Framed Photography

"Willful Sin II" (FRAMED) Photography 40" x 60" in Ed. 1/3 by Aaron Mcpolin Archival Giclee Print & Museum Framed Size framed: 41.5" x 61.5" in OTHER SIZES AVAILABLE: Edition of 15...

Black and white analog photograph on photographic paper, signed Sergio del Vecchio. Sergio Del Vecchio: Neapolitan, born in 1961, enrolled in the Order of Journalists of Campania, in...

Heidler and Heeps Vinyl Collection 7" B Side Recording. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully mesmerising...

Children play and laugh in a backyard with makeshift playgrounds. Lined with a thin black border, framing options available. Art Shay Backyard Olympics silver gelatin print, printed...

Moving in Together (Till Death do us Part) - Installation - 2008 Edition of 5. 16 analog C-Prints , hand-printed by the artist on Fuji Crystal Archive Paper, based on 13 Polaroids, ...

Pleasure Park, vintage seaside architecture typography photography from Richard Heeps' series, On-Sea. This artwork is a limited edition of 25 gloss photographic print from negative...

Grid No.6, 2009 (Contemporary Framed Abstract Grid in Neutral Shades Black & Coffee) by Birgit Blyth 40" X 25" paper vertical chromoskedesic monoprint 44 x 29 inches framed, custom frame with black wood molding and anti-reflective glass This contemporary, abstract style chromoskedasic monoprint was created by experimental photographer, Birgit Blyth. Without the use of a camera, the artist produced this chromoskedasic image by applying the photographic chemicals to black and white photo pager and exposing it to light. The variety of caramel, toffee, brown and black tones is determined by the different chemicals used and the amount of time they are exposed to light. Here, the artist paints with the photographic materials in a gestural, linear motion. Beautiful hues of coffee, caramel, brown, grey, and black intersect to create unique abstract, intersecting grid patterns that resembles a basket weave motif. The photograph is complimented with a black metal frame with non-glare glass. It is equipped with sturdy wire on the back for instant and professional quality hanging. About the artist and work: Birgit Blyth is one of our most innovative and prolific photographers who works in a darkroom yet uses no camera! Blyth has been experimenting with a technique known as Chromoskedasic painting since the early ‘90s and variations on this concept have been shown at the gallery for the last 20 years. The unusual process involves the use of silver particles in black and white photographic paper to scatter light at different wavelengths when exposed. A chemist of sorts, Blyth demonstrates a thorough knowledge of how the various photographic chemicals will react when applied to paper and exposed. Each work is unique with palettes that resonate brilliant tonalities of brown, green, black, and purple. Using this technique, Blyth creates abstract crosshatching grids and most recently has developed a more gestural series of 20 x 16 inch chromoskedasic paintings that explores the ethereal qualities made possible by the unconventional material. Birgit Blyth succeeds at keeping her work fresh and cutting-edge using analog methods that are being quickly replaced elsewhere with digital technology. Though Birgit Blyth began her photographic career using conventional photographic methods, she quickly became more interested in alternative processes. In the mid 1990’s a colleague showed her an article in Scientific American and it was here that she first discovered the technique called “chromoskedasic” painting, which would eventually lead her to fully finding her voice as a photographer. Blyth had always aligned herself with and been moved by abstract expressionist painting. The series of veil paintings by post-abstract expressionist, Morris Louis, was especially inspiring to her and caused her to ask herself how she could do similar interpretations photographically. In “chromoskedasic” painting, she found the answers and would begin on a new path in her artwork. The term “chromoskedasic” is derived from Greek roots meaning color by light scattering. Developed by a photographer named Dr. Dominic Man-Kit Lam, this process exploits the capability of silver particles in black and white photographic paper to “scatter” light at different wavelengths when exposed to light and chemicals. In her mastery of this photochemical drawing process, Blyth has painted lush washes of color into her own “Veil Series;” she has envisioned landscapes, both rural and urban, with melting swirls and marbled colors into rich palettes of toffee and lead. She has used this essentially experimental process to help her “see” the world around her. Blyth says she continues to be fascinated by the process because it requires “a combination of discipline, experimentation, and imagination, making possible a wonderful balance between control and surprise.” Because the chromoskedasic work is all analog, Blyth spends much of her studio time in the darkroom, which has become a rarity in the current world of digital photography. She does however, continue her preference for experimentation in numerous directions, even employing aspects of the digital age – this exhibit will also feature a new series of pieces created with the now defunct but much loved SX-70 polaroid camera, scanned and archivally printed on 24” x 24” fine cotton rag paper. Whatever the process, Blyth’s work is, as the painter and poet, Peter Sacks noted, a blend of “precision and mystery, of articulation and atmosphere.” Her images leave us with the feeling of ongoing action despite the apparent stillness; of qualities both dreamy and stark as light hits a stand of birch trees in a valley or a group of buildings in New York City. As Morris Louis evolved a style of painting that produced a complete integration of paint and canvas, so too has Blyth, with photo paper and chemicals, created a perfect integration of method and content. Artist CV: Born: Kousted, Denmark Resident in U.S.A. since 1963 Education: Denmark and U.S.A. Project, Inc., Cambridge MA (Photography) DeCordova Museum School, Lincoln MA (Printmaking) Maine Photography...

