1890s Art

La Leçon de Musique is an original artwork realized by the French artist George Henri Manesse in 1892. Etching on paper. Signed on the plate on the lower-left corner; Hand-signed in...

Household is an original drawing in pen on paper realized by an unknown artist in 1896 The State of preservation is good with a small rip on the right m...

Image dimensions: 14 x 18 cm. Country House is an original modern artwork realized between the end of the XIX Century and the first years of the XX Century by Marcel Haussaire. Ori...

Vintage silver-salt photo taken in 1896 by Studio Moretti, Florence. Date and dedication on the back. Good conditions.

Chefoo Trade Harbour is an albumen print made by an unidentified photographic studio. Print in excellent condition, applied to cardboard. Caption in Italian ink hand-written on har...

Chefoo Harbour of Junks is an albumen print made by an unidentified photographic studio. Print in excellent condition, applied to cardboard. Caption in Italian ink hand-written on ...

"Les Petites Barnett" is an original color lithograph poster by Charles Levy. This poster features five dancers in matching dresses and it advertises an Operette. Unsigned. 23" x 30...

Image dimensions: 13.1 x 21 cm. Bad Joke is a black and white lithograph realized in 1899. The artwork is dated 1899 (as printed on the right side). Monogram of the artist (H.B.) ...

Kam-Hill - From Le Café Concert is an original print, realized in 1893 by Henri-Gabriel Ibels. Black and white lithograph on paper. Good conditions except for some ripple along ...

Marcel Legay - From Le Café Concert is an original print, realized in 1893 by Henri-Gabriel Ibels. Black and white lithograph on paper. Good conditions except for some ripple alo...

Ouvrard - From Le Café Concert is an original print, realized in 1893 by Henri-Gabriel Ibels. Black and white lithograph on paper. Good conditions except for some ripple along th...

Mévisto - From Le Café Concert is an original print, realized in 1893 by Henri-Gabriel Ibels. Black and white lithograph on paper. Good conditions except for some ripple along th...

Image dimensions: 24.5 x 31.5 cm. Centaur In The Smithy is an original print, realized in 1898. Black and white xylograph on applied Japon paper. Good conditions except for yellowing of paper (especially along the margins), and very light foxings on lower part of paper. The print was realized by Johann Jacob Weber and it's part of the series Meisterwerke der Holzschneidekunst (original title: SECHZEHN HOLZSCHNITTE NACH GEMÄLDEN ARNOLD BÖCKLIN...

DeFeure, Georges. Chimeres et Grimaces/Chansons De Xavier Privas, 1897 (sans text) Color lithograph. Signed in the stone. Light center fold. On Linen. Rare Das Fruhe Plakat 352. 3...

Le Petit Journal is an original Magazine realized in 1892. Original poster with printed writings. Good conditions except for the margins that pres...

The Feline is an original pencil drawing on paper realized by Ernest Rouart by the turn of the XX century. This drawing is hand-signed by the artist in red pen on the lower left. In...

Monkeys is an original pencil drawing on paper realized by an anonymous artist in the XX century. Including a white cardboard passepartout: 49 x 34 cm. Good conditions, except for a light shading of paper. This fine modern artwork represents different sketches of monkeys in various poses. On the back of the drawing, the artist drew other monkey sketches. Ernest Rouart (Paris, 1874 – Paris, 1942) was a French painter, illustrator, engraver, and art collector. He was the son of Henri Rouart...

Marchande de Lacets is an artwork realized by Louis Malteste in 1897. Lithograph on paper. Signed and dated on plate on the lower right corner. Mint conditions. Passepartout included (cm 50 x 34). Very interesting and elegant artwork representing the portrait of an old woman sitting on a chair with some baskets on the floor. The basket is full of balls of wool and strands. The stroke is very contrasting and the face of the woman is realized with a chiaroscuro that define the volumes. Louis Malteste (Chartre, 1862 – Paris, 1928) was a French illustrator. He lived and worked in Paris, where he exhibited in 1897 at the Salon des Cents and, in 1902 at the Salon de la Société Nationale des Beaux-Arts. He worked for humorous publications and famous magazines such as L'Assiette au beurre et Le Chat Noir.

