1920s Art

Henri LE SIDANER (1862-1939) The Pink Tablecloth, 1928 Original drypoint etching Signed in the plate On vellum, 28 x 20.5 cm Very good condition, minor flaws at the edges of the page

Maurice LOUVRIER (1878-1943) Les meules de foin Oil on canvas Painting dimensions: 38 x 55 cm Signed in the lower right corner The painting is in excellent condition. Recently c...

Claire Jeanne Robertine Colinet (1880 Brussels - 1950 Asnières-sur-Seine), Juggler, around 1920. Brownish patinated bronze with gilded balls on a round, multi-profiled stone base (10...

Artist: Louis Icart, French (1888 - 1950) Title: Conchita Year: 1929 Medium: Etching, signed in pencil Image Size: 20 x 13 inches Frame Size: 32.5 x 25 inches Reference: Figure 361 ...

1920 Social Realism Etching by John French Sloan titled "Bandits Cave" Compelling etching by John Sloan (American 1871 - 1951), 1920 during first year of prohibition showing a estab...

Finely detailed historical figurative fashion illustration painted in watercolor in 1921, of a lady in 17th century dress; complete with a full blac...

Medium: pochoir (after the painting). Published in Paris in 1929 by Editions des Chroniques du Jour in an edition of 500. Image size: 8 3/8 x 6 inches (214 x 150 mm). With full origi...

Anton Schutz, 'Westminster Abbey', etching, edition not stated, 1927. Signed in pencil. Signed and dated in the plate, lower left. A superb, richly-i...

Norman Rockwell (American, 1894-1978) Family Tree Original painting produced 1959, this print published 1959 in Japan by The Curtis Publishing Company Lithograph Sight: 19 1/4 x 13 3...

Paris, Cafe de la Paix. Period 1920-1940s. Oil on canvas, 60x73 cm Lucien Adrion (1889-1953) was a French painter known for his depictions of the countryside and bustling street sce...

Original Maritime Oil Painting of RMS Aquitania in New York Harbor by Frederick Hoertz. Original painting of Cunard Line’s Aquitania by Frederick Hoertz (American, 1889-1978) that w...

Marc Chagall (1887-1985) Tall Nude with a Fan, 1924 Original etching On vellum 34 x 51,5 cm (c. 14 x 20 in) REFERENCE: Catalog raisonne Kornfeld #39 INFORMATION : Beautiful proof...

William Robinson Leigh, 'Foul Rope (Left)', etching, c. 1920, edition unknown but small. Signed in pencil and signed in the plate, lower left. A superb, richly-inked impression, in dark brown ink, on buff wove Umbria paper, the full sheet with margins (1 1/2 to 2 3/4 inches); slight toning at the sheet edges, otherwise in excellent condition. Very scarce. Archivally matted to museum standards, unframed. Image size 14 7/8 x 11 15/16 inches (378 x 303 mm); sheet size 20 3/8 x 15 3/8 inches (518 x 391 mm). ABOUT THE ARTIST Born near Falling Waters, West Virginia, on a plantation a year after the Civil War and raised in Baltimore, William Robinson Leigh (1866 - 1955) became one of the foremost painters of the American West. His career spanning some seventy-five years, Leigh created some of the most iconic depictions of the Western landscape, with admirers referring to him as ‘The Sagebrush Rembrandt.’ The son of impoverished Southern aristocrats, Leigh received his first art training at age 14 from Hugh Newell at the Maryland Institute, where he was regarded as the best student in his class. From 1883 to 1895, he studied in Europe, mainly at the Royal Academy in Munich with Ludwig Loefftz. From 1891 to 1896, he painted six cycloramas or murals in the round, a giant German panorama. In 1896, Leigh began working as a magazine illustrator for Scribner's and Collier's Weekly Magazine in New York City. He also painted portraits, landscapes, and genre scenes. Leigh's trips to the Southwest began in 1906 when he agreed to paint the Grand Canyon with William Simpson, Santa Fe Railway advertising manager, in exchange for free transportation West. In 1907, he completed his Grand Canyon painting, which led to more commissions and an extensive painting trip through Arizona and New Mexico. These travels inspired him to paint western subjects for the next 50 years, and his primary interests were the Hopi and Navajo Indians. In 1910, he traveled to Wyoming, where he painted in Yellowstone Park and created sketches, many of which he later converted into large canvases such as ‘Lower Falls of the Yellowstone’ (1915) and ‘Grand Canyon of the Yellowstone’ (1911). In 1926, he traveled to Africa at the invitation of Carl Akeley for the American Museum of Natural History, and from this experience, wrote and illustrated 'Frontiers of Enchantment: An Artist's Adventures in Africa'. In 1933, he wrote and illustrated 'The Western Pony'. His adventures were chronicled in several popular magazines, including Life, the Saturday Evening Post, and Colliers. For many years, Grand Central Art Galleries at the Biltmore Hotel handled his work exclusively in New York. In 1953, Leigh was elected an associate member of the National Academy of Design and became a full Academician in 1955. In March 1999, the Historical Center of Cody, Wyoming, held an exhibition of his field sketches and finished works depicting his experiences near Cody early in the century. Between 1910 and 1921, when he often painted in the Carter Mountain vicinity, these years were considered pivotal to his artistic development and devotion to the Western landscape. Leigh's work is held in many museum collections of American Western art...