'Andy Warhol, New York City, 1980' by Michael Halsband. 14 x 11 in. Gelatin silver print (framed). This black-and-white portrait captures Andy Warhol with his arms crossed, exuding a...

Artwork #1 / 5 sold in perfect condition printed on baryta heavyweight paper & framed (black metal border) From the collection called "Art 2014", format 30x42 cm. SERIES OF 5 PRINTS...

Color photography printed in high resolution on methacrylate, with a wooden frame on the back. The work is signed and numbered, includes a certificate of authenticity. The dimension...

Finely detailed hand tinted color landscape photograph of Stanford Memorial Church produced by Bear Photo Service (American, 1930s). Photographer is unknown. Numbered 904 bottom right. Displayed in a rustic gilt-toned wood frame with antique glass. Image size: 7"H x 11"W. Stanford Memorial Church is located on the Main Quad at the center of the Stanford University...

Early 20th Century Hand Colored Portraits of a Young Couple C.1900 Handsome young couple. Hand tinted photos. American portraits. Victorian period...

This photograph has a total limited edition of 30 and can be printed in a variety of sizes. This listing is for a framed print 20 by 16 inches - unframed print 29 by 23 inches - fr...

"Step into the realm of Modern Classics Remastered—where inspiration from modern masterworks meets digital innovation. Each piece undergoes a transformative process, digitally enhanc...

Fresson print, inscribed ‘LAG 17033’ (verso), 29cm x 23cm (on view), 37cm x 30.5cm (sheet size), (48cm x 41cm framed). The photograph is framed to the line and crop indicated by the photographer on the print, behind museum quality UV non-reflective glass. (A Fresson print is a type of photographic printing, created in 1899, that has been passed down in the family for four generations. Still to this day, the Fresson family keeps some elements of the process a secret but make sure it stays alive. Located in the outskirts of Paris, their workshop is the only one in the world to produce such prints.) Albin-Guillot studied drawing and painting before becoming interested in photography. In 1925, she went on to have the first one-person exhibition at the Paris Autumn Salon. She also served as president of the French Societe des Artistes Photographes and in June 1928, was included in the first independent Salon of Photography in Paris. Published in 1932, she took a series of male nudes taken for Henry de Motherlant’s La Deesse Cypris. The strongly cropped images in which the male nudes fill the entire frame accompany the author’s text about sensuality. In 1933, she collaborated with the poet Paul Valery...

Edition 15, framed Chromalux In this image we can see a Land Rover Defender Series 3 from 1972. A man with x-ray vision, NICK VEASEY creates art that shows what it is really like i...

