Post-Impressionist Paintings

Farmhands working in a field on a hot summer's day. Building on iconic depictions of farmworkers by Millet, Huys sought to imbue his figures with a sensitivity and reverence that ...

Signed and titled pastel on paper figures in landscape circa 1990 by French post impressionist painter Hugues Claude Pissarro. The work depicts a view of the tramway on the Rue de No...

Dorothy King was born and lived in London in 1907. She studied at the Hornsey School of Art under JC Moody, then briefly at the Slade School of Fine Art with Randolph Schwabe. She to...

"I was inspired to create this painting by a trip to one of the small Swiss towns." said Anna Shesterikova about this painting. "There I saw a garden blooming behind the big old gate...

Original oil on canvas painting of a Parisian beauty in Paris, France by Gustave Cheri Manes. Signed lower right “Cheri” the artist’s middle name. Condition is very good. Circa 196...

Penny Whent (American, born 1949) "Asilomar Path" 2024 Acrylic Paint, Canvas, Stretcher Bars The artist signed the back of the painting. Framed: 13.5" x 13.5" x 2" “Asilomar Path” ...

This dignified portrait of an Indian with a rifle was most likely painted when Walt Louderback was in Paris in the early part of the twentieth century. The word Paris is indistinctl...

Toits Rouges à Menton by Georges Manzana Pissarro (1871-1961) Oil on board 40 x 56.5 cm (15 ¾ x 21 ⅞ inches) Signed and dated lower left, Manzana Pissarro 1953 The last years of his...

She is young, she is beautiful and carefree. The sun warms her face and makes her hair shine. This work is inspired by the Mediterranean lifestyle, by the hot sun of Spain, the tu...

"Sinfonía de Colores" Artist: David Gamero Medium: Oil on canvas Size: 28.75" x 28.75"

The painting explores the theme of silence and disappearance through the soft silhouettes of houses mirrored in a calm water surface. Under a clear blue sky, solid walls lose their m...

With Standing Tall, Lesley Powell turns her gaze skyward to explore verticality, light, and the quiet elegance of built form. This 12 x 12 inch (unframed size) oil on panel features ...

Signed oil on canvas landscape circa 1910 by French post impressionist painter Raymond Thibesart. The piece depicts a view of a small rural village deep in winter. The roof tops and ...

Penny Whent (American, born 1949) "Asilomar Coast" 2024 Acrylic Paint, Canvas, Stretcher Bars The artist signed the back of the painting. Framed: 18" x 18" x 2" “Asilomar Coast” by...

Oil on canvas, signed bottom right Image size: 26 1/4 x 19 3/4 inches (41.5 x 50 cm) Hand made gilt frame Provenance Artist's Estate This work is sold with a certificate of authe...

Frank Mason (American, 1921-2009), Floral Still Life Scene, Oil on Canvas, 1970, signed lower right, signed, dated, and inscribed "Rome" verso, giltwood frame. Image: 13.5" H x 10.5...

Tamara De Lempicka 1898-1980 Polish Le turban orange (The Orange Turban) Oil on canvas Wrapped in a spectacular orange headdress, the alluring woman ...

MADELAIN Gustave (1867 - 1944) Carnival Day at the Place de la Republique in Paris with Characters Oil on canvas signed low left and dated 1927 Original ...

The work reflects on life outside the human value system. On a world where only animals and flowers remain—wild, whole, making no attempt to conform or earn the right to exist. Here,...

Andre Gisson American, 1921-2003 Mother & Child in a Landscape Oil on canvas 24 by 36 in. W/frame 32 by 44 in. Signed lower left Framed in an important Carrig Rohane frame...

The boatman, Marais Poitevin by Paulémile Pissarro (1884-1972) Oil on canvas 73 x 60 cm (28 ³/₈ x 23 ⁵/₈ inches) Signed lower right, Paulémile- Pissarro. Painted circa 1930's This w...

Diane Hart This piece titled "Evening Shadows" was created using acrylic on canvas and is in a white modern frame. Keywords: trees, evening, sunset, ...

Signed fauvist oil on canvas figures in landscape by French painter Louis Valtat. The work depicts a view of the Arc du Triomphe du Carrousel from the Louvre in Paris, France. A beau...

