Bronze Sculptures

Lion and snake n°3 by Antoine-Louis Barye (1796-1875) Bronze sculpture with a nuanced dark greenish brown patina signed "Barye" on the base old edition cast – probably from the Bary...

Purpose: The Archer is a bronze sculpture with brown patina made of iron nitrate with a wax finish sculpture by contemporary artist Walter Peter Brenner, dimensions are 124 × 85 × 90...

John Bennett (Born 1952) Fredericksburg, Texas Artist Image Size: 22 x 39 across x 11 Medium: Bronze "Horse Tamer" John Bennett (Born 1952) John Bennett was designated Texas State Ar...

Signed bronze from small edition of 8. plus 4 artists proofs Dominik Albiński (born 1975, South Africa) He started carving at the age of twelve. When he was eighteen he went to Pari...

Maddison captures the essence of balance and poise. Standing on one leg in a tree pose, reminiscent of a modern dance form. Her elongated limbs and abstract form exude grace and flui...

"Toro" is a unique bronze scultpure (2024) of Bulgarian mid career artist Günay Aliev. In this scultpure the artist depicts a forceful bull attacking. The bronze comes with a grani...

Untitled, 1975 Bronze ED. 1 of 6 20 x 6 x 4 in Literature: Le Minotaure. Cardenas 1925-2001. May 15 - June 15, 2003. Illustrated on page 9 of the catalog.

Artist: Lina Binkele, Colombian Title: Fragment No. 4 Year: 1995 Medium: Bronze Sculpture Edition: 2/5 Size: 25 in. x 40 in. x 17 in. (63.5 cm x 101.6 cm x 43.18 cm)

After studying Fine Art in the Netherlands Ans Zondag (1959) spent several years abroad in order to explore different artistic areas and to establish which technique suited her best....

"Martinet" Bronze Sculpture 11" x 5" x 2" inch by Sarkis Tossonian Sarkis Tossoonian was born in Alexandria in 1953. He graduated from the Faculty of Fine Arts/Sculpture in 1979. He...

Antique Pair of Russian Wolfhounds/Borzois Dog Portrait Sculptures by Scalini (aka Scali; Italian, 20th century) circa 1930's Patinated spelter 9 x 14 inches (on bases) Though rath...

This is an Emmanuel Villanis (1858-1914) bronze lamp “Bohemienne”. Lamp is in excellent condition . Has foundry mark from Paris on it. A really heavy a stunning bronze. 42 inches lo...

"Caduceus", recognized as a universal medical symbol, in this bronze representation by James N. Muir has become an Angel of Healing bringing love and peace to the earth and all of it...

This sculpture explores the coexistence of parallel worlds, connected through subtle points of energy and meaning. Across its surface appear codes, numbers, and symbolic signs rooted...

"Ex Nihilo Fragment 3" by Frederick Hart is a figurative bronze with the edition of 56/65. I saw Ex Nihilo (Out of Nothingness) as a single expression of creation, as the metamorph...

Signed/inscribed by the Artist on the bronze base of the sculpture with an edition number. 6/15

Composition V is a bronze sculpture by contemporary artist Delphine Brabant, dimensions are 33 × 30 × 11 cm (13 × 11.8 × 4.3 in). The sculpture is signed and numbered, it is part of...

The Couple is an elegant figurative bronze sculpture by Nando Kallweit. A male and a female figure as a single piece.  Both are strong and independent individually but gain an added...

Little Diver is a bronze sculpture by contemporary artist Yann Guillon, dimensions are 38 × 18 × 20 cm (15 × 7.1 × 7.9 in). Height of the sculpture with the metal base: 63 cm (24.8 i...

"Rhapsody" (maquette) Abstract, Tabletop Size, Metal Sculpture by Kevin Barrett Bronze Kevin Barrett is noted for creating unique, rhythmic, abstract indoor and outdoor sculpture an...