Luanne Rimel is an artist, curator, instructor, and currently the Director of Education Programs at Craft Alliance Art Center in St. Louis, Missouri. Her work is layered with histori...

17.5x13.5x1
Stained Glass, Metal Print, Wood Frame
Mixed Media Art – Fine Art Photography Meets Fine Craft Mosaic-Stained Glass Frame My award-winning Photozaics blend the textures ...

A photograph on fine art Baryta paper mounted to Dibond and floated in a black wood frame with a UV 70 Glass. A limited-edition of 10 in total plus artist proofs. The current print i...

Blue Moon - Still Life Photographic Print Framed 120x120cm Austrian Contemporary Photographer Pia Clodi, demonstrates immense skill through her analog photography, which is often p...

From: The Black Sitting, 1956 Original silver print photograph taken the the photographers studio in New York in 1956. Hand signed in ink within the photographers stamp verso. Pri...

"I am primarily driven by an exploration of colour and form. My objective is to bring an emotional is to bring an emotional element and aesthetic balance to my work." "It came to me in the middle of the night - as these things often do - that to incorporate gold leaf into the finished print would neatly encapsulate some of the elements I am trying to express. Its application would obviously have to be done by hand with all its attendant imperfections and mistakes. Kintsugi - the Japanese art of patching broken ceramics with gold - shares its aesthetic with Wabi Sabi." - Valda Bailey...

Heidler & Heeps Vinyl Collection Set of Three Framed Artworks. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully mesm...

Ed. of 21, estate-stamped. Includes black frame with white mat. Norman Parkinson was the preeminent fashion photographer in Great Britain from the late 1930s until his death in 1990...

"Amas Luna Storm III" (FRAMED) Photography 40" x 60" in Ed. 1/3 by Aaron Mcpolin Archival Giclee Print & Museum Framed Size framed: 41.5" x 61.5" in OTHER SIZES AVAILABLE: Edition ...

This male nude shrouded with a veil over his face captures the human form in an exquisite expression of emotion and movement. The photo is double matted in a creamy white mat and framed in a simple wooden frame measuring 16.5 x 16.5 inches. Doug Birkenheuer...

Charming hand painted photograph, portrait of a young ballerina as Tinker Bell by an unknown artist (American, 20th Century). Circa 1957. Signed "Studio d'Art Los Altos...

Pictorialist photograph of nude woman in a forest interior by Charles Cook. Silver print. Circa 1910. Charles J. Cook was a painter and photo...

Early sepia-toned landscape photograph of Popocatepetl, a large mountain peak in central Mexico. The work highlights a donkey staged in the foreground with the mountain standing in t...

hard to photograph image Art size is 24x18 framed 26x20 Grease Pencil on Photograph Unique *installation photo is for scale and framing . This images is NOT shown. Very hard to pho...

Wonderful color photograph by California artist Deborah Eddy (American, b. 1943). Titled" Roller Coaster with Palms 1" and signed by the artist "Deborah Eddy " on verso. Presented in...

hard to photograph image New York: It's a Helluva Town (comes framed in white frame) Art size is 24x18 framed 26x20 Grease Pencil on Photograph Unique *installation photo is for sca...

Boats Sailing At Sunset, Santa Cruz - Color Photograph Color photograph of sailboats at sunset in front of the Breakwater Lighthouse in Santa Cruz, California by John F. Hunter (American). The viewer looks out towards the ocean as multiple colorful sailboats sail...

90 Minutes Vintage Blue, pop art from the Heidler & Heeps Tape Collection The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’, pers...

Dice - One, Two, Three, Four, Five, Six. Set of six framed ready to hang artworks. This installation comprises of 6 individually framed artworks each measuring 16" x 16" x 1.5". Th...

Capturing the cinematic Glass Pool Motel which is sadly no longer there, and an iconic Chevy Bel Air, it is a perfect example of a Lost Vegas. This is one of Richard Heeps' classic A...

