Expressionist Paintings

In this painting, I've captured the serene moment of a woman caressed by the gentle hues of a sunset at the coast. Through the blend of realism and impressionism in oils, I sought to...

Giner Bueno (1935-2000) Reparando Las Redes Painter from Alicante, son of the painter Luis Giner Valls. He studied at the School of Arts and Crafts of Valencia and finished his stu...

Shipping Procedure Ships in a well-protected tube from Africa This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gall...

Since moving to Quebec, I keep seeing these rustic looking fences all over the place. They are made with old worn out wood and usually tied together with wire. I always thought the...

Alfonsas Dargis:1909-1996. Listed artist who was born in Lithuania and emigrated to the Rochchester N.Y. area in 1951. He has auction results up to ? $1700 but has sold for much high...

"Wild Wet Lands I" is an abstract expressionist painting by Romina Milano where a dance of black gestures unfolds across colorful brushstrokes infused with raw emotion. Romina Mila...

LAKE HOUSES Size: 55 x 65 cm (including frame) Oil on board A lively and scenic modernist landscape composition, executed in oil onto board. The composition presents a picturesque view of houses by...

Baron Robert Heinrich Freiherr von Doblhoff (1880 Vienna - 1960 ibid.) Woman with Red Hair Ink and watercolor on paper, image measures 6.25 x 7.25 inc...

Title: The Guardians of Absolute Wealth Large Expressionist work with vibrant colors This is a large and soulful artwork by Karnish. Symbols and forms unfold in this mesmerizing large work depicting wealth and abundance. The viewer is invited to find their own stories intentionally created to move the viewers eyes to different aspects of riches to be discovered in the work. This work is part of a series. It is part of a story... It portrays truth, abundant energy, utmost care and wild freedom. There are hidden treasures – the infinity sign, the triangles, diamonds and squares, the abundance of color, to connect us with affluence and prosperity! Her well loved signature-style Guardians are also at play. Graffiti, spray-paint, acrylics, oils and mark making with vivid colors of blue, red, orange, yellow, purple, black, off-white, green and white - layer upon layer of shapes and forms, to create this unique artwork! This work is created on top quality, heavy duty canvas. It is mounted and stretched on wooden bars and ready to hang. It can also be framed in a style that suits the décor of the place that it will be displayed at. (Cost is for the collector. Keep in mind that the South African Rand exchange rate is favorable and makes it most cost effective to have it framed here. Shipment cost...

In this piece, I've poured my passion into each stroke, blending acrylics, oil pastels, and colored pencils to capture the vibrant essence of poppies swaying in an unseen breeze. Dra...

Original oil on canvas on wooden stretcher, box canvas, signed on the front. Certificate of authenticity included. :: Painting :: Expressionism :: This piece comes with an official ...

Pair of Landscapes: Dijon France, Burgundy Canal B Jean Boulay (French, 1937-1994) Oil on canvas Signed and dated 21 1/2 x 15 inches (each) The pair landscape...

Jean Krillé’s paintings are known for their expressive use of color and dynamic, abstract forms, blending realism with abstraction in his depictions of nature. His landscapes often f...

In this piece, I've captured the tender essence of blooms, imbuing the canvas with a sense of serenity and timeless beauty. Each stroke embodies the dance between light and shadow, c...

Work on paper Gilded wooden frame with glass window 66 x 71 x 2.5 cm This painting depicts a magnificent coastal view of a rocky beach, incorporating a fascinating play of texture...

Heavily textured, 1962 abstracted landscape by Humbolt area artist Alma B. Leamey (American, 1901-1996). The viewer looks out over a valley, with a ranch at the focal point. In the d...

Work on canvas

In creating this piece, I sought to capture the serene yet vibrant spirit of a blossoming pond. With thick, expressive oil strokes, I combined elements of realism and impressionism t...

Oil on canvas by Amedee de La PATELLIERE, France, 1928. Eclipse with four characters. With frame: 63x54 cm - 24.8x21.25 inches ; without frame: 41x33 cm - 16.15x13 inches. Format 6F....

RAVENTÓS Mª Assumpció – (San Sadurní d’Anoia, Barcelona 1930). Raventos trained at the elite Sant Jordi School of Fine Arts in Barcelona. Raventós expanded her studies in etching and...

A sadistic laughing Devil grinning a big smile is pictured hovering over a Hellfire. He is reveling while witnessing tiny ant-like sinners engage in eternal torture, torment, and co...