Amici is an elegant figurative bronze sculpture by Nando Kallweit. Modelled on modern youthful postures but with a nod to the importance of heritage through the stylised Egyptian-in...

Ce très joli bronze est signé "René Paris" et porte le cachet de fondeur Thiébaut Frères (Fumière et Cie Successeurs. Il fut offert à François Sales en 1914, à l’occasion du concours...

" Omaggio a Colbert " 12 x 41 x 14 cm ed. 7/8 + 4 A.P. Bronze 2022 Stefano Bombardieri is known for large figurative sculptures of wild animal...

Rare pair of "Tiger and Lion walking" by Antoine-Louis BARYE (1796-1875) A very fine pair of bronze sculptures with a nuanced brown patina each signed "Barye" on the base cast by "F...

This sculpture is edition 2/20

Plains Indian Medallion, bronze, Nambe, Allan Houser, small life-time casting Allan Houser (Haozous), Chiricahua Apache 1914-1994 recipient of the National Medal of Arts in 1992. Allan Houser's father Sam, was part of the small band of Apaches who traveled with Geronimo and surrendered in southern Arizona in 1886. Allan's parents were imprisoned with that group in Ft. Sill, Oklahoma. He was the first child to be born in freedom to those Apaches and a fluent speaker of the Chiricahua language. Allan Houser is an important artist in that he is of the culture he depicts in his artwork. Allan's parents would tell stories and sing songs recalling the experiences on the war path. This bronze edition is a life-time casting. Our gallery represented Allan Houser from 1974 until his passing in 1994 and were investors and provided quality control in the foundry process. Allan Houser's work is many international collections including the Georges Pomidou Centre, The Smithsonian National Portrait Gallery, The Dahlem Museum among others. Allan’s first bronze sculptures were started in the late 1960’s and were cast at Nambe Foundry. At the time the foundry was producing both Nambeware and was doing some sculptural foundry work. There was a fire at Nambe and they lost many of the molds for sculpture as well as their records. We acquired these works directly from Allan Houser. Allan Houser (Haozous), Chiricahua Apache (1914-1994) Selected Collections Centre Georges Pompidou, Paris, France * “They’re Coming”, bronze Dahlem Museum, Berlin, Germany Japanese Royal Collection, Tokyo, Japan “The Eagle”, black marble commissioned by President William J. Clinton United States Mission to the United Nations, New York City, NY *"Offering of the Sacred Pipe”, monumental bronze by Allan Houser © 1979 Presented to the United States Mission to the United Nations as a symbol of World Peace honoring the native people of all tribes in these United States of America on February 27, 1985 by the families of Allan and Anna Marie Houser, George and Thelma Green and Glenn and Sandy Green in New York City. National Portrait Gallery, Smithsonian, Washington, DC * Portrait of Geronimo, bronze National Museum of American Art, Smithsonian, Washington, D.C. * “Buffalo Dance Relief”, Indiana limestone National Museum of the American Indian, Smithsonian, Washington, D.C. *Sacred Rain Arrow, (Originally dedicated at the US Senate Committee on Indian Affairs, US Senate Building) “Goat”, “To The Great Spirit” - dedicated in 1994 at the Vice President’s Residence in Washington, D.C.. Ceremony officiated by Hillary Rodham Clinton and Tipper Gore. Oklahoma State Capitol, Oklahoma City, Ok * “As Long As the Waters Flow”, bronze Gilcrease Museum, Tulsa, OK *Sacred Rain Arrow, bronze Fort Sill, Oklahoma *”Chiricahua Apache Family”, bronze Donated and dedicated to Allan Houser’s parents Sam and Blossom Haozous by Allan Houser and Glenn and Sandy Green The Heard Museum, Phoenix, Arizona *Earth Song, marble donated by Glenn and Sandy Green   The Clinton Presidential Library, Arkansas * “May We Have Peace”, bronze The George H.W. Bush Presidential Library, College Station, Texas *"Offering to the Great Spirit", bronze The British Royal Collection, London, England *Princess Anne received "Proud Mother", bronze in Santa Fe Allan Houser’s father Sam Haozous, surrendered at the age of 14 with Geronimo and his band of Warm Springs Chiricahua Apache people in 1886 in Southern Arizona. This was the last active war party in the United States. This group of Apache people was imprisoned for 27 years starting in Fort Marion, Florida and finally living in captivity