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Orientation: Horizontal
Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art
Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art

Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art

By Treadway Russell Nash

Located in Saint Augustine, FL

Artist: Treadway Russell Nash (English, 1724-1811) Title: "A View of Stourbridge", "A View of Upton upon Severn, from Ryal Hill", "Bewdley", and "Tenbury" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Four Original Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Sheet size (each): approx. 10" x 16.5" Image size (each): approx. 6.88" x 11.75" Reference: Upcott III, page 1330 Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition Notes: Provenance: private collection - Aspen, CO. All four works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in 1799. And, both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". Both "A View of Stourbridge" and "A View of Upton upon Severn, from Ryal Hill" have unidentified fleur-de-lis watermarks in the center of their sheets. "Bewdley" has an unidentified watermark in the center of its sheet resembling "XV" and "Tenbury" has no watermark. Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...

Category

1780s Old Masters Landscape Prints

Materials

Laid Paper, Engraving

"Apparition at the Border of Language"

"Apparition at the Border of Language"

By Enrique Chagoya

Located in Lyons, CO

This print presents a fictitious encounter between contemporary colonial forces and Native Americans who are defenders of immigrant refugees and displaced populations. The artist de...

Category

2010s Contemporary More Prints

Materials

Lithograph

40x60 TOP GUN Soundtrack Cassette Tape Photography Pop Art Photograph Unsigned
40x60 TOP GUN Soundtrack Cassette Tape Photography Pop Art Photograph Unsigned

40x60 TOP GUN Soundtrack Cassette Tape Photography Pop Art Photograph Unsigned

By Destro

Located in Los Angeles, CA

A contemporary photograph of the "Top Gun" soundtrack. This is s the first release in the much anticipated series "The Music" by pop Artists Destro These iconic tapes have become mor...

Category

21st Century and Contemporary American Modern Color Photography

Materials

Archival Pigment

TIE Fighter Beatles Pop Art Print, Signed Limited Edition, 40x30 in
TIE Fighter Beatles Pop Art Print, Signed Limited Edition, 40x30 in

TIE Fighter Beatles Pop Art Print, Signed Limited Edition, 40x30 in

By BATIK

Located in London, GB

TIE Fighter Beatles by B A T I K Pop art work featuring the Fab Four Paul McCartney , George Harrison, Ringo Starr and John Lennon running away from Star Wars TIE fighters chasing...

Category

2010s Surrealist Figurative Photography

Materials

Black and White, Archival Pigment

David Hockney 'Looking Towards Huggate' Pop Art  Vintage
David Hockney 'Looking Towards Huggate' Pop Art  Vintage

David Hockney 'Looking Towards Huggate' Pop Art Vintage

By David Hockney

Located in Brooklyn, NY

This David Hockney poster celebrates the artist’s deep connection to his Yorkshire roots. Printed in Bradford, it features a sweeping view toward Huggate, a village nestled in the ro...

Category

Early 2000s Pop Art Landscape Prints

Materials

Offset

Untitled Composition II (Maeght, Bold Outline, Narrative, ~42% OFF - MUST GO)
Untitled Composition II (Maeght, Bold Outline, Narrative, ~42% OFF - MUST GO)

Untitled Composition II (Maeght, Bold Outline, Narrative, ~42% OFF - MUST GO)

By Valerio Adami

Located in Kansas City, MO

Valerio Adami Untitled Composition II from "DLM No. 220" Original Color Lithograph on Vellum Year: 1976 Edition: 2,000 Size: 14.9 x 22 inches (37.8 × 55.9 cm) Unsigned and not indiv...

