Items Similar to Sultan’s Concubine
Want more images or videos?
Request additional images or videos from the seller
1 of 10
Antonio RivasSultan’s ConcubineLate 19th century
Late 19th century
About the Item
ANTONIO RIVAS
Spanish, 1845-1911
Sultan’s Concubine
Signed 'A. Rivas'
Oil on canvas
10 x 15 1/2 inches
Framed: 15 1/2 x 20 3/4 inches
- Creator:
- Creation Year:Late 19th century
- Dimensions:Height: 10 in (25.4 cm)Width: 15.5 in (39.37 cm)Depth: 3 in (7.62 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
1stDibs seller since 2019
17 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Ships From: New York, NY
- Return PolicyA return for this item may be initiated within 2 days of delivery.
More From This SellerView All
- Orientalist painting "The Palace After Basha and a Cavalier by the Green Door"By Addison Thomas MillarLocated in New York, NYMaker: Addison Thomas Millar (1850 - 1913) Origin: American Date: 19th century Medium: Oil on board Dimension: 8 in x 10 in (image); 11 1/2 in x 13 1/2 in (frame)Category
19th Century Figurative Paintings
MaterialsOil, Wood Panel
- Nude in a Light-Filled Boudoir by Eduardo León GarridoBy Eduardo Leon GarridoLocated in New York, NYEDUARDO LEÓN GARRIDO Spanish, 1859-1949 Nude in a Light-Filled Boudoir Signed ‘E.L Garrido’ (upper right) Oil on panel 15 x 18.125 inchesCategory
Late 19th Century Realist Figurative Paintings
MaterialsPanel, Oil
- Painting of a Beauty by Emile Eisman-Semenowsky (Russian, 1857-1911)By Émile Eisman-SemenowskyLocated in New York, NYA Beauty with a Chrysanthemum Garland signed Eisman-Semenowsky (lower left) Artist: Emile Eisman-Semenowsky (Russian, 1857-1911) Medium: oil on panel Frame: 44 1/4 x 23 inches.Category
19th Century Figurative Paintings
MaterialsPanel, Oil
- The Musical Performance oil on panel by Antonio Ermolao PaolettiLocated in New York, NYThe Musical Performance by Antonio Ermolao Paoletti An italian genre painting showcasing two boys playing a trumpet and a guitar for their sist...Category
19th Century Academic Figurative Paintings
MaterialsWood Panel, Oil, Board
- The Favorite OdalisqueBy Antonio RivasLocated in New York, NYANTONIO RIVAS Spanish, 1845-1911 The Favorite Odalisque Signed 'A. Rivas; Rema' Oil on panel 9 1/2 x 15 1/4 inches Framed: 14 1/2 x 20 inchesCategory
1890s Figurative Paintings
MaterialsPanel, Oil
- A Fine Pair of Allegorical Paintings of Poetry and Music by Charles ChaplinLocated in New York, NYA Fine Pair of Allegorical Paintings of Poetry and Music by Charles Chaplin Title: Allegory of Poetry and Music Artist: Charles Chaplin (French, 1825-1891) Date: 19th Century Medium...Category
19th Century Figurative Paintings
MaterialsPanel, Oil
You May Also Like
- Portrait of a ManLocated in New York, NYProvenance: with Leo Blumenreich and Julius Böhler, Munich, 1924 Dr. Frederic Goldstein Oppenheimer (1881-1963), San Antonio, Texas; by whom given to: Abraham M. Adler, New York, un...Category
16th Century Old Masters Portrait Paintings
MaterialsOil, Panel
- Madonna and Child with the Infant Saint John the BaptistLocated in New York, NYInscribed, reverse: Fr Brina Provenance: Private Collection, New Jersey. Francesco Brina was one of the “Studiolo” painters, responsible for the panel of Neptune and Amphitrite in F...Category
16th Century Old Masters Paintings
MaterialsOil, Wood Panel
- Beautiful cubist style oil painting "A Day in the Sun" by ImpigliaBy Giancarlo ImpigliaLocated in Bridgehampton, NYA recent, large work by the masterful Giancarlo Impiglia, whose value has been steadily increasing. Born in Rome, Impiglia moved to New York in the 70s, where he established a signa...Category
2010s Figurative Paintings
MaterialsWood Panel, Oil