in Fort Sill, Oklahoma. Allan Houser was born in 1914. His artwork is an ongoing testimony to Native life in America – its beauty, strength and poignancy. Allan Houser is from the culture and portrayed his people in an insightful and authentic way. Because of the era in which he lived, he had a rare understanding of American Indian life. Allan was the first child born after the Chiricahua Apaches were released from 27 years of captivity. Allan grew up speaking the Chiricahua dialect. Allan heard his father’s stories of being on the warpath with Geronimo and almost nightly heard his parents singing traditional Apache music. Allan’s father knew all of Geronimo’s medicine songs. Allan had an early inclination to be artistic. He was exposed to many Apache ceremonial art forms: music, musical instruments, special dress, beadwork, body painting and dynamic dance that are integral aspects of his culture. His neighbors were members of many different tribes who lived in Oklahoma. Allan eagerly gained information about them and their cultures. Allan gathered this information and mentally stored images until he brought them back to life, years later, as a mature artist. Allan Houser was represented by Glenn Green Galleries (formerly known as The Gallery Wall, Inc.) from 1973 until his death in 1994. The gallery served as agents, advocates, and investors during this time. In 1973 the Greens responded enthusiastically to the abstraction and creativity in Houser’s work. They were impressed, not only with his versatility and talent but with the number of mediums he employed. His subject matter was portrayed in styles ranging from realism, stylized form to abstraction. With encouragement from the Greens, Houser at the age of 61, retired from his post as the head of the sculpture department at the Institute of American Indian Arts in Santa Fe, New Mexico in 1975 to begin working full-time creating his art. The next 20-year period was an exciting time for Allan, the gallery, and for the Green family. He created a large body of sculpture in stone, wood and bronze. For many years Glenn Green Galleries co-sponsored many editions of his bronzes and acted as quality control for the bronze sculptures according to Houser’s wishes. As both agents and gallery representatives, the Greens promoted and sold his art in their galleries in Phoenix and Scottsdale, Arizona and in Santa Fe, New Mexico. They had bi-annual exhibits in their galleries to feature Houser’s newest work and sponsored and arranged international museum shows in America, Europe and Asia. They travelled for these events including a trip to Carrara, Italy to the famed quarries of Michelangelo and together co-financed and arranged the purchase of 20 tons of marble. A watershed event for Allan Houser’s career occurred in the early 1980’s when Glenn Green Galleries arranged with the US Information Agency a touring exhibit of his sculpture through Europe. This series of exhibits drew record attendance for these museums and exposed Houser’s work to an enthusiastic art audience. This resulted in changing the perception of contemporary Native art in the United States where Houser and Glenn Green Galleries initially faced resistance from institutions who wanted to categorize him in a regional way. The credits from the European exhibits helped open doors and minds of the mainstream art community in the United States and beyond. Senator Daniel Inouye of Hawaii was a supporter of Allan Houser’s artwork. We worked with Senator Inouye on many occasions hosting events at our gallery and in Washington D.C in support of the formation of the Smithsonian’s National Museum of the American Indian in Washington, D.C. and other causes supporting Native Americans. Allan Houser is shown below presenting his sculpture “Swift Messenger” to Senator Inouye in Washington, D.C.. This sculpture was eventually given to the National Museum of the American Indian, Smithsonian’s permanent collection. It is now currently on loan and on display in the Oval Office. President Biden’s selection of artwork continues our gallery’s and Allan’s connection to the White House from our time working with Allan Houser from 1974 until his passing in 1994. “It was important for President Biden to walk into an Oval that looked like America and started to show the landscape of who he is going to be as president,” Ashley Williams...

