1980s Art

In this work, the author turned to classical mythology and created the image of the goddess Venus. Goddesses of youth, beauty and love. He created the classical female torso on a marble basement. Кeferring to the classical works of antiquity, the sculptor created his own version of the Venus statue...

Fish, Janet (American, 1938-2025) TULIPS AND TEACUPS. Lithograph in colors, 1982. Edition of 43. Signed, dated and numbered 31/43 in pencil. Printed at Tamarind Institute and publish...

The portfolio consists of six screen prints on Lenox museum board. Each hand-signed and numbered. Each print is unique. Printed by Rupert Jasen Smith, New York. Published by Andy War...

Paul Wunderlich Adam und Eva (Nache Ingres) 1981 Original lithograph Hand signed and numbered Edition of 1000 Sheet Size: 23 5/8 x 18.75 inches Image Size: 20 x 16.25 inches

''FMSWNL'' from the limited edition of 100. Pencil hand signed and dated. Joan Snyder, (born April 16, 1940), is an American painter from New York. She is a MacArthur Fellow, a Gu...

This contemporary abstract painting features colourful geometric patterns. For several decades, the dynamic acrylic paintings of Yvonne Lammerich have attracted the attention of bot...

This reproduction of a classical Hellenistic sculpture, a timeless piece for interior and a garden decoration. Measurement: Torso cm 100 base cm 70.

Signed Adolfo Perez Frame size 75x66 cm.

This is an original square button with a fastening pin on the verso, created as merchandise for Roy Lichtenstein's exhibition at the Kupferstichkabinett in Berlin in 1981. This butto...

"Skating Party" WPA Regionalism American Scene Mid 20th Century Modern Realism Roger Medearis (1920 – 2001) "Skating Party" 20 x 24 inches Tempera on board, 1949 Signed Medearis and...

M.C. Escher’s Belvedere is framed in a shiny black metal frame with a 3/8-inch front profile and a 7/8-inch side profile, lending it a sleek, contemporary appearance. The overall dim...

Screen print on Lenox Museum Board. Hand signed lower right by Andy Warhol. Hand numbered 194/250 on lower right (there are also 20 APs). Artwork size: 38 x 38 inches. Frame size...

Artist: John Baeder Title: Royal Diner  Year: 1980 Print - Screen print on Somerset paper    Size: 22'' x 30'' inches Edition: Signed in pencil and marked 133/250 John Baeder's calc...

Watercolor on paper mounted on a wooden panel. Hand signed. Includes a contemporary wooden frame cm.54x46.5. Very good condition.

Artist: Rupert Jasen Smith, American (1953 - 1989) Title: Greta Garbo Year: 1988 Medium: Screenprint, signed and numbered in pencil Edition: AP 12/15 Size: 43 x 34 in. (109.22 x 86.3...

This powerful 1986 Soviet poster commemorates one of the most defining moments of the 20th century: April 12, 1961, the day Yuri Gagarin became the first human to journey into space....

Studio portrait from the 1940s of Ingrid Bergman rendered in Warhol's signature style published by Galerie Borjeson. Known for his bold, repetitive portrait style, Warhol transformed...

