Victorian Paintings

Charles Jones British, (1836-1892) Highland Cattle by Loch Linnhe Oil on canvas, signed with monogram & dated (18)87, inscribed verso Image size: 23.25 inc...

Artist/ School: Kathleen Crow (British, contemporary), signed with monogram Title: The Secret Garden Path Medium: oil on canvas, unframed Canvas : 20...

Artist/ School: British School, late 19th century Title: Sunset over a Highland Loch. Most likely Scottish but possibly Irish. Medium: oil painting ...

John Rogers Herbert RA 1810- 1890 Oil on canvas, dated '1850' lower right on sword strap Image size: 33 ½ x 23 ½ inches Gilt Watts frame This striking painting, depicts David as a y...

Alfred de Breanski Snr British, (1852-1928) Near the Fairy Glen Betws-y-Coed Oil on canvas, signed & transcribed verso Image size: 23.5 inches x 35.5 inches Size including frame: 31 ...

19th Century English School oil painting on copper, framed framed: 18 x 14 inches board: 13 x 8 inches provenance: from a collection in Derbyshir...

Victorian Hunting Shooting Landscape Scene, Large Oil Painting depicting a Rifleman and his Hunting Dogs, gun cocked to shoot. This is a large Oil Painting on Canvas, it came from ...

Sheep in the Highlands Frank Clark (British, late 19th/ early 20th century) signed oil painting on canvas board, framed framed: 19.5 x 27 inches painting: 16 x 24 inches condition: v...

Resting by the River English artist, 19th century oil on canvas, framed framed: 12.5 x 14.5 inches canvas: 10 x 12.5 inches provenance: private collection, England condition: very go...

Wonderful Antique Victorian Welch landscape, Ruined Castle by the shore side with moored fishing boats Joseph Horlor was born in Bath in 1809 and was a landscape painter of Welsh sc...

Artist/ School: Frank Murray, Scottish late 19th century Title: A figure returning a crofters cottage besides a river or lake in the Highlands. Medium: watercolour painting, frame...

Children at the Stream By T. Stevens, British 19th century Signed, oil painting on canvas, framed Framed: 12.75 x 19 inches canvas: 10 x 16 inches Condition: The painting is in very ...

Artist/ School: Andrew Adie Dalgleish (Scottish active 1880-1904), signed and titled verso Title: Winter, Ayrshire Medium: oil on canvas, framed Framed: 28.5 x 22 inches Canvas: ...

Waiting for the Master English School, first half 20th century oil painting on canvas, framed framed: 25 x 28 inches canvas: 22 x 27 inches provenance: private collection, England ...

Laying the Nets by Andrew Grant Kurtis (British contemporary) signed oil painting on canvas, framed framed: 24 x 35 inches canvas: 20 x 30 inches provenance: from a UK collection co...

This charming Dutch Romantic Golden Age picturesque winter landscape oil painting is by Everardus Benedictus Gregorius Pagano Mirani. It was painted in 1848 and is signed and dated lower right. The composition is a lovely bright snow scene of a frozen river and wide track beside it. Figures are skating and playing on the ice while others drag various goods through the snow. Some stunning trees line the path and the whole image is bathed in winter sunlight. A really lovely large picture postcard Dutch winter landscape oil painting which harks back to the Dutch Golden Age and was so popular with the Dutch. The brushwork and detail are superb and this is a lovely example of Mirani's work who was one of the finest Romantic landscape painters of his day. Signed and dated 1848. Provenance. Midlands estate. Condition. Oil on canvas, image size is 44 inches by 35 inches and in good condition. Frame. Housed in a fine gilt gallery frame, framed size is 51 inches by 42 inches and in good condition. Everardus Benedictus Gregorius Pagano Mirani (1810 - 1881). Mirani grew up in the Golden Age of Dutch painting, dominated by the Romantic landscape genre. This movement founded by Barend Cornelis Koekkoek...

"Loch Katrine" by F. E. Jamieson (British 1895-1950) signed, lower corner oil painting on canvas, framed framed: 19.5 x 27 inches Fine quality antique oi...

Artist/ School: Michael Wood, British 20th century, signed Title: A huntsman mounted with four hounds at foot in a landscape Medium: oil painting on can...

Sunset in the Scottish Highlands by F. E. Jamieson (British 1895-1950) oil painting on canvas, unframed canvas : 20 x 30 inches provenance: private collection, UK condition: very goo...

Artist/ School: English School, late 19th century, signed lower corner. Title: The Watermill. Medium: oil painting, on canvas. Size: frame: 21 x 27 inches painting: ...

