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1870s Art

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Period: 1870s
Portrait of Painter Carlo Ferrari - Photograph - 1870
Portrait of Painter Carlo Ferrari - Photograph - 1870

Portrait of Painter Carlo Ferrari - Photograph - 1870

Located in Roma, IT

Portrait is an original photo on yellowish paper realized in 1870 by an Anonymous Artist of the XIX century. Included original passepartout: 32.5 x 26.5 cm. The state of preservat...

Category

Modern 1870s Art

Materials

Photographic Paper

Philosophical Study - Lithograph by Antonio Manganaro - 1870s
Philosophical Study - Lithograph by Antonio Manganaro - 1870s

Philosophical Study - Lithograph by Antonio Manganaro - 1870s

Located in Roma, IT

Philosophical Study is a artwork realized in 1871 by Antonio Manganaro. Original colored lithograph. Good conditions, except for the yellowed paper due to the time. This beautiful...

Category

1870s Art

Materials

Lithograph

Monsignor Tevere - Original Lithograph by Antonio Manganaro - 1870s
Monsignor Tevere - Original Lithograph by Antonio Manganaro - 1870s

Monsignor Tevere - Original Lithograph by Antonio Manganaro - 1870s

Located in Roma, IT

Monsignor Tevere is an original artwork realized in 1871 by Antonio Manganaro. Original colored lithograph. Good conditions, except for the yellowed paper due to the time. This be...

Category

1870s Art

Materials

Lithograph

Left Deputies - Original Lithograph by Antonio Manganaro - 1870s
Left Deputies - Original Lithograph by Antonio Manganaro - 1870s

Left Deputies - Original Lithograph by Antonio Manganaro - 1870s

Located in Roma, IT

Left Deputies is an original artwork realized in the 1870s by Antonio Manganaro. Original colored lithograph. Good conditions. Signed on plate on the lower right: Manganaro. This...

Category

1870s Art

Materials

Lithograph

Parody of the Orestes  - Lithograph by A. Maganaro - 1872
Parody of the Orestes  - Lithograph by A. Maganaro - 1872

Parody of the Orestes - Lithograph by A. Maganaro - 1872

By Antonio Manganaro

Located in Roma, IT

Parody of the Orestes is an original artwork realized by Antonio Manganaro, in 1872. Original lithograph, watercolored by hand. Good conditions, except for a slightly yellowed paper due to the passing of time and some light foxings. This satirical print is plate n. XIV (as printed on the higher part of the artwork) from "The album of the 500" (Album dei 500), Tipografia De Angelis, Naples, and represents a satirical scene of Italian journalitsts of the end of the XIX century. On the back, their biographies. Signed on plate on the lower right A. Manganaro. Antonio Manganaro (Manfredonia, 1842 - Naples, 1920) was a painter, caricaturist, and drawing professor. Early designer, at the age of 14, he was sent to Naples at the Royal Institute of Art. The expenses were borne by two local patrons, Baron Cessa and Diego Badarò, who awarded him six ducats a month. He soon passed to painting classes, winning prizes and receiving the praises of his masters, including Maldarelli and Postiglione. Arrested for political conspiracy (his family belonged to the Young Italy), he was ordered to leave Naples. In 1859, he was part of the secret or action committee and, in 1860, he participated in the revolutionary movements that favored the entry of Garibaldi into Naples. Following the General, he participated in numerous feats of arms and was also wounded, obtaining a medal. Taking leave of the Mobile National Guards, he directed a newspaper, The Last Judgment...

Category

Modern 1870s Art

Materials

Lithograph

Woman - China Ink Drawing - 1876
Woman - China Ink Drawing - 1876

Woman - China Ink Drawing - 1876

Located in Roma, IT

Woman is an original drawing in ink realized by an Anonymous artist of the XIX century, dated in 1876, the face of the woman very delicately is drawn. In very good condition. Sheet...