This painted ceramic tile by Italo Scanga, epitomizes the characteristics of his oeuvre. Polychrome and vibrant art from the Memphis Milano era. This is signed with his initials. This is reminiscent of the mid century work of Jean Lurcat and Jean Picart le Doux. Italo Scanga (June 6, 1932 - July 7, 2001), an Italian-born American artist, was known for his sculptures, prints and, paintings, mostly created from found objects. In his youth in Calabria, Italy he worked as a cabinetmaker's apprentice and studies sculpture with a man who carved statues of saints. Italo Scanga was an innovative neo Dada, neo-Expressionist, and neo-Cubist multimedia artist who made assemblage, collage, sculptures of ordinary objects and created prints, glass, and ceramic works. Modern Italian abstract geometric folk art. Scanga's materials included natural objects like branches and seashells, as well as kitsch figurines, castoff musical instruments and decorative trinkets salvaged from flea markets and thrift shops. He combined these ingredients into free-standing assemblages, which he then painted. Although visually ebullient, the results sometimes referred to gruesome episodes from Greek mythology or the lives and deaths of martyred saints. He considered his artistic influences to be sweepingly pan-cultural, from African sculpture to Giorgio de Chirico. He often collaborated with the sculptor Dale Chihuly, who was a close friend. Constructed of wood and glass, found objects or fabric, his ensembles reflect a trio of activities—working, eating, and praying. These activities dominate the lives of those who live close to the land, but they are also activities that are idealized by many who contemplate, romantically, a simpler, bucolic life. Italo graduated from Michigan State University where he befriended fellow artists Richard Merkin and David Pease. He studied under Lindsey Decker who introduces him to welding and sculpture after his initial interest in photography. Also studies with Charles Pollock, the brother of Abstract Expressionist Jackson Pollock. His first teaching job was at University of Wisconsin (through 1964). where he met Harvey Littleton, a fellow instructor. He later moves to Providence, Rhode Island,I to teach at Rhode Island School of Design (RISD). Is colleagues with artists Richard Merkin and Hardu Keck. Starts a correspondence with HC Westermann. Spends summers teaching at Brown University; colleague of Hugh Townley. Moves to State College, PA, and teaches at Pennsylvania State University for one year. Meets artists Juris Ubans, Harry Anderson, Richard Frankel, and Richard Calabro, who remain friends throughout his career. 1967: David Pease helps him get a tenure track position at Tyler School of Art in Philadelphia, PA, . Artists he works closely with include Ernest Silva, Lee Jaffe, Donald Gill, and William Schwedler. Meets graduate student Dale Chihuly while lecturing at RISD and develops a lifelong friendship. 1969: One person exhibition, Baylor Art Gallery, Baylor University, Waco, TX. Works very closely with students Larry Becker and Heidi Nivling (who later run a gallery in Philadelphia, PA), and Harry Anderson. Welcomes many artists into his home including Donald Judd, Dan Flavin, Bruce Nauman (a former student), Vito Acconci, Ree Morton and Rafael Ferrer. 1973: "Saints Glass" at 112 Greene Street Gallery, NYC. Installation at the Institute of Contemporary Art at University of Pennsylvania, Philadelphia, PA. Meets Gordon Matta Clark and contributes to an artist cookbook. Goes to Pilchuck Glass School, Stanwood, WA, founded by Dale Chihuly, as a visiting artist. He continues to work there annually through 2001. Works over the years with Pilchuck artists Richard Royal, Seaver Leslie, Jamie Carpenter, Joey Kirkpatrick, Flora Mace, Robbie Miller, Billy Morris, Buster Simpson...

Sam Francis - Poster Exhibition is a mixed colored offset print realized in 1983. This print was realized in occasion of the exhibition dedicated to the artist and held in Studio Ma...

1983 Offset lithographic poster in colours on wove 85 x 62cm Hand-signed in blue ballpoint pen Published by Petersburg Press, London and New York Very good condition David Hockney (...

Pierre Alechinsky (1927) - Lieu dit Etching and aquatint from 1988. The edition 25 of 90. Dimensions of work: 31 x 21 cm. Hand signed. The work is in Excellent condition.

Jack Hofflander, American (1920 - 2003) - Floral Balloons, Year: 1980, Medium: Screenprint, signed and numbered in pencil, Edition: 250, 30 AP, Image Size: 30 x 22 inches, Size: ...

Erwin Rambow, American (1925 - 2013) - Owl, Medium: Offset Lithograph, Size: 19.5 x 15.5 in. (49.53 x 39.37 cm), Frame Size: 21.75 x 17.5 inches

This is a rare exhibition poster reproduction of "Composition IV" by Wassily Kandinsky, one of the most iconic works of early abstract art. Originally painted in 1911, this piece is ...

