Early 2000s Art

Artist: Peter Max (1937) Title: Cosmic Umbrella Man Year: 2003 Edition: 496/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 3.5 x 3 inches Condition: Excellent Inscr...

"Oriental Flowers" - Figurative Etching and Watercolor Figurative etching and watercolor of four men sitting, wearing coats and berets by San Francisco artist Margaret (Maggi) McEll...

Pentti Sammallahti was born in 1950 in Helsinki, Finland. Sammallahti was surrounded by works from his grandmother, Hildur Larsson, who was a photographer in the early 1900s. Sammallahti has been photographing the world around him with a poetic eye since the age of eleven. At the age of nine, he visited "The Family of Man...

Original “All About Eve” Happy 50th Anniversary vintage movie poster. Archivally linen backed in excellent condition, ready to frame. All About Eve, the classic 1950 Joseph L. Ma...

Christine Ravaux created Deux Fois Rien which is signed by pencil. This impression is #12 of 30 Shades of blacks and grays on a fallen branch create a pleasing pattern contrasted w...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

Limited Edition Her appeal was classless and she rapidly became Britain’s most popular artist. She was a ‘heart and soul’ painter, compelled to paint with a passion. Her paintings ...

Fly Me to the Moon (Cyndi Lauper) from the 'Bring Ya to the Brink' Cyndi Lauper record Album) - 2009, 50x50cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print based on the ...

The painting "The Sun. Suzhou" invites the viewer to an ancient Chinese city, where time seems to have stopped amid the quiet waters of canals built several centuries ago. Created in...

George Tsui's imagination is filled with Chinese themes. The idea of creating his own brand of classic romanticism, unrestrained by conventional reality, w...

An original painting in oil by British artist Charlie Mackesy - Mackesy's clever work and style here, provide us with a sample of his talent when he creates in the medium of oil pain...

Ruben Rodriguez (Cuba, 1959) 'Untitled', 2001 collagraph on paper Velin Arches 300 g. 29.6 x 21.5 in. (75 x 54.5 cm.) Edition of 8 ID: ROD-301 Hand-signed by author

Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. The artwork is unframed and will be shipped rolled in a tube Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...

"Nightstand" by Lu Haskew Oil 24x20" framed, 20x16" image size A colorful antique oil lamp is accompanied by some fresh cut flowers and a lace drape cascades over the table in this r...

Schoeman's Drift, landscape photography by Richard Heeps taken in South Africa. Richard Heeps' work takes you on a journey, the road is a reoccurring theme, often the location is amb...

The End (Sidewinder) - 2005 128x125cm, sold out Edition of 5, last Artist Proof 2/2, analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on a Polaroid, ...

2003 Edition of 99 copies + 15 EA +15 HC + 30 copies numebered /XXX. Signed « Arman » and numbered on the gilded bronze. Referenced in Denyse Durand-Ruel Archives under Nr 7698. Referenced at the Arman Studio in New York under NR APA# 7030.03.006. Arman is a Franco-American artist best known for his unique style of found object sculpture known as accumulations. Inspired by the philosophy and aesthetics of Dadaism, he brings together forks, instruments and teapots in display cases. A member of Nouveau Réalisme alongside Yves Klein and Jean Tinguely, among others, he responds to the emergence of Pop art through his own critique of consumption, waste and mass production, particularly in his series "Poubelles" in the early 1960s. For his famous and monumental sculpture "Long-Term Parking" (1982), the artist piles up 60 cars...

The oil painting size is 11"x14", with oil on board. The painting comes with a frame. The artist signed lower left.

Part of Richard Heeps 'Man's Ruin' Series, he shot a series of portraits of Lisa over three years at the Viva Las Vegas Rockabilly Weekender. This artwork is a limited edition of 25...

Luis Feito (Spain, 1929-2021) 'Guadarrama IV', 2004 intaglio monotype on paper 55.2 x 39.4 in. (140 x 100 cm.) Edition of 76 Unframed ID: FEI1051-062 Hand-signed by author

"Lepidine" captures Damien Hirst’s fascination with creating beauty through structure. Part of his iconic "Spots" series, this shimmering grid of vibrant colors set against a silver ...

Reclining Nude Figure in the Morning Light Reclining nude figure in bed by Elliot, a Santa Cruz County artist (American, 20th Century). A figure is laying facedown in bed, with thei...

Original acrylic painting on canvas. Hand-signed and dated in acrylic on front by Peter Max. Canvas size 60 x 45 inches. Peter Max studio catalog number and date on verso. Dated, ...

Multi Portrait Abstract Expressionist On Surfboard Signed, horizontal and vertical. Peter Robert Keil was born to an artist blacksmith father whom he lost very early in his childhoo...

Yuri Krotov Yuri Krotov was born 1964 in Grivenskaya Cossack Settlement, Krasnodar Territory, located close to the Azov Sea. At the age of 8 he met a local painter G.A. Polugaev who...

