1960s Art

Artist: Ellsworth Kelly Title: Composition (Axsom No. I-b) Year: 1964 Dimensions: 15in. by 11in. Mount Board Size Inches: 20 x 16 inches Mount Board Color: White/Black Print Border...

This exquisite lithograph after Rene Magritte (1898–1967), titled Les Claires-Voies dun Jeune Regard Embaument la Fete dun Vie (The Clearings of a Young Gaze Perfume the Celebration ...

Etching on chamois-colored laid paper, realized in 1968/69. Plate from "Faust (La Nuit de Walpurgis), published by Argillet, Paris. Edition of 49/150, hand colored. Hand signed an...

This exquisite lithograph after Georges Braque (1882–1963), titled La vague (The Wave), originates from the 1968 folio Varengeville, published by Maeght Editeur, Paris, and printed b...

ARTIST: Salvador Dali TITLE: Faust Cavalier et la Mort MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: 44/95 MEASUREMENTS: 11.4" x 15.3" YEAR: 1969 FRAMED: Yes CONDITION...

Rolph Scarlett Untitled Abstract Expressionist Painting, ca. 1960 Gouache, Ink, Watercolor on Paper . Hand signed, with original Jonas Aarons Gallery label 23 × 18 3/4 inches Signed ...

JOAN MIRÓ (1893–1983) – “L’OISEAU DU FORGERON” Etching and Aquatint in Colors with Debossing on Arches Paper ⚜ Hand Signed and Numbered ⚜ Custom Conservation Frame A POETIC DIALOGUE BETWEEN INDUSTRIAL MATTER AND THE LIFE OF THE BIRD “L’Oiseau du Forgeron”, or “The Blacksmith’s Bird,” is a 1963 etching and aquatint with debossing by Joan Miró, hand signed in pencil lower right and numbered 48 from the limited edition of 75. The work belongs to Miró’s celebrated Forgeron series, in which the artist used aggressive plate biting and physical debossing of the paper to summon the world of the blacksmith’s forge directly onto the printed sheet. Printed in colors on heavy Arches wove paper with the watermark present, the impression was published by Maeght Éditeur, Paris, the central printmaking publisher of Miró’s mature career, and is documented in Jacques Dupin’s Miró Engraver, Vol. II: 1961–1973 (Daniel Lelong Éditeur, Paris, 1989) as plate 363. The composition is built around a bold visual pairing. At its center sits a heavy gray geometric form, rendered through the combined effect of etching, aquatint, and debossing, the latter pressing the contours of the deeply etched plate physically into the paper to create a tactile, sculptural relief that mimics forged industrial iron. The form is perforated with a constellation of small circles that read as rivet holes and is edged with the irregular notches of a blacksmith’s tool...

Palm Beach Party, 1964 Chromogenic Lambda Print Estate edition of 150 A pool party in Palm Beach, Florida, USA, 1964. Estate stamped and hand numbered ed...

Lynn Leland Untitled Op Art painting, 1967-1968 Acrylic on Canvas (with Albright Knox Gallery Label, A. M Sachs Gallery Label, Atlantic Richfield Corporate Art Collection label and A...

Medium: original lithograph. Printed by Mourlot in 1962 for the art revue XXe Siecle (issue No. 18). Size: 12 1/4 x 9 1/2 inches (313 x 242 mm). Not signed. Condition: there is cre...

An original, large-scale painting by Alexander Calder, this unique work showcases Calder's iconic bold colour palette and dynamic abstract forms. The piece, painted in 1968, is hand-...

Medium: lithograph (after the watercolor). Printed in 1962 at the Mourlot atelier for "Jerusalem Windows". This piece was executed by Chagall in preparation for his famous stained-gl...

Watercolor drawing on paper realized by Sirio Pellegrini in 1960s. Hand signed lower left. Very good condition, includes a coeval wooden frame. Sirio Pellegrini, born in Rome on Ma...

Medium: lithograph (after the gouache). Printed in 1962 at the Mourlot atelier for "Jerusalem Windows". This piece was executed by Chagall in preparation for his famous stained-glass...

ARTIST: Salvador Dali TITLE: Gala, mon seul desir MEDIUM: Etching SIGNED: Hand Signed by Salvador Dali PUBLISHER: Jean Schneider, Basel EDITION NUMBER: EA MEASUREMENTS: 20.9" ...