A commanding late-period work by American modernist Doel Reed, Spring Storm (1980) exemplifies the artist’s mature exploration of tonal landscape and atmospheric drama. Painted just ...

This original 1981 exhibition poster was created by Christo, the renowned environmental and installation artist, for the Salon de Mai, held at Espace Pierre Cardin in Paris from Apri...

This offset lithograph, OK Hot Shot, is part of a now out-of-print six-print portfolio published by the Guggenheim Museum, highlighting Roy Lichtenstein’s signature Pop Art aesthetic...

A captivating oil painting by the Haitian master, Albert Desmangles. This piece is a wonderful example of his work within the highly sought-after School of Beauty art movement, which...

Blue, Pink & Red Abstract in Watercolor on Paper A bold abstract expressionist watercolor by Les (Leslie Luverne) Anderson (American, 1928-2009). Bright sections of yellow, pink, orange, and red are divided by dark blue lines. Although some shapes are repeated, there is not a definitive pattern, which creates a dynamic composition. Signed "Les Anderson" on verso. From the estate of Les Anderson in Monterey, California. Unframed. Paper size: 14"H x 20"W. Les (Leslie Luverne) Anderson(American, 1928-2009) owned and operated the Bear Flag Gallery in San Juan Bautista...

Paul Davis's 1983 offset lithograph, "The Bear Dance...Or Wall Street Jubilee II," measuring 24 x 18 inches, offers a satirical commentary on the financial markets. The term "bear" i...

Embossed serigraph in colors on paper. Hand signed by Erte lower right. Hand numbered 26/300 lower left. Artwork size: 28 x 21 inches. Frame size: 35.5 x 30.25 inches. Artwork ...

This abstract painting on paper by Milly Ritsvedt features spring-like colours. The provocative power of colour is fully evident in the vivid hues of this painting by master colouri...

The limited edition was printed at Fine Creations Inc. and has the printer's blind stamp on the bottom right. It was published by Lincoln Center for the Performing Arts. The availab...

Jon D'Orazio, American (1942 - ) - Windswept. Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, HC 10, Image Size: 21.5 x 29.5 inches, Size: 25 in. x 33 in...

Serigraphy and collage of elements on Lucio del Pezzo hand-painted hand-made paper. Graphic work created in the 80s in 50 numbered copies signed by the artist.  The sheet is in perfe...

CHINESE RHODODENDRONS is an original hand drawn lithograph printed using hand lithography techniques on archival Arches paper 100% acid free. Lovely watercolor floral...

FLEURS DE FLAMME, 1989 is a striking abstract composition that embodies Georges Mathieu's unmistakable style- explosive, spontaneous, and filled with energy. Set against a rich purpl...

Chateau Mouton Rothschild label (hand signed), 1984 Offset lithograph Autographed twice in black and red by the artist on the front Frame Inc...

Armand Tatossian, Canadian, 1948-2012 Untitled (Fall Forest Landscape) Oil on canvas 24 x 20 in (size unframed) Signed on the lower left For our US customers: 1) The artwork is ship...

A serigraph print by Pedro Friedeberg from 1987. An optical abstract image of a surrealist interior. Artist: Pedro Friedeberg, Mexican (1936 - ) Title: Teatro Microbiotico Year: 1...

Artist: Lowell Blair Nesbitt, American (1933 - 1993) Title: White Irises on Blue Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 200, AP 30 Image Size: 41 x 23...

This early-1980s photograph, taken by society photographer Slim Aarons, features an aerial view of a parasols shading customers at cafes and restaurants in the Piazza Umberto, on the...

Walasse Ting 丁雄泉 Green Cat, 1984 Color etching and aquatint on copper plate, printed on Fabriano Rosaspina paper Pencil signed, numbered 178/230, dated 1984 along with artist's perso...

Scarce 1982 offset lithograph poster Signed and dated 1991 in ink by Sam Gilliam This is a hand signed exhibition poster for Sam Gilliam's landmark 1982 mid-career retrospective at t...