This contemporary expressive interior abstract artwork "The rhythm of life" by French artist Natalya Mougenot commands attention with its bold use of color and dynamic brushstrokes. ...

Personally, the underwater world causes exciting feelings for me. I am a good swimmer, but I have never been able to dive underwater. Maybe that's why the paintings with the underwat...

In crafting this piece, my brush danced with oils, blending pop art vibrancy with expressionistic fervor and a touch of impressionistic harmony. It's more than a cat at rest; it's an...

Oil on canvas by Edouard Goerg (1893-1969), France, 1958. Life is always the same. Acquired in 2017 from the personal collection of Edouard Goerg. Measurements : with frame : 62.5x53.4 cm - 24.6x21 inches, without frame : 55x46 cm - 21.7x18.1 inches, format 10F. Signed "E.Goerg" (see photo). Preserved by the painter, then by his family since his death in 1969, this painting appeared in 2017. Entitled "Always life begins again", it is a crepuscular work. Testamentary one could say, so much the statement which is made there is definitive. The fact that he kept it until his death tends to consolidate this vision. Far from the empty looks and death faces of the rebellious era of sarcastic expressionism, the terrifying and compassionate testimony of the Spanish war, and the post-WWII flower women, we are dealing here with a a form of reasonable abdication, but honest. This idea that although everything changes, nothing changes. Changed times, actors, ideas, the same comedy occupies the society. Having given up the idea of ​​changing the latter, Goerg accepts the fact that the only alternative is to stay there or get lost. But stay afloat with his values, completely independent, whatever the cost is. This work is similar to La Vie Recommence of 1935, reproduced on page 54 of Gaston Diehl's book devoted to the painter (Éditions de Clermont, 1947). On the latter, the artist depicts his vision of life, from birth to death, made of hope, fear, cruelty, resignation and fatality. 23 years later, Toujours La Vie Recommence shows us the road traveled by the painter. It is no longer a matter of denunciation, but ultimately of acceptance of reality and the difficulty of staying there yourself. The admirer of Hieronymus Bosch gives us an inspired composition. The hand of God, the only expression of physical beauty in this work, comes down from heaven to give life. Symbolically, it holds an egg that dispenses the element from which the human protagonists find their birth, and in which they move and tangle more than they impose. Beautiful allegory of society. Four characters, two women and two men evolve in this societal marigot. The man in the foreground, ruddy face, evolves with ease. His body is supple, flexible, adaptable. The woman on the left observes him with admiration. Obviously, this man is in his place and causes rapture. The right man with massive shoulders and wrapped, shows a physical maladjustment to the activity he is doing. He struggles to stay afloat, his face expresses effort, even exhaustion. But he assumes. He does with what he has, with what he is. The other woman shows him the greatest indifference. What is not the case of the demonic archangel (recurrent in the works of Bosch) with the stunted body, who leads the dance and holds this character, we understand the painter, under his control as to have fun. As this character cannot change bodies, Goerg cannot change values. He does it with. Had he not said to the critic Roger Brielle: "Independents, sensitive and just men, that's what we must strive to stay in this world in disarray". Goerg will have come to narrative expressionism to give us a balance sheet allegory of his deep self and his condition. Édouard Goerg is one of the major artists of his generation. Coming from a Champagne family, he was born in Sidney, Australia, in 1893, during a professional stay of his father. After passing through London, he arrives in Paris at the age of seven. At twenty, between 1913 and 1914, he studieds painting at the Académie Ranson with Maurice Denis and Paul Sérusier. He travels to Italy and India. Mobilized in 1914, he is sent to Artois, then to Argonne. From 1920, he exhibits at the Salon des Independants, then at the Salon d'Automne where he joins with Laboureur. At Berthe Weil, in 1924, he participates in the exhibitions of the Gromaire group, a prelude to a series of exhibitions in Paris (Berthe Weill, Bernheim Jeune), as in Brussels (Le Centaure). Goerg illustrates books including Table of the beyond by F.Boutet. In 1928, he meets Paul Guillaume who exhibits his works in Boston and the Art Institute of Chicago. He continues to show his works, satires of the bourgeois manners, at Bernheim Jeune, then at Lucie Krogh. In 1934, he travels to Belgium and Holland where he paints surrealist paintings that will be exhibited at Jeanne Castel. In 1935-1936, he meets Aragon, who opened the doors of the houses of the cultures created by the Association of Writers and Revolutionary Artists. The Spanish war and the Second World War mark it deeply. He must protect his daughter and his Jewish women...

