1920s Art

Original gouache and watercolor on brown archival paper of a standing crow in profile. Signed and dated lower right. Condition is good to very good. Colors of the bird are strong a...

A beautiful oil on board of an Autumn Pasture by the talented Carl G. T. Olson. From the estate of the artist to his son, then to his grandchildren and from them to us. 18" x 22" u f...

Signed lower right, 'Komaromi-Kacz' for Endre Komaromi-Kacz (Hungarian, 1880-1969) and titled, 'Molm'. Born in Komarom, Kacz was initially a pupil of Eduard Ballo, a painter of port...

Elegant floral still life of a beautiful spring bouquet in an antique ivory soup tureen by Elizabeth Fitzgerald Forbes (Dallam) (American, 1875-1933). Exhibition placard on verso signed "Elizabeth Forbes...

Erotic is an original etching by Chas Laborde in the 1920s. This original print is hand-colored in watercolor. In very good condition, including white cardboard Passepartout, 52 x 37cm. This artwork belongs to the erotic series of Chas Laborde in which you recognize his authentic style of illustration. Chas Laborde (Buenos Aires, 1886 - Paris, 1941) Charles Laborde...

Impressionist oil on canvas in lovely pastel green-blue shades, this summertime painting of trees, river and path is in the In the style of Camille Pissaro and other French impressio...

Koronthály Jenő (Hungarian, 1883-1973) Untitled, 1923 Oil on wood panel 11 3/8 x 14 1/2 in. Framed: 14 1/8 x 17 1/4 x 1 in. Signed and dated lower left A Hungarian artist, Koronthál...

A captivating tondo portrait by celebrated French pastellist Frédérique Vallet-Bisson, trained under Jules-Joseph Lefebvre at the Académie Julian and a regular exhibitor at the Paris...

Hand signed lower right: “F. Depero”. Certificate of authenticity by the Archive of Fortunato Depero. There are different versions of drafts that the Italian artist Fortunato Depero realized before the final Collage poster...

La pie by Georges Manzana Pissarro (1871-1961) Pochoir 28 x 44.5 cm (11 x 17 ¹/₂ inches) Signed lower right, manzana Artist biography: Like all second-generation Pissarro artists, G...

Soup. 1920. Drypoint. Appleby 65. 9 x 8 1/8 (sheet 15 x 11 9/16). Edition 100. Illlustrated: Print Collector's Quarterly 13 (1926): 85. Signed in pencil. Edmund Blampied was a painter, etcher, lithographer and sculptor. Born in 1886 to a family of three boys in St. Martin, Jersey, Blampied became interested in drawing at an early age. After visiting the studio of John Helier Lander in 1899, Blampied decided to make a career as an artist. In 1903 he went to London to attend Lambeth Art School, where he studied etching under Walter Seymour. In 1905, he joined the Daily Chronicle as an artist. In that year he was awarded a scholarship to Bolt Court Scool of Photo-engraving and Lithography. In 1912 he left the Chronicle and established his own studio. He earned a living by illustrating novels and short stories. In 1913, he had his first exhibition at the Leicester Gallery in London. The following year he married Marianne Van Abbé. During the 1920's, he became a member of the Royal Society of Painter-Etchers and Engravers. During the 1920s Blampied became a member of the Royal Society of Painters-Etchers and Engravers and exhibited in London to critical acclaim. He produced a folio of comic drawings in the 1930s which was published in New York in 1934 and another that was published in London in 1936. The Keeper of Prints and Drawings at the British Museum published a mongraph on his work. His London exhibitions were highly successful. In 1938, he moved to Bulwarks, St.Aubin in Jersey, but at the onset of the Occupation, had to relocate to Route Orange, St. Brelade. remained there throughout World War II during the German Occupation, despite the fact that his wife was Jewish. During the Occupation he designed bank...

Irving Ramsey Wiles Glad and Rhododendron, circa 1927 Inscribed indistinctly with title (on the turnover) Oil on canvas 46 x 40 inches Provenance The artist Estate of the artist Hir...

Raoul Dufy, French (1877 - 1953) - The Hare, Year: circa 1920, Medium: Woodblock on thin wove paper, Image Size: 8 x 7.75 inches, Size: 11.5 x 9 in. (29.21 x 22.86 cm), Description...

Antique European impressionist harbor oil painting. Oil on board, circa 1920. Signed. Framed. Image size, 15"L x 18"H.

