Early 2000s Art

Digital C-print Stamped and numbered, verso 20 x 24 inches (Edition of 10) 30 x 40 inches (Edition of 5) 50 x 60 inches (Edition of 3) This photograph is offered by ClampArt, loc...

Bridget Riley: Reconnaissance (hand signed and inscribed by Bridget Riley), 2001 Hardback monograph (book) with no dust jacket as issued (hand signed and...

Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he developed from his childhood. His fa...

Intersections 1 is a painting realized by the Italian artist Salvatore Travascio in the 2010s. This is a beautiful oil painting on paper on wooden support. Hand-signed on the lower ...

Paris original expressionist mixed media painting RAVENTÓS Mª Assumpció – (San Sadurní d’Anoia, Barcelona 1930). Raventos trained at the elite Sant Jordi School of Fine Arts in Barce...

PORTRAIT OF YOUNG WOMAN - Oil on canvas painting cm.95x65, Eugenio De Blasi, Italy, 2008 The painting by Eugenio De Blasi is inspired by the work of the Venetian painter and portrai...

There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...

Joaquim Falcó (1958) The painter Joaquim Falcó was born in Manresa (Barcelona, Spain) and was related to art from a very early age: at the age of 9 he e...

"Mastiff" by Dan Glanz Bronze dog sculpture 16.5 x 13.5 x 23" ed/30 (#3 currently in inventory) ABOUT THE ARTIST:  Award winning sculptor, Daniel Glanz, began his career in illus...

This limited edition mixed media print, titled Wrapped Vespa, was published and printed in Japan in 2006. Signed and numbered in pencil by Christo from an edition of 45, the artwork ...

This work is from the portfolio The Unique Collection for the Olympic Fine Arts 2008 presented during the Olympic Games and produced in 260 copies as the only official artistic produ...

Work on plaster and cement

Contemporary etching print by Polish artist Marian Bocianowski. The print depicts a jay standing in a wintery scene. There is church behind her and house with snow on the roof next t...

FIne impressionist 20th-century oil on board of an English landscape, with trees and blustery clouds. Charles Bertie Hall painted marine scenes, landscapes, and town scenes in both America, Uk, and Europe. He exhibited his paintings mostly in the UK from the mid 1980s The artist has indicated this piece was painted 'En Plein air', or outdoors after a long walk near the Box Hill...

Enigmatic shapes and calligraphic lines dance across a flood of lime and emerald green, rimmed in violet, bronze, pink and orange in this horizontal mixed-media painting. The artist ...

Eggermont, Marjan (Contemporary Dutch Canadian), Ghost Island 2006, mixed media patina and silkscreen painting on steel, 20 x 20 inches Hand signed, titled and dated on wood bar ve...

A stunning depiction of a lone figure walking down a path. Nemethy uses a bold impressionistic technique with thick use of paint and wonderful impressions. With joyful colors, this p...

A piece of art from the movie 'Stay' by Stefanie Schneider Stefanie created the art for both main actors Naomi Watts and Ryan Gosling in the movie 'Stay' directed by Marc Forster. S...

Wonderfully vivid mid century abstract expressionist painting by San Francisco artist Jerry W Ward (American, b. 1968), circa 2000. Titled "Erotic Clown Diva" and signed verso. Condi...

"The Wild Coast - Big Sur" Contemporary Seascape in Oil on Canvas Vibrant coastal seascape by notable California artist Erin Gafill (American, b. 1963). Brightly colored hills casca...

"Tuscan Moon" Nocturnal Landscape in Acrylic on Masonite Serene nocturnal seascape by Richard M. Bacon (American, 20th Century). The viewer stand atop a hill above the coastline, wi...

Few artists have mastered the use of pigments in the way that Sax Berlin has and his delicate touch with them imbues this painting with warmth and love. The dark inked lines surround...

Colourful Expressive Abstract Interpretation of an Urban Landscape City Scene, by leading British Artist Angela Wakefield. This artwork is from an intense body of abstract work that...

Paper Size: 34.75 x 26.75 inches ( 88.265 x 67.945 cm ) Image Size: 34.75 x 26.75 inches ( 88.265 x 67.945 cm ) Framed: No Condition: A: Mint Additional Details: Dreaming with...

