1920s Art

Art print on heavy paper After the original from 1922 In great condition

Vintage Etching - Cathedral of Notre Dame and the Chapel of St. Michel, 1928 Vintage black and white etching of the Cathedral of Notre Dame and the Chapel of St. Michel, 1928 by Joh...

Oil on board, in excellent conditions. Beautiful cityscape of Rome from Pincio Hill, realized by Amedeo Bocchi in 1920 ca. Includes vintage wooden gilded frame 46x74 cm. A Certificate of authenticity will be released by the Gallery. Amedeo Bocchi (Parma, 1883 – Rome, 1976) At the age of 12, Amedeo Bocchi is enrolled at the Regio Istituto di Belle Arti in Parma. After graduating in 1901 with the highest grades, he attends the School of Nude Art in Rome where he will spend the rest of his life. In 1910 Bocchi is accepted, for the first time, with two paintings, to the Venice Biennial where he is able to admire the great solo exhibition by Gustav Klimt. In 1911, at the grand Exposition in Rome for the fiftieth anniversary of the Italian Unification...

Edition of 100 copies including a portrait of the author engraved with etching by Raoul Dufy. Copy on Hollande van Gelder. Perfect conditions and uncut.

Artist: Man Ray (American born, 1890 - 1976) Title: ARNOLD SCHOENBERG Date Of Negative: 1934 Type Of Print: Authentic Vintage Sheet Fed Photogravure/Heliogravure. Date Of Print: 1934...

Medium: pochoir (after the watercolor). Printed in 1924 and published in Paris by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. The publisher's provenance inscriptio...

Leonetto Cappiello produced yet another stunning poster in 1922 for Veuve Amiot Champagne. It was noted as the “sparkling wine of kings,” hence Cappiello's choice of a royal central ...

Oil on canvas by Edith Desternes (1901-2000), France, 1920s. The Church Notre-Dame de l'Assomption in Auvers-sur-Oise. This church has been painted in ...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell o...

Antique American impressionist oil painting by Felicie Waldo Howell (1897 - 1968). Oil on board, circa 1928. Signed. Displayed in a period giltwood frame. Image, 12"L x 6"H.

William James Glackens 1870-1938 American Southern France Stamped by artist's estate “W.G. by E.G.” (en verso) Oil on canvas board William James Glackens was one of the most impo...

A very good impression of this scarce color etching and drypoint. Fourth state (of 4). Signed and numbered 54/100 in pencil, lower margin.

Beautiful historically significant oil painting of the Congregational Church of Soquel by Mary DeNeale Morgan (American, 1868-1948). Signed "M. DeNeale Morgan" lower right corner. Exhibit label on verso. Canvas on Masonite. Displayed in giltwood frame. Image, 24"H x 20"W. Born in San Francisco in 1868, she was taken to Oakland in 1872, where the painter and teacher William Keith was her first teacher. She was precocious. In 1886 she enrolled in the California School of Design in San Francisco and studied with Emil Carlsen and Amédée Joullin until 1890. She paid her first visit to Carmel in 1903. In 1910 she returned to buy the studio and home of the late Sydney Yard...

Signed and dated post impressionist oil on canvas interior scene by French painter Jean Dufy. This colourful piece depicts a view of the artist's studio with a view of the city of Mo...

Beautiful poster by Mikhail Fyodorovich Larionov ( 1881 - 1964 ) for a ball to benefit the mutual aid fund of the Union of Russian Artists at the Bullier Ball. Mikhail Larionov was a...

This lovely British portrait oil painting is by noted artist Lionel Ellis. Painted in 1929 it is a half length standing portrait of a young woman in a blue dress with a white lace sh...

Cognac Pellisson is a French liquor poster from circa 1920, by famous poster artist Leonetto Cappiello. It is a typically whimsical Cappiello design featuring the oversized keg of Co...

Jim’s of Lambertville is proud to offer this artwork. Signed lower left. Complemented by a hand carved and gilt frame. M. Elizabeth Price (1877 - 1965) Mary Elizabeth Price was born in West Virginia and raised on a farm in Solebury, Pennsylvania, on the outskirts of New Hope. She studied at the Pennsylvania School of Industrial Arts and the Pennsylvania Academy of the Fine Arts under Hugh Breckenridge. Additionally, she studied in New Hope with William Lathrop. Following her art studies, Price went to New York. While there, she conducted the “Baby Art...

