Medium Sculptures

Artist Enrique Alférez was born in Zacatecas, Mexico and lived nearly the entire 20th century. After service in the Mexican Revolution as a youth, he emigrated to Texas, studied in C...

Johannes Nielsen (b.1979) was born in Falkenberg, Sweden. He is an artist who uses bronze sculpture to celebrate life and its beauty. He believes that sculptures of the human body ca...

A few years ago, I began developing high relief wall mounted sculptures, a departure from my longstanding practice of figures and heads sculpted in clay. I was seeking some of the s...

A few years ago I began developing high relief wall mounted sculptures, a departure from my longstanding practice of figures and heads sculpted in clay. I was seeking some of the sp...

The title, Cscape, is a contraction of “cultural landscape” which is how I think of these works. This piece was one of the first exhibitable examples of a sculptural process I develo...

Hydrocal blend, ground Carrara marble (wall-hung)

Vincent Van Gogh Bearbrick 1000% Vinyl Figure: A nicely sized (27 inch heigh), highly collectible Bearbrick Van Gogh statue-piece trademarked & licensed by the Van Gogh Museum. The ...

Carmen Almon uses copper sheeting, brass tubing, steel wire and enamel paint to create exquisite botanical sculptures. She captures the fragility of a moment in time by interpreting particular plants based on her memories of them. “These botanical compositions seem to defy their sheet-metal origins to come alive. Branches bend, vines loop, leaves twist, and a few surprising bugs, from butterflies to beetles, drop in to colonize her plants.” Through her work, one is reminded of the beautifully illustrated botanical books of the 17th and 18th century – Linneaeus, Ehret, Redouté – which Carmen often refers to for inspiration. Each piece takes up to twelve weeks to complete, therefore, few are realized each year making them rare treasures. In reference to our human connection to flowers, Carmen states, “Romance, marriage, funerals. Subconsciously, they represent so many things, innocent beauty, courage in the face of obstacles and continuity in the cycle of life and death. When I work on a plant, I am often thinking of this.” Almon grew up in Barcelona and Washington DC and resides in New Orleans, Louisiana. Her works are exhibited at the Chinese Porcelain Gallery, NY; and Octavia Art Gallery...

The color of the piece changes with the LED light that is plugged into an outlet.

This unique piece by Margulis is from his latest body of works and is part of an edition of 3. After assembling the Plexiglas sheets onto the aluminium core, he uses acrylic paints t...

'King Penguin' by Tobias Martin is a Solid Bronze Animal Sculpture of a king penguin on rocks, white, vivid blue and orange patina. Tobias Martin was born in 1972 in Wiltshire, 12 ...

Jean-Michel Basquiat & Keith Haring Skateboard Decks (set of 2 individual works): A standout Basquiat & Keith Haring Skateboard Deck set - with each piece trademark by their respecti...