Category

1970s Pop Art Abstract Prints

Materials

Vellum, Lithograph

Joan Miro, Japan, from Miro as Sculptor, 1974
Joan Miro, Japan, from Miro as Sculptor, 1974

Joan Miro, Japan, from Miro as Sculptor, 1974

By Joan Miró

Located in Southampton, NY

This exquisite lithograph by Joan Miro (1893–1983), titled Japan, from Miro escultor (Miro as Sculptor), originates from the 1974 edition published by Bijutsu Shupan Sha, Tokyo, and printed by La Poligrafa, Barcelona, 1974. The work reflects Miro’s lyrical mastery of biomorphic form, symbolic purity, and gestural spontaneity, embodying the visionary abstraction that made him a defining figure of twentieth century modernism. Executed as a lithograph on Guarro velin paper, this work measures 7.87 x 15.47 inches (20 x 39.3 cm). Signed in the plate and unnumbered, as issued. The edition exemplifies the refined craftsmanship of La Poligrafa, Barcelona. Artwork Details: Artist: Joan Miro (1893–1983) Title: Japan Medium: Lithograph on Guarro velin paper Dimensions: 7.87 x 15.47 inches (20 x 39.3 cm) Inscription: Signed in the plate and unnumbered, as issued Date: 1974 Publisher: Bijutsu Shupan Sha, Tokyo Printer: La Poligrafa, Barcelona Catalogue Raisonne References: Cramer, Patrick, and Joan Miro. Joan Miro, Catalogue Raisonne des Livres Illustres. P. Cramer, 1989, illustration 194 Miro, Joan, et al. Joan Miro : Lithographs. Tudor, 1972-1992, illustration 937. Condition: Well preserved, consistent with age and medium Provenance: Published by Bijutsu Shupan Sha, Tokyo; printed by La Poligrafa, Barcelona, 1974, in an edition of MD About the Publication: Miro escultor (Miro as Sculptor), published in 1974 by Bijutsu Shupan Sha in Tokyo, is a richly produced lithographic edition created to accompany and celebrate Joan Miro’s expanding work in sculpture during the late 1960s and early 1970s. Printed by the renowned La Poligrafa workshop in Barcelona one of the most important printers of modernist and postwar graphic art the publication formed part of a larger project intended to document and disseminate Miro’s sculptural innovations to an international audience. During this period, Miro turned increasingly toward three dimensional form, collaborating with foundries and experimental workshops to transform his biomorphic vocabulary into bronze, painted wood, ceramics, and mixed media assemblages. The publication Miro escultor functioned both as an artistic portfolio and as an interpretive document, presenting lithographic translations of sculptural ideas that were simultaneously graphic works in their own right. The edition of MD examples reflected Bijutsu Shupan Sha’s commitment to high quality multiples and the broader 1970s movement to democratize access to contemporary art through carefully produced prints. Today, the publication stands as a testament to the intersection of Miro’s painterly gesture, his graphic discipline, and his growing fascination with spatial and sculptural expression. About the Artist: Joan Miro (1893–1983) was a Catalan painter, sculptor, printmaker, and ceramicist whose visionary imagination and lyrical abstraction made him one of the most influential and beloved artists of the 20th century. Born in Barcelona, Miro drew inspiration from Catalan folk art, Romanesque frescoes, and the luminous landscapes of Mont roig del Camp, developing a deep connection to nature that infused his work with vitality and symbolism. After formal training at the Escola dArt in Barcelona, he absorbed the lessons of Post Impressionism and Cubism before moving to Paris in the early 1920s, where he became a leading figure in the Surrealist movement. There, Miro forged a personal visual language of biomorphic shapes, floating symbols, and radiant color harmonies that reflected both spontaneity and spiritual depth. In creative dialogue with peers such as Alexander Calder, Alberto Giacometti, Salvador Dali, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he helped revolutionize modern art by dissolving the boundaries between abstraction and dream imagery. Miro’s inventive approach extended far beyond painting, embracing sculpture, ceramics, and monumental public commissions that redefined how art could interact with space and emotion. His expressive freedom and gestural abstraction profoundly influenced later artists including Jackson Pollock, Mark Rothko, Alexander Calder, Jean Dubuffet, Antoni Tapies, and Joan Mitchell, inspiring generations who sought to merge instinct, color, and imagination. Today, Miro’s work remains a cornerstone of modernism, prized by collectors and celebrated in major museums worldwide. His highest auction record was achieved by Peinture (Etoile Bleue) (1927), which sold for 23,561,250 GBP (approximately 37 million USD) at Sotheby’s, London, on June 19, 2012. Joan Miro Japan...