Born in Russia, the son of Friede (1878 – 1956) and Benjamin Hoffman (1878 – a. 1942). Benjamin was a dealer in mineral and seltzer water and the family resided on Snediker Avenue in Brooklyn, New York, just down the streetfrom the home where George Gershwin (1898 – 1937) was born. This area of Brooklyn, known as Brownsville, “witnessed the development of one of the largest communities of Eastern European Jewish immigrants during the last decade of the 19th century and the first two decades of the 20 th century.” Today, little remains of this once thriving Jewish section of Brooklyn, which today houses many commercial and repair businesses. Hoffman studied at the Art Students League of New York, the National Academy of Design and in the art program at Cooper Union. His work at the National Academy received praise, and in 1921 he was awarded the 2nd prize and an honorable mention from the John Armstrong Chaloner Paris Prize Foundation at the National Academy, which allowed the recipient to study in Paris, France for as long as five years. The following year he was awarded the 1 st prize in the competition (with The Reform Advocate running the headline “Young Jew Wins Art Prize”) as well as the Suydam Bronze Medal for his achievements in the Academy’s Men’s Night Class. In 1923 he was residing in Long Branch, New Jersey, when he was awarded 4th place in the Chaloner competition. Early on, Hoffman exhibited his work throughout the city, including in 1925 with the recently organized Society of Independent Artists. He also received several solo exhibitions during the first part of his career, including one at Ferargil Galleries in 1929. In the spring of 1930 a solo exhibition of his portraits, including paintings and drawings, was held at at Babcock Galleries, where a reviewer noted: “Portraiture is obviously Mr. Hoffman’s specialty… his best work is characterized by a sensitive appreciation of character set down in a vigorous decisive statement. Later that same year, in August, he participated in Babcock’s summer exhibition where reviewer Jerome Klein, writing for The Baltimore Sun, felt Hoffman’s and other artists work was already becoming old fashioned, remarking “…if an effort toward accomplishment is to be made, it must be in the language of today. It is for that reason that such contemporaries as Eugene Higgins and Nathan Hoffman, in this show, seem artists of a bygone era…” The onset of the Great Depression appears to have slowed his success, as was the case for many up-and-coming artists. By 1939 Hoffman had become a gallerist in addition to being a painter, operating the collective exhibition space “Sutton Gallery,” which was originally located at 358 East 57th Street. There Hoffman exhibited his own works as well as those created by other prominent New York artists including David Burliuk (1882 – 1967), Charles C. Curran (1861 – 1942), Louis Eilshemius (1864 – 1941), Ann Goldthwaite (1869 – 1944), Maurice Kish (1895 – 1987), Lawrence Lebduska (1894 – 1966), Bradford Perin and Ellis Wilson...

Post-impressionist still-life painting by Albert Andre. A similar picture is in the collection of The Phillips Collection, Washington, D.C.

Signed upper left, 'O. Foss' for Olivier Foss (French, 1920-2002) and painted circa 1945. Born in Hanover, Germany, Olivier Foss first studied art in Berlin and, subsequently, in Pa...

The still life with a watermelon was painted from nature in the artist's garden in the summer of 2020. Still life with flowers is one of Anna Shesterikova's favorite genres. The arti...

Entitled “Sailing Boat,” this pointillist woodcut by renowned Chinese artist Ren Hui depicts a lone sailboat at sea within a network of small notches into painted plywood. Red Hui's ...

Jean Salabet French, 20th Century Montmartre Jean Salabet was a School of Paris painter know for his colorful Parisian cityscapes. His work is comparable to those of Jules Herve, An...

RAMÓN CASAS Spanish, 1866 - 1932 CORRIDA signed "R. Casas" (lower left) oil on canvas 15 x 18-1/8 inches (38 x 46 cm.) framed: 23-1/4 x 26 inches (59 x 66 cm.) PROVENANCE The artist...

This painting depicts a whimsical portrait of "The Clown" against a Prussian deep green background. The subtle color tones used and quick brush strokes create a luminous atmosphere f...

MADELAIN Gustave (1867 - 1944) Paris river Banks with Barges Oil on canvas signed low left Framed by Gault (Paris) Canvas size : 50 X 73 cm - Frame size : 70 X 93 cm MADELAIN Gustav...

Paris, Montmartre Sacré Coeur in Winter Oil on canvas signed low left Framed by Gault (Paris) Dim canvas : 46 X 55 cm Dim frame : 68 X 76 cm AMEGLIO Mério...

Ernest Fiene depicts Fifth Avenue, looking down from 57th Street, with an unobstructed view of the Empire State Building, as an evocation of night. The artist captures a dark, moody blue sky, with light bouncing back from the clouds. This contrasts with the somewhat haunting yellow glow given to pedestrians and street traffic. The absence of newer glass-and-steel architecture provides the painting with the charm of old New York. The people have a slightly zombie-like quality, akin to George Tooker. Condition: Good/Fair. Best viewed with a top and direct gallery light...

