1920s Art

Monogram of the artist on plate. Edition of 150 copies. One of the 50 H.C.copies in Roman Numerals. This print is one of the illustrations realized by Odilon Redon for an important e...

Bonnard, Pierre. LA TOILETTE ASSISE (Woman Dressing, Seated). Bouvet, 96. Lithograph printed in black, 1925. First State, before the addition of the Monogr...

The Death is from Illustrations for Cressidra, a print on paper realized by André Suares in 1926.  Etching and drypoint Edition of 200 print Good conditions.

Beautiful early 20th Century etching on vellum of the Monterey Bonifacio Adobe known as The Old Sherman Rose House, with climbing roses, by Ferdinand Burgdorff (American, (1881 - 197...

Female Nude (Double-sided drawing) Recto: Reclining Nude Verso: Seated Nude Signed in pencil lower right, recto (see photo) Pen and ink with colored chalk, c. 1925 Condition: Repaire...

Lovers is from Illustrations for Cressidra, a print on paper realized by André Suares in 1926.  Etching and drypoint Edition of 200 print. Good conditions.

Titled with artist's reference number on back of mount. Stamped, 'Edward Weston printed by' and signed by Cole Weston on back of mount. Inscribed. Printed from the original negative by Cole Weston. Edward Weston, (1886 - 1958) Edward Weston was an American photographer, and co-founder of Group f/64. Most of his work was done using an 8 by 10 inch view camera. In 1902, he received his first camera for his sixteenth birthday, a Kodak Bull's-Eye #2, and began taking photographs in parks in Chicago and at his aunt's farm. The young Weston met with quick success, and his photographs were already being exhibited at the Chicago Art Institute merely a year later, in 1903. Weston worked mainly with nudes, still life - his shells and vegetable studies were especially important - and landscape subjects. After a few exhibitions of his works in New York, he went on to found Group f/64 in 1932 with fellow photographers Ansel Adams, Willard van Dyke...

The 1929 original advertising poster by Charles Loupot for Mira: La Lame de Précision - Rasoir stands as a remarkable example of Art Deco design applied to commercial advertising. Ch...

Magnificent poster made in 1930 to promote Vermouth, an emblematic drink of the Alps, which was commonly called, as early as 1900 in the cafés of France, "Le Chambéry": the Savoyard city then became the French capital of Vermouth. At that time, cooked wines were reputed to be fortifying, curative and preventive to eliminate factory dust. Thus, in the 19th century, many vermouth factories were created in Savoy, particularly in Chambéry. During the Roaring Twenties, the Maison Richard participated in the Art Nouveau wave of advertising posters. Famous poster artists contributed to the fame of the brands. Famous poster artists such as DOL and Edmond MAURUS worked with the Maison Richard. Alcohol - Advertising - France Voila! Richard Coeur de Lion...

The Arrow is from Illustrations for Cressidra, a print on paper realized by André Suares in 1926.  Etching and drypoint Edition of 200 print, Including a Passepartout Good conditi...

Lucien-Victor Guirand de Scevola (1871-1950) Portrait of a young woman Pastel on paper 38 x 28 cm (oval) Framed under glass in a vintage framing : 45 x 35 cm A label on the back "1928 Portrait de femme Etude au pastel de Guirand de Scévola" (see photographs please) Even more interestingly, we recognize the model for this portrait as Jeanne Marguerite Fournials. A painter herself (Gold Medal winner at the 1937 International Exhibition), she was a student of Guirand de Scévola. He painted her several times, including in a pastel now held in the collections of the National Museum of Modern Art. Lucien-Victor Guirand de Scévola ( 1871 – 1950) was a French painter. He was student of Fernand Cormon and Pierre Dupuis...

Nsu Automobile Advertising is an original illustration realized at the beginning of the XX century, in the 1920s. Good condition- Glued on black cardboard (14.7 x 21 cm). This il...

One of 150 copies on Japon including 6 engravings not present in the edition on papier velin. Volume includes also 2 original engravings made with original plates of Renoir. Georges ...

"Montagne Sainte-Geneviève, Paris" - Watercolor Drawing of French Street Scene Vintage sketch of a 1920's Paris street scene by E. (Elizabeth) (Elisa...

An early twentieth-century, hand-colored lithograph showing an idyllic scene of two young lovers in medieval dress seated in a rural bower beneath fruiting grape vines and a spreadin...

The Elite is an ink and watercolored ink drawing on ivory-colored paper, in the 1920s realized by Luigi Bompard (1879-1953). Hand-signed in pen on the lower margin. In good condit...