Category

1970s Surrealist Figurative Prints

Materials

Lithograph

Truism 'Raise Boys and Girls the Same Way'

Truism 'Raise Boys and Girls the Same Way'

By Jenny Holzer

Located in Manchester, GB

By Jenny Holzer 1977-1979 Mixed media on wood Unframed 10.2 x 15.2 cm (4 x 6 in) Framed 22 x 27 cm (8.66 x 10.63 in) Jenny Holzer is an American conceptual and installation art...

Category

1970s Contemporary Prints and Multiples

Materials

Wood, Mixed Media

Guns N' Roses Appetite for Destruction 30x50 Photography Cassette Tape Pop Art
Guns N' Roses Appetite for Destruction 30x50 Photography Cassette Tape Pop Art

Guns N' Roses Appetite for Destruction 30x50 Photography Cassette Tape Pop Art

By Destro

Located in Los Angeles, CA

A contemporary photograph of Guns N' Roses iconic "Appetite for Destruction" cassette tape. This is s the first release in the much anticipated series "The Music" by pop Artists Dest...

Category

21st Century and Contemporary American Modern Color Photography

Materials

Archival Pigment

Niki de Saint Phalle - I Rather Like You A Lot You Fool rare silkscreen signed/N
Niki de Saint Phalle - I Rather Like You A Lot You Fool rare silkscreen signed/N

Niki de Saint Phalle - I Rather Like You A Lot You Fool rare silkscreen signed/N

By Niki de Saint Phalle

Located in New York, NY

Niki de Saint Phalle I Rather Like You A Lot You Fool, 1970 Silkscreen on wove paper Signed and numbered 74//75 in graphite pencil on the front Frame included: This work is elegantly...

Category

1970s Abstract Abstract Prints

Materials

Pencil, Graphite, Screen

Large Nature Photograph Leopard Tree Black White Infrared Africa Wildlife
Large Nature Photograph Leopard Tree Black White Infrared Africa Wildlife

Large Nature Photograph Leopard Tree Black White Infrared Africa Wildlife

By Aditya Dicky Singh

Located in Norfolk, GB

Aditya Dicky Singh Untitled Infrared photograph on fine-art Hahnemuhle archival paper 45" x 64" unframed (114cm x 163cm) 2016 Edition 4/10 *Should you wish the photograph to be prin...

Category

2010s Contemporary Black and White Photography

Materials

Archival Ink, Archival Paper

Moonlight Ripples over Lake Como, Nautical Cyanotype Triptych of Moving Water
Moonlight Ripples over Lake Como, Nautical Cyanotype Triptych of Moving Water

Moonlight Ripples over Lake Como, Nautical Cyanotype Triptych of Moving Water

By Kind of Cyan

Located in Barcelona, ES

This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These...

Category

2010s Minimalist Abstract Prints

Materials

Photographic Film, Watercolor, Photographic Paper, Lithograph, Monotype,...

Authentic Japanese Woodblock Prints Triptych Kyoto Maikoes by Hasegawa Sadanobu
Authentic Japanese Woodblock Prints Triptych Kyoto Maikoes by Hasegawa Sadanobu

Authentic Japanese Woodblock Prints Triptych Kyoto Maikoes by Hasegawa Sadanobu

Located in London, GB

GSY curated this unique set of three authentic Shin-hanga Woodblock Prints by the workshop of Hasegawa Sadanobu III, the Uchida Publishing House, a well-known Kyoto publisher; they h...

Category

1950s Edo Figurative Prints

Materials

Ink, Washi Paper

Soulmates 36x48 Black & White Photography of Wild Horses Mustang Photograph
Soulmates 36x48 Black & White Photography of Wild Horses Mustang Photograph

Soulmates 36x48 Black & White Photography of Wild Horses Mustang Photograph

By Shane Russeck

Located in Los Angeles, CA

This is a contemporary black and white photograph of Northern California Wild Mustangs. "They represent the ultimate expression of American freedom" 36 x 48 Archival paper and inks ...