La Leçon de Musique is an artwork realized by the French artist George Henri Manesse in 1892. Etching on paper. Signed on plate on the lower left corner; hand-signed in pencil by the...

Henri de Toulouse-Lautrec (French 1864-1901) "À La Gaieté Rochechouart: Nicolle", 1893 Printer: Edward Ancourt Lithograph in black on velin paper Artist's red monogram stamp lower le...

Beautiful lithograph on Chinese paper, hand signed on plate on the lower right margin. Third state on four. Excellent conditions, including an ivory colored cardboard passepartout 47...

Maîtres de l'Affiche (Masters of the Poster) refers to 256 color lithographic plates used to create an art publication during the Belle Époque in Paris, France. The collection, repro...

Color Lithograph from L'Estampe Modern. 1897-1898. Each print shows the blindstamp imprint of the publication. Many of the most acclaimed French Art Nouveau artists contributed to ...

Program for A Bas Le Progres. By Edmond de Concourt 1894. Four-color lithograph. 12 3/4 x 9 7/8" 25 April 1894. Signed in the stone. Rare. Ibels’ images were powerful and heavily ...

Poster for Harper's March, 1895. Woman in Green dress with Rabbit New York: Harper & Brothers,1895. Signed in stone bottom right: EDWARD PENFIELD. On Linen. Color Zincograph. Very...

Color lithograph, 1896. On Linen. Signed on the plate. Ref: Dad Plakat 501; American Poster Renaissance, Margolin p. 74 American Painter and Illustrator. Charles Herbert Wo...

BRADLEY, WILL (1868 - 1962) The Chap Book Original lithograph from “Les Maitres de L’Affiche” series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lower right, from issue #34, 1898. Plate #136 Unframed Size: 11 3/8 x 15 3/4” The “Les Maitres de l’Affiche” series was offered as a subscription series to collectors every month for 60 months, from December 1895 through November 1900. The “Maitres de l’Affiche,” were issued as separate numbered sheets, referred to as “plates”. They were numbered, with the printers name “Imprimerie Chaix,” in the margin at the bottom left hand corner, “PL.1” to “PL.240.” In the margin at the bottom right hand corner of each, is a blind embossed stamp from a design of Cheret’s. The smaller format and the fact the “Maitres” were a paid subscription series, allowed Imprimerie Chaix to use the latest state of the art printing techniques, not normally used in the large format posters...

Antique American landscape painting. Watercolor on paper. Signed. Framed. Measuring: 20 by 24 inches overall. In excellent original condition. Handsomely framed in a silver mold...

Utagawa Yoshiiku The Ghost of Oiwa, 1890 A chūban tate-e woodblock print Sheet size 23 x 16 cm Oiwa from Yotsuya Kaidan appears as a paper lantern. Her mouth is torn open and San...

Perfil de un Noble Indígena, ca. 1892. Mexico. Signed. Watercolor on Paper

This teak wood carving represents an essay made in the Chinese craft tradition at the end of the 19th century: circa 1890. Overall size 81x27x26 cm. Teak wood is known for its streng...

MORROW, ALBERT GEORGE (1863 -1927) "The New Woman" Original lithograph from "Les Maitres de L'Affiche" series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lower right, c. 1897. Plate #79 Unframed Size: 11 3/8 x 15 3/4 ”The "Les Maitres de l'Affiche" series was offered as a subscription series to collectors every month for 60 months, from December 1895 through November 1900. The "Maitres de l'Affiche," were issued as separate numbered sheets, referred to as "plates". They were numbered, with the printers name "Imprimerie Chaix," in the margin at the bottom left hand corner, "PL.1" to "PL.240." In the margin at the bottom right hand corner of each, is a blind embossed stamp from a design of Cheret's. The smaller format and the fact the "Maitres" were a paid subscription series, allowed Imprimerie Chaix to use the latest state of the art printing techniques, not normally used in the large format posters...

