Post-Impressionist Paintings

THE MOLDAU 48.0 x 36.0 x 2.0, 9.0 lbs Oil paint Hand signed by the artist Artist's Commentary: "I first heard the classical piece, The Moldau, in the 1970's while working at the H...

Original oil on canvas painting of the book sellers along the Seine in Paris with the iconic Notre Dame cathedral in the background. Signed lower left by the artist. Circa 1960. Cond...

"In Deep Thought" by Akos Biro (Hungarian 1911-2002) signed, oil painting on board, unframed painting: 15.5 x 12 inches provenance: the artists estate, France Original oil paintin...

Signed lower right: Canu Provenance: Private Collection, US Yvonne Canu was influenced by the Pointillists school and very strongly so by Georges Seurat and by Sunday Afternoon on ...

Marc Mouclier (1866-1947) Le Drapeau à la fenêtre, 1942 (The Flag in the window) signed and dated lower right oil on cardboard panel 41 x 32,8 cm framed 62 x 54 cm This magnificent...

This atmospheric harbour scene by Hermanus Koekkoek Jr., working under the pseudonym Jan van Couver, exemplifies the artist’s mature approach to maritime and town views during his London period. The composition presents a Dutch waterfront animated by boats, windmills, and clustered buildings, all set beneath a vast and dynamic sky. The emphasis on shifting weather conditions and the interaction between water, light, and architecture reflects a deep engagement with both tradition and contemporary developments in nineteenth century painting. Koekkoek belonged to one of the most distinguished artistic dynasties in the Netherlands. As the son of Hermanus Koekkoek the Elder and nephew of Barend Cornelis Koekkoek, he inherited a strong foundation in landscape and marine painting. His early training within the family atelier in Amsterdam provided him with a disciplined understanding of composition and natural observation. However, his later move to London in 1869 marked a decisive shift in both style and market orientation. It was during this period that he adopted the name Jan van Couver, a strategic choice that aligned his work with a broader European appeal. The present painting reveals a confident and increasingly free handling of paint. The foreground water is rendered with swift horizontal strokes that capture the movement of the surface, while the boats and harbour structures are constructed through more concentrated applications of pigment. The use of impasto is particularly notable, lending the painting a tactile presence and enhancing the interplay between light and texture. This painterly richness contributes to a vivid sense of immediacy, as if the scene were observed directly on site. The sky dominates the composition, occupying a large portion of the pictorial space. Broad, swirling brushstrokes articulate the mass of clouds, which appear to gather and disperse in response to changing atmospheric conditions. This treatment reflects the influence of the Hague School, whose artists sought to convey the mood and variability of the Dutch landscape through tonal harmony and expressive brushwork. Koekkoek’s interpretation is more animated, however, suggesting an openness to impressionistic tendencies that were gaining ground across Europe. At the same time, the painting remains anchored in a clear compositional structure. The line of the harbour guides the viewer’s eye into the distance, where the forms dissolve into a softer haze. The presence of windmills, a quintessential feature of the Dutch landscape, reinforces the sense of place while also introducing vertical accents that balance the horizontal expanse of water and sky. The architecture is suggested rather than fully defined, allowing atmosphere and light to take precedence over detail. Koekkoek’s work occupies an interesting position between tradition and modernity. While rooted in the conventions of Dutch marine painting...

Scena intima ,casa di campagna e la nonna che racconta una favola davanti al camino con due nipotini e un gatto da accarezzare Andrei Levitine (1947 St.Pietroburgo)

A magical, idealized moment is captured as a bare-breasted maiden strolls out in the rain. Inscribed with title and signature on reverse Roughton Galleries; Dallas, Texas This larg...

Large Painting 'Fin De Neige Sur la Seine' (End of Snow on the Seine) 1971 Oil on canvas Hand signed and titled on canvas verso and dated on stretcher '10 Dec 71'. Provenance: Wally...

Arnold Friedman studied with Robert Henri and Kenneth Hayes Miller at the Art Students League in 1905 . Yet as he developed his style he abandoned the academic influence of his teacher. He started experimenting with materials and techniques. Friedmans intimate style recalls a variety of post-impressionist artists such as Pointillism of Pisarro, Vuillard and Nabis, and perhaps even Seurat. His thick application of paint has definitive textual impasto that was influenced by his trip to Paris in 1909. In "Museum Piece...