- Hercules and Omphale, Old Master Painting, Mannerism, Baroque, Mythology, PragueLocated in Greven, DEHercules and Omphale Oil on panel, 52 x 41 cm According to legend, Hercules had to make atonement and became a slave to the Lydian queen Omphale. When she found out who her slave was, she married him. Falling for his mistress and made effeminate by the luxury of court life, the former hero allowed himself to become the laughing stock of the court. He dressed in women's clothes, spun wool and did other women's work, whereas Omphale wore his lion's skin and carried a wooden club. When the time of punishment was over, the hero realised his delusion and left Omphale. So far, the painting could not be clearly assigned to an artist. Nevertheless, it impresses with its fluid and convincing painting, whose colourfulness and conception are reminiscent of the Prague School around Bartholomäus Spranger. This work follows an engraving and an etching made by Michel Dorigny in 1643 after a design by Simon Vouet. It shows the same scene but the print differs in minor details from the present painting (see e.g. the head of the lion) and the treatment of the faces seems to be painted more detailed and refined. So far there is no painting...Category
17th Century Baroque Figurative Paintings
MaterialsOil, Panel
- Old Master Painting, Flemish Baroque, Religious Scene, Esau and Jacob, LentilBy Erasmus Quellinus the YoungerLocated in Greven, DEIsaac and Rebecca had two sons: the twins Esau and Jacob. Esau was the first-born, giving him the birthright. Among Jews the birthright gave the eldest son authority over the family,...Category
17th Century Baroque Figurative Paintings
MaterialsOil, Panel
- Fine Old Master Portrait, by Gillis Claeissens, Portrait of a Lady, 1580, BrugesBy Gillis ClaeissensLocated in Greven, DEGillis Claeissens Portrait of a Lady, probably "Anne Joigny-de Pamele" Oil on wood, 35,5 x 28 cm Gillis Claeissens has only recently been rediscovered as an important portrait painter of the 16th century. He received his training in the studio of his father, Pieter I Claeissens. Gillis became a freemaster of the St Luke's Guild in Brussels in 1566 and worked at the court of Alexander Farnese in Brussels between 1589 and 1592. Later he was also court painter to the Archdukes Albert and Isabella. After his return to Bruges, he created portraits of high Bruges society. It was only through the Forgotten Masters exhibition in Bruges in 2018 that the work of Gillis Claeissens was rediscovered. The present painting recently turned up in a private collection and was confirmed as a typical work by Claeissens by Mrs Oosterwijk at the Museum Groeninghe in Bruges. Gillis Claeissens or Egidius Claeissens (Bruges, 1526 – Bruges, 17 December 1605) was a Flemish painter of portraits and altarpieces and a member of a prominent family of artists originating in Bruges. It has only been possible to distinguish Gillis Claeissens' work from that of his father and siblings after scholars discovered a contract with the artist for the painting of a tryptich. It was further discovered in 2015 that he artist can be identified with the Monogrammist G.E.C. These discoveries have allowed to recognise Gillis Claeissens as an important portraitist alongside Pieter Pourbus in 16th century Bruges. Portrait Paintung, Old Master, Bruges School, Bruges Painting...Category
16th Century Northern Renaissance Portrait Paintings
MaterialsOil, Panel
Recently Viewed
View AllMore Ways To Browse
A Riva
Sultan Signed
Antonio Riva Used
Ice House
Washington And His Generals
Military Figures
Yugoslavia Artists
Academic Classical
Vintage Little Girl
80 Womens
Italian Classical Figurative Paintings
Moroccan Oil
Continental Figures
Ashcan New York
Morocco Oil
Painting Of Woman Outside
Eden Garden
Hyperrealism Paintings