Early 2000s Art

The weightless Room (2006). Offset print by Aya Takano Offset print, numbered and signed by the artist Image: 30 × 20 in 76.2 × 50.8 cm Sheet: 30 × 20 in 76.2 × 50.8 cm Edition 15...

"This painting was done with acrylics on canvas after I visited Prague for the first time in 2008." said Anna Shesterikova about this artwork. "The beautiful city thrilled and inspi...

Dance - Signed limited edition archival pigment print , 2004 - Edition of 5 - Photographed in Vienna during a Strauss concert. Signed,embossed + numbered by artist with certifi...

Stefanie Schneider's work was used for Marc Forster's movie 'Stay', featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie Sc...

Untitled (Paradise) - 1999, 98x97cm. Edition 3/10. Archival C-Print, based on the original Polaroid. Signature label and Certificate. Artist Inventory No. 20451. Not mounted. ...

The intricate density of the forest floor transforms into a rich tapestry of pattern and texture. Through the combination of hardground and softground etching, Eckart captures the en...

Vintage chairs, poolside at the La Concha Motel Las Vegas swimming pool. Part of Richard Heeps Dream in Colour series. This motel is a part of Las Vegas history, designed by Paul Wi...

Oranges on Table is an original oil painting realized in 1999 by Zhang Wei Guang (Mirror). Includes frame Mixed colored oil painting Hand-signed and dated on the lower margin Goo...

En Face, Agneta Hobin, mica and steel, 70" x 48", 2007. This 7-piece mica and steel hanging installation and sculpture is by Finnish artist, Agneta Hobin...

Original nocturnal oil on canvas landscape by the Italian contemporary artist Luca Caimmi. Signed in pencil lower left Caimmi”. Condition is excellent. The painting is framed in a...

Original mixed media acrylic on canvas with applied silver leaf painting by the contemporary Sarasota, Florida artist, Vincent Taschetti. Signed lower right “Vincent”. Circa 2000. ...

This first release exhibition billboard-poster, printed for the Musée Maillol from November 3, 2003, to March 15, 2004, was produced by Galerie Maeght and printed by Imprimerie A. Ka...

Martini Corner, with the Kodak film rebate, vintage interior photograph from Richard Heeps Dream in Colour series. An interior vignette from Bisbee, Arizona, the saturated colours an...

THE WATERFALL - Oil on canvas cm. 55x70 by Paolo De Robertis, Italy 2002. The painting is inspired by the paintings of Thomas Hill, an American landscape painter belonging to the H...

Title: British Impressionist Watercolor of Rural Farmstead and Horse Riders by Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11.25 x 15...

Yoshitomo Nara (b. 1959)
On the F-Word, 2002

Medium: Intaglio on paper (photogravure and aquatint; 4 plates, 7 colors)

Casitas de la Raya - Cusco by Juan de la Cruz Machicado 30x30" Image Size 36.5x36.5" Framed Oil on Linen - circa 2005 Scene of Cusco, Peru painted in the artist's renowned style of v...

Early Morning - Vibrant Abstract Expressionist Painting, Signed Layton Bold abstract expressionist painting by signed by unknown artist, Layton, circa 2000. Large swirling shapes b...

Alkyd-oil on Masonite board, 102cm x 83cm, (124cm x 104cm framed). The painting comes directly from the artist. Michael Leonard is most probably most famous for his portrait of HM ...

Francisco Castro Leñero (Mexico, 1954) "Haz del Viento / Bco / Azul/" from serie "El exilio de los sentidos", 2004 Engraving, aquatint on paper...

Frank Stella's Moby-Dick: Words and Shapes (Hand signed and inscribed), 2000 Elegant, beautifully illustrated hardback monograph with dust jacket Hand signed, dated and inscribed by Frank Stella 10 1/4 × 8 3/4 × 1 1/4 inches Ink Inscription reads: for Ed & Rochelle Frank Stella '02 Book info: Published by The University of Michigan Press, 2000 Hardcover; 326 pages Publisher's Synopsis: One of the world's leading painters and printmakers, the artist Frank Stella spent over a decade creating a huge series of works linked with Herman Melville's classic novel Moby-Dick. The completed series consists of more than 135 pieces: large metal reliefs...