Emilio Grau Sala 

(Spanish, 1911-1975)

 Title: Le Cirque
 Medium: oil on canvas
 Size: 15 x 24 inches / 25 x 33 ½ inches
 Markings: Signed lower right


CELSO LAGAR Spanish, 1891 - 1966 FAIRGOERS IN FRONT OF ROULOTTES signed "Lagar" (lower right) oil on canvas 18-1/4 x 15 inches (46 x 38 cm.) framed: 29-1/4 x 26 inches (74 x 66 cm.) PROVENANCE Private French Collector Celso Lagar Arroyo (Ciudad Rodrigo, 1891 - Seville, 1966) was an expressionist Spanish painter of the first generation of the School of Paris, where he lived most of his life. He was influenced by avant-gardes of all kinds, such as cubism and fovism. He painted mainly landscapes and still lifes...

La Corderie et le Pain de Sucre by Paulémile Pissarro (1884-1972) Oil on canvas 65 x 54 cm (25 ⁵/₈ x 21 ¹/₄ inches) Signed lower left, Paulémile- Pissarro- Signed and titled on the r...

As an astute observer of female beauty, Mario Zamparelli showcases his portrait painting skills in this mid-century montage of four stunning young women. The closer the viewer gets...

View From The Balcony Signed lower right canvas 24x36 Judith Sobel was born in Lwow Poland in 1924. After World War II, she attended the Academy of Fine Ar...

Jacques Dutil (French, circa 1952) A kitchen still life including garlic, apples and pears Oil on canvas Signed and dated ‘Dutil 52’ (lower right) 19¼ x 38⅞ in. (48.8 x 99 cm.) A vib...

Gines Parra (Spanish, 1896–1960) Three maidens Oil on board Signed and dated ‘PARRA 56’ (lower left) 19.5/8 x 23.1/2 in. (50 x 60 cm.) Three Egyptian women sit closely together in a ...

Joachim Weingart (Ukrainian, 1895–1942/45) Vase of flowers Gouache on paper Signed ‘Weingart’ (lower middle) 20.3/8 x 16 in. (51.5 x 40.5 cm.) A vibrant and highly expressive floral ...

William Henry Innes (1905-1999) Innes first exhibited his work during the Second World War while he was in the Royal Air Force. He showed extensively at the Royal Academy, New Engla...

Frank Hill is a professional artist living and working in North Norfolk. He studied art at Waltham Forest School of Art and later at St Martins School of Art. Frank’s professional career included employment with various advertising agencies and commercial studios as a designer and illustrator, later becoming self-employed as a freelance illustrator working for both advertising and publishing clients. Over the course of his long career Frank has illustrated many children's and educational books, including Enid Blyton...

Yellow, shaggy sunflowers are a symbol of the warm sun, summer and the beauty of the world! This painting gives the viewer harmony and at the same time charges with energy and optimi...

Enrico VEGETTI (Turin, Italy 1863 - Nernier 1951) The last portrait or Selfportrait Oil on panel Signed lower left Title on the back Work: 24.5 x 23 cm Frame: 29.5 x 27.5 cm Proven...

In "Awaken 1," the observer encounters the penetrating gaze of a male figure bathed in inviting warm tones, while the shadows contrast with cool blues and purples. The artist, Haleh ...

Paul Madeline 1863 – Paris – 1920 French Painter 'A View of Ghent' Signature: signed lower right ‘P. Madeline’ Medium: oil on canvas Dimensions: image size 46,5 x 55,5 cm, frame s...

William Henry Innes (1905-1999) Innes first exhibited his work during the Second World War while he was in the Royal Air Force. He showed extensively at the Royal Academy, New Engla...

This painting features vibrant hues of orange and green. Chattanooga-based artist Christina Renfer Vogel’s “Turning Towards the Sun” features paintings that reflect an intentional turn towards beauty in the face of the tension & uncertainty of recent years. Through nourishing periods of focused observation, she has allowed herself to delight in jubilant color, playful pattern & sensual gesture. Her works delight in the delicate unfurling of a tender leaf & the gentle turn towards an open window, as flowers seek warmth & stretch towards sunlight in the space of a painting session. “Bringing plants...

Marcel Dyf, France (1899-1985) Claudine Medium: Oil on canvas Framed size: 29.5 x 26 Inches Unframed size: 21.5 x 18 Inches Signature: Signed Provenance: Private collection, UK ...

This fabulous Portrait of Andre Cottavoz's patron, Mark Rosenhaft is an expressive and memorable work. Everything about it is super - from the individu...

PRINS Pierre Ernest (1838-1913) Pastel on card signed low right and dated 1912 Luxury frame gilded with gold leaves with protective glass cover Card Size ...

Paris, quay of Seine and bookstall Oil on canvas signed low left Framed by Gault (Paris) Dim canvas : 46 X 55 cm Dim frame : 68 X 76 cm AMEGLIO Mério (1...