This vibrant abstract work is by Gustavo Ramos Rivera (1940-) The work is a mixed media composition on paper. It measures 20.5 x 26.5 inches. It is mounted on heavy matboard that measures 26 x 33 inches. There are various techniques and materials employed in the creation of this painting. Collage, drawing, painting with oil paint, pastel crayon cardboard and other materials that I cannot identify. The painting is in very good condition. The matboard mounting has a bit of time stain on the edges. It is not presently framed. Gustavo Ramos Rivera was born in Ciudad Acuna, Mexico in 1940, and immigrated to the United States in 1969. He has lived and worked in San Francisco for over 40 years. Ramos Rivera’s work is in the permanent collections of prominent institutions including the Fine Arts Museum of San Francisco, The Mexican Museum in San Francisco and The Nevada Museum of Art. In 2006, the San Jose Museum of Art presented a retrospective exhibition of the artist’s work, which then traveled to additional institutions in California and Mexico. Through his use of color and a personal symbology, Ramos Rivera has created a language that is written throughout his paintings, monotypes, and collages. This singular expression functions on both an intellectual and emotional level and its deployment is reminiscent of the work of Paul Klee, Joan Miró, and Cy Twombly.(1) It also harkens back to the pre-Columbian Mesoamerican art...

Fernando de Szyszlo Abolicion de la Muerte, 1987 Titled dated verso: "Abolicion de la Muerte" NY/87 Signed lower bottom edge center "Szyszlo" Oil on canvas 56 1/2 x 37 1/2 inches Fernando de Szyszlo was a Peruvian painter...

Title: Pensive Woman Artist: Frederic Lloveras Herrera (1912–1983) Year: 1980 Technique: Oil on canvas Dimensions: 28.7 x 23.6 in (73 x 60 cm) Support: Canvas, unframed Signature: Si...

Created in 1989 by renowned French graphic artist Pierre Fix-Masseau, this elegant poster celebrates the legendary Golden Arrow, one of the most prestigious rail services linking Lon...

Biagio Civale, Italian/American (1936 - ) - Two Masts, Year: 1984, Medium: Screenprint, Signed and Numbered in Pencil, Edition: 121/250, Size: 20 x 26 in. (50.8 x 66.04 cm)

The image of “Landscape with Figures and Rainbow, 1980” was used for the design of this exhibition poster held at the Museum Ludwig Koln in 1989. The serigraph/poster measures 39.25 ...

Arnaldo Pomodoro - "Scultura", with official Authentication card, 1982 Signed silver sculpture on chrome plated brass base, held in original wooden box and accompanying Authenticatio...

Rydal Water by Arthur Terry Blamires (English, born 1930) signed oil on board, framed titled verso framed: 22 x 30 inches board : 27 x 25 inches Provenance: private collection, Cumbr...

Original vintage French poster: Christian Dior Homage. (Homage à Christian Dior) Artist: Rene Gruau. Mint condition Original. Size: 15.75" x 24" Very fine condition; read...

gymnast Original Steel Sculpture He has exhibited individually since 1970, having performed more than a hundred, being the main ones in: L'Hospitalet; Ibiza; Seville; Terrace; Rome...

David Hockney, Bridget Riley, Joe Tilson, Howard Hodgkin, Peter Blake + 99 artists Visual Aid for Band Aid - designed, and HAND SIGNED and annotated by 104 renowned artists, with off...

Artist: Alex Katz Title: Striped Jacket Medium: Lithograph in colors on Arches Roll Cover paper Image Size: 29 3/8" x 37 1/8" Frame Size: 39" x 47" Year: 1981 Edition: 41/58 Inscript...

David HOCKNEY (after) Cubist Portrait : Vogue Original Vintage Poster (offset-lithograph) Printed in France by Imprimerie Union in Paris 83 x 50 cm (c. 32.6 x 19.6 inch) This poster...