Subject : Small oil painting of a landscape in the French countryside, in excellent condition. An original work, rich in texture. This handmade oil painting reflects the raw beauty...

Agent X Outkast (Black & White) (50 Years, Hip Hop, Rap, Iconic, Artist, Musician, Rapper, Anniversary, Legend, Pop Art) Archival Pigment Print with Archival Inks on 240 gsm Hahnemüh...

Once we were Warriors (Stage of Consciousness) - 2007 from the 29 Palms, CA project. 58x56cm, Edition 1/5. Analog C-Print hand-printed by the artist, based on a Polaroid. Certifi...

Frost on the Pumpkin by Dan Ostermiller cast bronze rabbit sculpture, 6.5x7x5" AP/30 available from a closed edition. Shipping price includes the custom packing necessary for safe t...

Title: British Impressionist Watercolor of a Cottage Garden in Bloom by Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11.25 x 15 inches...

Title: British Impressionist Watercolor of a Village Lane with Cottages by Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11 x 15.25 inc...

Randy (Wastelands) - 2003 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 1180. Signature label and certi...

Title Abstract Landscape Blocks Earth Tones Grey Green Oil Painting Key Details Artist: Yvette Dubois-Habasque (1929–2016) Medium: Oil painting on canvas Size: 15 x 24 inches Signatu...

The artwork on paper will be sent unframed to you. Untitled 03, From the Series "Iron Stove" Maciej Olekszy was born in 1982, Poland. Graduated from the Academy of Fine Arts in Poz...

Original colored lithograph by the Argentina born artist Zule Moskowitz. Signed “Zule” bottom right. Condition is excellent. Circa 2000. Gallery label verso. Under glass. Beautifull...

Waiata, Song, ceramic sculpture, Maori art, contemporary cloaked male figure

Framed 40.50 x 30 in The lithograph features the dry stamps of the Magritte Foundation & ADAGP and is countersigned in pencil by Mr. Charly Herscovici, President of the Magritte...

Alberto Arcos (Cuba, 1956) 'Untitled', 2004 Photography, inkjet on paper P/A (Artist Proof) 27.7 x 19.7 in. (70.2 x 50 cm.) ID: ARC-302 Unframed

'Telephone' from Richard Heeps 'Dream in Colour' Series. This cool Palm Springs interior photography has a dreamy mid-century modern nostalgic vibe. Primarily known as a color photo...

Work framed with a C-us box Excellent state

Artist: (after) Andy Warhol (American, 1928-1987) Title: "San Francisco Museum of Art (Pepper Pot)" Year: 2004 Medium: Original (double-sided) Offset-Lithograph on Vinyl, Museum Street Banner...

Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. The artwork is unframed and will be shipped rolled in a tube Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

Yellow Head. An excessively cropped variation on Jeff Kapfer's ongoing avian theme, this piece relies on a loud, simplistic contrast of primary colors to grab attention. The composit...

The painting is being offered with a work and authenticity certificate

Raymond Galle (born 24 September 1942 in Salin-de-Giraud, France) is a contemporary French painter and visual artist known for transforming everyday visual culture into poetic, intro...

Geese. Signed Jeff Kapfer 2007. An unremarkable rendering of stylized geese, characteristic of Kapfer's repetitive focus on avian subjects. The piece relies heavily on flat blocks of...

Paper Size: 12.25 x 34 inches ( 31.115 x 86.36 cm ) Image Size: 12.25 x 34 inches ( 31.115 x 86.36 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age...

Elkhorn Slough - California Landscape in Oil on Canvas Gorgeous oil painting landscape of Elkhorn Slough, Elkhorn, California by B. Skinner (American, 20th Century). Two cranes are ...

Trailer Park Sunset - 2007 20x24cm, Edition of 10. Archival C-Print print, based on the Polaroid, Certificate and Signature label. Artist Inventory # 4791. Not mounted. The w...

Ecstasy (Stage of Consciousness) - 2007 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and signature label. Artist Inventory #...

The painting is being offered with a work and authenticity certificate

This is a silkscreen and woodcut print created in 2007. It is signed and numbered in graphite from the edition of 118 (plus 18 APs). This print comes directly from the publisher, Lin...

This work is part of our exhibition Marina Stern Luminary, the first retrospective of the artist since 2007. Literature: Marina Stern Paintings and Drawings, privately published (20...