Basquiat record art 1983/2005: This Basquiat Beat Bop record was published c.2005 featuring a RARE limited edition highly decorative 24 x 24 inch (61 x 61 cm) double-sided fold-out p...

Artist: Ralph Steadman Title: Twisted Meat Artist Medium: One color silkscreen on White Rising Stonehenge Deckle Edge Paper Size: 15 x 22 Inches Edition: of 250 Year: 2006 Notes: ...

Anish Kapoor Untitled, 2002 Etching with aquatint in colours signed and numbered by the artist in pencil 87 x 101 cm - Framed / 72 x 86.5 cm - Paper / 48 x 66 cm - Image Edition of 2...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Voted Dyas II, Lino-cut/ chine colle, on German Ivory paper Edition: 5 of 8, 1999 Image size: 47 x 39 cm / Sheet size: 79 x 55 cm Unframed 'We belong where love finds us' Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...

Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he developed from his childhood. His fa...

Anne Dykmans' "Wind" shows a multi color ribbon flapping in the wind. The flow of the wind is shown through the movement of the fabric. It is in an edition of just 10. Anne Dykman...

I chose the motive for painting this in a field near the village of Haddenham (UK). When I came to write this place I saw that the grass was very "short cut" on the field, only the t...

Abstract expressionist seascape on paper. Depicting boats at anchor in a Cornish harbour, this piece has lovely earth tones running th...

Still Life of Two Pears in Acrylic on Archival Paper Vibrant still life by California artist Christine Cohen (American, b. 1943). This piece is a close-up still life of two pears, a...

Big Momma's Still Life #2 Oil pastel on rag paper, 2007 Signed by the artist lower left: "Sedrick Huckaby III" (see photo) Sheet size: 16 x 12 1/8 inches Frame: 28 x 24 inches Exhibi...

"The Curvy Path," a 48" x 60" oil on canvas by Mike Ball, captures the serene beauty of a garden walkway. This contemporary landscape is painted with a harmonious palette of greens, reds, and earth tones, contrasting with the soft greys and blues of the sky. Ball’s application of color is vibrant and abundant, bringing to life the lush foliage and blooming flowers that border the meandering path. The composition leads the eye through the twists and turns of the journey, inviting contemplation of the road ahead. The dappled light filtering through the trees adds a sense of tranquility and hope. This piece conveys a peaceful, reflective moment, encouraging the viewer to take in the simple beauty of nature’s course. About the Artist: Michael Ball...

Frank Stella Frank Stella, Royal Academy of Arts (Hand Signed), 2000 Offset Lithograph poster on thin Boldly hand signed and dated by Frank Stella in ink on the front 29 3/4 x 20 inches Unframed Accompanied by Certificate of Guarantee issued by Alpha 137 Gallery This Frank Stella poster...

Alexandra Rozenman's "Rider and his Orange Juice" is a humorous yet somber square 48 x 48 x 1.5 inch surreal landscape oil painting in soft whites and blues with touches of black and orange. Rozenman puts on stage a vast snowy landscape. You cannot see the seats, but a beautiful theater curtain...

Artist: Peter Max (1937) Title: Angel with Saturn Year: 2003 Edition: 427/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 3.43 x 2.62 inches Condition: Excellent Ins...

Contemporary etching print by Polish artist Marian Bocianowski. The print depicts two cats walking down the street, smartly clothed, with dog on a leash. Title of this print is 'High...

Oil on canvas. Framed. Signed.

Sunil Das - Untitled - 31 x 20 inches (unframed size) Wood, Iron, Oil & Mixed Media on Board Inclusive of shipment in ready to hang form. Sunil Das (1939-2015) was a Master Modern I...

Vibrant and highly textured abstract composition by R. Curtis Williams (American, 1930-2007). Signed and dated "r. curtiss williams 2006". Tag on verso indicating title, size, and ar...

Thelma Appel Journey Through Hell, 2001 Oil on Canvas Hand signed and dated by artist on the back of the canvas Frame Included: hand made metal museum frame This powerful, haunting ...