Primal Screams Juan Sánchez Juárez, Mexican (1946) Date: circa 1980 Acrylic on Canvas, signed l.r. Size: 48 x 60 in. (121.92 x 152.4 cm) Frame Size: 49 x 61 inches

Silkscreen on Arches paper, Hand signed and Numbered in Pencil. Serigraph in black, gray (silver). Chryssa Vardea-Mavromichali (Greek: Χρύσα Βαρδέα-Μαυρομιχάλη; December 31, 1933 – December 23, 2013) was a Greek American artist who worked in a wide variety of media. An American art pioneer in light art and luminist sculpture widely known for her neon, steel, aluminum and acrylic glass installations, she has always used the mononym Chryssa professionally. She worked from the mid-1950s in New York City studios and worked since 1992 in the studio she established in Neos Kosmos, Athens, Greece. Chryssa was born in Athens into the famous Mavromichalis family from the Mani Peninsula. one of her sisters, who studied medicine, was a friend of the poet and novelist Nikos Kazantzakis. Chryssa began painting during her teenage years and also studied to be a social worker.In 1953, on the advice of a Greek art critic, her family sent her to Paris to study at the Académie de la Grande Chaumiere where Andre Breton, Edgard Varese, and Max Ernst were among her associates and Alberto Giacometti was a visiting professor. In 1954, at age twenty-one, Chryssa sailed for the United States, arrived in New York and went to San Francisco, California to study at the California School of Fine Arts. Returning to New York in 1955, she became a United States citizen and established a studio in the city. Chryssa's first major work was The Cycladic Books preceded American minimalism by seventeen years. 1961, Chryssa's first solo exhibition was mounted at The Guggenheim. 1963, Chryssa's work was shown at the Museum of Modern Art in curator Dorothy Canning Miller's Americans 1963 exhibition. The artists represented in the show also included Richard Anuszkiewicz, Lee Bontecou, Robert Indiana, Richard Lindner, Marisol, Claes Oldenburg, Ad Reinhardt, James Rosenquist and others. 1966, The Gates to Times Square, regarded as "one of the most important American sculptures of all time" and "a thrilling homage to the living American culture of advertising and mass communications." The work is a 10 ft cube installation of two huge letter 'A's through which visitors may walk into "a gleaming block of stainless steel and Plexiglas that seems to quiver in the play of pale blue neon light" which is controlled by programmed timers. First shown in Manhattan's Pace Gallery, it was given to the Albright-Knox Art Gallery in Buffalo, New York in 1972. 1972, The Whitney Museum of American Art mounted a solo exhibition of works by Chryssa. That's All (early 1970s), the central panel of a triptych related to The Gates of Times Square, was acquired by the Museum of Modern Art between 1975 and 1979. 1973, Chryssa's solo exhibition at the Gallerie Denise René was reviewed for TIME magazine by art critic Robert Hughes before it went on to the Galleries Denise René in Düsseldorf and Paris. Other works by Chryssa in composite honeycomb aluminum and neon in the 1980s and 1990s include Chinatown, Siren, Urban Traffic, and Flapping Birds. Chryssa 60/90 retrospective exhibition in Athens in the Mihalarias Art Center. After her long absence from Greece, a major exhibition including large aluminum sculptures - cityscapes, "neon boxes" from the Gates to the Times Square, paintings, drawings etc. was held in Athens. In 1992, after closing her SoHo studio, which art dealer Leo Castelli had described as "one of the loveliest in the world," Chryssa returned to Greece. She found a derelict cinema which had become a storeroom stacked with abandoned school desks and chairs, behind the old Fix Brewery near the city center in Neos Kosmos, Athens. Using the desks to construct enormous benches, she converted the space into a studio for working on designs and aluminum composite honeycomb sculptures...

Original exhibition poster for a Robert Longo show in Japan in 1986. In 1986, Robert Longo had a significant exhibition in Japan that further expanded his international reputation an...