1920s Art

Erotic Scene is a beautiful lithograph on ivory-colored paper, realized in the 1920s by Albert Marquet (Bordeaux, 1875 - Paris,1947). Monogrammed on the plate on the lower margin. ...

Pegase Captif is a prototype reproduction realized after Odilon Redon. They belong to the suite "Odilon Redon Peintre, Dessinateur et Graveur", published by Henri Felury in 1923. ...

Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Allo! Paris!, 1926. Published by Éditions des ...

Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Allo! Paris!, 1926. Published by Éditions des ...

Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Allo! Paris!, 1926. Published by Éditions des ...

Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Allo! Paris!, 1926. Published by Éditions des ...

Text and illustrations by Gus Bofa. Plates and spine partially missing and restored. Inside excellent conditions and partially uncut.

This exquisite lithograph after Henri Matisse (1869–1954), titled Crayon (Crayon), from the album Dessins de Henri-Matisse (Drawings by Henri Matisse), originates from the 1925 editi...

This exquisite lithograph after Henri Matisse (1869–1954), titled Crayon (Crayon), from the album Dessins de Henri-Matisse (Drawings by Henri Matisse), originates from the 1925 editi...

"A Dance in the Moonlight" a Lithobrome photograph by Sigismund Blumann (American, 1872-1956). Signed "Sigismund Blumann" lower right. The blue color is the artist's own invention using a copper sulphate toning process. Unframed. Titled "A Dance in the Moonlight" on verso. Image size, 13.25"H x 10.5"W. Sigismund Blumann (1872–1956) was a prominent tastemaker in Californian photography during the 1920s and 1930s. Based in the San Francisco Bay Area for his entire career, he edited magazines, wrote books, and made creative photographs. From 1924 to 1933 Blumann edited Camera Craft, the leading West Coast photographic monthly. Subsequently he established his own periodical, Photo Art Monthly, which he published until 1940. In these two magazines — for over fifteen years — Blumann found a large audience of mainstream pictorial photographers. In addition, he wrote five instructional books on photography...

This vintage poster by Leonetto Cappiello (1875–1942) was created to advertise Livingstone Banden bicycle tires, imported by Juncker & Co. in Rotterdam. The dramatic image shows a sw...

Nude of Woman is an original drawing in mixed media -pencil, pastel and watercolor- on ivory-colorated paper, realized by Anonymous Artist of the early 2...

Anton Büschelberger (1869 Eger - 1934 Dresden), Pointer, around 1930, made by the Karl Ens porcelain manufactory in Volkstedt (Thuringia), model number 2478, 6. Porcelain with underg...

Edition of 1345 copies. Copy on velin Lafuma. Edition including original etchings by Chas Laborde. Perfect conditions, uncut. 

Artist Unknown Advertising Poster Leipzig Fair and Techincal Fair 1925 Germany Bauhaus event Published in London Lithograph Open edition 39 x 24 inches

Marc Chagall (1887-1985) - Le Sept Péchés Capitaux Etching from 1925. Edition of 300 proofs. Dimensions of work: 25 x 19.5 cm. Publisher: Tériade, Paris. Reference: Kornfeld 47....

Ex Libris Draksl is an original Modern Artwork realized in the 1920s. Original Ex Libris. Original B/W woodcut on ivory-colored paper. The work is glued on cardboard. Total...

Lithograph on fine vélin paper, mounted on archival mat-board, as issued. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Eugène De...

Titled with artist's reference number and signed in pencil by Cole Weston with Edward Weston's facsimile signature on back of mount. Printed later by Edward's son Cole Weston.

Lithograph on fine vélin paper, mounted on archival mat-board, as issued. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Eugène De...

Monogram of the artist on plate. Edition of 150 copies. One of the 50 H.C.copies in Roman Numerals. This print is one of the illustrations realized by Odilon Redon for an important e...

Etching and drypoint realized in 1920s. Hand signed in pencil lower right, not readable. Very good condition.