Grief is from Illustrations for Cressidra, a print on paper realized by André Suares in 1926.  Etching and drypoint Edition of 200 print. Including a Passepartout. Good conditions...

Signed lower right, 'Komaromi-Kacz' for Endre Komaromi-Kacz (Hungarian, 1880-1969) and titled, 'Molm'. Born in Komarom, Kacz was initially a pupil of Eduard Ballo, a painter of port...

Max Oppenheimer, After, Austrian (1885 - 1954) - Stilleben mit Obstschale, Year: circa 1925, Medium: Screenprint, Edition: Test Print, Image Size: 8 x 11.25 inches, Size: 12.75 ...

Signed lower left "Vantore" for Mogens Erik Christien Vantore (Danish, 1895-1977) and painted circa 1925. A substantial, early twentieth-century Impressionist still-life of blue ast...

Maurice de VLAMINCK Moulin de la Naze Original lithograph Printed signature in the plate On Chine paper 27.5 x 36.5 cm (c. 10.6 x 14.2 in) Blind stamp of the editor REFERENCES : -...

Signed on the front of the print. Printed circa 1927.

Beautiful oil on canvas post impressionist painting by the French artist, Edmund Amedee Heuze. Signed lower right. Circa 1920. Condition of the painting is very good. No restorations. His paintings rarely come to the market. The painting is housed in a contemporary gold leaf gallery frame. Overall framed measurements are 24.25 by 28.75 inches. Provenance: Papillon Gallery (gallery label verso) Edmond Heuze 1883-1967 Edmond Heuzé was a painter, pastellist, watercolourist, and lithographer. His birth name was Amédée Le Trouvé. He was born in Paris, the son of a tailor and a seamstress. Heuzé wanted to be an artist from early childhood, and refused to follow his father into the tailoring profession. When he was 11, His parents moved to Montmartre, and it was there, in rue Cortot, that the thirteen-year-old Edmond Heuzé and his boyhood friend André Utter met Suzanne Valadon, whom Utter would later marry. Heuzé moved into an attic room in 8, rue Cortot, with another friend, the young Russian sculptor Laxine. For two years they studied under Valadon, until Laxine entered the atelier of Fernand Cormon at the Beaux-Arts; Laxine was soon to kill himself. Edmond Heuzé too studied under Cormon, but flounced out when Cormon made fun of his large nose. Discouraged, Heuzé took up a tailoring job at the department store La Samaritaine. But when his portrait of Suzanne Valadon was accepted by the 1902 Salon d'Automne, he resolved to devote himself to art. To support himself, Heuzé took a job as a dancer at the Moulin Rouge, where he danced with La Goulue. For two years he entered dance competitions across Europe under the name Williams. He also taught the painter Maurice Utrillo, who was the son of Suzanne Valadon. In 1908, Heuzé had his first solo exhibition, at the galerie Berthe Weill. The following year he went to Saint Petersburg, where he was the curator of the art collection of Grand Duke Nicolas. On the outbreak of WWI Edmond Heuzé returned to Paris to join up, but was only mobilized for a few months. In Paris he survived doing odd jobs in Les Halles. Continuing with his own art, Heuzé also acted as an intermediary between collectors and artists such as Picasso, Vlaminck, and Valadon. This led to Heuzé being appointed artistic director of the galerie Sagot in rue Lafitte. In 1920 Heuzé exhibited at Bernheim alongside Maurice Asselin, Emily Charmy, and Lucien Mainssieux...

Lovers is from Illustrations for Cressidra, a print on paper realized by André Suares in 1926.  Etching and drypoint Edition of 200 print. Good conditions.

Etching on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Published by Éditions Marcel Seheur, Paris; printed by Atelier d'art Paul Haasen, Paris, Septembe...

Dance is from Illustrations for Cressidra, a print on paper realized by André Suares in 1926.  Etching and drypoint Edition of 200 print, Including a Passepartout Good conditions.

Le Fleur Du Marécage is a lithograph realized after Odilon Redon. It belongs to the suite "Odilon Redon Peintre, Dessinateur et Graveur", published by Henri Fleury in 1923. Good c...

Hand Printed by Imogen Cunningham. Comes with letter of authenticity Imogen Cunningham Trust stating it was from her files and verifies that it is hand printed by Imogen in 1974. Fr...

Signed verso, 'George Wilburton Colby' (American, 1859-1922) and dated 1920. George Colby was a member of the old Art League and a life member of the Chicago Art Institute. After hi...