Playing for her Father by William Maw Egley (British, 1827-1916) inscribed verso oil on board, framed framed: 13 x 16 inches board: 9 x 12.5 inches provenance: private collection, En...

John Frederick Herring Snr (Surrey 1795-1863 Kent) Ducks and Pigeons in a Barn Interior Signed and dated 1858 Oil on canvas Painting size 18 1/2 x 28 1/2 in Framed size 24 x 33 1/2 in John Frederick Herring Sr. was born on September 12, 1795, in London, England. He was the son of a London-based fringe maker, and the family lived in modest circumstances. Although little is known about his early education, Herring showed a natural affinity for art and horses from a young age. His father moved the family to Doncaster when Herring was still a boy, a town famous for horse racing, which would play a significant role in shaping his future career. Herring’s love for horses became evident during his youth, where he worked as a coachman and sign painter. He often painted inn signs...

Gathering the Harvest English School, 20 th century, painted in an earlier style oil painting on board, in moulded gilt frame framed: 14 x 16 inches board: 8.5 x 10 inches provenanc...

The Scottish Highlands signed by F. E. Jamieson (British 1895-1950), signed with artists pseudonym oil on canvas, framed framed: 26 x 35 inches canvas: 20 x 30 inches provenance: pri...

The Cottage Interior English artist, 19th century oil on canvas, unframed canvas: 24 x 36 inches provenance: private collection, UK condition: a few small scuffs to the surface and m...

Lucienne Lemercier was a French painter from the latter part of the 19th century through the early 20th century. She came from a family of creative people and took to painting at a...

Very fine original oil painting by the highly regarded Suffolk School artist, Edward Robert Smythe (1810-1899). The painting is signed to the lower left and is a very fine example of this important artists work. Painted in oils on canvas, the artist has captured a traveller resting beside her camp, with a small fire burning to the right and her horse standing to the left. With the frame, the painting measures 16 by 18 inches. The painting comes to us from a private collection of Suffolk School paintings, housed in Suffolk, England, where we understand it has resided for many years. Born at Berners Street, Ipswich in 1810, son of James Smyth (1780-1863) and his wife Sarah Harriet née Skitter; James, who was an accountant with the bank Bacon, Cobbold, Durningham & Cobbold in Tavern Street, Ipswich added a final 'e' to his surname. Edward attended the school of Robert Burcham Clamp and had a liking for a military career but his love of art took his fancy. Elected a member of the Ipswich Society of Professional and Amateur Artists on 1 March 1832 and attended his first meeting on 18 November the same year and was probably working under Henry Davy [q.v.] and where he met many local artist members. In his younger days he had a studio in the Old Shire Hall, Ipswich where he painted with such artists as Samuel Read [q.v.], Walter Hagreen [q.v.], Frederick Russel [q.v.] and Robert Burrows [q.v.]. About 1840 he moved to Norwich to study the Norwich School of painting where he became acquainted with Robert Ladbrooke’s son, Frederick [q.v.] and is said to have worked with John Sell Cotman [1782-1842] but returned to Ipswich some five years later, taking a house in Bramford Road. He married at Ipswich in 1848, Ellen Bowman of Ipswich and where his first child Edward Robert, jun. was born the following year. In 1851, giving his age as 32, is living at Elmswell, Suffolk with his 24 year old wife Ellen and son but later that year moved to 3 Angel Hill, Bury St Edmund’s, where he kept company with his friend Fred Ladbrooke. By 1861, still at Angel Hill, they had further children born at Bury St Edmund’s, Francis (Frank) Rowland 1852, Ellen Kate 1854 and Mary Emily 1856, their daughter Louisa Jane, died at Angel Hill, Bury St Edmund’s on 7 April 1861, aged 3 years and 7 months. He exhibited at the Suffolk Fine Arts Association at the New Lecture Hall of the Mechanics' Institution, Ipswich in August 1850 several oil paintings including 'Chapel Viaduct, Colne Valley', 'A Group of Animals', 'A Sketch Ploughing', 'Ponies and a Dog' and 'A Landscape' and a watercolour 'The Ruling Passion strong in Death' and was also a member and exhibitor at the Ipswich Art Club 1886-1898. He also exhibited five works at the Royal Academey including 'View in the Colne Valley at Chappel, Essex' and exhibited five works at the British Institution including 'Pony and Boy' and 'The Village Blacksmith'. In 1865 Edward was living at 98 Risbygate Street, Bury St Edmund’s, and his wife died at 69 Risbygate Street, Bury St Edmund’s in 1879, aged 52. By 1891 he had moved in with his married daughter Ellen Kate, who had married at St Matthew’s church Ipswich on 10 May 1886, George Robert Chilvers, a tobacco manufacturer, at Burlington Lodge, 30 Burlington Road, Ipswich where he died on 5 July 1899, aged 88, and buried in Ipswich cemetery three days later. Five of his painting were on show at the Centenary exhibition of the Ipswich Art Club in 1974 a pastel 'Crossing the Stream...