Etching and drypoint realized in 1920s. Hand signed in pencil lower right, not readable. Very good condition.

Etching realized by Frank Sepp (1889-1970) in the 1920s. Hand signed in pencil lower right. Very good condition.

Otto Münch (German-American, 1885-1965) Design for Teacups, c. 1920 Watercolor on paper 9 1/8 in. diameter Frame: 16 7/8 x 16 7/8 x 1 in. Provenance: Chamberlin Gallery, New York ...

Three Figures is an Original Etching and Drypoint realized by Pierre Girieud (1876-1940). Foxing and stains on top center. Includes a white cardboard passpartout (69x49 cm). Hand signed on the lower right corner. Pierre Girieud was a French painter (Marseille 1875 - Nogent-sur-Marne 1948). Follower of P. Gauguin, friend of Cézanne and Van Gogh, he painted still lifes, landscapes of Provence, naked, in a massive, archaic style, with influences of Italian Renaissance painting.

Nude of Woman is an Etching realized by Edouard Chimot in 1930s. The very beautiful artwork is in good condition. No Signature. Represents a nude young lady. Édouard Chimot (26 November 1880 – 7 June 1959) was a French artist, illustrator and editor whose career reached its peak in the 1920s in Paris, through the publication of fine quality art-printed books. As artist his own work occupies a characteristic place, but as editor also his role was extremely important...

Fernand Léger, French (1881 -1955) - Broom, Year: 1922, Medium: Woodcut, Image Size: 11.5 x 8.5 inches, Size: 12.5 x 9 in. (31.75 x 22.86 cm), Frame Size: 18 x 15 inches, Descri...

Carriage Rideis a vintage lithograph realized after Raoul Dufy in 1920. Good conditions. Edition of 110. Not signed and not numbered, as issued. The artwork is depicted through co...

"Looking Through", a lithobrome photograph by Sigismund Blumann (American, 1872-1956). Signed "Sigismund Blumann" lower right. Unframed. Titled "Looking Through" on verso. Image size, 13.25"H x 11.5"W. Sigismund Blumann (1872–1956) was a prominent tastemaker in Californian photography during the 1920s and 1930s. Based in the San Francisco Bay Area for his entire career, he edited magazines, wrote books, and made creative photographs. From 1924 to 1933 Blumann edited Camera Craft, the leading West Coast photographic monthly. Subsequently he established his own periodical, Photo Art Monthly, which he published until 1940. In these two magazines — for over fifteen years — Blumann found a large audience of mainstream pictorial photographers. In addition, he wrote five instructional books on photography...

Femme Nue Vero la Gauche from The Reincarnations du Pere Ubu Georges Rouault, French (1871–1958) Date: 1928 Etching with Aquatint, signed in the plate Image Size: 12 x 8 inches Size:...

Charming early 20th Century impressionistic summer landscape of Dutch cottage with chickens. Signed illegibly lower right corner. Stamped "Rotterdam" on ...

Family Suggestions is an original watercolored ink drawing on ivory-colored paper, in the 1920s realized by Luigi Bompard (1879-1953). Hand-signed in pen on the lower margin. In g...

Charming portrait of Russian Boyarina by Bell Dibble Taft (American, 1855-1937), 1921. Signed and dated lower left corner and gallery label for Oakland Gallery Exhibit (Oakand Museum...

Fresco from Pompeii is a beautiful hand-watercolored etching realized by Francois Mazois, in 1922. Titled on the lower center. Sculptor's name on the lower right margin. Good condi...

Profil de Lumière is a phototype reproduction realized after Odilon Redon. They belong to the suite "Odilon Redon Peintre, Dessinateur et Graveur", published by Henri Felury in 192...

Architecture and Art Photo - By Tiepolo, Venice is a black and white vintage photo, realized in the 1920s. It belongs to masterpiece of art and architecture album meticulously captur...

Illustration from the series "Les Fleurs du Mal" is an etching print realized after Odilon Redon and published by Henri Felury in 1923. Monogrammed on the plate. Good conditions, w...

