Offset Prints and Multiples

Cecily Brown Paintings at Modern Art Oxford (hand signed and inscribed), 2005 Offset lithograph poster (signed and inscribed to Nadine) Hand signed and inscribed to Nadine by Cecily ...

Paul Davis: Posters & Paintings, published in 1977 by E.P. Dutton, New York, is a first edition that showcases the celebrated works of artist Paul Davis. This volume contains large, ...

Hergé (1907-1983) The Shooting Star (L'étoile mystérieuse), 2024 Official poster On thick glossy paper 70 x 50 cm (c. 27.5 x 19.6 in) INFORMATION : Official and authorized edition...

Right There, The Breadth of the Human Heart (2013) by Takashi Murakami Offset print, cold foil stamp, glossy varnish Hand signed and numbered by the artist Published by Kaikai Kiki C...

Untitled, XIV Winter Olympics games is a vintage poster realized by the artist Mimmo Paladino, in occasion of the XIV Winter Olympics games in Sarajevo, in 1984. Very good condition...

This is a vintage 1946 public service announcement poster The artwork is bold, clear and direct. "it will look even bigger… after the war!" Girl looks on longingly at 10 dollar bill....

Sonia Delaunay Hommage a Sonia Delaunay (from the Estate of art dealer Andre Zarre), 1975 Original vintage offset lithograph poster 26 1/2 × 19 1/2 inches Unframed (unsigned and unnu...

Glenn Ligon Lincoln Center Festival (Hand signed, inscribed and dated), 2004 Offset lithograph on wove paper LARGE: 41 1/2 inches (vertical) × 32 inches (horizontal) (Ships in a tube...

Artist: Jamie Wyeth, American (1946 - ) Title: La Boheme (Metropolitan Opera) Year: 1978 Medium: Poster on Heavy Stock Size: 36 in. x 24 in. (91.44 cm x 60.96 cm) Published by Circl...

David Shrigley -- Get In, 2020 70 x 50 cm Printed on 200g Munken Lynx paper Printed by Narayana Press in Denmark Unnumbered from the Edition of 350 Unsigned FREE SHIPPING

Original 1940 Saturday Evening Post Newsstand Poster, "Singing Happy Birthday on the Telephone" by Emery Clarke, archival linen-backed in excellent condition with NO restoration. Rea...

This is an original 1982 exhibition poster by celebrated American Pop artist James Rosenquist, titled While the Earth Revolved at Night. Created to promote Rosenquist’s solo show at ...

American Color Woodcuts: Bounty from the Block, 1890s–1990s, published in 1993 by the Elvehjem Art Center, Madison, WI, is a softcover book in very good condition, with a tight bindi...

Keith Haring: Short Messages Posters, published in 2002 by Prestel Verlag, Munich, is a comprehensive catalog raisonné featuring Haring's posters from 1982 to 1990. This hardcover ed...

This reproduction of Wonders of the Age (2 Horse Riders) by Aqa Mirak celebrates the artistry of one of the most renowned painters of the early centuries during Byzantine rule. Aqa M...

Edition with a dust jacket, in very good condition. This 184-page volume, with text in German, provides an evocative glimpse into the culture, architecture, and artistic vibrancy of ...

Official museum art ephemera published by VG Bild-Kunst, Bonn in 1986, featuring Roy Lichtenstein's Takka Takka. Printed in Germany as an authorized edition, this collectible piece r...

Official museum art ephemera published by the Solomon R. Guggenheim Museum, featuring Roy Lichtenstein's Laocoon. Printed as an authorized museum edition, this collectible piece rein...

Joseph Beuys (German, 1921-1986) Title: Aufbau, 1977 Medium: Offset on grey cardboard, stamped Dimensions: 30.5 x 43 cm Edition of 100: Hand-signed and numbered in pencil Publisher: ...

Moving In by Norman Rockwell, (1894 - 1978) Date: 1967 Medium: Poster Size: 19.5 x 27 in. (49.53 x 68.58 cm) Publisher: American Vision Gallery, Inc.

Reproduction of the original lithograph "Jeanne Granier" realized in 1898 by Henri de Toulouse Lautrec for the portfolio "Portraits of Actors and Actresses: Thirteen Lithographs".The...

Offset lithograph (Hand signed and dated 1988 by Keith Haring with his logo, also bears original postmarked stamp and label) Boldly signed and dated '88 by Keith Haring with his dist...