Gorgeous early 20th Century American Impressionist landscape of New England Farm by George M. Bruestle (American, 1871 - 1939), Circa 1914. Signed lower left and on verso. Presented in gilt-toned wood frame. Image size: 8"H x 10"W. George Matthew Bruestle is an American Realist/Impressionist painter known for his intimate landscapes. Born and raised in New York City, Bruestle studied at the Art Students' League of New York in 1886 at the young age of fifteen and later in Paris. That same year, Bruestle visited Essex, CT and eventually purchased a second home in Hadlyme, Old Lyme as the Art Colony formed. Bruestle's main studio was in New York City. Inspired by Jean-Baptiste-Camille Corot [1796-1875] and other French landscape painters, Bruestle's style was a mix of Early Realism and Early Impressionist techniques. He was an adept draftsman and his paintings favored earlier European examples but, later took on a brighter Impressionist palette and brushy quality of the Old Lyme Art...

Finely painted American impressionist seascape painting. Oil on board. Signed. Framed. Measuring 14 by 20 inches.

This lovely British 1920's Art Deco vibrant portrait oil painting is by Charles A. Buchel. Painted in 1925 and signed and dated it is a seated portrait of a young woman, Mary Haggie,...

Boris Lovet-Lorski, Untitled (Profile of an African Woman), lithograph, edition 250, 1929. Signed and numbered 15 in pencil. Number 15 of Volume 2, a series of 10 lithographs publish...

This stunning British 1920's tempera oil on board painting is by noted artist John Young Hunter. It was painted circa 1927 and the composition is a f...

Very well executed original gouache on archival paper of a group of figures on an overlook viewing the Bay of Naples by the Italian artist, Maria Ada Gianni...

Lithograph and stencil on papier vélin des Manufactures d'Arches paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the volume, Les Biches, 1924. Published by Édi...

Josephine Reichmann Bass Rocks Signed lower right Oil on canvasboard 14 x 16 inches Reichmann was born in 1864 in Louisville, Kentucky. After studying at the School of the Art Inst...

This vintage travel poster, Route des Alpes, was created by renowned French illustrator René Péan to promote the scenic beauty of the French Alps and the legendary Paris-Lyon-Méditer...

Emile BOIZOT Art Deco : The Mirror, 1927 Original woodcut Handsigned in pencil Numbered /160 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp of the editor 'Imagier de...

Herbert Haseltine Sudbourne Premier: Suffolk Punch Stallion, 1927 Signed left side: © HASELTINE / MCMXXVII Bronze, dark brown patina, parcel gilding ...