Rosenwalzer is a colored cliché from watercolor on cream-colored cardboard realized by Choisy Le Conin, as is remembered Franz Von Bayros (Agram, 1866 – Vienna, 1924). From Mappe, a...

Oliver Dennett Grover Grand Canal, 1926 Signed and dated lower left Oil on canvas 24 x 30 inches Grover's family relocated to Chicago during his childhood. There, he dedicated a si...

This color pochoir was done in 1925 on Arches paper No. 738/750 depicting a parade with animals and balloons. Archivally framed with 23k gold; 23k gold fillet, silk mat, and museum...

Signed (AE Adams), titled, printed on the front of print. Rare vintage parmelian print from 1927.

Demetre Chiparus Egyptian Dancer, ca. 1920 Bronze, enamel, gilt metal, and marble 29 in Signed to base 'Chiparus'

Thomas l’Imposteur is an original modern rare book illustrated by Jean Cocteau (Maisons-Laffitte, 1889 – Milly-la-Forêt, 1963) in 1927. Published by Gallimard NRF, Paris. Original...

Antique American impressionist flower still life signed oil painting. Oil on canvas. Signed. Framed. Image size, 25.5L x 21.5H.

Original drawing by Jean Cocteau . 1920 . Framed . certified by Expert Mr Martin ".comité Jean Cocteau " . encre de chine sur la page du livre " Escales " 30,7 cm x 20 cm . vintage...

Early 20th Century Photograph Landscape --Looking Through The Sky "Looking Through", a lithobrome photograph by Sigismund Blumann (American, 1872-1956). Signed "Sigismund Blumann" lower right. Unframed. Titled "Looking Through" on verso. Image size, 13.25"H x 11.5"W. Sigismund Blumann (1872–1956) was a prominent tastemaker in Californian photography during the 1920s and 1930s. Based in the San Francisco Bay Area for his entire career, he edited magazines, wrote books, and made creative photographs. From 1924 to 1933 Blumann edited Camera Craft, the leading West Coast photographic monthly. Subsequently he established his own periodical, Photo Art Monthly, which he published until 1940. In these two magazines — for over fifteen years — Blumann found a large audience of mainstream pictorial photographers. In addition, he wrote five instructional books on photography...

Personnages Constructivistes Assises is a modern artwork realized by Antonina Sofronova between 1920-30s.  Mixed Media on Paper. Includes frame: 48.5 x 34.5 cm Antonina Sofronova ...

"Montagne Sainte-Geneviève, Paris" - Watercolor Drawing of French Street Scene Vintage sketch of a 1920's Paris street scene by E. (Elizabeth) (Elisa...

The Souk  is a black and white vintage photo, realized in 1925. The photo depicts the chinese city, Wuchow. The work is glued on cardboard. Total dimensions: 39x29cm. Good conditi...

In the realm of vintage advertising, certain posters stand out as captivating windows into the aesthetics and allure of their respective eras. The circa 1920 original advertising pos...

Finely painted American impressionist seascape painting. Oil on board. Signed. Framed. Measuring 14 by 20 inches.

Ex Libris Still Life is an Artwork realized in 1920 s., by the Czech Artist Ruda Kubicek (1891-1983) Woodcut B./W. print on paper. Signed on plate on the left corner.  The work is ...

L’Ane is an original lithograph, realized by Georges Rouault in 1927, hand signed, Ambroise Vollard's stamp, trial proof of the first state, printed in 10 copies. Included a frame. In very good conditions. The artwork demonstrates a man-donkey creature dressed in suit formally and with a glasses. Georges Henri Rouault (1871-1958) was a French painter, print-maker artist, his artworks are often associated with Fauvism and Expressionism. He is well-known for paintings dedicated to courts, clowns and prostitutes. He was inspired by spirituality and knowledge of medieval stained glass...

The stunning design of this Vintage Original poster Piano Daude,was created by Andre Daude the owner for the Piano store on Avenue Wagram in Paris. The s...

Signed lower left and dated 1921. This radiant landscape bursts with Beal’s signature vibrancy and plein air spontaneity. In the foreground left, a flourishing mango tree fans its l...

