Post-Impressionist Paintings

Signed lower right, 'Ludvig Jacobsen' (Danish, 1890-1957) and dated 1926. An exceptional early twentieth-century figural work by this notable Danish modernist and follower of Wattea...

Louis Goyet (1907-1982) Self-Portrait with Pipe Oil on cardboard H. 44.5 cm - W. 35.5 cm Unsigned Louis Goyet is another example of a working-class painter. Living in the Lyon subur...

Henri Emilien Rousseau (1875-1933) Chevaux de goumiers c. 1930 Signé en bas à gauche "Henri Rousseau" Huile sur panneau 14 x 22 cm Henri Rousseau est né au Caire, en 1875. Sa famill...

Jean Salabet French, B. 1900 Le Grand Hotel, Paris ,1954 Jean Salabet was a School of Paris painter know for his colorful Parisian cityscapes. His work i...

Louise-Jeanne Cottard-Fossey (French 1902-1983) Still life with apples and wine bottle Oil on canvas, Signed ‘L COTTARD-FOSSEY’ (lower right) 18.1/8 x 21.1/2 in. (46 x 54.7cm.) Exh...

Title: Cucuron Provence Village Landscape Pastel Drawing Pierre Neveu Artist: Pierre Neveu (French b.1929) Medium: Pastel and coloured pencil on paper, unframed Size (H x W): 19.75 x...

Roger Marcel Limouse Collo, Algeria 1894 – 1989 Paris French Painter 'Interior with Flowers – Nature Morte' The painting "Interior with Flowers - Nature Morte," created by Roger Ma...

Altafulla, Spain - Mediterranean seascape with sailboarder This painting representing a Mediterranean seascape is a tribute to the sea and to travels. Thousands of dots are composi...

La Voile Rose (Cognac) by H. Claude Pissarro (b. 1935) Oil on canvas 50 x 61 cm (19 ³/₄ x 24 inches) Signed lower left, H. Claude Pissarro This work is accompanied by a certificate ...

Luminoso paesaggio innevato , particolare dimensione stretta e lunga ,perfatta sopra un sofà o mobile

This sunlit orange grove in the south of France dates from the years when Fauvism erupted in Paris. It sits where divisionism was giving way to pure colour. The short, blocky, directional strokes of the cobalt and turquoise sky still recall Signac and Cross. The palette, though, has broken free of optical theory. The trunks are rose-pink and violet, and the canopy is a lattice of emerald and ultramarine studded with golden fruit. Shadows fall as solid pools of indigo across ochre and terracotta ground. That hybrid handling places the work firmly in 1905–1908. In those years Matisse, Derain and their circle were making the same transition in the Midi, and Yarrow Jones...

Tamara De Lempicka 1898-1980 Polish Le turban orange (The Orange Turban) Oil on canvas Wrapped in a spectacular orange headdress, the alluring woman ...

Maurice RETIF (Sancoins 1887 - En Calcat 1966) The Descent of a Staircase, circa 1920 Oil on canvas Signed lower right 65 × 50 cm Maurice Rétif, originally from Nevers, qu...

Work sold to benefit the CLEVELAND INSTITUTE OF ART Joseph B. O’Sickey (American, 1918–2013) Interior Still Life with Chair and Flowers Pastel and oil on gre...

An intimate interior scene of a nude laying on the couch during the day. We are charmed by the rich choice of color and intimate details throughout this miniature work. This painting...

A perfectly Impressionistic work with beautifully loose, almost pointillist brushstrokes, focussing on the scintillating light and the remote hilltop atmosphere. Artist Frans Hog...

A lively and colorful winter scene oil painting depicting a snowy hill by the village with people sledding and skiing with much depth and detail. Capturing a cozy winter magic scene,...

William Henry Innes (1905-1999) Innes first exhibited his work during the Second World War while he was in the Royal Air Force. He showed extensively at the Royal Academy, New Engla...

ARTIST: Marjorie Webb (1903-1978) British TITLE: "Winter Sunset" SIGNED: Lower right MEDIUM: oil on canvas SIZE: 61cm x 51cm inclusive of frame CONDITION: very good NOTES: Painte...