Gorgeous ca.1925 PA Impressionist painting of a covered bridge. Oil on canvas measuring 22 x 28 inches. Framed measurement: 27 x 33 inches. Unsigned. There is a puncture in canva...

Robert Azensky Fine Art is proud to present Early 20th Century Oil Painting Palo Alto, California Foothills Landscape Painting circle of Bruce ...

This evocative oil painting, titled Studio Muse, depicts a seated nude in a quiet moment of contemplation. The model is shown in profile, resting on a simple wooden stool against a n...

Clare Leighton, 'Snow Shovellers, New York', 1929, wood engraving, edition 45, Boston Public Library 146. Signed, titled, and numbered '29/45' in pencil. A...

Original London Midland and Scottish Railway (LMS) vintage Art Deco railway poster from 1925. The artist is Raymond Virac. Archival linen-backed and in excellent condition, ready to ...

For me, this reclining nude spectacularly captures 1920's Paris, in life and art, at least as I understand it from the many books I have read focusing on that magical period. The mo...

Cycles Onyx by Fritayre Original 1925 Vintage French Bicycle Company Stone Lithograph Poster Linen Backed. Woman in a blue and green cape on a b...

This is a colorful mountainous view in what is likely Northern Italy. Angiola Meucci captured a dramatic sunrise or sunset to play off the verdant green mountain side in the foreground. The fencing and the pathway lead one through this breathtaking landscape that undoubtedly offers stunning views...

Joaquin Terruella Matilla (1891-1957) - Landscape - Oil cardboard Oil measures 10x14 cm. Frame measures 20x25 cm. Joaquim Terruella Matilla (1891 - 1957) Joaquim Terruella Matilla,...

Medium: collotype (after the painting). Printed in 1926 at the Leon Marotte atelier and published in an edition of 1000 by Editions des Quatre Chemins. Image size: 8 x 5 inches (200 ...

Art print on heavy paper After the original from 1922 In great condition

Study of Utagawa Hiroshige's "View of Hara-Juku" 53 Stations of the Tokaido Road Hand painted study of Utagawa Hiroshige's "View of Hara-Juku", (by unknown artist), from "53 Station...

Antique American modernist signed original oil painting. Oil on canvas, circa 1930. Signed illegibly. Image size 20L x 16H. Housed in a period giltwood frame.

A magnificent view of Stockholm, featuring a steamboat gliding slowly passing by Skeppsbron, (the bridge) with Södermalm and Katarina Church illuminated in the soft light of dusk. Th...

This original etching is hand signed in pencil by the artist "L. Ury" at the lower left margin. It is a signed proof from outside the edition of 30, printed and published by Fritz Gu...

Wonderfully painted antique American impressionist western landscape painting; Oil on canvas. Signed. Handsomely framed and ready to hang.

Medium: original woodcut. Printed in 1920 for the Deutsche Graphiker der Gegenwart portfolio, and published in Leipzig by Klinkhardt & Biermann in an edition of 500. Image size: 6 1/...

Medium: pochoir (after the watercolor). Printed in Paris in 1929 at the atelier of Daniel Jacomet for L'Art Cubiste. Image size: 7 x 6 inches (175 x 150 mm). There is an inscription...

Antique American impressionist oil painting by Felicie Waldo Howell (1897 - 1968). Oil on board, circa 1928. Signed. Displayed in a period giltwood frame. Image, 12"L x 6"H.

Leonetto Cappiello produced yet another stunning poster in 1922 for Veuve Amiot Champagne. It was noted as the "sparkling wine of kings," hence Cappiello's choice of a royal central ...

“View of Villefranche-sur-Mer” Raymond Thibesart (France, 1874-1968) Oil on canvas, circa 1920s 24 x 32 1/2 (29 x 38 1/2 framed) inches Bathed in the soft and steamy light of the S...