Offset lithograph poster Hand signed in crayon on the front This is a scarce hand signed exhibition poster for German artist Lothar Baumgarten's solo show titled "Carbon", which took...

Raúl Martínez: El Desafío de los Sesenta (The Challenge of the 1960s) This very scarce vintage exhibition poster promotes the retrospective show "Raúl Martínez: El desafío de los ses...

Jasper Johns Painting with Two Balls, Kunsthalle, Berlin, hand signed poster (Field 132), 1971 Offset lithograph (hand signed and inscribed by Jasper Johns) Signed and inscribed in m...

Official museum art ephemera published by VG Bild-Kunst, Bonn in 1986, featuring Roy Lichtenstein's Landscape with Figures and Rainbow. Printed in Germany as an authorized edition, t...

Wolf Kahn (hand signed by Wolf Kahn), 2011 Hardback monograph with dust jacket (hand signed by Wolf Kahn) Hand signed by Wolf Kahn on the title page 13 × 12 × 1 1/2 inches This gorge...

Robert Indiana’s Like a Rolling Stone brings together two defining voices of postwar American culture. Inspired by Bob Dylan’s groundbreaking 1965 song, the composition transforms it...

Jonas Wood’s Face Painting captures a playful, intimate moment as the artist’s daughter applies color to her face while looking into a mirror. Reflections, frames and objects overlap...

David Hockney’s Purple Tree captures the Normandy countryside at the height of its lush summer beauty. A magnificent violet-trunked tree dominates the panoramic composition, surround...

Henri Matisse’s The Sword Swallower reduces the human figure to a few bold shapes, creating an image filled with color, movement and theatrical tension. Set against a rich field of p...

ORIGINAL Six color lithograph on thin velin paper Limited edition of 800 (unnumbered) Publisher: Shorewood Publishing, NY for the Rainbow Foundation Original 1972 lithograph; not a l...

Behold! Tis the Netherworld, 2016 by Takashi Murakami Offset print signed and numbered by the artist 26 ⁴⁹/₆₄ × 26 ⁴⁹/₆₄ in 68 × 68 cm Edition 34/300 Takashi Murakami is best know...

Created for Guild Hall in East Hampton, this striking offset lithographic poster reproduces a detail from Willem de Kooning’s East Hampton Garden Party (1975–76). Sweeping passages o...

Paper Size: 12.25 x 16 inches ( 31.115 x 40.64 cm ) Image Size: 12.25 x 16 inches ( 31.115 x 40.64 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additi...

Artist: Henri Matisse (1869–1954) (after) Title: Miss Etta Cone (Mademoiselle Etta Cone) Year: December 20, 1954 Medium: Heliogravure on grand velin Renage filigrane a la marque de l...