Volodymyr Mykytenko - Forest Fairy (2001) In any forest in the world you can meet the Forest Fairy. She is the patroness not only of the forest, but of all nature in general, of eve...

Circle of Guglielmo Della Porta (Porlezza, 1515 circa – Rome 1577) CRISTO MORTO, Italy, mid 16th Century Gilt bronze 54 x 48 cm 21 1/4 x 19 in Provenance: M. Barbagli Private Collec...

This exceptional bronze table by Arman transforms musical instruments into functional sculpture. Composed of three mandolins cast in bronze and fused into the structure, the piece ex...

(after) Auguste Rodin Posthumous cast "Petite tete au nez retroussé" Featuring a bust of a woman. Limited edition bronze is mounted on a marble base and is signed on the lower right. Great detail. Dimensions: approx. 7-1/4" tall x 5" across x 5" deep with base Foundry mark on the reverse, #13 of 299 produced. François Auguste René Rodin (1840 – 1917) was a French sculptor generally considered the founder of modern sculpture. Rodin possessed a unique ability to model a complex, turbulent, and deeply pocketed surface in clay. He is known for such sculptures as The Thinker, Monument to Balzac, The Kiss, The Burghers of Calais, and The Gates of Hell. He modeled the human body with naturalism, and his sculptures celebrate individual character and physicality. Although Rodin was sensitive to the controversy surrounding his work, he refused to change his style, and his continued output brought increasing favor from the government and the artistic community. Rodin became the preeminent French sculptor of his time. By 1900, he was a world-renowned artist. Wealthy private clients sought Rodin's work after his World's Fair exhibit, and he kept company with a variety of high-profile intellectuals and artists. His student, Camille Claudel, became his associate, lover, and creative rival. Rodin's other students included Antoine Bourdelle, Constantin Brancusi, and Charles Despiau. Rodin entered the studio of Albert-Ernest Carrier-Belleuse, a successful mass producer of objets d'art. Rodin worked as Carrier-Belleuse' chief assistant until 1870, designing roof decorations and staircase and doorway embellishments. With the arrival of the Franco-Prussian War, Rodin was called to serve in the French National Guard, but his service was brief due to his near-sightedness. Rodin took classes with animal sculptor Antoine-Louis Barye. The teacher's attention to detail and his finely rendered musculature of animals in motion significantly influenced Rodin. Rodin won the 1880 commission to create a portal for a planned museum of decorative arts. Rodin dedicated much of the next four decades to his elaborate Gates of Hell, an unfinished portal for a museum that was never built. Many of the portal's figures became sculptures in themselves, including Rodin's most famous, The Thinker and The Kiss. With the museum commission came a free studio, granting Rodin a new level of artistic freedom. By 1900, Rodin's artistic reputation was established. Gaining exposure from a pavilion of his artwork set up near the 1900 World's Fair (Exposition Universelle) in Paris, he received requests to make busts of prominent people internationally, As Rodin's fame grew, he attracted many followers, including the German poet Rainer Maria Rilke, and authors Octave Mirbeau, Joris-Karl Huysmans, and Oscar Wilde. Rodin and Beuret's modest country estate in Meudon, purchased in 1897, was a host to such guests as King Edward, dancer Isadora Duncan, and harpsichordist Wanda Landowska. He left Beuret in Meudon and began an affair with the American-born Duchesse de Choiseul. From 1910, he mentored the Russian sculptor, Moissey Kogan...

The universal theme of travel has always inspired Bruno Catalano. Since he started to knead clay, hundreds of “Travellers” went out of his feverish hand...

Emmanuel FREMIET (1824-1910) Gorilla kidnapping a woman A rare bronze group with a greenish dark brown patina signed "E. Fremiet" on the base cast by " F. Barbedienne Fondeur " (fo...