The frontispiece for Hockney’s Six Fairy Tales from the Brothers Grimm portfolio and book features Catherina Dorothea Viehmann, the elderly German woman who recounted fairy tales to ...

NASA, Gemini 4 View of Earth, 1960s, A Vintage Color Photograph C-Print on Kodak Paper. This is an 8" x 10" vintage chromogenic print on fiber paper, numbered in red type on recto: ...

Leisure In Antibes A woman sunbathing in a motorboat as it tows a waterskier, in the sea off the Hotel du Cap-Eden-Roc in Antibes on the French Riviera, August 1969. 60 x 40" inche...

Paper Size: 37 x 47 inches ( 93.98 x 119.38 cm ) Image Size: 37 x 47 inches ( 93.98 x 119.38 cm ) Framed: Yes Condition: A-: Near Mint, very light signs of handling Additional ...

Marc CHAGALL Circus - Revolution, 1963 Lithograph after the painting, engraved by Charles Sorlier under the supervision of Marc Chagall Printed in Atelier Mourlot Plate signed (prin...

the painting is being offered with a work and authenticity certificate

Edition of 25 Signed and numbered in black ink on print margin. Signed, titled, dated, print date and misc. notations in pencil on print verso *Available in additional sizes Al Sat...

This exquisite lithograph by Leonor Fini (1907–1996), titled Sans titre (Untitled), from the folio Parallelement (Parallel), Paul Verlaine, illustre de lithographies originales de Le...

After Pablo Picasso 1881 - 1973 The Dwarf Dancer (Barcelona Series) - 1966 Framed Offset Color lithograph signed, dated and dedicated at the bottom "For L...

Original 1975 United Airlines Ski West Vintage Travel Poster – Mid-Century Modern Artwork. Archival linen-backed and in Grade A- condition, ready for Framing. The images displayed are of the exact vintage poster you will receive. Experience the golden era of travel with this rare original United Airlines "Ski West" vintage travel poster from 1975. Created during a time when air travel embodied elegance and adventure, this striking piece provides a vibrant glimpse into mid-century advertising and ski culture. Showcasing bold typography and colorful, eye-catching artwork, the “Ski West” poster embodies the thrill of powdery slopes and the promise of unforgettable ski vacations in the American West. Ideal for vintage art collectors, travel enthusiasts, or anyone looking for a chic retro touch in their decor, this piece authentically showcases 1970s graphic design. It blends bold colors with minimalistic yet striking visuals. Whether you collect United Airlines memorabilia...

Medium: lithograph (after the gouache). Printed in 1962 at the Mourlot atelier for "Jerusalem Windows". This piece was executed by Chagall in preparation for his famous stained-glass...

"Danger" - Original Modernist Oil Painting on Canvas Striking modernist painting by Bay Area artist Jean Hyson (American, 1928-2023). Hard edge oil on canvas depicting a black square to the left of the canvas with a lit up cinema projector. A mans face can be seen appearing in the light coming from the projector. An orange square is seen parallel to the projector, with a yellow circle inside. The number "13" can be seen in the lower right of the orange square. Purple and light blue take up the background. Signed "Hyson" lower right in black square. Titled, signed and dated "Jean Hyson" "Danger 1966" verso. Presented in a purple wooden frame. Frame: 20 1/2"H x 24 1/2"W Image: 19 3/4"H x 24"W Born in Texas, Jean Hyson (American, 1928-2023) is best known for her modernist, sharp edge, paintings. Hyson attended the Art Student League in New York with George Grosz, Yaso Kumiyoshi and William Baziotes and Beaux Artes, Paris, France from 1954-59. She was an Artist in Residence and Instructor at the California College of Arts and Crafts, Oakland from 1970-1974. Her work is held in the Oakland Art Museum, Oakland California, Santa Barbara Museum of Art, Santa Barbara, California and the California Container Corp. of America, Chicago, Illinois. Jean Hyson and her then-husband Jacques Fabert (who typically painted under the name “Jean Faber Himbert”) were an important force within the midcentury San Francisco art scene. Her work has been featured in countless Bay Area gallery and museum exhibitions—including SFMOMA, the de Young, and the Legion of Honor—and is in numerous public and private collections. In a fantastic in-depth interview with Hilda Pertha...