Albert Andre French, 1869-1954 La Table dans l’Arbre Oil on canvas 14 ¼ by 38 in, w/ frame 28 ¼ by 51 ¾ in Signed lower right Inventory Number: 01382 A Post-Impressionist artist a...

A haunting blend of red and black, this abstract piece evokes a sense of mystery and depth, reminiscent of gothic architecture. Abstract Expressionism, dark hues, mystery, abstract f...

Dreamlike archways blended with ethereal colors, creating a surreal passage that transcends reality and imagination. Dreamlike Atmosphere, Abstract Forms, Mystical Imagery, Soft Hues...

A haunting stairway enveloped in shadows invites introspection and mystery. Abstract Expressionism, Mysterious Atmosphere, Gothic Architecture, Dreamlike Imagery, Shadow Play

Picnic. 1999, paper, pastel, 28.5x33 cm Colorful abstract composition in fauvist style with figures

MARE NOSTRUM 48.0 x 36.0 x 2.0, 9.0 lbs Oil paint Hand signed by the artist Artist's Commentary: "This painting continues the series of paintings with a black ground instead of wh...

Le Pékinois by Georges Manzana Pissarro (1871 - 1961) Charcoal on paper 41 x 49 cm (16 ¹/₈ x 19 ¹/₄ inches) Signed lower centre, Manzana Pissarro This work is accompanied by a cer...

In this painting, I sought to capture the raw, untamed energy of the sea, using impasto strokes to give life to the waves. The frothy whites, deep blues, and earthy tones merge in a ...

Title: Paris Street Scene with Red Awning and Iron Gates Watercolour by Pierre Neveu Artist: Pierre Neveu (French b.1929) Medium: Watercolour on artist paper, unframed Size (H x W): ...

Signed lower right and dated 1948 David Burliuk’s vibrant depiction of a Ukrainian countryside captures a moment of quiet resilience and rural harmony. A woman, adorned in a red ker...

Enrico VEGETTI (Turin, Italy 1863 - Nernier 1951) The last portrait or Selfportrait Oil on panel Signed lower left Title on the back Work: 24.5 x 23 cm Frame: 29.5 x 27.5 cm Proven...

Provenance Kaplan Gallery, London Commander Jeoffroy Littleton Lowis, London (acquired from the above, 1966) Acquired from the above by the present owner, 2006 Exhibited London, Kap...

Framed 23 x 15.75 Image 21.5 x 14.25 Pierre Jerome French 1905-1982 During his 50+ year career as an artist, he won several major awards, including awards at the Prix de Rome, in...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. In her captivating piece When the Day is Over, Therese James m...

Provence Landscape with Red Rock Formation Valley Scene by Jean Perret? (French, circa 1930s) Signed lower right (appears “Jean Perret”) oil on canvas, unframed Canvas: 21 x 32 inch...

Cesar Villacres   Ecuador, 1880–1941 Flower Seller, Paris Cesar Villacres was an Ecuadorean artsit that worked in South America & Paris. He exhibit...

Henri Martin 1860-1943 French Le port de Marseille, le quai et les cargos Signed Henri Martin (lower left) Oil on canvas Exemplifying the masterful synthesis of Post-Impressionis...

A very attractive Post Impressionist landscape painting with a dolman by Lyonnais artist Jean Dulac. Jean Dulac was born on Bourgoin but from the age of 5 ...

Red,Snow,Winter,Wood Boris Lavrenko (Rostov, 1920 – St. Petersburg, 2001) Works by Boris Lavrenko can be found in various private collections in Europe, Japan, United States and in...

COSSON, Jean Louis Marcel (1878 – 1956) The Bunch and The Maid circa 1930 Oil on canvas signed up left Framed by GAULT (Paris) Dimensions canvas : 56 X 46 cm Dimensions frame : 74 X...

Original oil on canvas painting of barges along the Seine River in Paris by the French artist, Jacques Huet. Notre Dame, the iconic cathedral can be seen in the distance.. Signed by ...