Beverly Pepper is an American sculptor known for her monumental works, site specific and land art. She remains independent from any particular art movement. She was married to the writer Curtis Bill Pepper. Pepper was born Beverly Stoll on December 20, 1922, in Brooklyn, New York. At sixteen, she entered the Pratt Institute in Brooklyn, New York to study advertising design, photography, and industrial design. She then embarked on a career as a commercial art director. She studied at Art Students' League and attended night classes at Brooklyn College, including art theory with György Kepes, who introduced her to the work of Lasló Moholy-Nagy and Man Ray. It was also at this time, in her mid twenties, that she met the environmental artist Frederick Kiesler. Drawn to post-war Europe in 1949, she studied painting in Paris at the Académie de la Grande Chaumière. There she attended classes with cubist painter André L'Hôte, and with Fernand Léger at his atelier. She also visited the studios of Ossip Zadkine and Brâncuși. Pepper began her career as a painter, but after a trip to Angkor Wat, Cambodia in 1960, she was so awed by the temple ruins surviving beneath the jungle growth that she turned to sculpture. She made her debut in 1962 with an exhibit of carved tree trunks at a gallery in Rome. After several exhibitions in New York and Rome, she was one of ten artists invited by Giovanni Carandente, along with David Smith, Alexander Calder, Arnaldo Pomodoro, Lynn Chadwick, and Pietro Consagra, to fabricate works in Italsider factories in Italy for an outdoor exhibition, "Sculture nella città", held in Spoleto during the summer of 1962. Beverly Pepper has had a long and extraordinary career. Like her contemporaries Louise Bourgeois and Louise Nevelson, Pepper forged a unique path as a mid-century feminist artist. As the 1960s progressed, Pepper turned to polished stainless steel. In some of the first works, she used a torch to carve used one-inch thick elements of stainless steel. From there, her pieces evolved into highly polished stainless with painted interiors. She was, in fact, one of the first artists, if not the first, to incorporate Cor-Ten steel into sculpture. Beginning in the 1970s, and to the present day, she has lived a bi-continental life traveling between Europe and the United States. Western Washington University outdoor sculpture collection. The collection has some pieces which qualify as "land art" including Alice Aycock's 1987 "The Islands of the Rose Apple Tree Surrounded by the Oceans of the Word, for You, Oh My Darling," and Nancy Holt's 1977-1978 "Stone Enclosure: Rock Rings." Other artists in the collection include Beverly Pepper, Robert Morris, Richard Serra, Isamu Noguchi, Bruce Nauman, Tom Otterness, and Mark di Suvero. Pepper's works have been exhibited and collected by major museums and galleries throughout the world, including: deCordova Sculpture Park and Museum, Lincoln, Massachusetts The Metropolitan Museum of Art, New York The Whitney Museum of American Art, New York Brooklyn Museum of Art, Brooklyn, New York The Albright-Knox Art Gallery, Buffalo, New York The White House Sculpture Garden, Washington, D.C. The Hirshhorn Museum and Sculpture Garden The National Museum of American Art, Smithsonian Institution, Washington, D.C. The Walker Art Center, Minneapolis, Minnesota The San Francisco Museum of Modern Art, California Denver Art Museum, Colorado Columbus Museum of Art, Ohio The Georgia Museum of Art, Athens, Georgia Centre Georges Pompidou, Paris, France Les Jardins du Palais Royal, Paris, France Palazzo degli Uffizi, Florence, Italy Galleria Nazionale d’Arte Moderna, Rome, Italy Forte Belvedere, Florence, Italy The Albertina Museum, Vienna, Austria The Museum of Modern Art, Barcelona, Spain The Wohl Rose Garden, Jerusalem, Israel The Contemporary Sculpture Center, Tokyo, Japan The Museum of Modern Art, Sapporo, Japan Europarkas Sculpture Park, Vilnius, Lithuania The Bradley Foundation, Milwaukee, Wisconsin The Gori Collection, Pistoia, Italy Nasher Sculpture Center, Dallas, Texas The City of Todi, Italy Indianapolis Museum of Art, Indianapolis Museu d'Art Contemporani de Barcelona, Barcelona, Spain Casal Solleric, Majorca, Spain Laumeier Sculpture Park, St. Louis, Missouri The Seattle Art Museum, Olympic Sculpture...

In this new body of work, Kremer continues to explore and celebrate the physical experience of being, juggling eros, flora, fauna, and saga in abstract relationships that continue to...

Abstract Sculpture by American Artist Jack Youngerman, from the Atlantic Ritchfield art collection. Abstract Form rotating on marble base. Initialed JY (Jack Youngerman, American, b....

Edition of 9 Bjorn Okholm Skaarup, Danish, b. 1973 Bjorn Skaarup holds a MA in History and Art History from the University of Copenhagen, and a PHD in History from the European Uni...

'Lying Fox' is a solid Bronze sculpture with a stunning life like qualities. Being a life-size piece Smith has captured every last detail and given this won...

The Holdup of the Overland Stagecoach By. Gordon Phillips (American, 1927-2011) Initialed and Edition 493/750 Gordon Phillips was born in 1927 in Boone, North Carolina. He studied a...

"ISUU, 2018" is a Steel Mesh painted sculpture by sculptor David Begbie. Since his graduation in 1982 he has worked almost exclusively with the human form, although has often produc...

Tolla Inbar, Rise Above, Bronze sculpture, Figurative art, Human Figure

Found object sculpture made of patina and paint on aluminum.

"UFORM, 2023" is a Steel Mesh painted sculpture by sculptor David Begbie. Since his graduation in 1982 he has worked almost exclusively with the human form, although has often produ...

"UUET, 2020" is a Steel Mesh painted sculpture by sculptor David Begbie. Since his graduation in 1982 he has worked almost exclusively with the human form, although has often produc...

"OSOZ, 2023" is a Steel Mesh painted sculpture by sculptor David Begbie. Since his graduation in 1982 he has worked almost exclusively with the human form, although has often produc...

"KOI, 2023" is a Steel Mesh painted sculpture by sculptor David Begbie. Since his graduation in 1982 he has worked almost exclusively with the human form, although has often produce...