➡️Vivid Antique scene Landscape⬅️ ⏩It is signed J Ch Millet.⏪ Jean Charles Millet (1892-1944) How did Jean-Charles Millet, the grandson of the celebrated painter, become a master ...

Emile Gruppe Forest Woods, Woodstock, 1928 Signed and dated lower right Oil on canvas 32 1/8 x 40 1/2 inches Provenance Private Collection, California Emile Gruppe was an unusuall...

Lithograph on fine vélin paper, mounted on archival mat-board, as issued. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Eugène De...

Still life is a vintage offset print, realized in 1929 reproducing the original watercolor by Giorgio Morandi. Very Good conditions.

The Gargoyle and His Quarry, Notre Dame. 1920. Etching.Fletcher 90. 7 1/8 x 5 1/4 (sheet 10 1/2 x 9 1/16). Gargoyle series #1. Edition 75. A rich impression printed on 'FJHead&Co' c...

. Here for your consideration is an original signed lithograph by Adolf Arthur Dehn done in 1922 titled 5 O’Clock. The condition of the lithograph is excellent. Signed in the p...

This exquisite lithograph and pochoir by Marie Laurencin (1883–1956), titled Sans titre (Untitled), from the album Les Biches (The Does), originates from the 1924 edition published b...

An authentic 1926 George, The Supreme Master of Magic American lithographic poster, featuring dramatic theatrical imagery and richly saturated colors that capture the mystery and spe...

Signed lower left, 'Georg W. Rössner' for Georg Walter Rössner (German, 1885-1972), titled 'Bildnis Lieselotte Friedländer' and painted circa 1926; original artist card verso. A sub...

Anders Loman (1879–1953) Sweden Mountain Landscape in Moonlight, 1926 signed and dated lower right 26 oil on canvas unframed 64 × 68.5 cm (25.2 × 27 in) framed 74 × 79 cm (29.1 × 3...

Anton Schutz, 'Heart of San Francisco', etching, c. 1927, edition not stated. Signed in pencil. A superb, richly-inked impression, on cream wove paper; the full sheet with margins (2...

“Seine Under the Morning Snow (Seine Sous la Neige du Matin)” Raymond Thibesart (1874-1968) Oil on canvas 70 x 31 ½ (36 ½ x 74 ½ frame size) inches Signed lower left The morning mis...

This lovely Belgian Impressionist figurative oil painting is by noted artist Henri Moreau. Although Belgian by birth, Moreau spent many years in France, moving to Paris in 1920 and o...

"Galloping Horse and Rider" Alessio Issupoff (1889 Russia-1957 Rome) Oil on wood panel Signed lower right 5 1/2 x8 1/2 (13 1/2 x 16 1/2 frame) inches This is such a stunning little jewel, it's almost hard to believe. Alessio Issupoff dedicated his whole life to art and was shaped by his years at the Moscow School of Painting, and later absorbed a great deal from Impressionism and the work of the Italian Renaissance masters. But he kept his distinctive style and remained true to the idea that excited the generation of painters of the turn of the 20th century — “the embodiment of the great beauty of everything alive.” Alexei Vladimirovich Isupov, known by his Italianized name Alessio Issupoff, was born in Vyatka (now Kirov) on March 10, 1889. The son of an icon carver and gilder, he learned to paint from the artisan painters who worked with his father. Wanting to give expression to his own artistic creativity, the young Alexei did not take up his father's trade but left Vyatka for Moscow where he attended the School of Painting, Sculpture and Architecture. His mentor was the painter Apollinary Mikhailovich Vasnetsov, brother of Viktor, who introduced him to the Moscow artistic milieu and helped him find work. By studying and visiting museums, Issupoff formed his own aesthetic “taste” by modifying it on contemporary Russian and French Renaissance art...

This 1927 Obligation au Porteur is a financial document that represents a bearer bond issued by the department store company Paris-France, a flourishing French retail enterprise of t...

Oil on canvas by Laure Stella BRUNI, France, 1926. Landscape of Drome. with frame: 109x90x8 cm - 42.9x35.4x3.15 inches ; without frame: 92x73 cm - 36.2x28.75 inches. 30F format. Sign...

Oil on canvas by Amedee de La PATELLIERE, France, 1928. Eclipse with four characters. With frame: 63x54 cm - 24.8x21.25 inches ; without frame: 41x33 cm - 16.15x13 inches. Format 6F....

Medium: original lithograph. Printed in 1920 on smooth wove paper for the Deutsche Graphiker der Gegenwart portfolio, and published in Leipzig by Klinkhardt & Biermann in an edit...