Edition of 1000 copies. One of the only 50 copies on Japon Imperial paper, including a suite of 15 woodcut prints on China paper. Includes also original black and white and colored w...

A stunning portrait of Mr John Gilbert. This original oil on canvas was painted by James Peter Quinn in 1929 and was exhibited at The Paris Salon of that year. A fine portrait, it is in excellent condition and framed in the original period frame. This is a fine painting by a noted Australian listed artist. Signed right. Provenance. Exhibited at the Paris salon 1929. Condition. Oil on canvas in very good condition, image size 40 inches by 30 inches. Housed in its original gallery frame, 47 by 37 inches framed. Excellent condition. James Peter Quinn (1869-1951) was born on 4 December 1869 at 60 Bourke Street, Melbourne. He was the third son of John Quinn, restaurant-keeper born in Antigua, West Indies, and his English wife Ann, née Long. Little is known of Quinn's childhood and early education; both parents died when he was young. His guardians apprenticed him to an engraver, but he undertook part-time studies at the school of design, National Gallery of Victoria, under Frederick McCubbin in 1887-89, and at the school of painting under George Folingsby and Bernard Hall in 1890-93. Awarded several student prizes, he won the gallery's travelling scholarship in 1893. Quinn went to London in 1894 but quickly left for Paris where he studied at the Académie Julian, at the Académie des Beaux-Arts under Jean Paul Laurens, and with Colarossi and Delécluse. He returned to London about 1902 and married fellow art-student Blanche Louise Guernier there on 29 September. By 1904 he had exhibited with the Royal Academy of Arts and went on to establish a reputation as a highly successful portrait painter. His finest and most sensitive work was produced before 1910. His family were the subjects of many paintings, including 'Mère et Fils', awarded an honourable mention at the Old Salon, Paris, in 1912. He also painted many self-portraits. His many commissioned works included portraits of Joseph Chamberlain, the Duchess of York and, later, the Duke of Windsor. In 1918-19 he was an official war artist with the Australian Imperial Force in France, and exhibited war paintings at the Grafton Galleries, London. In 1919, with George Coates he was an official artist to the Canadian War Records. He was a council-member of the London Portrait Society, and a member of the Royal Society of Portrait Painters and the Royal Institute of Oil Painters, exhibiting regularly with them and the Royal Academy, and in Paris with the Old and New salons. Quinn's sudden return to Australia in December 1935, alone, followed the death of his gifted artist-son René. He held exhibitions at the Fine Art Society's Gallery, Melbourne, in 1936 and the Royal South Australian Society of Arts Gallery next year. Quinn ostensibly returned as an acclaimed artist, was invited to rejoin the Victorian Artists' Society he had joined first in 1888, and was its president (but for one year) in 1937-50. Yet a coolness existed. Though he had little in common with the modernist painters of the period, his commitment to a tolerant brotherhood of artists found no allies among the aggressively conservative old guard. In 1937 he clashed publicly with (Sir) Robert Menzies who in opening a V.A.S. exhibition denigrated modern art. In spite of the affection felt for him by many artists and students, Quinn was somewhat isolated. He continued to exhibit, winning the Crouch prize, Ballarat Fine Art Gallery, in 1941. In the mid-1940s he taught briefly at the National Gallery school. A lover of good food, wine and conversation, Quinn delighted in mixing with all classes. Frequenting the haunts of journalists, writers and the more Bohemian fringe, he was easily recognizable with his bow tie, grey curly hair and cigarette dangling from the corner of his mouth. Survived by one son, he died of cancer on 18 February 1951 at Prahran and was buried in St Kilda cemetery. His war portraits are held by the Australian War...

Leonetto Cappiello, a pioneering figure in the world of poster art, left an indelible mark on advertising through his innovative and captivating designs. Among his exceptional creati...

Erotic Scene is a beautiful lithograph on ivory-colored paper, realized in the 1920s by Albert Marquet (Bordeaux, 1875 - Paris,1947). Monogrammed on the plate on the lower margin. ...