Category

1870s Art

Materials

Ink

La Muette de Portici - Lithograph - 1870
La Muette de Portici - Lithograph - 1870

La Muette de Portici - Lithograph - 1870

By Charles Deshays

Located in Roma, IT

La Muette de Portici is a lithograph, realized by C. Deshays in 1870, titled below in the center, from"album de L'opera N.22", from lyrical artwork series. The state of preservation...

Category

1870s Art

Materials

Lithograph

The Visitant - Ink and Watercolor by D. Chesneuve - 1872

The Visitant - Ink and Watercolor by D. Chesneuve - 1872

Located in Roma, IT

The Visitant is an original artwork realized in 1872 by Désiré Cheneuve. Original watercolor signed by Désiré Cheneuve(Belgian school of the 19th century) on the lower margin. Au...

Category

Modern 1870s Art

Materials

Ink, Watercolor

Puritani Di Sinistra - Original Lithograph by Antonio Manganaro - 1870s

Puritani Di Sinistra - Original Lithograph by Antonio Manganaro - 1870s

By Antonio Mangano

Located in Roma, IT

Puritani Di Sinistra is an original artwork realized in the 1870s by Antonio Manganaro. Original colored lithograph Good conditions except for yellowing of paper due to the time and some light foxings. This satirical print is plate n. XXXVI (as printed on the lower part of the artwork) from "The album of the 500" ( Album dei 500"), Tipografia De Angelis, Naples, 1872 and represents a satirical scene of Italian politicians of the end of XIX century. The print represents the caricatures of four influential politicians of the end of XIX century: Tommaso Villa, Antonio Corrado. Giuseppe Ferrari...

Category

1870s Art

Materials

Lithograph

Repubblica Romana - Original China Ink and Watercolor - 1879

Repubblica Romana - Original China Ink and Watercolor - 1879

Located in Roma, IT

Repubblica Romana is a beautiful historical manuscript embellished by meticulous decorations concerning the Roman republic: the wolf with the twins, a Roman view on the Imperial Foru...

Category

1870s Art

Materials

Ink, Watercolor

Old Ruins In Rome - Lithograph by Anonymous 19th Century Italian Artist

Old Ruins In Rome - Lithograph by Anonymous 19th Century Italian Artist

Located in Roma, IT

Old Ruins In Rome is an original lithograph realized by Anonymous artist in 1849. The print is taken from the daguerreotype of that period and shows the ruins caused by the disaster of the war in Rome. The artwork shows some of the most important buildings and monument of that period, such as Palazzo del Vascello and Palazzo dei Quattro Venti...

Category

Modern 1870s Art

Materials

Lithograph

American 1870’s Hudson River Antique Frame Antique Painting Gilt Frame
American 1870’s Hudson River Antique Frame Antique Painting Gilt Frame

American 1870’s Hudson River Antique Frame Antique Painting Gilt Frame

Located in Jacksonville, FL

American 1870’s Hudson River Antique Frame Antique Painting Gilt Frame Frame Size: Width: 36.25″ X Height: 41.25″ Thickness: 5.75″ Picture Size: Width: 25.25″ X Height: 30.25″ B...

Category

1870s Art

Materials

Wood

Interior scene - Woman and child
Interior scene - Woman and child

Interior scene - Woman and child

By François Bonvin

Located in PARIS, FR

François Bonvin (1817 - 1887) Interior scene - Woman and child 1871 Signed, dated and located lower right (London) Oil on canvas 48,2 x 33,2 cm (63 x 48 cm with frame)

