wild Woman which is also printed in a pocket sized book. Watercolor, mixed media, usi...

"WHEAT FIELD" original expressionist acrylic canvas painting. In this colorist work we see reflected the Spanish expressionism, being AMER one of its maximum representatives. AMER...

AKOS BIRO (HUNGARIAN 1911-2002) watercolour, signed board size: 6.5 x 9.75 inches Beautifully colourful, original painting by the very popular and highly regarded Hungarian/ French...

In this passionate dance of colors, I've captured the vibrant essence of life itself through the allegory of pomegranates. Oil paint weaves a textural symphony, blending realism with...

"In this oil painting, I sought to capture serenity and harmony. The brushstrokes radiate a calm energy, marrying the soft purples and blues of a blooming lavender field with the gen...

Herbert Katzman 1923-2004 (American artist active in New york, Illinois and Italy) Oil Painting Dated 1946. Signed. Dimensions; Sight-16" x 20", Frame-23.5" x 27". Provenance: this...

Somerset Lake by Joanna Commings [2021] original and hang signed by the artist Acrylics on canvas Image size: H:50 cm x W:60 cm Complete Size of Unframed Work: H:50 cm x W:60 cm ...

Born in 1962, Bludov was educated at the Faculty of Graphics at the Kiev State Art Institute in 1990. He is a member of the Union of Artists of Ukraine and a professor of art at the ...

"The Potter" is an interior portrait of a young man working on a vase at his potter's wheel by Philadelphia born Expressionist painter Bernard Harmon. The 24.25" x 14" oil on cardboard painting is signed "Harmon" in the lower left and it is framed in a new black wood frame. Figurative expressionism in the style of Alice Neel. Bernard Harmon was born in Philadelphia, Pennsylvania in 1935. Harmon was primarily a portrait painter and a well loved teacher in the Philadelphia area. A graduate of the Philadelphia Museum School and Temples Tyler School of Art, Harmon traveled extensively in Europe and South America. Beloved by many, Harmon taught in the Philadelphia School District for 32 of his 54 years of life. Beginning his career as an art teacher at West Philadelphia High School, in the early 1960s he became one of the district's artists in residence, traveling from school to school to demonstrate for students how an artist works. Returning to the classroom, Harmon joined the art department at Central High School where he taught for 14 years and became an innovator in art curriculum, developing a program offering advanced placement art classes to gifted students. In his final years Harmon became a supervisor, mentoring teachers and overseeing programs in the Philadelphia school systems District #1. During his short life Harmon taught collage preparatory art classes at the Pennsylvania Academy of the Fine Arts, summer classes at the University of the Arts, and a Saturday program for gifted children at Drexel University. Among Harmon's portraits were commissioned by Philadelphia Jazz organist Jimmy Smith and Mayor Richardson Dilworth. Bernard Harmon was active in promoting African American Artist throughout his life time. He organized many early shows such as the "Afro American Artists 1800 - 1969" at the Museum of the Philadelphia Civic Center in 1969. He was considered a Renaissance man by friends and colleagues for his interests not only in art but music and theater as well. He was familiar and friends with many other African American artists such as Doc Thrash, Selma Burke, Paul Keene...

Artist: Jan De Ruth, Czech (1922 - 1991) Title: Crossed Arms (Portrait of a Blonde) Year: circa 1964 Medium: Oil on Canvas Size: 35 in. x 25 in. (88.9 cm x 63.5 cm) Frame Size: 44 x ...

Gbelekale Azeez's "Against All Odds, I Stand" is a striking artwork that features a woman standing tall and proud in the face of adversity. The piece is a celebration of resilience, ...

In this oil painting, I've poured my soul into capturing the warmth and vitality of the holiday spirit. Each stroke embodies the lush richness of the red petals, contrasting with th...

This painting conveys the enthusiasm for freedom of self-expression regardless of the restriction to decide what you are and what you want to express by the way you dress and the way...

Shipping Procedure Ships in a well-protected crater from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist A...

Shana Wilson (Canadian, born 1966) "Woman with Brown Hair" 2016 Oil Paint, Canvas, Stretcher Bars The artist signed the top left of the painting. About the Artist: Shana Wilson, bor...

"In this oil painting, I've captured a solitary boat mirroring life's simplicity. The palpable textures and the interplay of light and shadow reflect an in...

In this piece, I channeled the serene yet vibrant essence of nature's transitions. Wisps of oil paint blend to capture the fleeting moments when light kisses the landscape, creating ...

In this piece, I've explored the juxtaposition of life's ephemerality and enduring warmth. The sunflower, despite its wilting state, is a vibrant focal point that offers a moment of ...