Artist: Mel Ramos, American (1935 - 2018) Title: Hav a Havana #7 Year: 2008 Medium: Lithograph, signed and numbered in pencil Edition: 199 Paper Size: 29.75 in. x 44.5 in. (75.57 cm...

Large, photo-realist painting on canvas featuring a crimson red and yellow industrial boatyard lift against a bright sky blue background 47 x 31 x 2 inches oil on canvas, thin wood stripping signed verso, "Joseph E. Richards" Hangs with wire installed on the back This precisely detailed photo-realist painting was made by Joseph E. Richards in 2001. The artist painted this piece when he was 71 years old during a long career of painting trains, cargo ships, and industrial machinery. Richards served in the US Navy during WWII and went on to study at the American Academy of Art in Chicago and the Pennsylvania Academy of Fine Arts in Philadelphia before showing with Ivan Karp of O.K. Harris Gallery in NYC. The artist moved upstate to Hillsdale, NY for the later years of his life. This painting captures one of Richards' most beloved subjects, industrial cranes. With a photo-realist approach to the subject, Richards was able to capture detailed changes in light and shadow, shape and form. The red and yellow crane, painted with extreme detail and focus, vividly contrasts against a bright blue sky. Areas of brown rust, attesting to the machine's power and longevity, are captured with immaculate precision. Since the painting has a very smooth surface, one could easily mistake this painting with a photograph. It is not until you examine the painting up close, do you realize the artist's calculated brushwork. The painting is framed with natural wood stripping. The work is lightweight and easy to hang with pre-installed wire. The artist's signature is located on the back of the canvas. About the artist: Joseph Richards’ precisely painted canvases of giant cranes, cargo booms, propellers and train engines are fueled with a fascination like that of a six-year old boy. Working directly from photographs, Richards unites light and color together as one element, evident in the reflective surfaces of steel. The otherwise mundane signs of corrosive wear are magnified; rust stains glow on the canvas and yellow painted pulleys radiate like beacons against a bright, blue sky. Richards finds beauty in their dramatic color, resilient texture, definitive form and functionality. Richards paints sections of these objects in grand scale, with canvases up to 6 feet long and eye-popping color, calling attention to their massive proportions and exceptional strength. Richards had solo exhibits in New York City, Scottsdale AZ, and Washington DC, and his work is found in private and corporate collections here and abroad, e.g., the Tucson Museum of Fine Arts, Mobil Oil, Lankenau Hospital in Philadelphia, and E. Jean Belloni in Geneva, Switzerland. Resume: Born in 1921 in Des Moines, Iowa, Joseph Richards left for Chicago after high school to pursue a career in art. After serving in the U.S. Navy from 1942 – 1945, he went on to study at the American Academy of Art in Chicago and the Pennsylvania Academy of Fine Arts in Philadelphia. He eventually settled with his wife, Betty, in New York City. In 1969, longtime dealer Ivan Karp opened The OK Harris Gallery on West Broadway in Manhattan’s SoHo. Karp was at the forefront of the Photorealism movement, showing artists such as Duane Hanson and Manny Farber...

Artwork description Original oil painting on cardboard by the artist Simon Kozhin. Wooden framing with the artist's name. Simon Kozhin is committed to th...

Oranges on Table is an original oil painting realized in 1999 by Zhang Wei Guang (Mirror). Includes frame Mixed colored oil painting Hand-signed and dated on the lower margin Goo...

Impressive contemporary abstract expressionist painting by Stephen Heigh. Oil on canvas. Signed. Image size, 8H x 10L.

David Salle Hand Signed Poster by David Salle upper left, 2000 Offset Lithograph Signed by the artist and dedicated to Nadine 25 × 30 inches Unframed This is a uniquely signed David...

This detailed print by Iranian artist Mahmood Sabzi features a collection of nicely dressed women, all draped elegantly around a lounge and playing various instruments. The piece is ...

Contemporary etching print by Polish artist Marian Bocianowski. The print depicts two cats, blach and white on the foreground with cityscape in the background. There is half of a but...