'Primary Colors' (Stranger than Paradise) - 2001 each 20x20cm plus 5 cm in between each print together, 70x70cm, sold out Edition of 10, Artist Proof 2/2, Archival C-Print print,...

Color monotype Completed after a recent trip to Morocco, this print continues Grooms’ series of tributes to modern masters. Grooms imagined this scene as he followed the footsteps...

A classic American icon, the roadside giant Cowboy "Muffler Man", captured on Richard Heeps' road trip between Mecca and the Salton Sea. Part of a series of pictures by Richard Heeps...

drops effect abstract. original. acrylic canvas painting. Artwork by Spanish artist ISIDRO CAHUE. The personality of the artist is reflected in different fields of art. His conce...

Juan Carlos Alom (Cuba, 1964) 'Esta obra no tiene título es sólo el silencio de mi veneración', 2004 photoengraving on paper 30 x 22.1 in. (76 x 56 cm...

"Voices IX" Aquatint Etching • Image: 12”x 14” • Paper: 30”x 22” • 2001 Hand signed and numbered 2/2 on BFK Rives paper. Joe Novak (1930-2019) California Contemporary Minimalist. His work is about the exploration of color and light through abstraction, with tonal gradations that infuse them with a meditative quality. During the eighties and nineties, he painted large monochromatic color field canvases with tonal gradations and soft edges that infuse them with a meditative quality and a sense of movement. When illuminated they become glowing surfaces of color and light. His artistic background and work link him closely with the first generation abstract expressionists of the New York School. Major influences include Jackson Pollock and Mark Rothko, and his mentors, Peter Busa and Esteban Vicente, whom he met and befriended during the eighties while living and painting in East Hampton. During the nineties, while living and working in Santa Fe, New Mexico, Novak initiated a project called "Light Emanations", in which he created digital computerized programs of changing light levels and configurations on a selection of his large paintings, dramatically illustrating the effect of light changes on color perception. Novak's body of work is extensive and include painting on canvas, panel and paper as well as monotypes, drawings, assemblages, mixed media and prints. He has often worked in series, focusing on a particular medium for years. Among these are "Meditations" (color pencil drawings), "Voices" and "Voices 2" (color aquatint etchings), "Echoes" (painting assemblage with minerals) and "Colors" (350 miniature panel paintings). In recent years his paintings have become more gestural, often with musical allusions. His work bears a relationship to the Light & Space Movement and Minimalism artists James Turrell, Larry Bell, Craig Kauffman, Billy Al Bengston, Peter Alexander, Laddie John Dill, Lita Albuquerque. these are also anticipative of the aquatint etching works by Anish Kapoor. Color Gradient, Abstract Art, Land Art. During the eighties and nineties, he painted large monochromatic color field canvases with tonal gradations and soft edges that infuse them with a meditative quality and a sense of movement. When illuminated they become glowing surfaces of color and light. Critic Christopher Knight wrote, Novak is an unabashed Color Field painter. His paintings and aquatints at Bert Green Fine Arts — the Santa Fe artist's third show there — feature works that will call to mind abstractions as diverse as those by Helen Frankenthaler, Mark Rothko and Morris Louis and the landscape abstractions of Joe Goode. Novak's work is in many public and private collections, including numerous museum collections. He spent his last years living in Palm Springs. Selected Group Exhibitions Bert Green Fine Art, Chicago, Illinois "Joe Novak/Huck Lewis-Bennett: A Collaboration", Stephen Archdeacon Gallery, Palm Springs Melissa Morgan Fine Art...

Archival pigment print Signed, titled, numbered, and dated, verso 22 x 17 inches, sheet (Edition of 15) 44 x 32 inches, sheet (Edition of 9) This photograph is offered by ClampArt...

Red Roses (Oxana's 30th Birthday) - 2007 from the 29 Palms, CA project 24x29cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label with ...

Untitled Screenprint on wove paper Signed, dated, and numbered by the artist Date: 2003 06 28 Edition: 8/29 25.5 x 15.7 cm image 37.1 x 27.1 cm sheet

Naturalistic coastal dock landscape depicting Arnold's Wharf in Massachusetts by New England native artist John Nesta. Signed in the front lower left corner. Currently hung in a wood...