Thomas Smythe (1825–1906) Dogs in a stable interior Oil on board Painting size - 10 x 10 in Framed size - 15 x 15 in Thomas Smythe was a prolific 19th-century British painter, celeb...

Alfred Arthur Brunel de Neuville French, (1852-1941) Still Life of Fruit in a Basket Oil on canvas, signed Image size: 14.5 inches x 17.5 inches Size including frame: 23.25 inches x ...

Artist/ School: Continental School (19th Century) Title: Cherubs In Garden Setting Medium: oil on canvas, framed in beautiful gilt frame. Frame...

The Highland Loch by Prudence Turner, British b. 1930, signed. oil painting on canvas, framed. framed: 13.25 x 15.25 inches canvas: 8 x 10 inches Provenance: private collection, ...

Scottish Cliffside, Antique Oil Painting, Signed by F. E. Jamieson (British 1895-1950) Signed on the lower right hand corner oil painting on canvas, framed Framed size: 23 x 33 inche...

The River Crossing by Richard Sebastian Bond (British 1808-1886), signed and dated 1864 oil painting on canvas: 20 x 30 inches framed: 25 x 35 inches condition: very good and presentable in swept gilt frame provenance: private collection, England A lovely Victorian oil painting on canvas, dating to the 1860's. The painting depicts this Highland landscape with a mother and her children...

A large impressive original Victorian oil painting which was painted circa 1890 by Scottish listed artist Joseph Farquharson RA. This Romantic Scottish landscape view is in fine condition and is framed in a Victorian gilt gallery frame. He was a noted landscape painter of snow scenes around Finzean in Aberdeenshire and often painted at dusk or dawn. This painting however depicts a sublime Scottish river landscape with a river and the mountains in the background. It is a very expansive panoramic view. A large painting in good condition and a lovely example of a 19th century Scottish landscape. Similar examples of his paintings are on display in Kelvingrove Art Gallery Glasgow and the National Gallery Scotland. Signed Joseph Farquharson. Provenance. Scottish collection. Condition. Oil on canvas. Image size is 37 inches by 27 inches, fine condition. Framed size is 44 by 34 inches, housed in a gilt gallery frame. Excellent condition. Born in Edinburgh, Scotland in 1846, Joseph Farquharson combined a long and prolific career as a painter with his inherited role as a Scottish laird. He painted in both oils and water colors. His mother, a celebrated beauty, was an Ainslie. His early days were spent in his father's house in Northumberland Street below Queen Street Gardens and later at Eaton Terrace beyond the Dean Bridge, Edinburgh and at Finzean. His father Francis was a doctor and laird of Finzean in Aberdeenshire. Joseph was educated in Edinburgh and permitted by his father to paint only on Saturdays using his father’s paint box. When Joseph reached the age of 12, Francis Farquharson bought his son his first paints he could call his own and only a year later he exhibited his first painting at the Royal Scottish Academy. His first major portrait was of ' Miss Alice...

Henry Gillard Glindoni British, (1852-1913) The Suitor Oil on canvas, signed & dated 'Jan 1908' Image size: 27.5 inches x 35.5 inches Size including frame: 41 inches x 49 inches Thi...

Wonderful 20th century German landscape with harvesters working on the farmland, bringing in the harvest. Hohenberger was landscape painter from the middle to latter part of the 20...

Friars Crag, Derwentwater English Lake District by Arthur Graham (British, 1902 signed oil on canvas, framed Framed: 17 x 23 inches Canvas: 13 x 19 inches inscribed verso with title ...

Horses Watering in a River, Early 19th Century English School oil painting on canvas, framed framed: 23 x 28 inches canvas: 17 x 22 inches provenance: priv...

Artist/ School: Abraham Hulk jnr 1851 - 1922, signed Title: Fishing boat off a jetty in a blow. Medium: signed oil painting on board, framed. Size: framed: 9.5 x 13.5 inche...

Jacques François Carabain Belgian, (1834-1933) Market Day, Bruges Oil on canvas, signed & dated (18)58 Image size: 28.5 inches x 35.5 inches...