Signed "A-Roy" in the lower left corner. The precise identity of the artist A. Roy has not been firmly established. Summer Village Road – A. Roy, French Post-Impressionist Landscape, circa 1908 An atmospheric early 20th-century French landscape signed A. Roy, depicting a sunlit country road leading towards a small rural village. The composition is structured around the winding path that extends from the foreground towards a group of warm terracotta-roofed houses in the distance. A solitary figure walking along the road introduces a subtle human presence and emphasizes the depth of the landscape. On either side of the path, abundant vegetation, rocks and mature trees are rendered with increasingly free and expressive brushwork. Particularly striking is the large tree dominating the right side of the composition, its foliage painted through loosely applied touches of olive green, ochre and silver-grey. The warm earth tones of the road and surrounding rocks contrast beautifully with the pale blue sky and luminous clouds. The combination of naturalistic observation, broken brushwork and an emphasis on changing light reflects the influence of French Impressionist and Post-Impressionist landscape painting at the beginning of the 20th century. A Roy painting, A Roy French painter, French landscape painting, French School painting, French Post-Impressionist painting, Post-Impressionist landscape, French Impressionist painting, Impressionist landscape, French countryside painting, rural village painting, village road painting, country road painting...

This painting features vibrant hues of orange and green. Chattanooga-based artist Christina Renfer Vogel’s “Turning Towards the Sun” features paintings that reflect an intentional turn towards beauty in the face of the tension & uncertainty of recent years. Through nourishing periods of focused observation, she has allowed herself to delight in jubilant color, playful pattern & sensual gesture. Her works delight in the delicate unfurling of a tender leaf & the gentle turn towards an open window, as flowers seek warmth & stretch towards sunlight in the space of a painting session. “Bringing plants...

"Martiques" (Martiques is an area close to Marseille in the South of France. It has long been popular with artists for many generations due to its strong light and sense of life). ...

Louis Goyet (1907-1982) Composition on a Tablecloth Oil on cardboard H. 55 cm - W. 44 cm Unsigned Louis Goyet is another example of a working-class painter. Living in the Lyon subur...

André Gisson (American/French, 1921-2003) Carousel Oil on canvas 24 x 36 inches (61.0 x 91.4 cm) Framed Dimensions 30.75 X 42.75 Inches Signed lower right: A. Gisson PROVENANCE: So...

"Flowers in the Black Vase" is an expressive floral composition made with acrylic on glued cardboard in the 60x60 cm format. The author works in a bold, almost impressive manner, cre...

This exquisite, small-scale oil painting is an exceptional work by the celebrated Belgian Pointillist master, Théo van Rysselberghe (1862-1926), executed circa 1902 during the absolu...

"This is a portrait of a sweet girl, the daughter of my friend, who I was visiting." said Anna about this portrait. "The little one played with me for a long time until she got tired...