Une Femme Assise by Lucien Pissarro (1863-1944) Etching 23 x 13 cm (9 x 5 ¹/₈ inches) Stamped lower right, L.P. and numbered lower left, 10/20 Provenance: John Bensusan Butt Private...

Grand’mère (effet de lumière) (La Mère de l’artiste) by Camille Pissarro (1830-1903) Etching 17.1 x 25.3 cm (6 ³/₄ x 10 inches) Stamped lower right, C.P. an...

"May Belfort" 1974 reproduction of an 1895 poster by Henri Toulouse-Lautrec produced under the auspices of the Lautrec Museum in Albi, France. Authenticated with museum seal authoriz...

The Outing Magazine commissioned Parrish to provide a cover illustration for their 1899 Last Rose of Summer edition (published December 1899). In the poster, Maxfield used his own face and figure to portray a youth in Grecian costume examining a rose he holds in his hand. The figure is shown sitting below one of the massive oaks on the artist’s property, flanked by two plaster lions the artist had moulded in his studio. The depiction harks back to the 1805 poem by the Irish poet, Thomas Moore: ‘Tis the last rose of summer, Left blooming alone; All her lovely companions Are faded and gone; No flower of her kindred, No rose-bud is nigh, To reflect back her blushes Or give sigh for sigh! I’ll not leave thee, thou lone one...

SATTLER, JOSEPH (1867 - 1931) "Pan" Original lithograph from “Les Maitres de L’Affiche” series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lower right, from issue #17, 1897...

CHERET, JULES (1836 - 1932) "Emilienne d’Alencon" Original lithograph from “Les Maitres de L’Affiche” series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lower right, from issue #29, 1898. Plate #113 Unframed Size: 11 3/8 x 15 3/4” The “Les Maitres de l’Affiche” series was offered as a subscription series to...

Hans Thoma (1839 Bernau - 1924 Karlsruhe), At the pond, 1897. Algraph on strong wove paper, published by Breitkopf und Härtel in Leipzig as ‘Zeitgenössisches Kunstblatt Nr. 148’, 23....

. Frida and Diego with Gas Mask Photograph (1892-1965 b.Szeged, Hungary), Gelatin Silver Print

CAZALS, FREDERIC-AUGUSTE (1865 -1941) "Salon des Cent" Original Lithograph, c. 1894 Signed in stone, lower left; “F.A. Cazals, 94” Printed by Bourgerie & Cie, Paris Image size: 24...

Portrait of a Young Girl – Charles Hermans (1839–1924) Oil on panel – 35 x 27 cm Antique carved and gilded frame Signed at the top right This intimate work is signed by Charles Herma...

RASSENFOSSE, ARMAND (1862 – 1934) "Grande Brasserie Van Velsen" Original lithograph from “Les Maitres de L’Affiche” series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lowe...

DUYCK, EDOUARD (1872 -1897) CRESPIN, ADOLPH (1859 –1944) "Hippodrome des Art" Original lithograph from "Les Maitres de L'Affiche" series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lower right, from issue #6, 1894. Plate #28 Unframed Size:11 3/8 x 15 3/4” The "Les Maitres de l'Affiche" series was offered as a subscription series to collectors every month for 60 months, from December 1895 through November 1900. The "Maitres de l'Affiche," were issued as separate numbered sheets, referred to as "plates". They were numbered, with the printers name "Imprimerie Chaix," in the margin at the bottom left hand corner, "PL.1" to "PL.240." In the margin at the bottom right hand corner of each, is a blind embossed stamp from a design of Cheret's. The smaller format and the fact the "Maitres" were a paid subscription series, allowed Imprimerie Chaix to use the latest state of the art printing techniques, not normally used in the large format posters due to cost. A very high quality of paper was used, where as the large format posters were printed on lesser quality newsprint, due to cost and a short expected life span. This explains why the quality of the printing, in the "Maitres de l'Affiche," usually far exceeds that of their larger counterparts. "...Posters were created by the team of Duyck & Crespin, whose close collaborative efforts garnered them the nickname 'the Siamese twins.' Between their first joint attempt at poster-making in 1885-1886 and Duyck's death in 1897, the duo produced a large corpus of works... as well as set designs and costumes for the theatre " (Brussels p.76) This is a Belgian poster for the Ferme de Frahinfaz, on the Hippodrome des Art road near Spa. "Accommodations for riders and pedestrians. Fork and knife lunches, fresh milk, real "Faro" beer from Brussels and English beers"

GERBAULT, H (1863-1930) "Chocolat Carpentier" Original lithograph from “Les Maitres de L’Affiche” series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lower right, from issu...