Category

21st Century and Contemporary Black and White Photography

Materials

Archival Pigment

Jacqueline
Jacqueline

Jacqueline

By Pablo Picasso

Located in OPOLE, PL

Pablo Picasso (1881-1973) - Jacqueline Lithograph with quadrochromy from 1961. Dimensions of sheet: 27 x 37.9 cm Dimensions in frame: 43.2 x 53.2 cm Publisher: Éditions Cercle d'...

Category

1960s Modern More Prints

Materials

Lithograph

Maravillas con Variaciones Acrosticas en el Jardin de Miro
Maravillas con Variaciones Acrosticas en el Jardin de Miro

Maravillas con Variaciones Acrosticas en el Jardin de Miro

Located in Santa Monica, CA

Joan Miro (1893–1983) Maravillas con Variaciones Acrosticas en el Jardin de Miro, 1975 Medium: Lithograph in Colors on Arches Paper Edition: 24/75 Artwork Size: 23.25 x 29.5 in ...

Category

1970s Abstract Prints

Materials

Lithograph

Dawn from an Airplane, Abstract Aerial Diptych, Giclée, Blue Gradient Skyline
Dawn from an Airplane, Abstract Aerial Diptych, Giclée, Blue Gradient Skyline

Dawn from an Airplane, Abstract Aerial Diptych, Giclée, Blue Gradient Skyline

By Ryan Rivadeneyra

Located in Barcelona, ES

Cyd Fontaine (Lausanne, 1992) is a contemporary artist renowned for her captivating use of dreamy atmospheric gradients, which has helped her carve a distinctive niche in the world o...

Category

2010s Contemporary Abstract Prints

Materials

Archival Ink, Photographic Paper, C Print, Digital, Giclée, Archival Pig...

40x50 " Hollywood Sign" Photomosaic Pop Fine Art Photography Unsigned
40x50 " Hollywood Sign" Photomosaic Pop Fine Art Photography Unsigned

40x50 " Hollywood Sign" Photomosaic Pop Fine Art Photography Unsigned

By Destro

Located in Los Angeles, CA

"Hollywood Sign" is a photomosaic artwork by Destro. This image is made up of 100's of smaller images of Hollywood related imagery. Archival photographic paper Framing options ava...

Category

21st Century and Contemporary American Modern Black and White Photography

Materials

Archival Pigment

original lithograph

original lithograph

By Eduardo Chillida

Located in Henderson, NV

Medium: original lithograph. Printed in 1961 for Derrière le Miroir (issue number 124) and published in Paris by Maeght. Size: 15 x 22 inches (377 x 557 mm). There is text on verso w...

Category

1960s Prints and Multiples

Materials

Lithograph

Composition (Belknap 354-380; Engberg/Banach 415-441), Three Poems
Composition (Belknap 354-380; Engberg/Banach 415-441), Three Poems

Composition (Belknap 354-380; Engberg/Banach 415-441), Three Poems

By Robert Motherwell

Located in Southampton, NY

Lithograph on Japon à la main, attached with chine appliqué to vélin d’Arches paper. Paper Size: 21.5 x 17.875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From th...

Category

1980s Abstract Expressionist Abstract Prints

Materials

Lithograph

1966 Soviet poster The path to the Moon is traced - Space race - Cold War - USSR
1966 Soviet poster The path to the Moon is traced - Space race - Cold War - USSR

1966 Soviet poster The path to the Moon is traced - Space race - Cold War - USSR

Located in PARIS, FR

This striking 1966 Soviet poster, proclaiming “Шлях до Місяця прокладено” (“The path to the Moon is traced”), is a bold visual statement from the height of the Space Race. Created at...