John Edward Costigan, N.A. American, 1888-1972 Woman and Child Oil on canvas Signed ‘J.E. Costigan N.A.’ lower left 24 by 30 in. W/frame 32 by 38 in. John Costigan was born of Irish-American parents in Providence, Rhode Island, February 29, 1888. He was a cousin of the noted American showman, George M. Cohan, whose parents brought the young Costigan to New York City and was instrumental in starting him on a career in the visual arts. They were less successful in encouraging him to pursue formal studies at the Art Students League (where, however, he later taught) than in exposing him to the commercial art world through the job they had gotten him with the New York lithographing firm that made their theatrical posters. At the H. C. Miner Lithographing Company, Costigan worked his way up from his entry job as a pressroom helper, through various apprenticeships, to the position of sketch artist. In the latter capacity he was an uncredited designer of posters for the Ziegfeld Follies and for numerous silent films. Meanwhile, he had supplemented his very meager formal studies in the fine arts with a self-teaching discipline that led to his first professional recognition in 1920 with the receipt of prizes for an oil painting and watercolor in separate New York exhibitions. A year earlier, Costigan had wed professional model Ida Blessin, with whom he established residence and began raising a family in the sleepy little rural New York hamlet of Orangeburg, the setting for the many idyllic farm landscapes and wood interiors with which he was to become identified in a career that would span half a century. John Costigan’s first national recognition came in 1922 with his winning of the coveted Peterson Purchase prize of the Art Institute of Chicago for an oil on canvas, “Sheep at the Brook.” It marked the start of an unbroken winning streak that would gain him at least one important prize per year for the remainder of the decade. The nation’s art journalists and critics began to take notice, making him the recurring subject of newspaper features and magazine articles. The eminent author and critic Edgar Holger Cahill was just a fledgling reporter when he wrote his first feature, “John Costigan Carries the Flame,” for Shadowland Magazine in 1922. Costigan had his first one-man show of paintings at the Rehn Gallery on New York’s 5th Avenue in November, 1924, to be followed less than three years later by another at the Art Institute of Chicago. In addition, Costigan’s work has been—and continues to be included, side-by-side with that of some of America’s most high-profile artists, in museum and gallery exhibitions throughout the country. His renown had peaked in the early 1930s, by which time his work had been honored with nearly every major award then being bestowed in the fine arts and had been acquired for the permanent collections of several prestigious American museums, including New York’s Metropolitan (which only recently, in 1997, deaccessioned his “Wood Interior,” acquired in 1934). Although Costigan’s celebrity had ebbed by the late 1930s, the Smithsonian Institution saw fit in 1937 to host an exhibition exclusively of his etchings. And, in 1941, the Corcoran Gallery (also Washington, D.C.) similarly honored him for his watercolors. (Another Washington institution, the Library of Congress, today includes 22 Costigan etchings and lithographs in its permanent print collection.) During World War II, Costigan returned briefly to illustrating, mainly for Bluebook, a men’s pulp adventure magazine. A gradual revival of interest in his more serious work began at the end of the war, culminating in 1968 with the mounting of a 50-year Costigan retrospective at the Paine Art Center and Arboretum in Oshkosh, Wisconsin. Oils, watercolors and prints were borrowed from museums and private collections throughout the country, and the exhibition was subsequently toured nationally by the Smithsonian Institution. John Costigan died of pneumonia in Nyack, NY, August 5, 1972, just months after receiving his final prestigious award —the Benjamin West Clinedinst Medal of the Artist’s Fellowship, Inc., presented in general recognition of his “...achievement of exceptional artistic merit...” in the various media he had mastered in the course of his career. This painting depicts one of the artist's favorite themes --the farm family bathing...

'Balazuc' (Ardeche region of the South of France) Artist: Pierre Neveu (French b.1929) signed lower right Medium: oil on canvas, framed Framed: 9.5 x 15.5 inches Canvas: 7.5 x 13 in...

Fauvist oil on board landscape circa 1905 by British painter Robert Polhill Bevan. The piece depicts a view of farm in Sussex. The red-roofed farmhouses are nestled between lush gree...

"Paraglider Over Gams" is a small sketch that I painted en plein air." said Anna Shesterikova about this artwork. "April mood, mountains, church - everything is buried in the foam of...

In his work, “Halloween, Bleeker Street,” Alec Montroy depicts costumed figures parading down Bleeker Street carrying various protest signs, including anti-Bush posters and signs pro...

The painting "Evening" transports the viewer to a mysterious world, where the artist-poet's true inner self is revealed on the canvas. Glowing clusters of fantastical flowers seem to...

In this oil painting, I've captured the serene dance of light across the water, embracing the fluidity of shadows and reflections. I remember the gentle sway of boats and the caress ...

The present Joseph Stella work is a sensitive study of a botanical arrangement of thistles in a vase resting atop a Corinthian pedestal that sits on a tabletop. Signed, dated lower r...

View From The Balcony Signed lower right canvas 24x36 Judith Sobel was born in Lwow Poland in 1924. After World War II, she attended the Academy of Fine Ar...

Passage is a colorful painting made by Evelyne Ballestra, a French contemporary artist. This orange tons expressionist painting is inspired from an enchanted wood, showing the nature...

Axel Haggren (1898–1968) Sweden Mountain Landscape, 1936 signed and dated lower left A. Haggren -36 oil on panel unframed 39 × 49 cm (15.4 × 19.3 in) framed 50 × 59 cm (19.7 × 23.2...

Henri SIZELER (1884-1944) Portrait of a young man, 1904 Oil on cardboard, Signed and dated April 1904 lower right Work: 27 x 35 cm Frame: 34 x 42 cm Very good condition Among Henr...

Jean Salabet French, 20th Century La Poste Jean Salabet was a School of Paris painter know for his colorful Parisian cityscapes. His work is comparable to th...

A steam fishing boat rides out alone on a green sea beneath a breaking storm, the sky split on the diagonal between a bank of heavy violet and slate-blue cloud sweeping in from the r...

A vibrant explosion of nature. This artwork captures a lavish bouquet brimming with energy and light. Soft textures meet bold gestures in a dance of botanical forms. The composition ...