"Summer Shade At Moon Lake"" is from Sandra Jones Campbell's recent Summer collection, a series that displays her unique vision of the world and is informed...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

"In this oil painting, I sought to capture the tranquil yet vibrant essence of nature's beauty. Melding impressionism with touches of realism, I've layered texture and color to evoke...

Through the textured layers of oil paint, I've sought to express the raw, exhilarating power of nature. My brushstrokes breathe life into this canvas, capturing the dynamic interplay...

Presenting the ultimate wine painting! This is a monumental oil painting by French artist Maurice Georges Poncelet. "Le Vin Nouveau", (The New WIne), is an original oil on canvas, s...

"Be Bold" is a striking piece that demands attention from the moment one sets eyes on it. The central figure, a woman with flowing blue hair, exudes an air of confidence and resilience. The blue hue not only serves as an aesthetic choice but also carries deeper significance, representing the freedom to break societal norms and embrace personal identity without fear. The composition is masterfully crafted, with bold brushstrokes and intricate details that draw the viewer into the artwork. The woman's piercing gaze locks with the observer, inviting them to explore their own journey of self-discovery and empowerment. Each stroke of Theophilus's brush seems to radiate energy and passion, capturing the spirit of the subject and infusing the artwork with a powerful presence. "Be Bold" serves as a powerful symbol of embracing individuality and embracing one's true self. The woman with blue hair stands as a representation of those who dare to be different, challenging societal expectations and norms. The vibrant blue color symbolizes freedom, confidence, and the courage to break free from conformity. In a world that often pressures individuals to fit into predefined molds, Theophilus's artwork is a reminder of the beauty and strength found in embracing one's unique qualities. "Be Bold" calls on viewers to celebrate their differences, encouraging them to step out of their comfort zones and express their true selves without hesitation or fear of judgment. The power of "Be Bold" lies in its ability to evoke a strong emotional response in those who experience it. The artwork serves as a catalyst for introspection, urging viewers to reflect on their own lives and choices. The confident and defiant gaze of the woman with blue hair prompts individuals to question their own limitations and seek the courage to break free from them. By inspiring viewers to be bold, Theophilus encourages self-empowerment and personal growth. Through his art, he instills a sense of pride and confidence, reminding us that our uniqueness is a strength to be celebrated, not hidden away. The artwork's impact extends beyond the confines of the gallery walls, inspiring individuals to embrace their authentic selves and pursue their passions with unwavering determination. "Be Bold" by Adewuyi Theophilus...

Born in 1965 in Vilanova i la Geltrú, a coast town near Barcelona. I was student in the art school of Barcelona “La Massana”. I was awarded in 1982 and 1983 by the second and the fir...

René Romero Schuler’s expressionistic paintings depict delicate female figures that she paints using a dry-brushed, minimalist hand, leaving her subjects mostly featureless but nonet...

In this artwork, I've captured the vivacious energy of coral poppies swaying in an unseen breeze. Utilizing an oil medium, I intertwined styles of expressionism, impressionism, and r...

Unframed Manuel Capdevila i Massana (Barcelona, ​​December 28, 1910 - April 18, 2006) was a Catalan painter and goldsmith, son of the goldsmith Joaquín Capdevila y Meya and father o...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) "I'm Alright, Just Here" is a captivating artwork that captures the viewer's attention with its tender depiction of a young girl. The artist skillfully brings the subject to life, with delicate brushstrokes and meticulous attention to detail. The girl's features are portrayed with remarkable precision, revealing a sense of innocence and vulnerability that tugs at the heartstrings. The expression on the girl's face speaks volumes—a delicate blend of calmness and introspection. Her eyes, a window to her soul, radiate a sense of quiet strength and resilience, hinting at a pearl of wisdom beyond her years. Simon's choice to depict the girl alone, with no external distractions, creates a sense of intimacy and invites viewers to connect with her inner world. "I'm Alright, Just Here" explores the themes of solitude, self-reflection, and the resilience of youth. The title itself offers insight into the subject's state of mind—an assurance that she is content and at peace in her presence. It serves as a gentle reminder of the importance of finding solace within oneself, even amidst the chaos and noise of the world. The young girl's presence in the artwork represents the universal experience of navigating the complexities of life. Her portrayal invites viewers to reflect on their journey, prompting questions about the inner strength we possess and the moments of introspection we all seek. She becomes a mirror, reminding us to find moments of stillness and self-care, where we can gather strength and nurture our well-being. The muted color palette employed by Simon contributes to the contemplative mood of the artwork. Soft, earthy tones evoke a sense of serenity and harmony, further enhancing the atmosphere of quiet introspection. The artist's careful attention to the interplay of light and shadow adds depth to the girl's expression, underscoring the layers of emotion and resilience that lie beneath the surface. Obeka Simon...

Orli Ziv, Jerusalem Pink atmosphere, oil on canvas, Jerusalem, expressionism, Israeli artist, Israeli art