Artist/ School: Norman A.Olley ( British, 20th Century ) dated 1993 Title: Feeding the ducks on a Kentish Farm Pond Medium: gouache on artist paper, unframed Painting : 10 x 14 i...

"In the Trossachs" by F. E. Jamieson (British 1895-1950) signed, lower corner with pseudonym "W. Richards" titled verso to canvas oil painting on canvas, framed canvas: 12 x 20 inc...

Artist/ School: English School, early 1800's period, with frame plaque and inscription connecting to Ladbrooke. Title: Norfolk Lane Medium: oil on wood, framed Framed: 20 x 17 i...

Very fine original antique English botanical watercolour paintings depicting this beautiful depiction of a flower/ plant. The work came to us from a private collection in Surrey, Eng...

Wonderful and very unique English Victorian Village scene, with figures, animals, a Pub, and lots more . John Holland Senior was a painter of landscapes and coastal scenes who was bo...

Valentine Thomas Garland British, (1845-1914) After the Show Oil on canvas, signed Image size: 28.5 inches x 18.5 inches Size including frame: 40.75 inches x 30.75 inches A wonderf...

Charles Augustus Henry LUTYENS Panel Size 19 x 49" (48 x 125cm) Outside Frame Size: 27 x 57" (68 x 145cm) A typical example of his work with angels but on a wonderful grand scale. His work is often small and decorative with individual angels but all his large pieces and mosaics are highly sought after and valued by collectors. 1829 – 1915 Exhibited 1880 – 1903 Portrait (especially cherubs), Animal and Sporting Painter. Lutyens became a friend of Sir Edwin Landseer, and after him, he named his son in 1863. Lived at 16 Onslow Square...

Edwin Henry Boddington Canvas Size: 20 x 32" (51 x 81cm) Outside Frame Size: 29 x 41" (74 x 104cm) A very good and typical example of his work which has been relined for preservation only. He lived 1836 - 1905 Landscape and River Scene Painter. Son of Henry John Boddington, he painted mainly scenes of the Thames. He developed a very personal and recognisable style. His river scenes are usually painted in a pale evening light, using a range of very dark greens and browns. Address: Lonsdale Villa, Barnes, London 6 Upper Ranalagh Place, Pimlico, London Exhibited 1853 – 1869 Exhibited at:- British Institution, London Portland Gallery, London Royal Academy Royal Society of British Artists The following works were exhibited at the Royal Academy: On the River Lodden 1854 On the Welsh Hills...

Well painted late 19th century watercolor of the Duc De Chartres and Louis Philippe with their horses out Fox hunting. The piece is a fine quality watercolor, well framed in an Eng...

This lovely British Edwardian Impressionist portrait oil painting is by noted artist William George Robb. Painted circa 1901 the sitter is Louisa Ann Inglis, wife of Sir Charles Ingl...

A perfect example of Charles Baxter's work. A beautiful Spanish lady wearing typical Spanish attire. Despite being unsigned, the painting has full provenance having being fully catal...

Circle of Thomas Sidney Cooper (British 1803-1902) Milkmaids and livestock in a rural landscape oil painting on panel, framed framed: 14 x 18 inches board: 12 x 16 inches provenance:...

Charles Towne (1763-1840) Riders and dogs on a country path Oil on canvas 28 5/8 x 36 1/8 in 72.6 x 91.8 cm Provenance With Thomas McLean, London; With Arthur Ackermann & Sons, Lond...

The English Country Churchyard by James Rudd (English 1821-1906) signed & dated 1889 oil on canvas, framed framed: 28.5 x 41 inches painting: 24 x 36 inches provenance: private colle...

The Old Mill by the River signed by F. E. Jamieson (British 1895-1950), signed with artists pseudonym oil on canvas, framed framed: 21 x 24.5 inches canvas: 18 x 22 inches provenance...

Alfred Wheeler British, (1852-1932) Sunstar Oil on board, signed & dated 1911 Image size: 9.25 inches x 9.75 inches Size including frame: 14.75 inches x 15.25 inches A beautifully detailed horse head...

John Atkinson Grimshaw 1836 - 1893 Looking across Buttermere Oil on canvas, signed & dated '1868' lower right Image size: 13 ½ x 20 ½ inches (34.2 x 50.5 cm) Hand made gilt frame This work is dated 1868 making it one of his early works, painted during the same period as Grimshaw's other Lake District paintings...

Artist/ School: French School, second half of the 20th century, signed Title: Gorge valley landscape Medium: oil on canvas, framed Framed: 39 x 59 inches Painting: 34 x 54 inches ...