"OZOS, 2021" is a Steel Mesh painted sculpture by sculptor David Begbie. Since his graduation in 1982 he has worked almost exclusively with the human form, although has often produc...

Volumen VPC-062, 1972 Unique Piece Direct carving on Cumarebo stone 67 x 38 x 20 cm 26.3 x 14.9 x 7.8 in. ABOUT THE ARTIST Narváez was born in Porlamar, Venezuela, in 1905; he was the fifth son of eleven siblings; his parents were Jose Lorenzo Narváez and Vicenta Rivera. Don José Lorenzo, a multifaceted and creative man, sowed the seed of creativity in his son. “My father did not fit in with his fantasies of cabinetmaker, bricklayer, master builder, and self-taught architect.”1 From an early age, Francis was led to the artistic activity, he traced, carved, made replicas of the furniture and the saints restored by his father. In 1920 he obtained his first professional assignment, a San Rafael for the Church of Carupano, and, in 1922, his father authorized him to travel to Caracas to pursue his studies as an artist. He studied at the atelier of Marcos Castillo, at of the Angel Cabre y Magriña and at the Academy of Fine Arts in Caracas, where he was introduced to the painters and intellectuals of the time. In 1928 he presented his first solo exhibition at the Club Venezuela. With the money raised from the sale of the works and the support of Monsignor Sosa, and the Ministers Centeno Grau and Arcaya, he studied in Paris on a scholarship. Once there, he enrolled at the Académie Julian, where Tito Salas, Cristóbal Rojas and Arturo Michelena had also studied. It was in Paris where, unable to work in wood, he turned to stone carving. “In Paris, I didn’t have wood, so I carved a lot in stone (…), when there were demolitions I purchased chunks of stone, I would take them to the workshop and carve them.”2 His first attempts at volumetric sculptures and painting in plain colours, linked to the thematic of American miscegenation and Creole reality, can be traced back to that first trip to Paris. During his stay in the French city, Arturo Uslar Pietri, Alfredo Boulton, and Finita Vallenilla supported the artist both financially and logistically, and in February of 1930, the trio of friends arranged another exhibition for him at the Club Venezuela. Narváez describes his exhibition as follows: “(…) in it I feel that the sculptural work is more my own, done with more assurance, a response to my pursuit of large planes, stylisation and synthesis.”3 By then, as Boulton himself noted in his book about the artist, Narvaez departed from most of the artistic traditions that prevailed by that time in Venezuela. In 1931 he returned to Caracas and established his atelier at the Barrio Obrero in Catia. The atelier became the hub of the intellectual life of the time. “In those years, the atelier of Francisco Narváez was the hub of the greatest Venezuelan hope. Nothing comparable to it can be found either before or since.”4 From that year onwards, exhibitions, projects, trips, and awards we multiplied. He was awarded the President of the Republic of Venezuela Prize, the National Sculpture Prize of the 1st Official Venezuelan Art Salon, and the John Boulton Prize of the 3rd Annual Venezuelan Art Salon; for the Military Academy, he produced a spectacular relief entitled La Patria. In 1945, commissioned by the architect Carlos Raúl Villanueva, he produced two groups of sculptures known as Las Toninas, both located in the O’Leary Square. There, as he himself states, he incorporates some baroque patterns into the figures to the source itself: “It is a work of balance between the decorative requirements and the sculpture of planes and angles.”5 In 1948 he was awarded the National Painting Prize. In the same year, he was called upon by the architect Carlos Raul Villanueva to participate in the project for the arts integration in the Universidad Central de Venezuela. Francisco Narváez’s public output continued with works such as the statue of Fermín Toro, La Educación, La Ciencia, three murals (produced by María Luisa Tovar) for the Instituto de Medicina Experimental, El Cristo; el Atleta, the equestrian statue of General Rafael Urdaneta. In 1953 he was appointed Director of the School of Plastic and Applied Arts, and in July of the same year, he exhibited “Francisco Narváez, Maderas, Piedras y Bronces” (Francisco Narváez, Woods, Stones and Bronzes) at the Museum of Fine Arts. Narváez is, unquestionably, one of the great Venezuelan sculptors, his work goes through various stages and interests; as the art world evolves, the artist does not remain in his initial scopes of work. His creations are not imposed by the prevailing trends or fashion but do evolve by experimenting with new materials and interests. When one peruses the artist’s lengthy list of exhibitions, commissions, and awards, it is worth remembering the Narvaez who embark on his career as a child and who, overcoming obstacles, knew how to make the most of his curiosity. He did not settle for living off his successes. He did not remain stagnant as many creators of his environment did. Narvaez managed to understand the changes in the history of art around him. We must not overlook the fact that Francisco Narvaez is an artist amid all the changes occurring in the art world. He moves from the classics to the great transformations in the art world. It is the Europe of Picasso, Braque, Arp. He observes, he is aware of what is happening in the centres of the world of art, but between his craft and his sensitivity, the result is NARVAEZ, his stamp, and his identity. Francisco Narváez comes from tradition, and his first stage is linked to the classics, to the exploration of his heritage, but always with his very own language. Throughout his prolific career, he knew how to remain true to himself, without disregarding the influences of his surroundings or his artistic interests: his ability as a sculptor, his selection of materials, whether they were wood, stone or bronze; his choice of the subject of his work…His mastery and great craftsmanship are a constant that over time have made him a leading player in the history of contemporary Venezuelan and world art. From his beginnings, no subject was foreign to him. His paintings, drawings, aquarelles, and sketches are testimony to his prolific output. Among his themes are portraits, our traditions, still lifes, and landscapes. Narváez is an artist who represents his time. Later, he evolved towards purer and simpler forms, abandoning figurative art for short periods. In 1956 he declared to the newspaper El Nacional: “Every day I am freeing myself, it is a soul that frees itself from the ephemeral wrappings of the circumstantial always, as well as from the inevitable weight of the anecdote. This second stage of my work is remarkably close to abstractionism, even if there are still certain figures or figurations in the sculptures that I will shortly be showing. However, pure, and absolute abstractionism, it will treat the form itself as the sole reason for its existence on the plane of artistic excellence.”6 The artistic development was his professional life. Each period of his life as an artist, he went one step further, searching, solving, seeing plenty of things and understanding how diverse expressions were transforming themselves. His hands followed his gaze and his mind, always inquisitive. He added movement to the volumes. Arturo Uslar Pietri, “Formas Nuevas”, Cromotip editions, 1956 “Francisco Narváez is a path: the path that Venezuelan sculpture...