Boaz Vaadia Zofar, 1997 Bronze, bluestone, and boulder Overall 20 x 29 x 27 inches From the edition of 7 Provenance Elaine Baker Gallery, Boca Raton, Florida Boaz Vaadia is the in...

"Veloce" by Kevin Barrett Bronze outdoor sculpture Kevin Barrett is noted for creating unique, rhythmic, abstract indoor and outdoor sculpture and wall reliefs. Metal, Bronze, Indo...

Joel Perlman Silver Square, 1983 With stamped initials and date Bronze 18 x 14 x 4 inches New York–born sculptor Joel Perlman has spent more than three decades creating abstract me...

Swan Diver Male Mini is a limited edition bronze sculpture. Created with the lost wax casting process. We have a brown and a nickel plated version available. There is also a medium ...

" Il peso del tempo sospeso " 47 x 44 x 28 cm Edition : 8 + 4 A.P. Bronze 2020 Stefano Bombardieri is known for large figurative sculptures...

Het Verlangen Desire Bronze Sculpture Female Nude Figure Brown Patina In Stock Base: 40 x 41 x 10 cm Woman: 27 x 40 x 4 cm KOBE, pseud...

Bronze Cog is a bronze sculpture by Patricia Volk, dimensions are 46 × 46 × 46 cm (18.1 × 18.1 × 18.1 in). The signed piece, it is part of a limited edition of 9 editions and comes ...

Camel is a bronze sculpture by French contemporary artist Marine de Soos, dimensions are 56 × 75 × 17 cm (22 × 29.5 × 6.7 in). The sculpture is signed and numbered, it is part of a ...

Edition Signed with the stamp: Lalanne Monogrammed, marked and numbered under the apple: CL ; Artcurial ; 57/250 Literature Robert Rosenblum, Les Lalanne, Genève, Éditions Skira, 1991, an other version reproduced p. 123. Claude et François...

Stag IV is a bronze sculpture by French contemporary artist Pierre Yermia, dimensions are 87 × 39 × 20 cm (34.3 × 15.4 × 7.9 in). The sculpture is signed and numbered, it is part of...

Karin Beek's (1948) bronze sculptures are characterized by a friendly, round and at the same time monumental style. They breathe the atmosphere of everyday life. Beek would like her ...

Born in Colorado and raised in Nebraska, Sandy Graves first forayed into the art world by presenting work as a child and 4-H member at local county fairs. As she continued her educat...

Janne is an elegant figurative bronze sculpture by Nando Kallweit. Modelled on modern youthful postures but with a nod to the importance of heritage through the stylised Egyptian-in...

Antique Horse Bronze Portrait of a Trotting Stallion Isidore Jules Bonheur (France, 1827-1901) Cast bronze mounted on a rectangular plinth with dark brown patina, Signed: I. BONHEUR 17 x 11 3/4 A brilliant exploration of a stallion in full trot. The patina is a deep, warm walnut brown with honey-colored tones. Isidore Bonheur was best known and the most distinguished of the 19th century French animalier sculptors. Isidore, the younger brother of Rosa Bonheur and older brother of Auguste, began his studies of painting initially with his father, who was friends with Francisco Goya. By 1848 he debuted at the Paris Salon having discontinued animal and landscape painting to concentrate on creating sculptures and in 1849, Bonheur enrolled at the Ecole des Beaux Arts. He won medals at the Paris Salon in 1859 and did so again in 1865 and in 1869. After entering the Exposition Universelle 1855, he won the Gold Medal in 1889. In the 1870s exhibited in the London at the Royal Academy of Arts where he earned great prestige and won the coveted Medaille d’Or. After winning numerous other medals and prizes, Bonheur was awarded the Legion d' Honneur in 1895 and he was Knighted in Portugal, Spain and France. Bonheur continued exhibiting at the Paris Salon until 1899. Many of his bronzes were fabricated at the foundry owned by Hippolyte Peyrol, Bonheur's brother-in-law by marriage to Isidore’s youngest sister Juliette Bonheur. The Peyrol casts for both Rosa and Isidore are exceptionally well executed which suggests a strong working relationship between the founder and sculptor. There is little doubt that Isidore Bonheur was an acute observer of nature; his animals were not anthropomorphized but modelled to catch movement or posture characteristics of the particular species he was sculpting. He achieved this most successfully with his sculptures of horses which are usually depicted as relaxed rather than spirited. These figures are among his most renowned works and his equestrian models became very popular, particularly among the British aristocracy. An acute observer of nature, his sculptures reflect his commitment to the Realist school - with precise detailing of the movements of animals in their natural habitats. Ultimately, His naturalistic studies of animals are now some of the most highly sought after works by any of the animalier. He was possibly inspired by his many visits to the Buffalo Bill Wild West Show...