((Approx 150 lb these are made on 3 hollow closed doors special brackets provided allow them to “ float “ on the wall )) Harrison Storms’s artwork confronts the spectator with who they are and what it means to be human. Through his process of building up and stripping down his renderings of the human figure, Storms unlocks the synergy between the object and its environment, and between the physical and the metaphysical. Drawing influence from Michelangelo’s Rondanini Pieta and Crucifixion drawings, Italian fresco, and Ken Wilber’s philosophical inquiries, Storms creates images that portray the inevitability of change and its consequences. Basing his images on the Kouros, a classic Greek male figure...

Peter Halley Peter Halley, Imago Galleries, Palm Desert, CA (Hand Signed), 2006 Offset lithograph poster (hand signed by Peter Halley) 25 1/2 × 18 1/4 inches Provenance; Acquired directly from the artist Unframed Alpha 137 Gallery is honored to offer this offset lithograph, published on the occasion of legendary American artist Peter Halley's 2006 one-man exhibition at Imago Galleries, Palm Desert, California which the artist hand signed in black marker. Scroll images for a photograph of our director Nadine Witkin with the artist. Below is Peter Halley's official biography. What it doesn't mention is that Andy Warhol famously painted his portrait in 1986! Peter Halley is that legendary. According to Halley, he didn't realize until after Warhol's death that the polaroids Warhol took of him with his famous "big shot" camera were made into an original painting. Warhol's painting of Peter Halley was included in the recent Andy Warhol retrospective "Andy Warhol - from A to B and Back Again" at the Whitney. PETER HALLEY BIOGRAPHY Peter Halley, born 1953, New York City, is an American artist who came to prominence as a central figure of the Neo-Conceptualist movement of the 1980s. His paintings redeploy the language of geometric abstraction to explore the organization of social space in the digital era. Since the 1980s, Halley’s lexicon has included three elements: “prisons” and “cells,” connected by “conduits,” which are used in his paintings to explore the technologically determined space and pathways that regulate daily life. Using fluorescent color and Roll-a-Tex, a commercial paint additive that provides readymade texture, Halley embraces materials that are anti-naturalistic and commercially manufactured. In the mid 1990s Halley pioneered the use of wall-sized digital prints in his site-specific installations. He has executed installations at Museo Nivola, Orani, Sardinia (2021); Greene Naftali, New York (2019); Venice Biennale (2019); Lever House, New York (2018); Schirn Kunsthalle, Frankfurt (2016); Disjecta, Portland (2012); the Gallatin School, New York University, (2008, 2017); the Museum of Modern Art, New York (1997); and the Dallas Museum of Art (1995). In 2005, Halley was also commissioned to create a monumental painting for Terminal D at the Dallas/Fort Worth International Airport, Texas. Halley served as professor and director of the MFA painting program at the Yale School of Art from 2002 to 2011. From 1996 to 2005, Halley published INDEX Magazine, which featured interviews with figures working in a variety of creative fields. Halley is also known for his essays on art and culture, written in the 1980s and 1990s, in which he explores themes from French critical theory and the impact of burgeoning digital technology. His Selected Essays, 1981 – 2001, was published by Edgewise Press, New York, in 2013.Halley’s writings have been translated into Spanish, French, and Italian. A catalogue raisonné, PETER HALLEY: Paintings of the 1980s, was published in 2018 by JRP Ringier. Halley’s work can be found in the collections of the Museum of Modern Art, New York; Whitney Museum of American Art, New York; Solomon R. Guggenheim Museum, New York; Broad Art Foundation, Los Angeles; Museum of Contemporary Art, Los Angeles; San Francisco Museum of Modern Art; Boston Museum of Fine Arts; Dallas Museum of Art; Albright-Knox Art Gallery, Buffalo; Tate Modern, London; Stedelijk Museum, Amsterdam; Sammlung Marx, Berlin; Museo Nacional Centro de Arte Reina Sofia, Madrid; Museum of Contemporary Art, Tokyo; Seoul Museum of Art, among others. More about Peter Halley Peter Halley was born in 1953 in New York. He began his formal training at Phillips Academy in Andover, Massachusetts, from which he graduated in 1971. During that time, Halley read Josef Albers’s Interaction of Color (1981), which would influence him throughout his career. From 1973 to 1974 Halley lived in New Orleans, where he absorbed the vibrant cultural influences of the