Zheng Lu Ripple, 2023 Stainless steel Edition of 20 29 7/8 x 23 5/8 x 20 1/2 in. 76 x 60 x 52 cm ZL088.8 The gravity-defying sculptural works of Zheng Lu (b. 1978) are installed in ...

Erica Larkin Gaudet has been fabricating sculptural work for over 30 years. By forging, welding, applying patinas and leafing, she creates ethereal forms that oscillate between abstr...

"Back" Bronze sculpture 28" x 19" x 13" inch Edition AP1 by Huang Yulong ABOUT THE ARTIST Huang Yulong was born in 1983 in Anhui Province, China. In 2007 he graduated with a Bachelo...

"Moreover" is a minimalist abstract sculpture in fabricated bronze, finished with a warm patina in golden-bronze shades. The sculpture does balance on its own but should be secured t...

Immerse yourself in the enchanting world of Richard MacDonald's sculpture, "Romeo & Juliet III." This captivating artwork captures the essence of Shakespeare's timeless tale of love and...

Dionisios Fragias is a New York -based artist born on the Greek island of Kefalonia and raised in New York City. He is the protege of the artist Jeff Koons whose years-long mentorshi...

Dionisios Fragias is a New York -based artist born on the Greek island of Kefalonia and raised in New York City. He is the protege of the artist Jeff Koons whose years-long mentorshi...

Lipman's work explores aspects of material culture through still lives, site-specific installations, and photographs. Her hand-sculpted glass compositions are portraits of individual...

Nicola Bolla is an Italian painter and sculptor. A practicing ophthalmologist and eye surgeon, Bolla divides his time between two passions: art and medicine. Both activities are link...

Richard MacDonald’s sculpture Duality, originally introduced to collectors under the working title of Yin and Yang II, represents a prin...

Takashi Murakami Flowers Skateboard Deck 2015: A vibrant, unique piece of Takashi Murakami flowers wall-art - this highly collectible limited edition Murakami skate...

Houben R.T is an Avant-garde painter and draftsman with his own unmistakable voice. Houben was born in Bulgaria and graduated with a degree in painting from the Conservative Art Acad...

Houben R.T is an Avant-garde painter and draftsman with his own unmistakable voice. Houben was born in Bulgaria and graduated with a degree in painting from the Conservative Art Acad...

An experiment in monochromatic images, “Fifty Shades of Broadway” is the quintessential Fazzino Broadway – a celebration of all things Broadway – full of excitement and the hustle & ...