Original Peugeot BB vintage moped and motorcycle vintage poster, linen-backed, in Grade A- condition, ready to frame. All the posters were shipped folded vertically. The original fol...

Finely painted American modernist still life oil painting. Framed. Oil on canvas. Signed. Image size, 22H by 28L.

Artist: Salvador Dali Title: Passiflora laurigera (Le vine, Passionflower) Portfolio: 1968 Flora Dalinae Medium: Photolithograph, etching, and pochoir in colors on BFK Rives Date: 19...

Original San Fermin Pamplona running of the bulls, vintage poster. Archival linen backed in very fine condition ready to frame. Artist: Alonso Astarloa....

In 1963, the Musée Galliera in Paris hosted the exhibition Les Peintres Témoins de Leur Temps (Painters as Witnesses of Their Time), a significant event that brought together some of...

This lithograph was printed in 1965 at the Atelier Mourlot in Paris. It is signed, and numbered from an edition of 150. A major theme running through Lanskoy's work is the interactio...

1960s Brutalist sculpture by Texas artist Dr. Sam Jagoda. This beautiful abstract work has a plant-like form that also has bird and insect qualities. Perfect for indoors or outdoors....

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the album Miro, Obra Inedita Recent (Miro, Recent Unpublished Work), originates from the 1964 e...

Medium: pochoir (after the mixed media collage). Printed in Paris at the Daniel Jacomet atelier and published in 1960 by the Berggruen Gallery. Image size: 5 x 3 7/8 inches (130 x 98...

Unique mid century modern abstract limited edition serigraph titled "Poor Butterfly" by Madrid-based artist Mil Lubroth (American, 1925-2004). Lubroth uses a layering technique to build the fragmented form of the butterfly in neutral earth-tones, black and grey. Her serigraph “Poor Butterfly” was exhibited at the Brooklyn Museum’s 13th Biennial National Print Exhibition in 1962. Signed "Mil Lubroth" lower right. Numbered 30/50 lower left and titled center. Displayed in a grey mat and metal frame with plexiglass. Image window: 19"H x 26"W. Paper size: 23.5"H x 32"W. Madrid artist...

French School, indistinctly signed inscribed, titled and dated verso oil on board, framed framed: 16 x 19 inches board: 10.4 x 14 inches private collection, France the painting is i...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 130, 1961. Published by Aim...

'A Street in Beaune', watercolour on woven art paper, by Yves Brayer (1961). This painting is a wine lover's delight. Behind the foreground structure, Brayer draws the eye toward one...

Karl Josef Dierkes (1924 Dalhausen - 2008 ibid.), Reclining Female Nude, circa 1960. Bronze 26.5 cm (length), x 11 cm (height) x 7 cm (depth), signed “K.[arl] J.[osef] Dierkes” on th...

Medium: pochoir (after the lithograph). Printed in 1960 at the Jacomet atelier and published by Berggruen in an edition of 1500. Size: 8 1/2 x 9 inches (218 x 227 mm). There is anoth...

Artist: Le Corbusier Medium: Lithographic Poster, 1963 Dimensions: 29.5 x 19.25 in, 74.9 x 48.9 cm Classic Poster Paper - Perfect Condition A+ This rich and beautiful lithographi...

Outstanding Monumental Artwork Consists of 8 mounted Cubist charcoal drawings mounted on blind canvas frames. Drawing for the Panon Universi...

Artist: Warrington Colescott Title Famous American Riots II : Railroad Year: 1969 Print - Lithograph Size: 23'' x 31 inches Edition: Signed in pencil, titled and marked 4/40 Unfra...

This exquisite lithograph by Jean Cocteau (1889–1963), titled Sans titre (Untitled), originates from the 1964 album Recettes pour un ami, illustrations de Jean Cocteau (Recipes for a...

Color lithograph realized by Marc Chagall in 1960 to illustrate "The Bible".  Edition of 6500, published by Tériade in no. 33 and 34 of the Art Magazine Verve. Printed by Mourlot a...

Arches Poster Paper - Perfect Condition A+ When The Mourlot Studio opened a branch in New York City, after a successful exhibition organized by the Smithsonian Institute in 1963, it...