Samuel Rothbort (1881-1972) Floral, oil on canvas mounted board 22 x 30 1/2 in (55.9 x 77.5 cm), Hand signed lower right. Provenance: From the estate of the artist by descent to the granddaughter. Samuel Rothbort (Russian American Jewish folk artist 1881-1972) was born in the small town, shtetl of Wolkovisk in the Russian Woodlands.During his youth he worked as a cantor and traveled to various towns and villages, gaining many impressions of life in that era. Poverty as well as the political unrest of the times led to his immigration to America in 1904. Upon arrival in America, Samuel Rothbort worked as a laborer and muralist eventually giving that up to become a watchman of newly built homes. While on duty he began molding figures in clay and upon the advice and encouragement of his employer and colleagues he began to take his artistic talents more seriously and pursued this endeavor. Rothbort therefore began doing free-hand painting, murals on walls and ceilings for private homes and commercial establishments. In 1909 he met and married Rose Kravitz, which marked the start of his career as an artist. Well known for his scenes of New York City life, executed in heavy impasto. Rothbort exhibited from the 1920s-60s, at the Salons of America, Pratt Institute, Brooklyn Museum, and a gallery at Rockefeller Center; however, he refused to sell his work, and in 1948, opened the Rothbort Home Museum of Direct Art, in his studio-home. Samuel Rothbort was a self taught outsider artist painting every subject in his own folk art impressionistic style. His artistic range was broad and he never stopped creating. He was fascinated with nature and his works are filled with his delightful perceptions of his surroundings. Rothbort worked in oil, watercolor, and pen & ink. In the years of the depression there was little money, Rothbort could not afford paint or canvas. It was there that he began carving wood and stone using found materials like driftwood, rails, and old fence posts. While not associated with the WPA, he was an artist of that period and sensibility. Rothbort entered the art world and spent much of his life in pursuit of modernist painting and sculpture. He was a member the Society of Independent artists, the Salons of America, the People's Art Guild, and the Brooklyn Society of Artists. During the 1920's and early 1930's , Samuel Rothbort was regularly represented in exhibitions organized by The Brooklyn Museum of Art. Through the 1930's , Rothbort exhibited his watercolors and sculptures at Grant Studios in Brooklyn. In 1940, he began a 28 year relationship with the Barzansky Gallery on Madison Avenue in New York City exhibiting oils, watercolors, and sculpture in individual and group shows. From 1915 through the 1960's, he was represented by many commercial galleries. Hamilton Easter Field, artist, publisher and founder of the Brooklyn Society of Artists was an early supporter of Rothbort's art work and helped further his career. Rothbort received much recognition for his naive folk art paintings which he often displayed in unique primitive frames that he had hand-carved he is also known for his social realist street scene paintings. In 1952, Rothbort wrote a book on his sculpture, entitled "Out of Wood and Stone", which he dedicated to Hamilton Easter Field. A significant expression for Samuel Rothbort's career occurred in the late 1930's through the 1940's when he began painting "memory paintings " or recreation of his boyhood experiences of life in the ghettos and surrounding areas of the woodlands and marshes of Polesia - White Russia. A prized winning documentary, "Memories of The Shtetl" was produced by Harriet Semegram (previously titled " The Ghetto Pillow ") and shown at the Edinburgh Film Festival. It utilized 215 of Samuel Rothbort's watercolors and became the major visual resource material for Jerome Robbins movie and play, " Fiddler On The Roof ". Another award winning documentary on Jewish Folk Art " The Lost Wooden Synagogues of Eastern Europe " which was produced by Albert Barry and Florida Atlantic University, used many of Rothbort's paintings in the film to show life in pre-war Eastern Europe. The film was shown at the U.S. Holocaust Museum in Washington, D.C. and on Public Television. He was a member of The Brooklyn Soc. of Artists; Soc. of Indp. Artists; and Brooklyn WCC. He exhibited at the SIA, 1917-40; Pratt Inst., 1919-22; Salons of Am., 1922-34; Brooklyn Mus., 1922-33; Charles Barzansky Gal., NY, 1940-44; Jewish Mus., NYC, 1984-85. His works hang in the NMAA; Brooklyn Mus.; Heckscher Mus.; Mus. of Stony Brook; Montclair AM; Sardoni AG; and Rutgers Univ. AG. Samuel was best known for his scenes painted in and around NYC. He had a bold style marked by heavy impasto. Selected Solo Exhibitions: 2003 New York, NY; Luise Ross Gallery New York, NY; Hollis Taggart Galleries 1998 East Hampton, NY; Morgan Rank Gallery New York, NY; Benjamin Cardozo Gallery, Yeshiva University Museum 1997 New York, NY; Giampietro Gallery 1985 Brooklyn, NY; Chassidic Art Institute 1968, 64 New York, NY; Kaufman Art Center 1940-6, 54, 56, 61, 65 New York, NY; Charles Barzansky Galleries 1960 Chicago, IL; Welna Gallery 1940 Brooklyn, NY; Tilden Gallery 1938 Brooklyn, NY; Lincoln Gallery 1934 Brooklyn, NY; Grant Studios Selected Group Exhibitions: 1998 Huntington, NY; Heckscher Museum, Celebrating New York: A Centennial Exhibition 1984-86 New York, NY; The Jewish Museum, The Jewish Heritage in American Folk Art (Travelling exhibition) 1968 New York, NY; National Arts and Antiques Show 1940-68 New York, NY; Charles Barzansky Galleries 1964 Bethesda, MD; Chevy Chase Gallery 1963 Huntington, NY; Heckscher Museum 1944 Richmond, VA; Virginia Museum of Fine Arts 1917-23, 25-31, 34, 38-40 New York, NY; Society of Independent Artists 1939 New York, NY; Academy of Allied Arts Gallery 1937-39 New York, NY; Vendome Gallery 1934, 39 New York, NY; Fifteen Gallery...