Original advertisement for Kuppenheimer Clothing, featuring a jockey on a race horse and a well-dressed gentleman in a suit This illustration for Kuppenheimer Clothes appeared in various advertisements and promotional materials in 1926 and 1927, such as the cover of a race-themed Kuppenheimer advertising booklet, as well as the interior page of the Kuppenheimer Spring & Summer 1926 brochure, where the associated caption states: “This double-breasted, with slender hips and broad Curvette shoulders, will be quite the thing with stylish young fellows this spring – especially in the new shades of Ambertone and Silvertone.” A wood-engraving of the image was completed by Jacob Sander for use in newspapers in 1926. Engravings like this were often created to eliminate the difficulties associated with half-tone production on the poor quality newspaper stock. The present work showcases the artist’s ability to capture an idealized vision of male beauty. The rich colors and textures of the fabrics applied with Leyendecker’s signature painterly technique further enhance the appeal of the clothing the picture advertises. In the early spring of 1926, in preparation for upcoming Kuppenheimer advertising projects, J.C. Leyendecker visited the Aqueduct Racetrack horse racing facility in Queens, New York. He was directed to the legendary trainer ‘Dick’ (Herbert John Thompson), who was training the horse named Bubbling Over, who would become the model or the horse pictured...

Provenance Kaplan Gallery, London Commander Jeoffroy Littleton Lowis, London (acquired from the above, 1966) Acquired from the above by the present owner, 2006 Exhibited London, Kap...

"Elegant Ladies" is an original watercolored ink drawing on ivory-colored paper, realized by Luigi Bompard (1879-1953) in 1920s. Hand-signed in pen o...

Study of Utagawa Hiroshige's "View of Hara-Juku" 53 Stations of the Tokaido Road Hand painted study of Utagawa Hiroshige's "View of Hara-Juku", (by unknown artist), from "53 Station...

Venice is an original pouchoir artwork realized in 1920 by Leonardo Brunelleschi. The State of preservation is very good. The artwork represents the scenery in Venice next to the c...

The Street is a watercolor and ink drawing on ivory-colored paper, in the 1920s realized by Luigi Bompard (1879-1953). Hand-signed in pen on the lower margin. In good condition, ex...

Artist: Georges Rouault, French (1871 - 1958) Title: Frontispiece from the portfolio Les Reincarnations du Pere Ubu Year: 1929 Medium: Etching and aquatint on cream wove paper, signe...

The circa 1920 color print "Bergers dans la Montagne" by the renowned French artist Henri Rivière exemplifies the artist's mastery in capturing the natural world and rural life throu...

Edition of 300 copies including 6 original etchings/sanguines and many gouaches inside the text by Demetrios Galanis. One of 243 copies on Vergé de Rives. Original editorial softcov...

Luminous colors, a balanced composition, and a distinctive frame give this oil on canvas by Jean Pajak an appealing presence. Signed and dated 1929, the painting depicts a quiet stre...

Sterndale Bennett Honor 1886-1975 Watercolour artist, born in Watford, she married into the famous family noted for its composers and for its military members. As an army wife she s...

Pierre-Eugene Montezin (French, 1874 - 1946) "Cavaliers Au Bois" Oil on Panel. Signed lower right. Waterhouse & Dodd label verso. Sight Size: 12.75 x 16 in. Overall Framed Size: 21...

A native of Philadelphia, John Pierce Barnes began his artistic training at the Philadelphia School of Industrial Design. He then attended the Pennsylvania Academy of the Fine Arts, ...

An original 1920s silver gelatin print by famed photographer Tina Modotti, showing a mural fresco in the Secretariat of Education in Mexico City by artist Diego Rivera. Photo is sta...

Antique American impressionist flower still life landscape oil painting by Frank Convers Mathewson (1862 - 1941). Oil on board. Framed. Signed and dated. Measuring: 31 by 37 inche...

Wintertime Forest Landscape is an original oil painting by Belgian artist Louis Clesse (1889–1961), dating to circa 1920. Signed at the lower right, this early 20th-century woodland ...

*PLEASE NOTE UK BUYERS WILL ONLY PAY 5% VAT ON THIS PURCHASE. Once an order is placed we will arrange the VAT of 20% to be reduced to 5% L'homme au chapeau melon (1887-1985) Lithogr...

The Port of San Tropez Oil on canvas, c. 1920 Signed lower right corner (see photo) Condition: Excellent, professionally cleaned Image/Canvas size: 25 3/4 x 32 inches Frame size: 30...