E. Ceppi Vision, 1988 Silver print on paper Signed, titled, dated and located in "New York" on the back Dimensions of the work : 13,5 x 21 cm Dimensions of the original frame : 30 x ...

hard to photograph image What's Love Got To Do With It (comes framed in white frame) Art size is 24x18 framed 26x20 Grease Pencil on Photograph Unique *installation photo is for sca...

Judy Dater Self - Portrait with Stone Badlands South Dakota - Photograph 1981 Judy Dater (American, 1941-). Original Silver Gelatin Photograph, signed on V...

David Bailey OASIS, 2006 Archival Inkjet on paper Signed by the artist, on verso Image: 50.8 x 50.8 cm Sheet: 58.4 x 58.4 cm Edition of 15

large format photography diptych by Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the rites and rituals of modern leisure Santa Ces...

Heidler & Heeps Vinyl Collection Twenty-One Piece Multi-Color Installation. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this bea...

In a world dominated by digital precision and instant gratification, Pia Clodi stands as a beacon of nostalgia and unpredictability, finding beauty in the fleeting moments captured t...

Rosegarden (Suburbia) - 2004 Edition 1/5, 60x80cm. Analog C-Print, hand-printed by the artist, based on the Polaroid. Mounted on Aluminum with matte UV-Projection. Artist Invent...

Early black and white photograph of Pico Il Orizada, the highest mountain in Mexico. The work features multiple figures in the foreground carrying good on the backs of donkeys as the...

“Tramp Stamp 1” (FRAMED) Photography 30" x 24" inch Edition 1/12 by Brian Ziff Giclee (Archival Ink) Print on Canson Platine Fibre Rag American Dreams - From "Playboy" series. T...

Goldtone photograph on glass printed with permission from his foundation in 1999-2000 from his negatives. Frames were reproduced in the same styl...

Rare black and white photograph, a portrait of a handsome man by Edward Henry Weston (March 24, 1886 – January 1, 1958). Signed "EW 1949" lo...

Slim Aarons Zermatt Skiing 1968 C print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. The apres-ski in Zermatt, Switzerland, M...