Jules Robin was born in 1815 under the name of André Jules Robin and in 1850, together with Edmond Jaulin, he founded the famous cognac house which was called Jules Robin. Jules Rob...

Promenade is an original offset and lithograph print realized by George Grosz. The artwork is the plate n.28 from the portfolio Ecce Homo published between 1922/1923, edition of De...

Copy on Japon Imperial paper. Many b/w and coloured illustrations. Excellent conditions and partially uncut.

Shark is an original offset and lithograph, realized by George Grosz. The artwork is the plate n. 66 from the porfolio Ecce Homo published between 1922/1923, edition of Der Malik-Ve...

Le Bonheur du Jour by George Barbie (Nantes, 1889 - Paris, 1932) is an original artwork realized in 1929 cover of the homonymous suite of pochoir realized b...

Mother and Child is a fine black and white collotype from the series “Handzeichnungen” (1920), a fine art portfolio by Egon Schiele. Monogram on plate “S '10” on the lower right mar...

Studies is an original offset and lithograph realized by George Grosz. The artwork is the plate n.10 from the portfolio Ecce Homo published between 1922/1923, edition of Der Malik-V...

Architecture and Art Photo - Miracoli Church is a black and white vintage photo, realized in the 1920s. It belongs to masterpiece of art and architecture album meticulously captured....

Edition of 816 copies on vélin simili curve des papeteries Navarre, including a portrait of the author by Foujita. Very good conditions, uncut. 

Architecture and Art Photo - S. Pietro Martire Church is a black and white vintage photo, realized in the 1920s. It belongs to masterpiece of art and architecture album meticulously ...

Dante's Vision is a lithograph realized after a watercolor by Odilon Redon. They belong to the suite "Odilon Redon Peintre, Dessinateur et Graveur", published by Henri Felury in 19...

This color pochoir was done in 1925 on Arches paper No. 738/750. It depicts a mother and her child underneath a tree with doves flying around them. Archivally framed with 23k gold; ...

Head of a Deco Woman (recto) Standing Male Model (verso) Graphite on paper, 1925 Signed with the artist's initials "PW" and dated 1925 Created while the artist was studying at the Art Institute of Chicago in 1925. This is a preliminary drawing to a series of class assignments. From a sketch book Image/Sheet size: 7 5/8 x 4 7/8 inches Condition: Excellent Slight syrface dirt Provenance: Estate of the Artist Winchell Heirs Paul H. Winchell (1903 – 1971) was a printmaker, illustrator, teacher, and gilder according to Crump, 2009 (Minnesota Prints and Printmakers, 1900- 1945, Minnesota Historical Society Press). He was the son of Mrs. Looman Winchell of Shepherd Rd as noted in a 1937 newspaper article (Painsville, O. Telegraph). Winchell grew up in North Perry, Ohio and then studied and worked as an instructor at the Art Institute of Chicago. He studied with Leon Kroll (1884 – 1974), Boris...

Illustration from the series "Les Fleurs du Mal" is an etching print realized after Odilon Redon and published by Henri Felury in 1923. Monogrammed on the plate. Good conditions. ...

SEGUY, E[ugene] A[lain]. Papillons Paris, Du Chartre et van Buggenhoudt [1924] Each print is produced entirely by hand using a unique printing process called pochoir, which was p...

Le Masque de la Mort Rouge is a phototype reproduction realized after Odilon Redon. They belong to the suite "Odilon Redon Peintre, Dessinateur et Graveur", published by Henri Felu...

Le Politicard from Le Reincarnations du Pere Ubu Georges Rouault, French (1871–1958) Date: 1928 Aquatint on Arches, signed in the plate Image Size: 12 x 7.5 inches Size: 17.5 x 12.5 ...

Untitled  is a drawing, realized in  1920s , by the French Artist  André Meaux-Saint-Marc (1885-1941)   Black and white pencil on paper. Hand Signed on back. The artist wants to de...