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1870s Art

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Period: 1870s
Late 19th Century Engraving -- "A Hot Bargain" Painting by Frederick Bridgman
Late 19th Century Engraving -- "A Hot Bargain" Painting by Frederick Bridgman

Late 19th Century Engraving -- "A Hot Bargain" Painting by Frederick Bridgman

Located in Soquel, CA

Beautiful engraving of a late 19th Century painting by Frederic Arthur Bridgman (American, 1847 - 1928) titled "A Hot Bargain," (see image) engraved by James D. Smillie (American, 1833-1909), circa 1900. Signed lower right edge. Edition 64/225 with attribution to piece and artist on verso. Presented in with new mat. Original mat on verso. Condition: Good, minor foxing on edge. Image size: 5.88"H x 9"W. A native of New York and the son of an engraver, James David Smillie earned his early reputation for his etching skills but later for watercolor landscapes. He began etching at age 8, learning from his father, James Smillie...

Category

Realist 1870s Art

Materials

Paper, Ink

Summer - Chalk Drawing Design for Minton charger by Herbert Wilson Foster
Summer - Chalk Drawing Design for Minton charger by Herbert Wilson Foster

Summer - Chalk Drawing Design for Minton charger by Herbert Wilson Foster

By Herbert Wilson Foster

Located in London, GB

HERBERT WILSON FOSTER (1846-1929) Summer Inscribed with title beneath the mount Chalk on paper, circular Framed Diameter 42 cm., 16 ½ in. (frame size 61 by 58 cm., 24 by 22 ¾ in.) Herbert Wilson Foster was born in Endon, Staffordshire. He attended Hanley School of Art before continuing his studies in London, Belgium and France. His paintings of rural and domestic subjects were exhibited at the Royal Academy between 1873 and 1899. In 1893 he accepted a teaching position at the Nottingham School of Art, where his pupils included Laura Knight and Harold Knight. Works by him are in the collections of the Minton archives; the Wisbech & Fenland Museum; Leicester Art Gallery; Rushcliffe Council and Nottingham Castle Museum. In addition to his work as a painter he worked as a porcelain painter, working at one point on the tile panels in the Victoria & Albert Museum. He is known to have worked at Mintons from 1872 where he specialized in portraits of contemporary personalities, including members of the Royal Family. This head of a girl was probably intended for a painted ceramic wall charger...

Category

Realist 1870s Art

Materials

Chalk, Pencil, Paper

St Cecilia
St Cecilia

St Cecilia

Located in London, GB

D. BRUCCIANI & CO (19th Century) St Cecilia Polychrome painted plaster bust with mould lines visible (probably later painting) 47 cm., 18 ½ in. high Dom...

Category

Renaissance 1870s Art

Materials

Plaster

Eagle and chamois
Eagle and chamois

Eagle and chamois

By Antoine-Louis Barye

Located in PARIS, FR

Eagle and chamois by Antoine-Louis BARYE (1796-1875) Electroplating bronze plaque with a brown patina Signed "Barye" Period cast from the "Barye's workshop" (made during the artist'...

Category

French School 1870s Art

Materials

Bronze

Bacino San Marco Venice
Bacino San Marco Venice

Bacino San Marco Venice

Located in Padova, IT

Amazing painting perfect condition. Venetian Lagoon made by Natale Gavagnin 1886 original frame signed and dated 1886

Category

Italian School 1870s Art

Materials

Oil, Canvas

L' AMICO FERITO
L' AMICO FERITO

L' AMICO FERITO

Located in Padova, IT

He was a very active sculptor who gained considerable fame; he died in 1879 at the age of only 50, mourned by all. Having no heirs, he left his estate to the Brera Academy and his mo...