Signed oil on canvas landscape circa 1940 by French post impressionist painter Raymond Thibesart. The piece depicts a lake on a grey misty day. There is a bare tree in the front of t...

French mid century view of a classical statue in the park at Versaille, oil on panel, by Emile-Marie Beaume. The painting is signed and located to the back of the panel. A solitary ...

David Ambrose’s fascination with paper began as a child as when convalescing from major surgery on his right leg at the age of seven. Paper became the playground for his imagination ...

John Edward Costigan, N.A. American, 1888-1972 Bathers Oil on canvas Signed ‘J.E. Costigan N.A.’ lower left 20 by 24 in. W/frame 26 by 30 in. John Costigan was born of Irish-American parents in Providence, Rhode Island, February 29, 1888. He was a cousin of the noted American showman, George M. Cohan, whose parents brought the young Costigan to New York City and was instrumental in starting him on a career in the visual arts. They were less successful in encouraging him to pursue formal studies at the Art Students League (where, however, he later taught) than in exposing him to the commercial art world through the job they had gotten him with the New York lithographing firm that made their theatrical posters. At the H. C. Miner Lithographing Company, Costigan worked his way up from his entry job as a pressroom helper, through various apprenticeships, to the position of sketch artist. In the latter capacity he was an uncredited designer of posters for the Ziegfeld Follies and for numerous silent films. Meanwhile, he had supplemented his very meager formal studies in the fine arts with a self-teaching discipline that led to his first professional recognition in 1920 with the receipt of prizes for an oil painting and watercolor in separate New York exhibitions. A year earlier, Costigan had wed professional model Ida Blessin, with whom he established residence and began raising a family in the sleepy little rural New York hamlet of Orangeburg, the setting for the many idyllic farm landscapes and wood interiors with which he was to become identified in a career that would span half a century. John Costigan’s first national recognition came in 1922 with his winning of the coveted Peterson Purchase prize of the Art Institute of Chicago for an oil on canvas, “Sheep at the Brook.” It marked the start of an unbroken winning streak that would gain him at least one important prize per year for the remainder of the decade. The nation’s art journalists and critics began to take notice, making him the recurring subject of newspaper features and magazine articles. The eminent author and critic Edgar Holger Cahill was just a fledgling reporter when he wrote his first feature, “John Costigan Carries the Flame,” for Shadowland Magazine in 1922. Costigan had his first one-man show of paintings at the Rehn Gallery on New York’s 5th Avenue in November, 1924, to be followed less than three years later by another at the Art Institute of Chicago. In addition, Costigan’s work has been—and continues to be included, side-by-side with that of some of America’s most high-profile artists, in museum and gallery exhibitions throughout the country. His renown had peaked in the early 1930s, by which time his work had been honored with nearly every major award then being bestowed in the fine arts and had been acquired for the permanent collections of several prestigious American museums, including New York’s Metropolitan (which only recently, in 1997, deaccessioned his “Wood Interior,” acquired in 1934). Although Costigan’s celebrity had ebbed by the late 1930s, the Smithsonian Institution saw fit in 1937 to host an exhibition exclusively of his etchings. And, in 1941, the Corcoran Gallery (also Washington, D.C.) similarly honored him for his watercolors. (Another Washington institution, the Library of Congress, today includes 22 Costigan etchings and lithographs in its permanent print collection.) During World War II, Costigan returned briefly to illustrating, mainly for Bluebook, a men’s pulp adventure magazine. A gradual revival of interest in his more serious work began at the end of the war, culminating in 1968 with the mounting of a 50-year Costigan retrospective at the Paine Art Center and Arboretum in Oshkosh, Wisconsin. Oils, watercolors and prints were borrowed from museums and private collections throughout the country, and the exhibition was subsequently toured nationally by the Smithsonian Institution. John Costigan died of pneumonia in Nyack, NY, August 5, 1972, just months after receiving his final prestigious award —the Benjamin West Clinedinst Medal of the Artist’s Fellowship, Inc., presented in general recognition of his “...achievement of exceptional artistic merit...” in the various media he had mastered in the course of his career. This painting depicts one of the artist's favorite themes --the farm family bathing...

Le Père Heudiard en Barque au Barrage du Vey by H. Claude Pissarro (b. 1935) Oil on canvas 46 x 55 cm (18 ¹/₈ x 21 ⁵/₈ inches) Signed lower right, H. Claude Pissarro This work is ac...

Maurice Brianchon was born at Fresnay-sur-Sarthe in January 1899. He first studied in Bordeaux at the École des Beaux-Arts under Paul Quinsac, a sculptor; in 1917 he moved to Paris a...