The Music - Sculpture is a magnificent artwork realized by the Italian artist Benedetto Robazza (Rome, 1936-2020). Travertine sculpture realized by the fusion of auburn pewter. Limited edition of 15 exemplars. Dimensions: cm 11 x 11 x 3 (base); cm 9 x 5 x 32 (sculpture). Very good conditions. This sculpture is a splendid creation by one of the most appreciated sculptors all over the world. Bendetto Robazza was a great sculptor but also a talented portrait painter, demanded among the politicians, people in finance, the military, ecclesiastical and showbusiness world: he had the honour of being invited to portray American President Regan, whose bust is displayed in in the prestigious Roosevelt room in the White House. He enjoyed portraying big stars of yesterday and today: Rudolf Valentino...

Faiber Oct 10, 1999 by Celso Castro-Daza From The series Guerreros. Photography photo collage intervened by the artist with bland ink mounted on archival paper. Sheet size: 27.5 in. ...

The artwork is unframed and will be shipped rolled in a tube Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video. Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...

Artist: Peter Max (1937) Title: Cosmic Jumper, Detail I Year: 2003 Edition: 495/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 3.5 x 3 inches Condition: Excellent I...

Trompe l'Oeil Still Life and Landscape in Acrylic on Masonite Still life in the trompe l'oeil style by Richard M. Bacon (American, 20th Century). A still life with a bottle, fishbow...

Cara - Signed limited edition archival pigment print, Edition of 5 Photographed in Paris, this is a portrait of Caroline, a close friend of Ian Sanderson. Contact me if you are in...

Untitled, Olympic Games Beijing 2008 is a colored lithograph realized by Sandro Chia in occasion of the Olympic Games held in Beijing in 2008.  It is a part of the portfolio The Uni...

Color woodcut, Edition 30. In this print Morinoue uses symbolic, stylized and realistic images to evoke the play of light on water. In each of the four panels we see the reflectio...

This print was made to accompany the deluxe version of the Catalogue Raisonne covering the years 1993-2002. One of his imaginary garden huts or cabanes in wilderness setting. The pr...

Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he developed from his childhood. His fa...

Combined Edition 25 Also available in 50 x 60 cm/ 20 x 24 inch and as combined Edition 10 in 76 x 101 cm / 30 x 40 inch 101 x 127 cm / 40 x 50 inch Portrait of Dame Helen Lydia Mirr...

Colorful, Maximalist style floral still life photograph of pink, green, yellow, and cream colored flowers and succulents Archival digital print, made to order 24 x 24 inches, editio...

'Pompeii, Light and Shadows', original signed painting by Andy Gradwell watercolor on paper 40cmx50cm carved wood glazed frame 58cmx70cm Painted on location at the ancient Roman site...

This limited edition color lithograph, titled The Serpent, beautifully recreates the iconic watercolors from the beloved book Le Petit Prince by Antoine de Saint-Exupéry. Each print ...

Gerhard Richter Untitled Abstract Picture, 2002 Offset lithograph on GardaMatt Art 250 GSM paper Not signed, edition of 3433 12 1/2 × 16 3.5 inches Unframed Printed on GardaMatt Art 250 GSM paper, this beautiful and colorful piece was part of a portfolio of loose plate reproductions for Gerhard Richter's Abstraktes works. Released during his exhibitions at the San Francisco Museum of Art (Abstract Pictures) and the Museum of Modern Art (Gerhard Richter, 40 Years of Painting). It depicts Richters 1999 Oil on Aluminum abstract picture) More about Gerhard Richter: Gerhard Richter was born in 1932 in Dresden, Germany. Throughout his career, Richter has negotiated the frontier between photography and painting, captivated by the way in which these two seemingly opposing practices speak to and challenge one another. From exuberant canvases rendered with a squeegee and acerbic color charts to paintings of photographic detail and close-ups of a single brushstroke, Richter moves effortlessly between the two mediums, reveling in the complexity of their relationship, while never asserting one above the other. Richter’s life traces the defining moments of twentieth-century history and his work reverberates with the trauma of National Socialism and the Holocaust. In the wake of the Second World War, Richter trained in a Socialist Realist style sanctioned by East Germany’s Communist government. When he defected to West Germany in 1961, a month before the Berlin Wall was erected, Richter left his entire artistic oeuvre up to that point behind. From 1961 to 1964—alongside Blinky Palermo and Sigmar Polke—Richter studied at the Staatliche Kunstakademie Düsseldorf, where he began to explore the material, conceptual, and historical implications of painting without ideological restraint. Richter’s earliest paintings in Düsseldorf, stimulated by a fascination with current affairs and popular culture, responded to images from magazines and newspaper cuttings. Through the 1960s, Richter continued to address found and media images of subjects such as military jets, portraits, and aerial photographs. Notably, he reimagined family pictures he had smuggled from East Germany that included his smiling uncle Rudi, dressed in a Nazi uniform...

A Vision you can't Capture (29 Palms, CA) - 2007 125x172cm, Edition 2/5, analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid, signatur...