Etching, 1920 Signed in pencil Edition: 110 examples Very fine condition Provenance: Colnaghi, London (stock numbers on reverse) The artist'w widow, Dorette, 19...

Medium: collotype (after the painting). Printed in 1926 at the Leon Marotte atelier and published in an edition of 1000 by Editions des Quatre Chemins. Image size: 8 x 5 inches (202 ...

Antique American impressionist nude women landscape oil painting. Oil on canvas. Framed. Signed "Wolfe". In excellent original condition. Handsomely framed in a giltwood molding....

7th Avenue Canyon Etching, 1927 Signed and titled in pencil by the artist (see photo) Depicts what was then referred to s the Garment Disctrict in New York City. References And Exhib...

An interesting and highly decorative chalk drawing by Edvard Andersson, 1929. Drawn on a quite large scale. Signed and dated EA, 1929. A tergo written "Hermes". The drawing is exec...

Artist: Man Ray (American born, 1890 - 1976) Title: ABSTRACT RAYOGRAPHY Date Of Negative: 1932 Type Of Print: Authentic Vintage Sheet Fed Photogravure/Heliogravure. Date Of Print: 19...

Artist: Man Ray (American born, 1890 - 1976) Title: FEMALE NUDE Date Of Negative: 1930 Type Of Print: Authentic Vintage Sheet Fed Photogravure/Heliogravure. Date Of Print: 1934 1st E...

Artist: Beatrice Stella Pedder (English, 1875-1965) Title: "The Round Pond, Kensington Gardens, London" *Signed by Pedder lower right Circa: 1920 Medium: Or...

Couple at play Watercolour on paper laid to board 21cm x 14cm Mounted 39cm x 29cm 1921 Signed with Monogram Bottom right This is an exquisitely executed watercolour painting that ...

Lucien-Victor Guirand de Scevola (1871-1950) A Man writing at his desk, 18th century interior scene Pastel on paper Signed upper right 20.5 x 15.8 cm Framed under glass : 37 x 31.5 cm It is known that Guirand de Scevola was very interested in the Palace of Versailles and its Old Regime atmosphere, that he often painted it and that he participated in the Versailles Revival movement at the beginning of the century. This probably led him to paint scenes in the 18th century style, for which he was particularly well known and which are still sought after. What is striking is the modernity of the execution of our pastel, which obviously contrasts with its subject in the style of the 18th century. Guirand de Scevoal is a great colourist and he proves it here with eclat, by building up his composition with white pastel highlights, contrasting with brown and black. There is something of the northern painters in this treatment of light. All this, as always with him, is very subtle. The light radiating from the window is almost an abstract notation, but it gives meaning to this interior scene. Lucien-Victor Guirand de Scévola ( 1871 – 1950) was a French painter. He was student of Fernand Cormon and Pierre Dupuis...

Antique Spanish impressionist cityscape oil painting. Oil on board. Framed. Signed. In excellent original condition. Handsomely framed in a silver leaf wood molding. Excellent co...

This lovely Belgian Impressionist figurative oil painting is by noted artist Henri Moreau. Although Belgian by birth, Moreau spent many years in France, moving to Paris in 1920 and o...

(Note: This work is part of our exhibition Connected by Creativity: WPA Era Works from the Collection of Leata and Edward Beatty Rowan) Watercolor on paper, 7 ¾ x 10 ½ inches unframed, 14 ½ x 16 ½ inches framed, signed, dated, and located lower left as follows: “David McCosh...

Louis Icart, French (1888 - 1950) - Madame Bovary, Year: 1929, Medium: Color Etching, Signed in Pencil, Image Size: 16 x 20.5 inches, Frame Size: 40 x 43 inches, Reference: Figu...

Daisies in a Jug, Early 20th Century Realist Floral Still-Life by Claude Buck 1929 Excellent oil on canvas still life entitled "Daisies and Jug" by Claude Buck (American, 1890-1974)...