An experiment in monochromatic images, “Fifty Shades of Broadway” is the quintessential Fazzino Broadway – a celebration of all things Broadway – full of excitement and the hustle & ...

Takashi Murakami Flowers & Skulls Skateboard Deck (Black and White): A vibrant piece of Takashi Murakami wall art produced as a limited series in 2018 in conjunction with Complexcon ...

David Wight XXL Emerald Genesis glass 27 x 16 x 14 in

David Wight Epiphany Glass 25 x 13 x 13 in

David Uessem Torquoise Diamond, 2023 Signed by artist Stainless steel sculpture 3.15 x 3.15 x 2 inches, Edition of 10 6.3 x 6.3 x 4.7 inches, Edition of 10 24.4 x 24.4 x 16.5 inches,...

David Uessem Purple Diamond, 2023 Signed by artist Stainless steel sculpture 3.15 x 3.15 x 2 inches, Edition of 10 6.3 x 6.3 x 4.7 inches, Edition of 1...

David Uessem Pink Rose Diamond, 2023 Signed by artist Stainless steel sculpture 3.15 x 3.15 x 2 inches, Edition of 10 6.3 x 6.3 x 4.7 inches, Edition of 10 24.4 x 24.4 x 16.5 inches,...

As a child growing up in Nigeria, Samuel Nnorom’s artistic sensibilities emerged from observing the creative processes of his father, a shoemaker, and hi...

"Dancer 1" is from Alex Katz Dancer series. He is obsessed by fashion and the ballet and often works together with models and dancers. His works show ...

"Ada 2 (Outline)" is a stunning piece of art. Usually, Katz is well known for his cut-outs, but this is an "outline" sculpture made of high glossy polished aluminum. It is light as a...

The "Black Dress" sculptures by Alex Katz are more than figurative sculptures. They are a homage to elegance, fashion and the female body. This cut-out is made from powder-coated alu...

Latchezar Boydjiev Energy, 2023 Glass 28 x 13 x 4 in

David Hayes (1931 - 2013) Aviary, 2004 Welded steel with black paint 25 x 27 x 11 in

Lisa Meek transforms books by cutting their bindings, painting the pages and folding them to create floral blossoms rooted in the words of the authors. Each page has been lightly tinted adding a dimension of color to the work without obscuring the words on the page. Lisa Meek’s sculptures, collectively titled Biblio Botany, possess a duality that is reflective of the artist herself and her eclectic range of interests. As a practicing medical professional with an inherent artistic drive, Lisa Meek has made impactful contributions to those she interacts with in both office and gallery spaces. The polarity of these worlds conglomerate beautifully, manifesting through her notable success in both fields. Lisa’s pursuit of a cosmetological career has always been paralleled with a desire to create, to utilize her artistic prowess in order to share her perspective and initiate important conversations. This desire has been integral to her experience since early adolescence, when she began acting upon her creative drive by depicting nature scenes.  The process in which Lisa assembles her sculptures is quite complex. In order to achieve depth and nuance, Lisa employs considerable intention throughout the planning process. With great admiration and ponder, Lisa cuts pages out of various literary works which highlight topics she wishes to discuss, human rights often being central. Attention to detail is vital; certain books possess qualities unsuitable for paint and shape manipulation. Every aspect of her work is deliberate; the symbolism associated with color and flower species, the pairing of literature, the minute details of shape and object placement. This layered production process exemplifies Lisa’s contemplative nature.  Prior to 2018, the majority of Lisa’s work was created on traditional canvas. Spurring from her exposure to contemporary mediums, she was able to redefine her creative denotations and expand her personal definition of art. The surface work of Liza Lou...

Magic Form 2 2015 Stainless Steel Enamel painted high-gloss lacquered - mirror finished 29.9213 in x 29.9213 in x 17.9528 in (760 mm x 760mm x 456 mm)

View works. From early childhood, ceramic artist Uriel Caspi (Israeli, b. 1994) has been fascinated with clay. Working with clay to articulate thoughts and feelings, the artist has d...

View works. From early childhood, ceramic artist Uriel Caspi (Israeli, b. 1994) has been fascinated with clay. Working with clay to articulate thoughts and feelings, the artist has d...

View works. From early childhood, ceramic artist Uriel Caspi (Israeli, b. 1994) has been fascinated with clay. Working with clay to articulate thoughts and feelings, the artist has d...

Brendan Murphy Life is a Jigsaw (Dark Blue), 2021 Signed by artist Wall sculpture with silver based metallic chrome paint with hand painted formulas 4 piece set I: 31 x 27 x 5.5 inch...