LORENA VILLALOBOS "DANCE" OIL ON CANVAS, SIGNED COSTA RICA, DATED 2005 39 X 29 INCHES Lorena Villalobos Villalobos was born in Costa Rica in 1961. She studied Fine Arts at t...

Contemporary etching print by Polish artist Marian Bocianowski. The print depicts two cats, blach and white on the foreground with cityscape in the background. There is half of a but...

Herb Ritts' iconic photograph "Waterfall IV" is a mesmerizing exploration of the human form, water, and light. This stunning shot captures a solitary male figure beneath a cascading ...

Artist/ School: French abstract School, late 20th century/ early 21st century, inscribed initials MD Title: Brown, yellow, beige abstract composition painted on a very large scale. ...

Diana the huntress - Ettore Frattini Italia 2002 - Oil on canvas cm.100x60. The painting by Ettore Ferrante is a beautiful mythological reinterpretation of the hunting goddess Diana by the famous French painter of the 1800s Charles Alexandre Coessin De La...

Edition 5 of 45 Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains high...

Part of Richard Heeps 'Man's Ruin' Series, this cool 'Bitchin' decal was shot at 4am at the Hemsby Rock 'n' Roll Weekender. The artwork is a limited edition of 25 gloss photographic...

Artist: Hirst, Damien Title: Liberty Series: In a Spin Volume 1 Date: 2002 Medium: Etching on 350gsm Hahnmuhle paper Unframed Dimensions: 35.875" x 28" Framed Dimensions: 43....

VENICE - Italian landscape oil on canvas oval painting cm.40x70 by Giancarlo Gorini, Italy 2002. Giancarlo Gorini's canvas is an extra...

Black and white fine art landscape photography print. Lifeguard tower with palm trees on Fort Lauderdale's sandy Beach, Florida, USA. Archival pigment ink print, edition of 9. Signed...

Country landscape - Emilio Pergola Italia 2006 - Oil on canvas cm.50x130 Pergola's works reveal the touch of antiquity that recalls the past where shapes and colors are happily combined. A well-harmonized painting that draws inspiration from the paintings of the French master Leon Augustin Lhermitte. Lhermitte preferred to portray rural scenes and the peasants at work, so much so that he was called "the painter of the reapers". In this beautiful oil on canvas we admire some scenes of life in the fields, some women work while others prepare their lunch. In each painting, Pergola observes the world with deep care, outlining the most important values, the essence and the cosmic symbolism of nature. Pergola's creative technique is a touch of art, its rural landscapes, cottages, its beloved animals, such as horses and cows...

This work is from the portfolio The Unique Collection for the Olympic Fine Arts 2008 presented during the Olympic Games and produced in 260 copies as the only official artistic produ...

Tracey Emin Always Me (Hand signed and dated by Tracey Emin), 2004-2016 Limited edition two-sided hand bag of printed cotton canvas, leather trimmings and wool felt patchwork. Uniquely hand signed and dated by Tracey Emin in black marker 10 × 18 1/4 × 8 1/4 inches Hand signed and dated in black marker by Tracey Emin; also bears plate signature Produced by Tracey Emin in collaboration with Longchamp If you're looking for a special Tracey Emin gift that nobody you know has, and that you are unlikely to find anywhere else in the world - this is it. Tracey Emin has been internationally acclaimed for her textile work, so it is not surprising that the company Longchamp would have commissioned her to design a bespoke handbag for them. This is the only Tracey Emin Longchamp...

Swim-in-Pool Supply Co. This fun original artwork really shows Richard's unique eye as a photographer. Captured in Las Vegas in 2003 it is part of a series he took over a few years. ...

Steven H. Rehfeld (American, born 1954) "Offerings" 2009 Oil Paint, Canvas, Stretcher Bars The artist signed the back of the painting. Offerings, a 48" x 38" oil painting by Steven ...

Oil on canvas painting by the contemporary American artist, Michael Patterson. Signed lower left. Framed in a contemporary dark wood frame 46 by 35.5 inches. Michael Patterson was born in Hudson, NY in 1953 into a family of painters. Howard Ashman Patterson, his grandfather, was an established American painter. Michael graduated from Suny Purchase with honors in painting, printmaking, and sculpture. He has been painting for thirty-five years or so, doing extensive traveling for inspiration. Michael focuses on light, reflected light and its color effects, as well as the positive and negative shapes of equal importance, create the graphic energy of my compositions. This sets the rhythm for a piece and influences where the viewer’s eye travels and at what pace. He includes curved lines with straight, organic shapes juxtaposed geometric shapes woven together, always conscious of the line created by any color masses converging. This line flows throughout, interrupted, yet continuous. The subject of his work most always includes the human figure wherever they may be- city streets, markets, the beach, alone or in groups. People are the most interesting part of creation. His travels include Vermont, Maine, California, New Mexico, Hawaii, Costa Rica, Ecuador, and Europe. He lived in France for several years. Michael has shown his work in Europe and the U.S., primarily in the Northeast. Through the years his work has gone in and out of several styles and series of subjects. He is drawn to many of the same things visually that he was drawn to years ago: rainy city...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to orde...