In crafting this vibrant piece, I imbued each stroke with the warmth and energy of the sun. The rich textures formed by oil pastel and colored pencil blur the lines between pop art's...

'Family Seated on a Bench at the Port', oil on board, by François Diana (circa 1970s). A painting with a very wholesome, homespun theme harks back to a more innocent time. A family i...

Expression. Flower field. A sunny summer day, the whole earth is warmed by warmth, a flowering field, flowers, colorful poppies, the sky create an atmosphere of relaxation, harmony, ...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Ernest Voegeli is an artist who has found his path through a combination of solid technique and a clear, insightful approach to color, form, and composition. While his work is primar...

A large contemporary abstract expressionist acrylic on paper by French artist, Christian Manoury. Signed bottom right. Inspired by the wonderful music of Debussy, a beautifully ligh...

In this vivid work, I've melded acrylic and oil to breathe life into a bustling marina. Channeling the spontaneity of expressionism and the allure of impressionism, I invite viewers ...

FISH & APPLE Size: 41 x 56 cm (including frame) Oil on board An expressionist modernist style mid-century still life painting that presents a simple yet striking composition of two ...

French late 20th century watercolour and gouache study for the series 'Alexander and His Army' by Stephane Lovighi-Bourgogne. Presented in plain wood frame. A strong and forceful de...

In my vibrant creation, I've blended the whimsy of naive art with the boldness of pop art. With strokes of acrylic and oil, I crafted an inviting feline figure, its piercing blue eye...

This series by Enric Servera explores the relationship of humans to salt and seawater. The intention of these works is to submerge us into the sea, a salty treasure that surrounds us and reminds us of its natural beauty and the importance of its preservation. Details: Title: Marine Diversity Medium: Acrylic on Paper Size: 70x 212 cm total (28 x 84inches). Each panel measures 70 x 106 cm (28 x 42 inches). Year: 2023 * Frame is for illustrative purposes only. Artwork shipped carefully rolled and packaged in a tube. * Certificate of Authenticity provided. Enric Servera (Ciutadella de Menorca, 1970) lives and works between Barcelona and Menorca, Spain. His works explores the colors and forms of the ocean, inspired by the fauna and flora of the Mediterranean Sea. His work has shown in galleries across Spain, and is part of several public and private collections. Words that may describe this series of artworks are: Mediterranean-inspired art, abstract sea paintings...

French Expressionist Mid Century Modern View of Paris on the Seine, bridge Very much influenced by the work of Bernard Buffet this is a very decorative example of French city paintings...

Emile Albert Gruppe (American, 1896-1978) Bass Rock, 1967 Oil on canvas 30 x 36 inches (76.2 x 91.4 cm) Signed lower right: Emile A. Gruppe Signed, dated, and titled on the stretcher...

A mid century Expressionist oil on canvas of a man, child and cat in an interior with a cityscape beyond. The work is not signed but there are various notations to the top rear stret...

In this oil painting, I've captured the dynamic essence of a red carp as it swims effortlessly through the vibrant waters. Employing techniques from expressionism and impressionism, ...

Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. A difficult time can be more...

In creating this painting, I sought to capture the essence and vitality of the sea. With each brushstroke, I instilled the raw power and restless spirit of ocean waves. This piece, c...

"Feelings" is a visual exploration of complex human emotions, relationships, and resilience. The layered figures, abstracted and partially overlapping, reflect the intertwined ident...

The Avenue of Trees French Expressionist School, signed front and back Dated 1974 oil on canvas, framed framed: 37 x 44 inches canvas: 32 x 39 inches private collection, France the p...

The Atlantic ocean at its most ethereal, when sea and sky mix in a delicate fading of colours. There is spray in the air and immediately you are transported into a mythical world of ...

As an artist, I poured my spirit into this artwork, invoking the raw feelings of freedom and adventure with each stroke. The vivid hues emanate a sense of hope and endless possibilit...

This contemporary abstract piece, done with a mix of expressionism and impressionism, is titled "Vibrant Nature" and was created by French artist Nataya Mougenot. It is part of her s...