Beautiful psychedelic poster of 1966 by John H. Myers to promote the concert of The Yardbirds and Country Joe and the fish. The Yardbirds are an English rock band, formed in London in 1963. The band's core lineup included vocalist and harmonica player Keith Relf, drummer Jim McCarty, rhythm guitarist and later bassist Chris Dreja, and bassist/producer Paul Samwell-Smith. The band launched the careers of three of rock's most famous guitarists: Eric Clapton, Jeff Beck, and Jimmy Page, all of whom made the top five of Rolling Stone magazine...

Original 1964 abstract oil painting “Jacob’s Ladder” by American modernist Beverly Rosen, a Colorado artist known for her expressive compositions and mid‑century exploration of form ...

Original KLM to the Caribbean midcentury modern vintage travel poster. Archival linen backed in excellent, Grade A condition, ready to frame. Note that the background color is a light blue-grey. Vibrant and clean. Printed by Kuhn & Zoon, Rotterdam. KLM Royal Dutch Airlines. Capture the allure of mid-century travel with this stunning original vintage KLM Royal Dutch Airlines poster titled "To the Caribbean." This poster features vibrant illustrations and bold imagery designed to inspire wanderlust among travelers. The centerpiece is a captivating portrait of a man in a straw hat, symbolizing the culture and warmth of the Caribbean. Surrounding him are colorful depictions of local architecture, lively festivities, tropical plants, and scenic elements—all rendered in an artistic, postwar illustrative style. The poster's overall design and artistic style evoke a sense of adventure, exoticism, and the allure of tropical vacation destinations. The bold text "to the Caribbean" and the prominent KLM logo at the bottom indicate that this was an advertisement for KLM's air travel services to the Caribbean region. This original vintage KLM poster...

      Bullfight No. 5 is a signed limited edition ( 4/300 ) original lithograph by Salvador Dali from the Taureaumachie Suite of five original lithographs. Published by Phyllis Lucas...

Medium: original lithograph. Printed in 1965 on brown tinted paper for the art revue Derriere le Miroir (issue number 151-152) and published in Paris by Maeght. Size: 15 x 11 inches ...