Category

1960s More Prints

Materials

Paper, Lithograph

36x48  "Back to the Future" VHS Photo Photography Pop Art  Fine Art Print Signed
36x48  "Back to the Future" VHS Photo Photography Pop Art  Fine Art Print Signed

36x48 "Back to the Future" VHS Photo Photography Pop Art Fine Art Print Signed

By Destro

Located in Los Angeles, CA

"The VHS" by pop Artist Destro. We all remember those iconic nights at the video store. Pop artist DESTRO once again encapsulates one of our favorite past times in a fine art con...

Category

21st Century and Contemporary American Modern Color Photography

Materials

Archival Pigment

L'Ecuyère et les Clowns

L'Ecuyère et les Clowns

By Pablo Picasso

Located in New York, NY

Pablo Picasso (1881-1973) L'Ecuyère et les Clowns (B. 844; M. 304) , 1961 Lithograph on Arches wove paper 22 1/10 × 30 1/10 in 56.1 × 76.5 cm Ed. of 50

Category

20th Century Modern Figurative Prints

Materials

Lithograph

Venice, Pop Art Screenprint by Mori Shizume
Venice, Pop Art Screenprint by Mori Shizume

Venice, Pop Art Screenprint by Mori Shizume

By Mori Shizume

Located in Long Island City, NY

Venice by Mori Shizume, Japanese (1928–2014) Date: 1979 Screenprint, signed and numbered in pencil Edition of 200 Size: 21.5 in. x 30 in. (54.61 cm x 76.2 cm) Image Size: 15.75 x 27 ...

Category

1970s Pop Art Landscape Prints

Materials

Screen

The Waterfall
The Waterfall

The Waterfall

By René Magritte

Located in Paris, FR

Lithograph, 2003 Edition : 152/300 Publisher : Artvalue, Luxembourg Printer : Philippe Moreno, Atelier Art-Lithographies, Paris 57.50 cm. x 78.00 cm. 22.64 in. x 30.71 in. (paper) 5...

Category

Early 2000s Surrealist More Prints

Materials

Lithograph

'Die Architektur' (Architecture) — Bauhaus Modernism
'Die Architektur' (Architecture) — Bauhaus Modernism

'Die Architektur' (Architecture) — Bauhaus Modernism

By Lyonel Feininger

Located in Myrtle Beach, SC

Lyonel Feininger, 'Die Architektur' (Architecture), also 'Stadtbild' (Cityscape), woodcut, edition proofs only in 1920; 50 in 1921. Prasse W 232. Signed in pencil. A fine, black impression, on off-white Japan, with full margins (1 1/4 to 2 1/8 inches), in excellent condition. Matted to museum standards, unframed. Image size 6 x 8 7/8 inches (152 x 229 mm); sheet size 9 1/2 x 11 7/8 inches (241 x 302 mm). No. 11 of the portfolio 'Zwolf Holzschnitte von Lyonel Feininger', 1921. Provenance: Peter Deitsch collection; exhibited Weimar Museum, 1968. Impressions of this work are in the permanent collection of: Busch-Reisinger Museum (Cambridge, Mass.), Bauhaus-Archiv (Germany), Hamburger Kunsthalie (Germany), Pfaizische Landesgewerbeanstalt (Germany), Kaiser Wilhelm Museum (Germany), Staatliche Graphische Sammlung (Germany), Philadelphia Museum of Art. ABOUT THE ARTIST Lyonel Feininger was born in New York City into a musical family—his father was a violinist and composer, his mother was a singer and pianist. He studied violin with his father, and by the age of 12, he was performing in public, but he also drew incessantly, most notably the steamboats and sailing ships on the Hudson and East Rivers, and the landscape around Sharon, Conn., where he spent time on a farm owned by a family friend. At the age of 16 he left New York to study music and art in Germany, from where his parents emigrated. Drawn more to the visual arts, he attended schools in Hamburg, Berlin, and Paris from 1887 to 1892. After completing his studies, Feininger began his artistic career as a cartoonist and illustrator, his originality leading him to great success. In 1906, after working for a dozen years in Germany, he was offered a job as a cartoonist at the Chicago Tribune, the largest circulation newspaper in the Midwest. He worked there for a year, inventing what became the standard design for the comic strip: in the words of John Carlin, “an overall pattern. . . that allowed the page to be read both as a series of elements one after the other, like language and as a group of juxtaposed images, like visual art.” His originality did not end there: he went on to become one of the great abstract painters. Like Kandinsky, music was his model, but Kandinsky only knew music from the outside—as a listener (inspired initially by Wagner, then by Schoenberg)—while Feininger knew it from the inside. He lived in Paris from 1906 to 1908, during which time he met and was influenced by the work of progressive painters Robert Delaunay and Jules Pascin, as well as that of Paul Cezanne and Vincent van Gogh. He began painting full-time, developing his distinctive Iyrical style based on Cubist and Expressionist idioms and a concern for the emotive qualities of light and color. He exhibited with the Der Blaue Reiter group in 1913, and in 1917, he had his first solo exhibition at Galerie Der Sturm in Berlin. One year after his solo exhibition, in 1918, Feininger began making woodcuts. He became enamored with the medium, producing an impressive 117 in his first year of exploring the printmaking medium. In 1919 at the invitation of the architect Walter Gropius, he was appointed the first master at the newly formed Staatliches Bauhaus in Weimar. His woodcut of a cathedral...