Brice Marden's Studio Offset lithograph poster on wove paper (hand signed by Brice Marden in 2015) This print was published on the occasion of Brice Marden's 1996 exhibition at the Matthew Marks Gallery in Chelsea, New York City. The image is based on Nan Goldin's 1995 photograph of Marden working in his studio. The print was signed by Brice Marden for the present owner. A collectors item when hand signed! About Brice Marden: Ultimately I’m using the painting as a sounding board for the spirit. . . . You can be painting and go into a place where thought stops—where you can just be and it just comes out. . . . I present it as an open situation rather than a closed situation. —Brice Marden Brice Marden (1938–2023) continuously refined and extended the traditions of lyrical abstraction. Experimenting with self-imposed rules, limits, and processes, and drawing inspiration from his extensive travels, Marden brought together the diagrammatic formulations of Minimalism, the immediacy of Abstract Expressionism, and the intuitive gesture of calligraphy in his exploration of gesture, line, and color. Born in Bronxville, New York, Marden received an MFA from Yale University’s School of Art and Architecture, where his teachers included the painters Alex Katz and Jon Schueler. After graduation he worked as a guard at the Jewish Museum in New York. There, during a 1964 Jasper Johns retrospective, Marden studied Johns’s early works extensively and considered them in relation to the Baroque masters he has long admired, such as Francisco de Zurbarán, Francisco Goya, and Diego Velázquez. Marden’s paintings from the 1960s include subtle, shimmering monochromes in gray tones, sometimes assembled into multipanel works, in a manner similar to the black paintings and White Paintings of Robert Rauschenberg, who hired Marden as a studio assistant in 1966. A trip to Greece in the early 1970s led Marden to create the Hydra paintings (1972), which capture the turquoise hues of the Mediterranean, and Thira (1979–80), a painting composed of eighteen interconnected panels inspired by the shadows and geometry of ancient temples. To heighten the effect of each color, plane, and brushstroke, Marden developed the unique process of adding beeswax and turpentine to oil paint and applying the mixture in many thin layers. Marden employed this technique for the Grove Group paintings (1972–76)—exhibited at Gagosian’s Madison Avenue gallery in New York in 1991, along with related works—and the Red Yellow Blue paintings (1973–74)—five permutations of the primary trio—which were united for the first time since their making at Gagosian, 980 Madison Avenue, New York, in 2013. In the 1980s Marden began to incorporate organic, intersecting lines, creating rhythmic patterns over fields of color. Exploring these winding lines, he experimented with blank space, erasure, and references to the natural world. He sought to create a mystical experience through the creation of elusive abstract spaces. As his many themes and techniques have overlapped, Marden brought them together in cohesive, often multipart works, which he has described as his “summation paintings.” Among them is The Propitious Garden of Plane Image, Third Version (2000–06), held in the collection of the Museum of Modern Art in New York, where he had his first comprehensive retrospective in 2006. In his later years Marden continued his exploration of the qualities of monochrome. This engagement with muted colors informed his calligraphic drawings and works on canvas, such as the Nevis Stele paintings (2007–15), inspired by Chinese stone carvings from the late eighth century. In 2017 he turned his gaze to the expansive possibilities of terre verte (green earth), an iron silicate clay pigment, which he first used in the Grove Group. These paintings incorporate many different brands of terre verte, each a variation on the indefinable hue. Marden thinned his slow-drying paint and applied it gradually to the canvas in many successive layers, leaving a visible residue of the painting process at the lower edge of each canvas. Courtesy of Gagosian Gallery About Nan Goldin: The camera is as much a part of my everyday life as talking or eating or sex. —Nan Goldin Emerging from the artist’s own life and relationships, and including herself as a subject, Nan Goldin’s work has transformed the role of photography in contemporary art. Her photographs and moving-image works address essential themes of identity, love, sexuality, addiction, and mortality. Uniting art and activism, Goldin has confronted the HIV/AIDS epidemic since the 1980s and today brings international attention to the overdose crisis. Born in Washington, DC, in 1953, Goldin grew up outside of Boston. She left home at age fourteen, and at sixteen enrolled in the Satya Community School in Lincoln, Massachusetts, where she acquired her first camera. Goldin’s early black-and-white photographs, which convey the beauty, vulnerability, and joy of her friends in Boston’s transgender community, were initially shown in her first solo exhibition in 1973 at Project, Inc., Cambridge, Massachusetts. Attending Boston’s School of the Museum of Fine Arts beginning in 1974, she would start working principally with Cibachrome prints and 35mm slides, taking photographs in saturated color. Relocating to New York in 1978, Goldin began documenting members of her chosen family in a milieu of New Wave clubs, No Wave cinema, and post-Stonewall gay culture. Capturing moments of revelry and friendship, intimacy and loss, she titled this body of work The Ballad of Sexual Dependency after a song from The Threepenny Opera (1928) by Kurt Weill and Bertolt Brecht. Constantly evolving, it grew into a multimedia presentation of almost seven hundred slides accompanied by an eclectic soundtrack. Initially projected in nightclubs, it was included in The Times Square Show in 1980, the Whitney Biennial in 1985, and countless other museum exhibitions around the world. It was published by Aperture in 1986 as the first of Goldin’s many books and was recently reprinted for the twenty-first time. Goldin unflinchingly documents the struggles and courage that defined her community’s response to the devastating AIDS epidemic. In 1989, she organized Witnesses: Against Our Vanishing at New York’s Artists Space, the first exhibition featuring the work of artists who were living with or had died from AIDS, or whose art responded to the disease, including David Armstrong, Peter Hujar, Greer Lankton...

Artist: Henri Matisse (1869–1954) (after) Title: Mrs. Josette Gris (Madame Josette Gris) Year: December 20, 1954 Medium: Heliogravure on grand velin Renage filigrane a la marque de l...