Category

Italian School 1870s Art

Materials

Marble

Boulonnaise at Prayer

Boulonnaise at Prayer

By Aimé-Jules Dalou

Located in London, England

Aimé-Jules Dalou (1838-1902) was one of only a handful of leading late-nineteenth century French Sculptors, whose reputation was perhaps second only to his contemporaries, Henri Chapu (1833-1891) and Marius Jean Antonin Mercié (1845-1916). Dalou was hugely influential and was a founding member of the Société des Artistes Français and later a founder of the Société Nationale des Beaux-Arts. He was officially rewarded with the highest rank of the Légion d'Honneur two years before his death, with the inauguration of the Triumph of the Republic, in 1899. He started his artistic training in 1852 at the Petite Ecole after being encouraged to do so by Jean-Baptiste Carpeaux, where he studied drawing and modelling. Carpeaux continued to support Dalou throughout his career and influenced his sculpture greatly. Dalou began employment in the field of decorative sculpture working for two companies in Paris, Lefèvre and Favière goldsmiths. During this time he contributed towards the architectural features of Hôtel de la Païva, the then home of the infamous French courtesan Esther Lachmann known as La Païva. Dalou's unique approach lay in his broad range of subject, painterly and sculptural source material, though which he absorbed an impressive spectrum of inspiration. The work of an eighteenth-century sculptor, Louis-François Roubiliac, played a significant role in Dalou's artistic development, whose sculptures he studied whilst in London. Dalou's work includes friezes, maquettes, reliefs, and individual bronze figures. He is known for Baroque-inspired allegorical group compositions, as much as for his depictions of the French rural labouring classes. Dalou encouraged students of art to free themselves from the constraints of established traditions, with his style and teachings thought to have awakened a new generation of young British sculptors whose work was later aligned to the New Sculpture movement. This rough plaster model was kept in the studio of Alfred Drury...

Category

Victorian 1870s Art

Materials

Plaster

Battle Between Austrians and French - Lithograph by Auguste Raffet - 1870s

Battle Between Austrians and French - Lithograph by Auguste Raffet - 1870s

By Auguste Raffet

Located in Roma, IT

Battle Between Austrians and French is a Lithograph realized in the 1870s by Auguste Raffet (1804-1860). Good condition on paper. Signed on the plate. Good conditions with slight foxing. Denis Auguste Marie Raffet (2 March 1804 – 16 February 1860) was a French illustrator and lithographer. He was a student of Nicolas Toussaint Charlet, and was a retrospective painter of the Empire. Raffet's chief works were his lithographs of the Napoleonic campaigns, from Egypt to Waterloo, vigorous designs inspired by ardent patriotic enthusiasm. In this endeavour he was a contemporary of other French artist-lithographers of Napoleon...

Category

Modern 1870s Art

Materials

Lithograph

"Saratoga, " John Francis Murphy, Hudson River School, Tonalism
"Saratoga, " John Francis Murphy, Hudson River School, Tonalism

"Saratoga, " John Francis Murphy, Hudson River School, Tonalism

By John Francis Murphy

Located in New York, NY

John Francis Murphy (1853 - 1921) Saratoga, 1876 Graphite on paper Sight 8 3/4 x 10 1/2 inches Titled and dated to lower right Provenance: Babcock Galleries, New York Spanierman Gallery, New York In his lifetime, John Francis Murphy (1853-1921) was known as “the American Corot.” He was renowned for his small, intimate views of nature, especially barren fields and farms, bare trees, and lonely marshland. More than a century later, the power of Murphy’s landscapes has not waned. One contemporary critic wrote, “It was Murphy’s unique accomplishment to achieve an absolute realism without a loss of that mystic, indefinable quality which transfigures realism.” John Francis Murphy was born at Oswego, NY in 1853 but his family moved to Chicago in 1868 where he worked painting theater sets. Murphy was basically a self-taught artist; his only formal training was a few weeks of instruction at the Chicago Academy of Design. In 1875, Murphy moved from Chicago to New York, eventually rooming with the painters Dennis Bunker and Bruce Crane above a bakery shop. Murphy’s early work was typical of the Hudson River school but he soon fell under the sway of the loose brushwork and moody style of French Barbizon painting...

Category

Tonalist 1870s Art

Materials

Paper, Pencil

La Voute Celeste - Original Woodcut Print by Carlège (C.M. Egli) - 1877

La Voute Celeste - Original Woodcut Print by Carlège (C.M. Egli) - 1877

By Carlège

Located in Roma, IT

La Voute Celeste is an Original Color Woodcut Print realized by Carlègle (Charles Emile Egli, 30 March 1877 – 11 January 1937). Belongs to the suite "Les Travaux D'Hercule". Good condition on a yellowed cardboard. Titled, Stamp Signed on the lower margin Charles Émile Egli (known as Carlègle; 30 March 1877 – 11 January 1937) was a Swiss-born illustrator and painter who spent most of his life in Paris. Charles Émile Egli was born in Aigle, Switzerland on 30 March 1877. He was educated in Aigle and then at the college of Vevey. When he was eighteen he attended engraving classes of Alfred Martin...

Category

Modern 1870s Art

Materials

Woodcut