Signed lower right, "Hagedorn-Olsen" for Theodor Hagedorn-Olsen (Danish, 1902-1996) and painted in 1989. Formerly in the collection of the Johannes Larsen Museum, Norway (label vers...

"Mono Hot Springs Cabins, Fresno Co - Calif" Forest Landscape in Oil on Board Serene depiction of two cabins in the Sierra Mountains by HW Dittmann (Dittman) (American, Born-1883 circa). A wooden...

Medium: pochoir (after the painting). Printed in 1927 and published in Paris by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. The publisher's provenance inscription ...

Youth is an original offset lithograph, realized by George Grosz. The artwork is the plate n. 72 from the porfolio Ecce Homo published between 1922/1923,edition of Der Malik-Verlag ...

Signed lower left, 'A. C. Wiboltt' for Aage Christian (Jack) Wiboltt (Danish-American, 1894-1952) and created circa 1925. Framed dimensions: 33.25 x 1.5 x 28 inches A substantial, e...

Sketch for a theatrical Costume is a modern artwork realized after Sergei Eisenstein in 1921. Mixed colored phototype print. Includes frame: 44.5 x 33.5 cm Fair conditions due to ...

Jean-Emile LABOUREUR The Road with Pine Trees Original etching Handsigned in pencil Numbered / 150 (here n° 89) On vellum Van Gelder vellum 27.5 x 30.5 cm Authenticated by the dry stamp of the editor Marcel Guiot (Paris) REFERENCES : Catalog raisonne by Sylvain Laboureur (son of the artist) #390 The etching is part of the set 'Cahier de...

Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...

Grim man is an original offset and lithograph realized by George Grosz. The artwork is the plate n. 4 from the portfolio Ecce Homo published between 1922/1923, edition of Der Malik-...

Lovers is from Illustrations for Cressidra, a print on paper realized by André Suares in 1926.  Etching and drypoint Edition of 200 print, Including a Passepartout Good conditions.

View on a China street is a b/w photograph in gel print taken very likely in 1925. The picture, taken through the streets of Wuchon, immortalizes some bystanders among the houses. Indications in pen in German on the back...

Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...

Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...

The Journey is from Illustrations for Cressidra, a print on paper realized by André Suares in 1926.  Etching and drypoint Edition of 200 print, Including a Passepartout Good condi...

Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...

This exquisite lithograph and pochoir by Marie Laurencin (1883–1956), titled Sans titre (Untitled), from the album Les Biches (The Does), originates from the 1924 edition published b...

Sketch for a theatrical Costume is a modern artwork realized after Sergei Eisenstein in the mid-20th century. Mixed colored phototype print. Includes frame: 44 x 33 cm Fair condit...

This exquisite lithograph and pochoir by Marie Laurencin (1883–1956), titled Sans titre (Untitled), from the album Les Biches (The Does), originates from the 1924 edition published b...

Maurice DENIS Maternity Original stone lithograph Signed with the stamp of the artist From a limited edition of 35 proofs (not numbered) On Japan paper 50 x 32.5 cm (c. 20 x 13 inch...

Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...

Edition of 1107 copies. One of only 71, plus 10 out of commerce, copies on Japon Imperial paper. Language: french. One of the most famous works by the french journalist and novelist Anatole France...

Maternité is an original Modern Rare book written by Marcel Arland (Varennes-sur-Amance, 1899 – Saint-Sauveur-sur-École, 1986) and illustrated by Marc Chagall (Lëzna, 1887 – Saint-Pa...

This fantastic 1920's oil crayon drawing is by Dutch artist Adriaan Lubbers. It shows a birds eye view of New York. The view is of the river and boats towards Manhattan. A really ic...

The circa 1920 color print "Bergers dans le Désert" by French artist Henri Rivière is a striking example of his ability to transport the viewer to distant, rugged landscapes through ...

Illustrated Plate, from Rues et Visages de Paris is a hand-colored etching and drypoint by Chas Laborde. This original print is hand-colored with tempera and watercolor. In excellent...

Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...

Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...

This pochoir belongs to the portfolio 'Le Bonheur du Jour', by George Barbier. A very fine work of one of the most important and famous european illustrators of Art Deco, whose infl...

odalisque, yellow, orient Giulio DA MILANO (Nizza, 1895 - Torino, 1990) Giulio Da Milano was a Giacomo Grosso's disciple and he was very close to the artists that used to patronize...

Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...

Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...