Artist: Henri Matisse (1869–1954) (after) Title: Henry de Montherlant (Henry de Montherlant) Year: December 20, 1954 Medium: Heliogravure on grand velin Renage filigrane a la marque ...

Jellyfish Eyes - White 1 by Takashi Murakami Offset print, numbered and signed by the artist 19 ¹¹/₁₆ × 19 ¹¹/₁₆ in 50 × 50 cm Edition 67/300 Takashi Murakami is best known for his...

This first edition exhibition poster, designed by Andy Warhol for Art Expo Denmark in 1986, features Queen Beatrix from his celebrated Reigning Queens portfolio. Capturing his fascin...

Alekos FASSIANOS Cyclist with Wheat Ear, 2004 Offset Print Printed signature in the plate On vellum 18 x 14 cm (c. 7.1 x 5.5 inch) INFORMATION: Created for the Olympic Games of 20...

Title: Flowers II - Neo-Fauve Year: 2000 Medium: Offset lithograph in colors on gloss archival paper Size: 36 x 24 inches Inscription: Hand signed by Peter Max in ink and unnumbered,...

Gilbert & George The Paradisical Pictures Exhibition Poster 2019 / 2021 Size: 25.98 × 20.08 inches (66 x 51 cm) Edition: Unknown Signed and inscribed by hand COA provided (galler...

This vibrant composition by Larry Rivers pays tribute to the legendary George and Ira Gershwin, icons of American music. Created for a 1968 exhibition at the New York City Museum, th...

This is an original exhibition poster for Cindy Sherman's show titled "Parade," held at the National Gallery of Canada in 2004. The poster highlights Sherman's distinctive approach t...

Medium: offset lithograph (after the watercolor). Printed in 1966 on Johannot wove paper for the "Illuminations" poftfolio, and published in Paris by Club Francais du Livre. Image si...

Jean MARAIS (1913–1998) The horsewoman Offset print Signed with the artist’s stamp Also signed on the plate On vellum, 38 x 29.5 cm (14.9 x 11.4 in) Four-colour print produced to il...

Artist: Henri Matisse (1869–1954) (after) Title: Miss M.B. (Mademoiselle M.B.) Year: December 20, 1954 Medium: Heliogravure on grand velin Renage filigrane a la marque de l'editeur p...

Merce Cunningham Dance Company "Merce Cunningham Dance Company" (Photograph by Terry Stevenson) City Center, New York, 1981 Poster 37 x 24 inches Sign...

Artist: Henri Matisse (1869–1954) (after) Title: Miss A.Nelck (Mademoiselle A.Nelck) Year: December 20, 1954 Medium: Heliogravure on grand velin Renage filigrane a la marque de l'edi...

Unknown Artist Nixon + Spiro - Zero, 1968 Extremely rare vintage 1960s Offset lithograph poster 28 × 22 inches Publisher Published by Joe A. Kennedy; printed by Provo Press Unframed,...

This reproduction showcases an early rendering of the Chrysler Building in New York City, created by draftsman Andy Hickes. The image represents the building before its construction,...

Vintage postcard published by te Neues Publishing Company, New York. printed in Germany. Presented in a black wood frame with a 1-inch front profile and a 3/4-inch side profile, the ...

Original 1964 Ride the Wild Surf one-sheet movie poster filmed at Waimea Bay, Hawaii. Authentic vintage surf film poster. Collector grade. Experience the raw power of Hawaii’s legen...

Artist: Henri Matisse (1869–1954) (after) Title: Miss P.C. (Mademoiselle P.C.) Year: December 20, 1954 Medium: Heliogravure on grand velin Renage filigrane a la marque de l'editeur p...

Medium: offset lithograph (after Vasarely). Printed in 1972 in Neuchatel, Switzerland on thick, high-gloss paper and published by Editions du Griffon for the "Vasarely Progressions 1...

In 1990, the Cleveland Institute of Music commissioned artist Gary Bukovnik to create a poster featuring his work "California Still Life #40." Bu...

Marina Abramović & Ulay Sun and the Moon (Hand Signed print), 1987 Offset Lithograph Poster Uniquely isgned in ink pen on the front) by Marina Abramovic Historic collectors item...

Artist: Henri Matisse (1869–1954) (after) Title: Mrs. Nadia Sednaoui (Madame Nadia Sednaoui) Year: December 20, 1954 Medium: Heliogravure on grand velin Renage filigrane a la marque ...