Sunlit Orchard with Red Roof Farmhouses at Bellefosse Pierre Neveu (French, b. 1929) Signed and inscribed Bellefosse. Medium: watercolour on artist paper. Size: 10 × 24.5 inches Prov...

The painting "Horse Stable" (60x80 cm), done in oil on canvas, is a large study, painted from life in a decorative manner. The peculiarity of the work lies in its clear and transluce...

Carmen Espel Vives - Mansion with Garden and Palm Tree - Oil on Canvas - 65 x 50 cm Oil on canvas. Signed by the artist in the lower right. Artwork: 65 × 50 cm (25.6 × 19.7 in.). O...

Image dimensions: 33cm x 40cm / 13 inches x 15¾ inches Framed dimensions: 50cm x 56cm / 19.7 inches x 22 inches This beautiful original oil painting by Alexandre Jacob depicts a the...

���If you don't like the weather in New England now, just wait a few minutes.�۝ - Mark Twain The weather in Hawaii provides a similar effect, or rather than waiting as it changes, a person can experience radiant sunshine and pouring rain simultaneously. This one in a series of "windshield paintings"is painterly, brushy, a little bit textured, and slightly raised, particularly for the drops. Painted on gallery wrapped linen, on 1 1/2 inch deep stretchers. The edges are hand painted, providing a finished look, suitable for framing, or beautiful left as is. A childhood of moving and traveling around the United States has shaped Katherine Kean�۪s vision, as have journeys to eastern Africa, Mexico, Scotland, France and painting jaunts all over Kean�۪s now native California. Born in West Virginia, moving later to Ohio and New Jersey, but growing up mainly in Massachusetts, she attended Rhode Island School of Design, graduating with a BFA in Film, Video and Animation. Long fascinated by the intersection of order and chaos in the natural world, Katherine Kean skillfully uses observation, memory, and interpretation to translate her love of nature�۪s kinetic phenomena into paintings that capture the often turbulent emotions within light, weather, and landscapes. Her work has exhibited in museums and galleries across the United States, including the LACMA Art Rental and Sales Gallery and the Brand Library Art Gallery in Los...

My fantasy of a mountain village :: Painting :: Pointillism :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Signed: Yes...

Hela is an emerging contemporary artist whose vibrant and playful paintings celebrate the quiet glamour of everyday life. With a focus on table settings, cocktails, glassware, and el...

A beautiful mixed media painting by Bernard Lamotte. A crowded park in Paris is focused on a horse drawn carriage with French flags in the background. Watercolor, pen, mixed media o...

Wrapped in Wild Grass is a manifesto of vital force and the right to a unique blooming. The tall, vibrant clusters of fireweed, pushing through the dense weave of meadow grasses, emb...

Mediterranean Garden with Woman, Colorful Spanish Figurative Oil Painting José Antonio Pineda Bueno (Motril, Spain, 1950) Title: Luz en el jardín Medium: Oil on canvas Painting size...

Artist/ School: Suzanne Dinkés (French, 1895 - 1984) Medium: oil on canvas, unframed Size : 18 x 22 inches Signed verso Provenance: private collection, France Condition: The painting...

William Henry Innes (1905-1999) Innes first exhibited his work during the Second World War while he was in the Royal Air Force. He showed extensively at the Royal Academy, New Engla...

GUSTAVO BACARISAS Gibraltian, 1873 - 1971 SAINT PETER´S SQUARE, ROME signed "G. BACARISAS. ROMA : 08" (lower left) oil on canvas 19-1/4 x 27-1/4 inch...

Oil on canvas

Albert Sheldon Pennoyer was born in Oakland, California in 1888. He was the son of a prosperous merchant who owned a store known as Taft And Pennoyer. At a young age, the family mov...

Henri Ottmann Les Bords de Seine (The Banks of the Seine) 1877-1927 Oil on canvas, signed lower left Image size: 20 3/4 x 25 1/4 inches (53 x 64 cm) Hand-carved giltwood frame Prove...

Paloma Ripollés Sunset Contemporary Landscape Painting Oil Paint on Canvas Canvas Size: H 89cm x W 116cm Sold Unframed Please note that insitu images are purely an indication of how ...

Bord de Riviere Soleil Couchant by Paulémile Pissarro (1884-1972) Oil on canvas 46 x 55 cm (18 ¹/₈ x 21 ⁵/₈ inches) Signed lower left, Paulémile Pissarro Signed and titled on the rev...