Impressionist Paintings

A painting by iconic Louisiana painter Alexander Drysdale, in his classic style. As you probably know if you clicked on this, Drysdales grace the mantels of many of New Orleans' nice...

This painting will come to you stretched on a wooden stretcher and completely ready to be placed in the interior. ABOUT THE ARTWORK "I Was Lost But I'm Found" from the "PERICHORESIS...

Signed oil on canvas landscape circa 1930 by Gaston Balande. The piece depicts a meandering river in a green landscape. Signature: Signed lower right Dimensions: Framed: 27"x34.5" ...

Landscape Impressionism Original Oil Painting Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Signed to lower left Medium: Oil on Canvas Year: 2...

Impressionist Nude, Voluptuous Model, Oil Painting By French artist Garnvault, 20th Century Signed by the artist verso Oil painting on canvas, unframed Canvas size: 15 x 18 inches S...

Sunrise Sensation II oil/canvas 16 x 20 unframed, 22.25 x 26.25 framed signed LL Sunrise Sensation II is a beautiful impressionistic landscape scene that is the enlarged version of a...

Antique European still life oil painting. Oil on canvas. Signed. Framed. Measuring: 32 by 27 inches overall, and 26 by 21 painting alone. Excellent condition, ready to hang and enj...

Title: Modernist Landscape Colour Ink Drawing Trees Field Church Spire Study Medium: Coloured ink on artists paper, unframed Size: 9.75 x 6.75 inches (height x width) Condition: good...

Over the past 50 years, Jane has garnered an excellent reputation as a professional artist, as well as an award-winning professor, and a leader in the art community. Jane paints subj...

This artwork masterfully captures the tranquil beauty of a blossoming orchard in spring. Dominated by trees adorned with delicate white blossoms, the scene exudes a sense of renewal ...

Vivid mid-century floral still-life with anemones and statue by Marguerite Stuber Pearson (American, 1898-1978), circa 1940s. Signed lower right corner. Presented in rustic gilt-t...

A charming Parisian scene oil on canvas painting by the French artist, Johanne Schiefer. This painting is a wonderful example of his work from the prime of his career. Here you see figures walking in front of the Théâtre de l'Atelier with an abundance of color and life. The magic is being felt with all the magnificent details, as Schiefer captures the architecture of Paris so beautifully; you can feel the energy of the day and the excitement. The piece is signed by the artist lower right and titled lower left and it comes housed in a gold tone French style carved wood frame with hanging wire on verso ready to be displayed. Art measures 14 x 18 inches Frame measures 18 x 22.5 inches Johannes Schiefer was born in 1896 in the Netherlands, and quickly gained notoriety for his landscapes, still life’s and portraits. Schiefer won the Prix de Rome at the age of 19 and studied at the Düsseldorf Academy in Germany, and then moved to Paris where he continued his studies in art at the Beaux Arts, and later at the Villa Medici in Rome. He traveled to paint across Europe, primarily France and Italy and also Latin America. When he married, he settled down in Nice France, and during the late thirties, he traveled and painted the coastline of the South of France, as well as Venice and the Adriatic. He remained in France until 1942, when he moved to New York with his family after the birth of their daughter, future actress Joanna Miles. Already an artist of stature when he arrived in New York, he settled with his family on Long Island, and for the next 30 years, Schiefer kept on painting and built a solid reputation as an important American artist. The Schiefers also had a son, Johannes Jr. After the war, Schiefer maintained a Paris studio and became a resident of Los Angeles for a time in the 1950s. For the next 30 years Schiefer kept on painting and during his career had numerous one man shows, having exhibitions at: Gallery Zak in Paris; Kunsthaus in Hamburg; Kunsthalle in Munich; Stiebel Galleries in Paris; O'Connor Gallery in Ontario; Museum of Modern Art, Wildenstein & Co, Carol Carstairs Gallery and Schoeneman Galleries in New York City; Esther Robles Gallery, County Museum and Vigoveno Galleries in Los Angeles; and the San Francisco Museum. Like Picasso, Schiefer never permitted himself to be “type-cast” in a single monotonous style. If there is anything that typifies his work, it is his versatility, his deft handling of subdued tones to create a unique brilliance of light and color that stamps every painting with his own individuality. In February 1964, Ethel Kennedy...