One of a kind and masterpiece sculpture “Archer” (“Bogenschütze,” original German title) in gilt bronze, a work by Otto Lessing, based on an original design from 1908. Many small-sc...

Farmhouse in Autumn, Early 20th Century Landscape by Florence Helena McGillivray A vibrant and colorful late 1920's landscape by Florence Helena McGillivray (Canadian, 1864-1938). This beautiful 1929 landscape depicts a quaint farmhouse in autumn, surrounded by a landscape full of fall foliage in goldenrod yellow, bright orange, and deep red, with soft purple hills receding into the distance. Signed "F. McGillivray" lower left. Displayed in a new Arts & Crafts style giltwood frame. Board size: 16"H x 20"W. Framed size: 19.25"H x 23.25"W x 1"D. McGillivray (1864–1938) garnered admiration for her modern landscape paintings, as well as for her mentorship of young artists, including Tom Thomson. She has been credited in some instances as an influence for what would later be known as the Group of Seven. A prolific sketcher and painter, Florence McGillivray...

In Sittande kvinna i interiör, Jon Loman focuses on the poetry of ordinary domestic life, presenting a seated woman absorbed in quiet work at a small table. A lamp forms the emotiona...

The 1930 green edition of the Paris-France bearer bond carries with it the weight of transition. Issued just after the Wall Street Crash of 1929, this certificate offered a lower int...

Edmond Heuzé French Belle Époque Signed Watercolor A beautiful and rare watercolour by the great French Belle Époque artist Edmond Heuzé; it depicts with rare effectiveness a distin...

Herbert Bayer Sale and Marketing Kiosk for P Cigarettes (Verkauf- und Werbekiosk, Zigarettenmarke P ), 1924 Offset Lithograph Year: 1994 Size: 33.2 × 23.2 inches Publisher: Bauhaus A...

Antique American impressionist still life oil painting by Elizabeth L. Rothwell (c.1877 - 1946). Oil on canvas. Framed. Signed. Circa 1924.

Whistlers Mother by Anonymous Artist Original Oil on Canvas 1924 Nicely executed painting after James McNeil Whistler of his mother by an anonymous artist (American, 19th-20th C.) I...

Le chapeau épinglé (La fille de Berthe Morisot et sa cousine) 3e planche. Etching realized by Renoir in 1894. Image dimension 11.5x8 cm. / sheet dimension 33.2x15.1 cm. The final s...

Antique American school impressionist sunset landscape oil painting . Oil on board. Signed. Framed. Measuring: 8 by 11 inches overall, and 6 by 9 painting alone. Excellent conditio...

This is from the original first edition 1923 printing. there was a much later edition done after these originals. These are individually hand signed in pencil by artist as issued. ...

Poster. Measures 39.5 x 30.5 inches and is Unframed. Good/Fair Condition (i.e. white borders have been cropped).

Edition of 816 copies on vélin simili curve des papeteries Navarre, including a portrait of the author by Foujita. Very good conditions, uncut. 

Baumberger, Otto. PKZ 1923, Color lithograph, On Linen 50 1/2 x 35 1/2” Baumberger was one of the most prolific Swiss poster artists, with well over 200 designs to his credit. Beginning in 1917, he regularly worked for PKZ. This poster is not only the best he produced for the company but is also an icon in poster history. The tweed coat is rendered in near-photographic perfection to the point where you can practically feel the fabric. Baumberger took a totally new approach to advertising by ingeniously incorporating the poster's text into the image in the form of the label in the coat. With this poster Baumberger cemented his role as master of the "Object Poster," (a title he earned four years earlier with a classic image of a top hat), and began the trend of "New Objectivity" within the Swiss school of Graphic Design. A sensation from the day it was issued, this image remains compelling and proves to be one of the finest of the PKZ posters...

A rare and well painted Cuban landscape by wonderful artist Domingo Enriquez. Domingo Ramos Enriquez's oeuvre encompasses a wide array of Cuban landscape...

Lithograph on fine vélin paper, mounted on archival mat-board, as issued. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Eugène De...

La Roulette in the Casino, from Monte Carlo from -Album n.15 – Planche n.12 is an original vintage reprint from the 1920 color lithograph by French c...

Point Lobos, California Oil on artist's board, c. 1925 Signed lower right: Wm J Edmundson (see photo) Condition: Very good condition Frame: Period McBeth Gallery style frame (see pho...