Category

1870s Art

Materials

Canvas, Oil

Wareham Bridge
Wareham Bridge

Wareham Bridge

By Seymour Haden

Located in Missouri, MO

Wareham Bridge Medium Drypoint Year of Work 1877-1877 Image Size: approx. 6 in.; Width 8.9 in. / Height 15.2 cm.; Width 22.7 cm. Sir Francis Seymour Haden (16 September 1818 - 1 June 1910), was an English surgeon, best known as an etcher. He was born in London, his father, Charles Thomas Haden, being a well-known doctor and lover of music. He was educated at Derby School, Christ's Hospital, and University College, London, and also studied at the Sorbonne, Paris, where he took his degree in 1840. He was admitted as a member of the College of Surgeons in London in 1842. In 1843-1844, with his friends Duval, Le Cannes and Colonel Guibout, he travelled in Italy and made his first sketches from nature. Haden attended no art school and had no art teachers, but between 1845 and 1848 he studied portfolios of prints belonging to a second-hand dealer named Love, who had a shop in Bunhill Row, the old Quaker quarter of London. Arranging the prints in chronological order, he studied the works of the great original engravers, Albrecht Dürer, Lucas van Leyden and Rembrandt. These studies, besides influencing his original work, led to his important monograph on the etched work of Rembrandt. By lecture and book, and with the aid of the memorable exhibition at the Burlington Fine Arts Club in 1877, he tried to give a true reflection of Rembrandt's work, giving a nobler idea of the master's mind by taking away from the list of his works many dull and unseemly plates that had long been included in the lists. His reasons were founded upon the results of a study of the master's works in chronological order, and are clearly expressed in his monograph, The Etched Work of Rembrandt critically reconsidered, privately printed in 1877, and in The Etched Work of Rembrandt True and False (1895). Haden's printmaking was invigorated by his much younger brother-in-law, James Whistler, at the Haden home in Sloane Street in 1855. A press was installed there and for a while Haden and Whistler collaborated on a series of etchings of the Thames. The relationship and project did not last. Haden followed the art of original etching with such vigour that he became not only the foremost British exponent of that art but brought about its revival in England. His strenuous efforts and perseverance, aided by the secretarial ability of Sir WR Drake, resulted in the foundation of the Royal Society of Painter-Etchers and Engravers. As president he ruled the society with a strong hand from its first beginnings in 1880. Notwithstanding his study of the old masters of his art, Haden's own plates were very individual, and are particularly noticeable for a fine original treatment of landscape subjects, free and open in line, clear and well divided in mass, and full of a noble and dignified style of his own. Even when working from a picture his personality dominates the plate, as for example in the large plate he etched after J.M.W. Turner's "Calais Pier," which is a classical example of what interpretative work can do in black and white. Of his original plates, more than 250 in number, one of the most notable was the large "Breaking up of the Agamemnon." An early plate, rare and most beautiful, is "Thames Fisherman". "Mytton Hall" is broad in treatment, and a fine rendering of a shady avenue of yew trees leading to an old manor-house in sunlight. "Sub Tegmine" was etched in Greenwich Park in 1859; and "Early Morning--Richmond", full of the poetry and freshness of the hour, was done, according to Haden, actually at sunrise. One of the rarest and most beautiful of his plates is "A By-Road in Tipperary"; "Combe Bottom" is another; and "Shere Mill Pond" (both the small study and the larger plate), "Sunset in Ireland," "Penton Hook," "Grim Spain" and "Evening Fishing, Longparish," are also notable examples of his genius. A catalogue of his works was begun by Sir William Drake and completed by Harrington in 1880. During later years Haden began to practise the sister art...

Category

Other Art Style 1870s Art

Materials

Etching

William Astor's Schooner AMBASSADRESS Leads the Regatta
William Astor's Schooner AMBASSADRESS Leads the Regatta

William Astor's Schooner AMBASSADRESS Leads the Regatta

By James Edward Buttersworth

Located in Costa Mesa, CA

William Astor Pilots the New York Yacht Club Run A superior and graceful schooner as grand as any ever built, AMBASSADRESS was William Backhouse Astor, Jr's "floating home" from its launch in 1877 until he sold it in 1884 and purchased his massive steam/sail yacht...

Category

American Realist 1870s Art

Materials

Canvas, Oil

Antique, Chinoiserie Figural Group
Antique, Chinoiserie Figural Group

Antique, Chinoiserie Figural Group

Located in Los Angeles, CA

An elegant, dynamic, fully finished, 19th century terracotta sculpture of richly attired figures in the Chinoiserie style. The idealized, rural imagery features two women in flowing ...

Category

1870s Art

Materials

Terracotta, Wood