Category

1920s Bauhaus Landscape Prints

Materials

Woodcut

Karma, Milan - Italian bookshop street photography
Karma, Milan - Italian bookshop street photography

Karma, Milan - Italian bookshop street photography

By Richard Heeps

Located in Cambridge, GB

Karma, street photography from Richard Heeps series, A Short History of Milan. 'A Short History of Milan' began in November 2018 for a special project featured at the Affordable Art...

Category

2010s Contemporary Color Photography

Materials

Photographic Paper, C Print, Color, Silver Gelatin

Verve No. 2; Spring 1938 – Kandinsky & Masson lithographs & many images
Verve No. 2; Spring 1938 – Kandinsky & Masson lithographs & many images

Verve No. 2; Spring 1938 – Kandinsky & Masson lithographs & many images

By Georges Braque

Located in Middletown, NY

Teriade, E. (director) Texts by Georges Braque, Paul Valéry, André Gide, André Malraux, James Joyce, Ernest Hemingway, et. al. Verve, Volume One No. 2; Verve for For Spring 1938 (Mar...

Category

20th Century Modern Abstract Prints

Materials

Photographic Paper, Black and White, Photogravure, Lithograph

The Enigma Machine, Bletchley Park - British history color photography
The Enigma Machine, Bletchley Park - British history color photography

The Enigma Machine, Bletchley Park - British history color photography

By Richard Heeps

Located in Cambridge, GB

Richard Heeps photographed Bletchley Park in partnership with Hertfordshire University and Bletchley Park Trust, to document Alan Turing’s historic past at Bletchley. He was privileg...

Category

Early 2000s Contemporary Color Photography

Materials

Photographic Paper, C Print, Color, Silver Gelatin

"Ali" Muhammad Ali Portrait 36x48  Photomosaic Photography Pop Art  Unsigned
"Ali" Muhammad Ali Portrait 36x48  Photomosaic Photography Pop Art  Unsigned

"Ali" Muhammad Ali Portrait 36x48 Photomosaic Photography Pop Art Unsigned

By Destro

Located in Los Angeles, CA

"Ali" is a photomosaic artwork by Destro. The first release in a series mosaic works called "Icons". Destro has created large prints which are made up of many hundreds of smaller im...

Category

21st Century and Contemporary American Modern Black and White Photography

Materials

Archival Pigment

"Wild" 40x60 Fine Art  Black and White Photography  Wild Horse Mustang
"Wild" 40x60 Fine Art  Black and White Photography  Wild Horse Mustang

"Wild" 40x60 Fine Art Black and White Photography Wild Horse Mustang

By Shane Russeck

Located in Los Angeles, CA

This is a contemporary black and white photograph of a Wild Mustang by Shane Russeck. "They represent the ultimate expression of American freedom" Unsigned print Printed on archival...

Category

21st Century and Contemporary Black and White Photography

Materials

Archival Pigment