Botanical watercolour and gouache on paper circa 1920 by French fauvist painter Raoul Dufy. The work depicts flowers in red and butterflies in blues, yellows, black and white. This work was executed by Dufy as a fabric design. Dimensions: Framed: 17"x27" Unframed: 10"x20" Provenance: Private collection of works by Raoul Dufy for Bianchini Ferier Bianchini Ferrier Collection - Christie's London - July 2001 SF Fall Show Raoul Dufy was one of a family of nine children, including five sisters and a younger brother, Jean Dufy, also destined to become a painter. Their father was an accountant in the employ of a major company in Le Havre. The Dufy family was musically gifted: his father was an organist, as was his brother Léon, and his youngest brother Gaston was an accomplished flautist who later worked as a music critic in Paris. Raoul Dufy's studies were interrupted at the age of 14, when he had to contribute to the family income. He took a job with an importer of Brazilian coffee, but still found time from 1892 to attend evening courses in drawing and composition at the local college of fine arts under Charles Marie Lhullier, former teacher of Othon Friesz and Georges Braque. He spent his free time in museums, admiring the paintings of Eugène Boudin in Le Havre and The Justice of Trajan in Rouen. A municipal scholarship enabled him to leave for Paris in 1900, where he lodged initially with Othon Friesz. He was accepted by the École des Beaux-Arts, where he studied under Léon Bonnat, whose innate conservatism prompted Dufy to remark later that it was 'good to be at the Beaux-Arts providing one knew one could leave'. And leave he did, four years later, embarking with friends and fellow students on the rounds of the major Paris galleries - Ambroise Vollard, Durand-Ruel, Eugène Blot and Berheim-Jeune. For Dufy and his contemporaries, Impressionism represented a rejection of sterile academism in favour of the open-air canvases of Manet, the light and bright colours of the Impressionists, and, beyond them, the daringly innovative work of Gauguin and Van Gogh, Seurat, Cézanne, Toulouse-Lautrec and others. Dufy was an out-and-out individualist, however, and was not tempted to imitate any of these artists. He produced, between 1935 and 1937, Fée Electricité (Spirit of Electricity), the emblem for the French utilities company Electricité de France (EDF). Dufy visited the USA for the first time in 1937, as a member of the Carnegie Prize jury. In 1940, the outbreak of war (and his increasingly rheumatic condition) persuaded him to settle in Nice. When he eventually returned to Paris 10 years later, his rheumatism had become so debilitating that he immediately left for Boston to follow a course of pioneering anti-cortisone treatment. He continued working, however, spending time first in Harvard and then in New York City before moving to the drier climate of Tucson, Arizona. The cortisone treatment was by and large unsuccessful, although he did recover the use of his fingers. He returned to Paris in 1951 and decided to settle in Forcalquier, where the climate was more clement. Within a short time, however, he was wheelchair-bound. He died in Forcalquier in March 1953 and was buried in Cimiez. Between 1895 and 1898, Raoul Dufy painted watercolours of landscapes near his native Le Havre and around Honfleur and Falaise. By the turn of the century, however, he was already painting certain subjects that were to become hallmarks of his work - flag-decked Parisian cityscapes, Normandy beaches teeming with visitors, regattas and the like, including one of his better-known early works, Landing Stage at Ste-Adresse. By 1905-1906 Friesz, Braque, Matisse, Derain, Vlaminck, Van Dongen and Rouault were described collectively as Fauves (the wild beasts). What they had in common was a desire to innovate, but they felt constrained nonetheless to meet formally to set out the guiding principles of what promised to be a new 'movement'. Dufy quickly established that those principles were acceptable; moreover, he was most impressed by one particular painting by Henri Matisse ( Luxury, Calm and Voluptuousness) which, to Dufy, embodied both novelty and a sense of artistic freedom. Dufy promptly aligned himself with the Fauves. Together with Albert Marquet in particular, he spent his time travelling the Normandy coast and painting views similar...

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Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell o...

Armando Menocal Retrato de Dama, 1923 Oil on canvas 33 x 24,5 in Signed on the lower right

This lovely, exhibited landscape oil painting is by British New English Art Club female artist Evelyn Cheston. It was painted circa 1920 when Cheston was resident in Devon. The view ...

*PLEASE NOTE UK BUYERS WILL ONLY PAY 5% VAT ON THIS PURCHASE. once an order is placed we will arrange the VAT of 20% to be reduced to 5% Vue de la Vallée by Gustave Cariot (1872-19...