Original, serene oil on canvas painting of two sailing vessels off the coast with a lighthouse in the distance. No visible signature. Circa 1890; American School. The painting is h...

Bowl of Irises, 1935, by Emmanuel Mané-Katz (1894-1962) Oil on canvas 24 x 20 inches unframed(60.96 x 50.8 cm) 33 ½ x 29 ½ inches framed (85.09 x 74.93 cm) Signed on bottom right De...

"In this image I captured an incredibly beautiful corner of the ancient Italian city of Comacchio." said Anna Shesterikova abouit this artwork. "Two boats are a symbol of the quiet l...

Maurice Asselin (1882-1947) A Bunch of flowers in a vase Signed lower left Oil on canvas In good condition 46 x 38 cm Framed : 52 x 44 cm Maurice Asselin was born on June 24, 1882 ...

Artist: Gustav Likan Title: Pond in the Jungle Size: 50" x 39.5" Medium: Acrylic on Canvas Signed, lower left. About the Artist: Born in Yugoslavia in 1912, Gustav Likan achieved ...

Artist: Charles Cobelle, French (1902 - 1994) Title: View of Paris 19 Year: circa 1958 Medium: Acrylic on Canvas, signed Size: 20 x 24 in. (50.8 x 60.96 cm) Frame Size: 27.5 x ...

Original oil on canvas painting of the California coast at twilight by the well known marine painter, Alexander Dzigurski. Signed lower right. Condition is excellent. Circa 1965. Th...

This work is a finely constructed pictorial scene in which the artist, masterfully using painting technique and composition, invites the viewer to enjoy the incredible beauty of a co...

This painting features vibrant hues of green and purple. Chattanooga-based artist Christina Renfer Vogel’s “Turning Towards the Sun” features paintings that reflect an intentional turn towards beauty in the face of the tension & uncertainty of recent years. Through nourishing periods of focused observation, she has allowed herself to delight in jubilant color, playful pattern & sensual gesture. Her works delight in the delicate unfurling of a tender leaf & the gentle turn towards an open window, as flowers seek warmth & stretch towards sunlight in the space of a painting session. “Bringing plants...

Frank Mason (American, 1921-2009), Floral Still Life Scene, Oil on Canvas, 1970, signed lower right, signed, dated, and inscribed "Rome" verso, giltwood frame. Image: 13.5" H x 10.5...

An evening where everything is already decided without words. The space holds a sense of quiet confidence and gentle satisfaction. There is no rush, no anticipation. Just a moment t...

"In my oil paintings, captured in an impressionistic style, you can feel the liveliness and energy of a coastal town." said Anna Shesterikova about this artwork. "With every brush st...

A rich and very decorative Post Impressionist still life by the Lyonnais 20th Century artist Jean Dulac. The details of the work are as follows: Jean Dulac (French, 1902-1968) A va...

Vibrant Landscape With Mountains View Size: 24x30 framed 30x36 x1 Judith Sobel was born in Lwow Poland in 1924. After Word War II, she attended the Acade...

Couple of paintings depincting a Berber man and woman by the spanish artist ANGLADA PINTO Luis. The man is painted on panel and the woman on canvas. Both same size. Not framed. A bea...

An oil painting by Amy Florence (b. 1989, England) of two horses grazing on hay in a stable barn like structure. Signed "Amy Florence" in red paint, lower right, recto Framed in a custom Italian 3-inch wood frame with white-gold finish. 32.5 x 40.5 inches framed dimensions Horses have been depicted by artists since the prehistoric caves of Lascaux; the imposing four-legged animal served as a symbol of man’s dominance over the environment. Horses have also served as symbols of wealth and power, with regal paintings of kings...