At the Buttes-Chaumont (Plate 169) is an 1899 lithograph of Jules Chéret's poster, printed at Imprimerie Chaix by Jules Chéret and included in the famed collection of Belle Époque po...

“Fishing In A Castle Moat”. Oil on canvas by listed German artist Carl Rochling (1855-1920). Signed in lower right corner. Framed in a hand-carved gilded frame.

A pleasant serenade Italian oil painting on canvas attributed to Alessandro Sani 19Th c. Alessandro Sani (1856–1927) was an Italian painter, mainly of genre subjects. He was born a...

Medium: Charcoal and Ink Wash on Paper Signature: Signed Lower Left Published in Century Magazine, July 1899 Vol 58, pg. 361. Article. "Brother Sims' Mistake". Title: "Brother Lazar...

In this atmospheric Maine harbor view, the grey tone of the fog enveloping the sea and sky lend an air of realism to a striking composition. Granite and green are the colors of the Maine Coast...

Classic advert poster for the musical score, Black Cupid's Birthday: March- Two Step by Seneca G. Lewis published 1898 w/ Ivy League School Banners Image...

Héliogravure after photographs by Loewy and Puiseux depicting the Moon’s surface, from Atlas Photographique de la Lune. [Published: Imprimerie Nationale, Paris, 1899]. The finest a...

Superb oil on canvas from the late 19th century, French School, in the manner of François Boucher. This composition, of great decorative quality, depicts a lively group of putti ani...

Frida Painting " Two Fridas" (1892-1965) 1939, Gelatin Silver Print,

JOSÉ JIMÉNEZ ARANDA Spanish, 1837 - 1903 PARTIDA DE TRESILLO signed, located & dated “Jz. Aranda / Madrid. 1893.” (lower right) oil on canvas 31-1/2 x 39-1/3 inches (80 x 100 cm) unframed BIBLIOGRAPHY - This painting being mentioned and reproduced in “LA ILUSTRACION ESPAÑOLA Y AMERICANA”, Madrid, September 15th, 1895 - B. Pantorba, José Jiménez Aranda, 1973, p. 75, 203 - José Jiménez Aranda, 1837-1903: Centro Cultural El Monte, Sevilla, October, 2005, reproduced on p. 102 EXHIBITED Madrid, Esposición Nacional de Bellas Artes, 1895 PROVENANCE Private Collection, USA José Jiménez Aranda (7 February 1837 – 6 May 1903) was a Spanish painter and brother of the painters Luis Jiménez...

JOAQUÍN PALLARÉS ALLUSTANTE Spanish, 1853 - 1935 PLACE DE LA CONCORDE signed & located "J. PALLARÉS / París." (lower right) oil on canvas 13-1/4 x 18-...

Approximate Date: 1897 Medium: Watercolor on Board Signature: Signed Lower Right Dimensions: 12.00" x 9.50"

Classic Andover Prep School banner c1898 Replete w/ an inset portrait of Prince William Art Sz: 11 1/2"H x 9 1/2"W Frame Sz: 16"H x 14"W

Classic colour equestrian sporting print c1890 by Harrington Bird (1846-1936) (LL) Print Sz: 15 1/2"H x 19 1/2"W Frame Sz: 21"H x 25"W Color Lithogr...

Evgeny Alexandrovich Lanceray (Russian, 1848-1886) 19th Century, Possibly post humus Cossack on Horseback Gilt bronze signed in Cyrillic Measures: Height 8 3/4 x width 8 3/4 inches....