A vibrant painting depicting an avenue lined with poplar trees in fall colors, prominently featuring a very large, centrally placed yellow poplar. Possibly an American poplar. The artist, Agda Holst, has employed a diverse palette of colors to the poplars, creating a dynamic and colorful composition. This oil on panel is signed and dated by Holst in 1948. The work exemplifies her use of color and form, characteristics that defined her artistic practice throughout her career. Agda Holst was a Swedish modernist painter known for her precise study of form, stylized compositions, and ability to merge structured geometry with expressive color. Her works, often still lifes, portraits, and figure studies, reflect a balance between naturalistic representation and modernist influences such as Cubism and New Objectivity. Holst's artistic journey began in 1907 at the Académie Colarossi in Paris, where she studied under Christian Krohg. Seeking further refinement, she moved to Munich between 1910 and 1911, studying with Julius Exter, known for his teachings in portrait and genre painting. In 1911–1912, she returned to Paris to study under Kees van Dongen, whose bold use of color and strong contrasts left a lasting impression on her work. The early 1920s marked another period of study in Paris, this time under André Lhote, who instilled in her a structured approach to composition and geometric clarity. Holst’s first public exhibition took place in 1916, when she displayed paintings in a bookstore...

In this piece, I sought to capture the vibrancy and tranquility of nature, merging the wild with the serene. The crimson poppies dance in the breeze, a sea of passion and life, while...

The Gladiator is a large-format expressionist painting of a gladiator in vibrant ocher yellow. Gladiator was and still is one of my all-time best favourite movies. Even up to this t...

In crafting this piece, I've poured my zeal for nature's beauty into every stroke. The oil medium allowed me to layer textures, creating a tapestry of emotions. This painting evokes ...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Gob...

In creating this piece, I sought to capture the effervescence of nature's transient beauty. I used oil to express the delicate vibrancy of peonies, with my brushstrokes blending impr...

Canvas size 81x100 cm. Frame size 94x113 cm. Alvar Suñol Alvar Suñol Munoz-Ramos, commonly known as Alvar, was born in 1935 in Montgat, Spain, a Catalan fishing village on the Medit...

In this vivid fusion of expressionism and pop art, I captured the raw, emotional energy of a musician bonded with her guitar. Layering acrylics and oils, I sought to embody the passi...

Sterling Strauser (1907-1995). Dorothy and Jasper, Crystal Street Station, 1970. Oil on masonite panel, 11.5 x 22.25 inches. Signed and dated lower right. Very good condition with no damage or conservation. Unframed. Framing services available. Image depicts the artist's wife, Dorothy Strauser, walking the beloved family cat, Jasper. In the background can be seen the East Stroudsburg Pa Train Depot on Crystal Street. Provenance: Estate of the artist's Granddaughter, Princeton NJ. Often called a romantic expressionist and American intimist, self-taught Pennsylvania artist Sterling Strauser (1907-1995) completed his first oil painting in 1922- inspired by frequent visits to the collection of American folk art at the Everhardt Museum in Scranton. Throughout the following seven decades of his career, Strauser’s artistic pursuit was based on his own intuition and determination to paint what he saw, rather than adhering to the conventional pictorial structures prescribed by prevailing styles at the time. Strauser rejected pretension, believing instead that art should work from life as it was lived. His oeuvre therefore serves as an extremely personal record of his observations and experiences from his lifetime painting in East Stroudsburg, Pennsylvania. Beginning early in his career, Strauser took his inspiration from American regionalists and traditional realists in the Ashcan style, as well as European movements such as Fauvism and Cubism, yet he eventually developed his own fluid realism based on subject matter beloved and familiar to him- family and friends, local landscapes and floral still lifes. Known for his distorted pictorial space, exaggerated with vivid color, heavy impasto and an intensity of emotion, Strauser was adept at altering and rearranging the details and aspects of any given form to create a new kind of beauty. "All a painting has to do, or a piece of sculpture, or whatever, is to entertain the critical eye. You have to have a fresh seeing eye… to look at things like a child, as if looking at the world for the first time (seeing) something that somebody else doesn’t see, something you want to identify with… Painting is largely a matter of evaluation. (It) doesn’t matter how much it looks like the subject matter. It just depends on how interesting you have made it so that it pleases the critical eye." STERLING STRAUSER, STERLING STRAUSER: A MODERNIST REVISTED, P. 23 Sterling exhibited his work extensively throughout the country and drew the attention of many notable fellow artists including Milton Avery, Louise Nevelson, David Burliuk, Chaim Gross and Red Grooms. Sterling was also extremely influential within the arts community of Pennsylvania through his discovery and promotion of self-taught American Folk artists such as Justin McCarthy, Jack Savitsky, Joseph Gatto...

Deling with the work of Erich Waske today, one encounters first of all a number of reasons why this outstanding artist has fallen into such undeserved oblivion. In addition to the de...