Connor McCreedy (b. 1987): Untitled Black and white photograph with hand painting 2012 Hand signed 'McCreedy' lower right Signed, dated and inscribed on the back of the frame. Dimensions: 23 1/2 x 34 1/2 in. (sight), 25 x 36 in. (frame). Conor Matthew Mccreedy (born 1987) is a contemporary artist, conservationist and collector based in Switzerland. In his work, his depiction of abstraction is linked to chaos theory. The colour blue is prominent in his works. He works in an expressionist manner. Mccreedy was born in South Africa in 1987, to a South African mother and a French-Irish father. he grew up in Johannesburg, Cape Town and Kwa-Zulu Natal. He recalls painting at age four using his mother's makeup brush and coffee grounds. Later in his youth, he became a fashion model, working for fashion houses including Calvin Klein. He also attended Hilton College. In 2006, Mccreedy earned a golf scholarship to attend Barton College in North Carolina. Mccreedy dropped out of art school at the Pratt Institute in New York City to pursue an independent art career in 2007. After dropping out of college, Mccreedy began selling his artwork on the streets of Union Square in New York City. After marketing manager Mick Rock noticed Mccreedy's work in a gallery, he urged him to talk to Aldon James Jr., the President of the National Arts Club, a private club. Mccreedy held his first solo exhibition here, titled Outliers, making him the youngest artist to have had a solo exhibition at the venue The exhibition was composed of wildlife photography that he took in South Africa and African safari influenced paintings. Subjects range from abstract images of the ocean to figurative renderings of women and African animals, painted on surfaces that include linen, wooden boards and canvases. Mccreedy has recently begun to work in sculpture. This work is kind of Yves Klein meets Peter Beard. In 2011, he was commissioned by Time Warner to paint a version of its logo for a launch party using his "Mccreedyblue" colour. The colour used in all of his paintings is a combinations of five different blue pigments. In 2012 he produced the "African Ocean" exhibition at the Charles Bank Gallery, as a part of the Witness Hilton Arts Festival at Hilton College, and Selected Works, 2006–2012, at Ernie Els' estate in Stellenbosch. Commissions of Mccreedy's work include abstract murals painted in private New York City establishments such as the Soho House Hotel and the penthouse of the Bowery Hotel. In 2014, he had a solo exhibition at Gallery Proarta. Solo exhibitions: "Outliers" National Arts Club. New York City, 2010. "African Ocean" Elizabeth Street, Charles Bank Gallery New York City, 2012.[18] "Mcreedyblue" ProArta Galerie, Zurich, 2014. "Mccreedyblue" Cat Street Gallery, Hong Kong, 2015. "Chiaroscuro Abstract Portraits" HG Guggenheim Contemporary, New York City, 2016. "Splash Paintings" Askeri Gallery, Moscow, 2017. "Feelings" Askeri Gallery, Moscow, 2018. "Wild life Alter Ego" NetJets VIP Collector Lounge. Basel Switzerland, 2023. In 2015, his new work formed the exhibition Mccreedyblue, held in Hong Kong, China at the Cat Street Gallery. He also held solo exhibitions in Zurich and Palm Beach. John Cole-Morgan of the South African stated of his Hong Kong exhibition that Mccreedy's work was "powerful, dynamic and genuinely hypnotic". He has stated in several interviews that Pablo Picasso is one of his largest influences. Some of his pieces have been inspired by former South African president Nelson Mandela and the end of Apartheid in South Africa. His first Asian solo exhibition was opened in 2015. His paintings have sold for up to US$150,000. He is actively doing charity work. During Art Basel, Switzerland in 2017, Mccreedy donated his small Houses of Parliament, London painting to the UNAIDS, United Nations foundation. The painting was auctioned off during the opening night gala dinner in Basel. Mccreedy is the founder of Protecting African Lions, an NPO set up to protecting the declining wild lion population. Proceeds from the sale of his small 'Splash Painting' went to cerebral palsy causes, part of the Gracious Hearts Foundation. The painting was titled 'Feelings' The auction was held at Christie's in London and was auctioned off by Simon de Pury. He donated a small 'Angel Painting' to Ellerman House, Art Angels Foundation. The foundation is based in his home country. South Africa. It is an annual charity party to benefit the Click Foundation. In 2023, Mccreedy collaborated with Swiss jewellery designer Suzanne Syz...

Daniel Mansur In Paradisum #8, 2018 40 x 60 inches 100 x 150cm Also available in: 47 x 71 inches 120 x 180cm 60 x 88.5 inches 150 x 225 cm Edition of 6 copies overall Archiva...

This photograph has a total limited edition of 30 and can be printed in a variety of sizes. This listing is for a framed print. 27.5 by 21.5 inches - unframed print 36 by 31 inches...

This is a 3-D motion lenticular - its moves when you walk past it and it is incredibly 3-D there are little lenses on the face that create this effect. It is professionally framed a...

As seen in Apple TV+ series "Dark Matter" Screaming Mike "This is the only image where Photoshop has been implemented. I had an illustrator friend who, for ...

RISAKU SUZUKI (*1963, Japan) Water Mirror 14, WM-77, 79 (Diptych), 2014 Chromogenic print (2x) Sheet 120 x 155 cm (47 1/4 x 61 in.) Frame 124 x 159 x 5 cm (48 7/8 x 62 5/8 x 2 in.) D...

The famous tree in Pebble Beach. Framed in plexiglass and black wood. Hand printed silver gelatin photograph by artist.

I have always been a storyteller, and the world around us is full of stories waiting to be told. My journey began with painting, then transitioned into set and environment design for...

English model Twiggy poses with David Bowie in Paris for the cover of his Pin Ups album, 1973. TITLE: PIN UPS PHOTO: Justine De Villeneuve SIGNED LIMITED EDIT...