Max Ernst (German, American, 1891-1976) Color lithograph Titled, "Poster For The Jewish Museum" 1966 Hand signed lower right Hand numbered HC I/XVII Dimensions: 34.75 x 28.5 sight 25 X 19.25 Max Ernst (German 1891 – 1976) was a German-born painter, sculptor, printmaker, graphic artist, and poet. A prolific artist, Ernst was a primary pioneer of the Dada movement and surrealism in Europe. He had no formal artistic training, but his experimental attitude toward the making of art resulted in his invention of frottage—a technique that uses pencil rubbings of textured objects and relief surfaces to create images—and grattage, an analogous technique in which paint is scraped across canvas to reveal the imprints of the objects placed beneath. Max Ernst showed for the first time in 1912 at the Galerie Feldman in Cologne. At the Sonderbund exhibition of that year in Cologne he saw the work of Paul Cezanne, Edvard Munch, Pablo Picasso, Paul Gauguin and Vincent van Gogh. In 1913 he met Guillaume Apollinaire and Robert Delaunay and traveled to Paris. Ernst participated that same year in the Erste deutsche Herbstsalon. In 1914 he met Jean Arp in Cologne who was to become a lifelong friend. In 1921 Ernst exhibited at the Galerie au Sans Pareil in Paris. He was involved in Surrealist activities in the early 1920s with Paul Eluard and André Breton. His work was exhibited that year together with that of the Das Junge Rheinland group, at Galerie Feldman in Cologne, and then in several group exhibitions in 1913. In his paintings of this period, Ernst adopted an ironic style that juxtaposed grotesque elements alongside Cubist and Expressionist motifs. Ernst fought in world war I. Several German Expressionist painters died in action during the war, among them August Macke and Franz Marc. In 1918, Ernst was demobilised and returned to Cologne. He soon married art history student Luise Straus, of Jewish ancestry, whom he had met in 1914. In 1919, he visited Paul Klee in Munich and studied paintings by Giorgio de Chirico. In the same year, inspired by de Chirico and mail-order catalogues, teaching-aide manuals and similar sources, he produced his first collage works (notably Fiat modes, a portfolio of lithographs), a technique which later dominated his artistic pursuits. Also in 1919, Ernst, social activist Johannes Theodor Baargeld and several colleagues founded the Cologne Dada group. In 1919–20, Ernst and Baargeld published various short-lived magazines such as Der Strom, die Schammade and organised Dada exhibitions. Ernst and Luise's son Ulrich Jimmy Ernst was born on 24 June 1920; he later would also become a painter. In 1921, he met Paul Éluard, who became a lifelong friend. Éluard bought two of Ernst's paintings (Celebes and Oedipus Rex) and selected six collages to illustrate his poetry collection Répétitions. A year later the two collaborated on Les malheurs des immortels and then with André Breton, whom Ernst met in 1921, on the magazine Littérature. Ernst developed a fascination with birds which was prevalent in his work. His alter ego in paintings, which he called Loplop, was a bird. He suggested that this alter-ego was an extension of himself stemming from an early confusion of birds and humans. In 1927, he married Marie-Berthe Aurenche and it is thought his relationship with her may have inspired the erotic subject matter of The Kiss and other works of that year. He collaborated with Joan Miro on designs for Sergei Diaghilev Ballet that same year. The following year the artist collaborated with Salvador Dali and the Surrealist Luis Bunuel on the film L'Age d'or. His first American show was held at the Julien Levy Gallery, New York, in 1932. In 1936 Ernst was represented in Fantastic Art, Dada, Surrealism at the Museum of Modern Art in New York. Ernst began to sculpt in 1934 and spent time with Alberto Giacometti. In 1938, the American heiress and artistic patron Peggy Guggenheim acquired a number of Max Ernst's works, which she displayed in her new gallery in London. Ernst and Guggenheim were married from 1942 to 1946. In September 1939, the outbreak of World War II caused Ernst, being German, to be interned as an "undesirable foreigner" in Camp des Milles, near Aix-en-Provence, along with fellow surrealist, Hans Bellmer, who had recently emigrated to Paris. He had been living with his lover and fellow surrealist painter, Leonora Carrington who, not knowing whether he would return, saw no option but to sell their house to repay their debts and leave for Spain. Thanks to the intercession of Paul Éluard and other friends, including the journalist Varian Fry, he was released a few weeks later. Soon after the German occupation of France, he was arrested again, this time by the Gestapo, but managed to escape to America with the help of Fry and Peggy Guggenheim, a member of a wealthy American art collecting family. Ernst and Peggy Guggenheim arrived in the United States in 1941 and were married at the end of the year. Along with other artists and friends (Marcel Duchamp and Marc Chagall) who had fled from the war and lived in New York City, Ernst helped inspire the development of abstract expressionism. His marriage to Guggenheim did not last. In October 1946 he married American surrealist painter Dorothea Tanning in a double ceremony with Man Ray and Juliet P. Browner in Beverly Hills, California. The couple made their home in Sedona, Arizona from 1946 to 1953. He and Tanning hosted intellectuals and European artists such as Henri Cartier-Bresson and Yves Tanguy. Sedona proved an inspiration for the artists and for Ernst, who compiled his book Beyond Painting and completed his sculptural masterpiece Capricorn while living in Sedona. As a result of the book and its publicity, Ernst began to achieve financial success. From the 1950s he lived mainly in France. In 1954 he was awarded the Grand Prize for painting at the Venice Biennale. In 2005, "Max Ernst: A Retrospective" opened at the Metropolitan Museum of Art. Contemporary artist tapestries have had their true believers. He produced a tapestry for Gloria Ross...

This is an oil on canvas. it is unsigned. Yona Lotan (1926-1998) Engineer and Painter. Yona Lotan was born in Lithuania. The family moved to Tel-Aviv, Palestine in 1936. He served as...

A gelatin silver print, 16" x 20", signed print (verso) by the photographer, School Bus, New York City, 1954 is a black-and-white photograph, capturing Jew...

Terry O'Neill The Beatles, Backyard of Abbey Road Studios 1963 (printed later) Silver gelatin print signed and numbered edition 47 of 50 with certificate of authenticity Terry O'Nei...

Offset lithograph postcard Boldly signed in black marker by Andy Warhol on the front Provenance: Estate of renowned autograph collector Tom Grafton This work has been elegantly float...

"Inspiration" is an original lithograph by Marc Chagall published in the "Lithographs of Marc Chagall vol. II". The book was published in a limited edition of 6000. Size: 12.5 x 9.5...