city, began using commercial materials in his art, and first became acquainted with the writings of earthwork artist Robert Smithson. In 1975 the artist graduated from Yale University, New Haven, with a degree in art history. After Yale, Halley returned to New Orleans, where he received an MFA in painting from the University of New Orleans in 1978. He had his first solo exhibition at the Contemporary Art Center, New Orleans, that same year. In 1978 Halley spent a semester teaching art at the University of Louisiana, Lafayette. He has continued to teach throughout his career. In 1980, Halley moved back to New York and had his first solo exhibition in the city at PS122 Gallery. At this time, Halley was drawn to the pop themes and social issues addressed in New Wave music. Inspired by New York’s intense urban environment, Halley set out to use the language of geometric abstraction to describe the actual geometricized space around him. He also began his iconic use of fluorescent Day-Glo paint. In 1984, Halley started to exhibit with the International With Monument gallery, becoming closely associated with the organization and its artists, who exhibited conceptually rigorous work in a market-savvy, coolly presented space that stood in stark contrast to the bohemian, Neo-Expressionist flair of the East Village art scene at the time. In 1986, an exhibition of four artists from International With Monument at the Sonnabend Gallery in New York heralded the group’s growing success. By the late 1980s, Halley was exhibiting with prominent galleries in the United States and Europe. In 1989, an exhibition of his paintings traveled to the Museum Haus Esters, Krefeld, Germany; Maison de la culture et de la communication de Saint-Étienne, France; and Institute of Contemporary Arts, London. From 1991 to 1992, a retrospective toured Europe, with presentations at the CAPC Musée d’art contemporain de Bordeaux, France; Musée d’art contemporain, Lausanne, Switzerland; Museo nacional centro de arte Reina Sofía, Madrid; and Stedelijk Museum, Amsterdam. In 1992, the Des Moines Art Center hosted his first solo exhibition at a U.S. museum. While developing his visual language, Halley became interested in French post-structuralist writers, including Jean Baudrillard, Guy Debord, Michel Foucault, and Paul Virillio, all of whom shared his concern with the character of social spaces in a post-industrial society. In 1981, he published his first essay “Beat, Minimalism, New Wave, and Robert Smithson” in Arts, a New York–based magazine that would publish eight of his essays before the decade’s end. Halley’s writings became the basis for Neo-Geometric Conceptualism (also known as Neo-Geo), the offshoot of Neo-Conceptualism associated with the work of Ashley Bickerton, Halley, and Jeff Koons. In 1988, the artist’s writings were anthologized in Collected Essays, 1981–1987, and again in 1997 in a second anthology, Recent Essays, 1990–1996. In the mid-1990s, Halley began to produce site-specific installations for museums, galleries, and public spaces. These characteristically brought together a range of imagery and mediums, including paintings, wall-size flowcharts, and digitally generated wallpaper prints. Halley has executed permanent installations at the Dallas/Fort Worth International Airport, Texas, and the Gallatin School of Individualized Study at New York University. In 2011, his installation of digital prints Judgment Day...

drops effect abstract. original. acrylic canvas painting. Artwork by Spanish artist ISIDRO CAHUE. The personality of the artist is reflected in different fields of art. His conce...

Waddell's paintings are a combination of rough marks, thick paint, transparent elegant strokes, and, on a few occasions a slow, hard line scratched into the canvas. You can feel the ...

blue and pink drops effect original abstract acrylic paper painting framed Artwork by Spanish artist ISIDRO CAHUE. The personality of the artist is reflected in different fiel...

Signed lower right, 'Taylor' for Jonathan Taylor (American, born 1968) and painted circa 2000. This listed California artist first studied art at the College of the Atlantic in Bal ...

Signed lower left, 'Taylor' for Jonathan Taylor (American, born 1968) and painted circa 2000. This listed California artist first studied art at the College of the Atlantic in Bal Harbor...

Bijan Choudhury - Untitled - 13 x 10 inches (unframed size) Ink on Paper , 2009 ( UNFRAMED ALL IN DOOR DELIVERED ) Style : The Marxist orientatio...

"Markus Klinko is an award-winning, international fashion/celebrity photographer and director, who has worked with many of today's most iconic stars of film, music, and fashion. Kli...