This astonishing artwork titled "Deji" is an abstract sculpture in polished bronze dated 1985, the period in which the artist was present to twice editions of Biennale of Venice, Int...

Jean Baptiste Clesinger (French, 1814-1883) "Zingara" Patinated Bronze Sculpture, 1857, cast by F. Barbedienne, the Neapolitan dancer upholding a tambourine, signed "J Clesinger, Rom...

“A silent medium within a silent medium.” These are the words contemporary master Richard MacDonald uses in describing his world renowned Mime Series. MacDonald’s trademark skill at ...

A Monumental Museum Quality Pair of French 19th Century Figural Gilt and Patinated Bronze Rosso Granite Marble Flambeaux Urns, each depicting a pair of standing allegorical and whims...

Bufo Contemporary Bronze Sculpture Nude Boy Marble Stone Male Figure Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession as a teacher at a high school, he intensively practises his profession as a sculptor. Only when his work would measure up to his own standards, he decided to present it to the rest of the world. In 1995, he exhibited for the first time with Morren Galleries. Van der Kant desires to sculpt young people who still stand uninhibited and curiously in life. The reason he chooses to sculpt boys is, because he is one himself, this way the subject is closer to him. The anatomy of his figures testify of perfectionism. Van der Kant's subjects show similarities with the sculptures from the Greek and Roman antiquity...

Suspensus Bronze Sculpture Nude Boy Male Figure Marble Stone Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession as a teacher...

Fisherman on stilt III is a bronze sculpture by French contemporary artist Marine de Soos, dimensions are 45 × 25 × 19 cm (17.7 × 9.8 × 7.5 in). The sculpture is signed and numbered...

Gilded bronze centerpiece Paris, ca. 1820–1830, identical counterpart in Donald Trump's Oval Office Significant gilded bronze centerpiece or “Centre De Surtout De Table" based on a design by Gustav Friedrich...

It is a powerful image—at once compelling and provocative—an old-fashioned rocking horse, collapsed. This is the work of Nicholas Crombach. The Kingston based artist creates sculptu...

Herbert Haseltine Sudbourne Premier: Suffolk Punch Stallion, 1927 Signed left side: © HASELTINE / MCMXXVII Bronze, dark brown patina, parcel gilding ...

Artist Statement: My figures speak to me of that peaceful place in myself - calm, open, aware. My art reflects the influence of my childhood in Japan and of the rigorous discipline...

Edition of 3 American, b. 1958 Jim Rennert was born in 1958, and grew up in Las Vegas, Nevada, and Salt Lake City, Utah. After ten trying years of working in business, Rennert was i...

Deborah Ballard is best known for conceiving of figures and groupings of figures who relate to one another (and the viewer) through their body language, relationships and dialogue. S...

Great Standing Figure II is a bronze sculpture by French contemporary artist Pierre Yermia, dimensions are 140 × 26 × 24 cm (55.1 × 10.2 × 9.4 in). The sculpture is signed and numbe...