Morning Sun 7 x 10 unframed, 10.63 x 13.63 x 1.256 x 18 x 1.5 framed signed LL Morning Sun is an oil painting on canvas panel by award winning contemporary artist Michael Budden tha...

Udy's work utilizes the broad canvas of nature and often paints the female form. Her work evokes feelings of fantasy and celebrates the beauty of nature and of the natural. Her's is ...

This painting depicts a graceful goldfish, seemingly hovering in the depths of dark water. The contrast between the rich, almost velvety background and the fish's vibrant body makes ...

Title: French 18th Century Costume Figures Brown Ink Fashion Drawing Artist: Bernard Labbe, French mid 20th century Medium: Brown ink on card, unframed Size: 11.75 x 8.25 inches Sign...

A truly stunning jewel and pertinent example of Berthelsen's charming New York City winter scenes depicting Washington Square Park in the snow. An iconic scene that so many have come...

Framed size: 32.5" x 40.5" - Signed bottom right Painted circa 1907, this luminous coastal landscape offers a serene glimpse of Kerhostin beach in Morbihan, Brittany. In the foregrou...

This charming antique oil on canvas painting depicts a peaceful rural scene featuring a mother and child beside a quiet riverside. A picturesque cottage, mature trees, and calm water...

The Country Lane by Claude Marin (French 1914-2001) signed oil on artist card stuck on board, unframed board: 9 x 11 inches Provenance: private collection, Paris, France Condition: v...

A beautiful landscape by Gloucester Artist, Emile Gruppe (1896-1978). Painting is Oil on Canvas, 16"x20".

Provençal landscape in oil on board by French artist Jean Perret. Signed bottom left and presented in a fine wood frame with gilt insert. This captivating artwork presents a serene ...

"The Beach at Stoupa" is a plein air painting depicting a popular beach in Stoupa, Greece. Stoupa (Greek: Στούπα) is a village on the coast of the southern Peloponnese peninsula in G...

Antique American oil painting. Oil on canvas. Framed. Measuring: 24 by 30 inches overall, and 18 by 24 painting alone. Provenance from a Sag Harbor, NY collection. Measuring: Handsom...

A stunning jewel and pertinent example of Berthelsen's charming New York City scenes. Here we find a Washington Square Park at night and the Manhattan buildings depicted in the far b...

Title: British Impressionist Watercolor of a Rural Village Scene By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11.25 x 15 inches (He...

Dennis Sheehan Pleasant Day, circa 2025 Signed lower right Oil on canvas 18 x 24 inches Dennis Sheehan was born in Boston in 1950. His work is based upon the Barbizon School with f...

Diptych, consists of two sheets of cardboard, each sheet is 85-61 centimeters. Syria paintings of flowers, in all their forms and shades. I love to ...

Harry Leith-Ross (1886-1973). Boat Yards, ca.1960's. Watercolor on paper measures 9 x 17 inches; 18 x 26 inches in original matting. Signed lower left. Ori...