Edition of 625 copies, including reproductions of drawings by J. Cocteau, in which are portrayed for example I. Strawinsky, J. Hugo, P. Picasso, F. Poulenc and many others. Book dedi...

Rare and wonderfully painted pointillist landscape by Carmelo Vegas. Thick impasto and a fine composition. Housed in a period giltwood frame. Ready to hang. Oil on board. Signed.

Joaquin Terruella Matilla (1891-1957) - Landscape - Oil cardboard Oil measures 14x10 cm. Frame measures 25x20 cm. Joaquim Terruella Matilla (1891 - 1957) Joaquim Terruella Matilla,...

Japanese Artisans - Japanese Woodblock Print J Japanese woodblock depicting six women, all wearing vibrant kimonos, working on crafts by Tosa Mitsuoki (Japanese, 1617-1691). Japanese,c. 1600. Handcraft depiction (dye works).Section from a painted screen with presentations of handcraft.Kita-in, Saitama. Stamped lower left. Presented in a white mat and giltwood frame. Frame: 19"H x 14"W Mat: 18.25"H x 13.25"W Image: 14.5"H x 9.5"W Tosa Mitsuoki was a Japanese painter, reinvigorating the Yamato style of classical Japanese painting. Yamato-e originated from interest in reproducing early Tang dynasty paintings, and was later reinvented and further refined to fit Japanese cultural perceptions in the late Heian period. Yamato, sometimes referred to as wa or kazu had become synonymous with the Tosa-ha by the Muromachi period as a way for Japanese artist to distinguish their works from those of mainland Chinese paintings, kara-e. Yamato-e incorporated various visual and literary techniques for establishing narrative. Works were not always accompanied with text and may rely on heavily on period specific visual motifs, icons, and symbols to relay a story or theme. Tosa style by the time of Mitsuoki focused heavily on depicting themes of plants and nature, famous places, meisho, the four seasons, shik, bird-and-flower, kacho. Many of these popular symbols and icons from mimicking Chinese practices, treating the original Chinese masterwork as a sort of prototype to improve upon. Popular formats for Mitsuoki's pictures were wall scrolls kakemono, or handscrolls that would be read from right to left with the accompanied story, sliding doors fusuma and folding screen panels byobu that featured up to six panels. Mitsuoki's style incorporated the depth and calligraphy techniques of ink wash brushwork similar to Song dynasty and Yuan dynasty Chinese court paintings...

Signed fauvist oil on canvas laid on panel riverscape circa 1925 by French painter Louis Valtat. The work depicts a boat being rowed on the Bois de Boulogne lake in Paris, France. It...

Vintage orientalist oil painting of a hill town landscape. Oil on canvas. Unsigned. Framed. Measuring: 31 by 27 inches overall, and 25 by 21.5 painting alone. Excellent condition, ...

Boris Lovet-Lorski, Untitled (Portrait of an African Woman), lithograph, edition 250, 1929. Signed and numbered 13 in pencil. Number 13 of Volume 2, a series of 10 lithographs publis...

This circa 1920 original poster by French illustrator Marcel Levèque offers a razor-sharp, delightfully exaggerated caricature of the iconic Sacha Guitry—the celebrated playwright, actor, and filmmaker known for his wit, theatrical flair, and unmistakable profile. Set against a vivid crimson red background, Levèque’s minimalist yet expressive drawing captures Guitry in stark profile: the elongated nose, keen eyes, and ever-composed demeanor rendered with economical lines and a satirical touch. The signature of Sacha Guitry, scrawled in the upper corner, adds an air of celebrity endorsement, giving this poster the feel of both homage and humorous jab. Guitry, a towering figure of Belle Époque and interwar French culture, was renowned for his prolific output on stage and screen. Levèque’s caricature distills his persona into a bold visual shorthand—dapper in a tuxedo, bemused in expression, and steeped in charm. Marcel Levèque was a master of the French caricature tradition, following in the footsteps of Sem and Caran d'Ache, turning public figures into recognizable icons of satire. This poster likely accompanied a theatrical performance or exhibition, and it stands today as a vivid artifact of celebrity culture, visual humor, and early 20th-century poster art. Perfect for collectors of vintage caricature...

Signed and dated seascape oil on paper laid on canvas by French impressionist painter Maximilien Luce. The piece depicts a view of the sea at Honfleur, a commune in the Calvados depa...

Original, 1920s vintage gelatin silver print by famed photographer Tina Modotti of a mural fresco by Diego Rivera depicting peasants and workers. Photograph size: 6 3/4 x 9 3/8 inc...