This 19" x 26.25" framed work on paper by artist Pat Griffin depicts a dense and busy cityscape tucked into the nearby green brush and mountains. The dark but diluted greens are like...

El Balcon, the courting couple flirting over the balcony railing ala Romeo and Juliet. Hand signed lower right. Hand signed label verso Eliana Menassé is a Mexican painter and member of the Salón de la Plástica Mexicana, an honor society for Mexican artists She was born in New York, but lived in Mexico since she was two years old and considers herself Mexican. As of 2015 she lived and worked at her Mexico City apartment overlooking Parque México. She has been painting for over half a century and has held twenty five individual exhibitions since 1958. These include Universidad Autónoma Metropolitana (2010), Instituto Nacional de Ciencias Médicas y Nutrición (Hospital de Nutrición) (2008). Galería Alberto Misrachi (1995, 2001, 2006), a retrospective at the Galería Alba de la Canal, Universidad Veracruzana, Xalapa (2003), a retrospective at the Casa del Tiempo UAM (2001), a retrospective at the Museo de Arte de Aguascalientes (1997), Expo 4 Pintores, Sala Nacional INBA (1989), Galería “El Granero”, Torreón, Coahuila (1981), Galería Francisca Díaz (1980), Galería Merkup (1968, 1970 y 1972), Gallery of the Los Angeles Mart, Los Angeles, CA (1967), Steven Laurence Gallery, Detroit,MI (1967), Salón de la Plástica Mexicana (1963, 1966, 1975), Instituto Francés de América Latina (1962) and the Galería Tuso (1958). She has participated in over 250 collective exhibitions in various parts of Mexico as well as in the United States, the Netherlands, Germany, Japan and other countries. Her work can be found in the collections of the Ghetto Fighters' House in Israel, Bell Telephone Co. Museum in Chicago, Musée Beitar et Rami in Israel, Museo de Arte Contemporáneo, Morelia, Centro Cultural de Oaxaca, Museo del Estado de México, Toluca, Mexican Engraving Museum in Bulgaria, Colección Gráfica de la UNAM, México the General Motors Collection, The B. Lewin Collection of Mexican Art, Palm Springs Desert Museum, Los Angeles County Museum of Art, Museo de Arte de Aguascalientes, Colección Pago en Especie SHCP, Colección Instituto Nacional de Nutrición and the Acervo Cultural El Agora, Xalapa. She was a Jewish Mexican...

Rosina Beatrice Wild (British, 1878-1962) Pomegranates, grapes, apples, a melon and a marrow beside a pot plant Oil on board Signed `R B Wild’ (lower left) 18.1/4 x 21.1/4 in. (46.5 ...

A North Carolina native, Sharon Hockfield has always viewed life through a painter’s lens. She took art lessons at the Mint Museum as a young child, won numerous high school art awar...

Huile sur toile. Dimensions avec cadre: 71x63 cm. Isaac Antcher est un peintre moldave né le 21 janvier 1899 à Peresecina et mort à Malakoff le 21 av...

Original oil on canvas painting of Venice in twilight with the iconic Church of Santa Marie Della Salute in the background. Signed lower right by the artist. Condition is very good...

View Of The Hudson Valley Size 30x24 artist signed lower left. Jehudith Sobel The painting portrays a vibrant landscape view of the Catskill Mountains. In 1960s, Jehudith Sobel p...

Signed post impressionist landscape oil on panel by French painter Henri le Sidaner. The work depicts a nighttime view of the bay at Saint Servan, Brittany in the north of France. Th...

Erland Olsen (1878–1952) Sweden Lakeside Reflections, Värmland oil on board unframed 33 x 48.5 cm (13.00 x 19.09 inches) framed 49.5 x 64.5 cm (19.49 x 25.39 inches) unsigned Prov...

Signed fauvist landscape oil on canvas by French painter Louis Valtat. This stunning piece depicts a view of Bagatelle Park in the north of France in summer. The trees and the flower...

Luminoso paesaggio della Francia del Nord Tipica casa della regione della Normandia

Artist/ School: Suzanne Dinkés (French, 1895 - 1984) Title: The Village Street Medium: oil on board, unframed Size : 10.5 x 8.75 inches Provenance: private collection, France Co...