Frederick Vezin (1859 Torresdale Philadelphia - 1933 Düsseldorf), Autumn Landscape in the Sunlight, oil on canvas, mounted on cardboard, 32 x 41 cm (inside measurement), 44 x 51 cm (frame), signed and dates lower right "F. Vezin. [19]05". - Cardboard slightly curved, small inconspicuous retouch at the centre of the upper edge of the picture. About the artwork Although the painting appears to be a sketch, Frederick Vezin considered it to be a finished work of art, as evidenced by his signature on the lower right. And it is precisely this sketchy quality that leads to an understanding of the painting, which was certainly created in the landscape itself: the natural phenomena were to be depicted artistically at the moment of their observation. This is not done by meticulously sketching nature, but - and here Vezin follows the teaching of French Impressionism - by illustrating nature in its visual fullness. The artist's eye is, as it were, immersed in the visuality of nature, which is made visible by his hand. The painting is therefore not a reflection of the landscape, but its artistic intensification. This intensification also includes the fact that the foreground of the painting - corresponding to the field of vision - eludes a detail-oriented close-up view. Instead, the spatula-like application of paint, the vertical structure of which corresponds to the structure of the floral growth, has the effect of making nature tangible in its colourful substance. At the same time, the foreground, which remains indeterminate in its concrete objectivity, creates an atmospheric space that connects with the actual protagonist of the picture, the group of trees, which flares up in shades of red and brown. Here, too, the leaves are more speckled than clearly outlined. It is precisely this 'sketchiness' that opens up a visual experience that makes the landscape accessible in its visual fullness, thus revealing its essence. In addition to this abundance, the landscape is presented as a structure of order in that the composition of the picture makes the composition of the landscape visible. For example, the group of trees forms a distinct dark green shadow, which is repeated in the shadows cast by the trees behind it. A patterned diagonal axis is created in the picture, which is composed in this way by the landscape itself. Strictly speaking, this is a cultivated landscape: a fence at the bottom and a low stone wall at the top, running from left to right, are two elements that also have a strong compositional effect. And on the top of the hill, a stone house is embedded in the landscape as the brightest surface in the picture. Nature and culture here form a harmonious synthesis, giving the painting an Arcadian touch. In order to give the landscape as much space as possible, the horizon line is raised, but the design of the sky is also crucial. The clouds, combined with the shapes of the trees, create a bright blue sky. To the European eye, such a sky is reminiscent of a summer landscape. Accordingly, within the seasonal cycle, the blue sky is reserved for summer, and French Impressionism is also primarily an ode to summer. In Vezin's painting, however, the brilliant blue sky stands above an autumnal landscape, some of the trees even defoliated. It can therefore be assumed that the painting was made not in Europe but in the United States, and that it illustrates the proverbial Indian summer, making Frederick Vezin a pioneer of American landscape painting. About the artist Frederick Vezin was the son of a French immigrant to the United States and a German-born mother. This predestined him to promote artistic exchange between the old and new worlds. Having spent part of his schooling in Germany, in 1876, at the age of 20, he enrolled at the Düsseldorf Academy of Art, where he studied with Peter Janssen the Elder, Eduard von Gebhardt and Wilhelm Sohn, among others. He graduated in 1883, settled in Munich and returned to Düsseldorf in 1895, where he lived until his death in 1933. A native of the United States, he travelled to the country frequently and became a popular portrait and society painter. His artistic talent, however, was most evident in his landscape paintings. Trained in French Impressionism, he developed a virtuoso use of colour and a free brushwork that remained tied to the landscape motif, opening up the landscape itself in a new way. Frederick Vezin turned his attention primarily to the landscape of his homeland, becoming a pioneer of modern American landscape...

This artwork is a mesmerizing portrait that showcases a delicate interplay of color and texture. The profile of a young woman is captured in serene contemplation, her features render...

Alameda River Below Mt. Tamalpais - Early 20th Century Landscape in Watercolor Substantial and Beautiful early 20th century landscape of the Alameda River below Mt. Tamalpais by Mari...

For sale is this painting that captures the essence of a bustling park, various individuals are depicted strolling along verdant pathways under the shade of towering trees. The artis...

Title: Eilean Donan Castle, Scotland (with further image verso) By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11.25 x 15 inches (Hei...

Artist: Alexander Shandor Title: View of Khust Medium: Oil on Hardboard Year: 2018 Style: Impressionism Dimensions: 16" x 18" x 0.3" inch (41 x 46 x 1cm) Presentation: Unframed, Ty...

Mixed Media on Paper, Paper size: 11 x 15 inches Framed size: 19.5 x 23.5 inches Signed Lower Left

A fine impressionist oil painting of an antique Cape house with flowering garden by American painter and illustrator John Joseph Enneking (1841-1916). Enneking was born in Minster, Ohio and took his first art classes at St. Mary’s College in Cincinnati, later moving to Boston, where he studied lithography and painting with Samuel Gerry...

The landscape painting of Isola del Garda is painted in the impressionism style en plein air on Lake Garda in Italy. "That day, my friends and I were painting at a private villa, w...

23 1/4" x 27 1/2" in frame. Signed lower right.

Anthony Thieme (1888 - 1954) Main Street, Rockport Oil on canvas 25 x 30 inches Signed lower right Anthony Thieme was born in the Dutch port city of Rotterdam in 1888. He studied at the Academy of Fine Arts in Rotterdam, at the Royal Academy at the Hague, as an apprentice to George Hoecker, a well known stage designer in Düsseldorf, Germany, and to Antonio Mancini, an Italian Impressionist. After completing his studies, Thieme journeyed throughout Europe and South America, working in stage design to support his travels. Thieme first came to the United States in 1917 and initially worked as a set designer and book illustrator first in New York and later in Boston. By the late 1920s, Thieme had married and moved from Boston to Cape Ann in Rockport, Massachusetts, an emerging art colony. Like the other Rockport artists...

Wonderful vintage landscape of a small town back street with cobblestone road and rails that could be any town in America by Jon Nielson (American, 20th Century), 1972. Signed and da...

Early Autumn Light, Lily Pond oil/canvas 16 x 20 image unframed, 22.38 x 26.38 x 1 framed signed LR An oil painting on canvas that showcases a beautiful country pond in early fall co...

Anthony Thieme Mountain Village in Winter Signed lower left Oil on canvas 25 x 30 inches Anthony Thieme was born in the Dutch port city of Rotterdam in 1888. He studied at the Acade...

Clyde Steadman's "Family Meeting" is an original, handmade oil painting that depicts four rubber ducks gathered together

A luminous celebration of nature. This artwork captures a wild bouquet with spontaneous energy. White daisies dominate the composition. Their bright petals radiate from golden center...

Signed lower right, "Derk Smit" (American, 1889-1985) and painted circa 1950. An Impressionist oil landscape showing riverside, autumnal trees with scarlet, rust and ochre foliage ...

This artwork titled "Sisters" 1989, is an oil painting on canvas by noted Polish/American artist Miriam Briks, b.1957. It is signed and dated at the lower left corner by the artist. ...

Artist: Vahe Yeremyan Title: Boats Medium: Oil on Canvas Year: 2025 Style: Impressionism Dimensions: 9.5" x 12.5" x 0.8" inch (24 x 32 x 2cm) Presentation: Unframed, Gallery Wrapped ...

This original abstracted landscape statement oil painting by artist Bri Custer features a blue palette with vibrant yellow and green accents throughout. The artist applies thick, loo...

Signed and dated oil on canvas riverscape by French impressionist painter Charles-Victor Guilloux. The work depicts a view of the houses of the commune Heblay-sur-Seine lining the ba...

South African Landscape by Hugh Stevenson (South African, 1910-1956) oil on board, framed framed: 21.5 x 26.5 inches board : 17 x 23 inches Provenance: private collection, UK Conditi...

Post War Southwest Impressionist Landscape Painting Original Oil by Walter Bailey Significant landscape painting of Taos, New Mexico river and buttes by Walter Alexander Bailey...

A Quiet Presence is part of the Modern Muses series, where everyday gestures and intimate moments become spaces of quiet reflection. The faceless figure sits relaxed in a chair, hold...

'Le Bouquet' Floral Still Life, Flower Oil Painting French School, mid 20th Century Oil painting on canvas, framed Framed size: 29 x 18 inches Beautiful oil painting of a lovingly c...

FANTASY WITH FLOWERS 280: (series 300+) mixed, paper, 59x42. Original mixed media painting on heavy archival paper from the FANTASY WITH FLOWERS series. This enchanting artwork prese...

Artist: Vahe Yeremyan Title: Landscape Medium: Oil on Canvas Year: 2026 Style: Impressionism Dimensions: 32" x 21.5" x 0.8" inch (81 x 55 x 2cm) Presentation: Unframed, Gallery Wrapp...

Hand Sketch pencil drawing on artist paper painting: 9.5 x 12 inches provenance: private collection, England condition: very good and sound condition

This oil painting captures a Seryona river landscape with rhythmic intensity, painted en plein air by the artist in the Kaluga region in the spring of 2010. Broad brushstrokes define...

Title: French Fishing Boat Maritime Harbour Ink Drawing Mid Century Artist: Bernard Labbe, French mid 20th century Medium: Ink and pencil on paper, unframed Size: 8.25 x 11.75 inches...

The diversity of shapes and shades of green reveals to me the greatness of nature. With every brushstroke, I feel deep admiration and seek to express it on canvas, capturing a MOMEN...