Stone Sculptures

SCOTT KILGOUR (b. 1960): ELECTRIC LIGHT BULB Etched slate, 1992, signed ''Scott Kilgour'', titled and dated on the reverse. Provenance: Camilla and Earl McGrath Collection. Scott Kilgour is a British Postwar & Contemporary painter who was born in 1960. Their work was featured in several exhibitions at key galleries and museums, including the Elga Wimmer PCC and the Howl! Happening. Encouraged by the first curator of 20th Century Art at the Metropolitan Museum, Henry Geldzahler, to move to New York City in the early 80's, Kilgour experienced first hand the frenetic contemporary American art scene. By the end of the decade, after absorbing the eclectic New York sensibility, Scott's lines and curves had evolved due to contact with Pop Art, Minimalism, New Wave, Graffiti and modern dance. His work was further influenced by Edmund Carpenter, a prestigious anthropologist, who galvanized his interest in continuous line drawing and knotwork designs. Gallery exhibits in the ‘80s included 56 Bleecker Street Gallery, DIA Foundation and Holly Solomon Gallery. In the 90's, Kilgour would further expand his body of knot-work designs, embarking on a decade-long study exploring the spatial relationship of continuous line drawing in Scottish Celtic Interlace. Kilgour's linear style is grounded in Charles Rennie Mackintosh's Art Nouveau aesthetic. This exploratory culminated in a 1999 exhibition at the Mackintosh Museum, Glasgow School of Art, as part of the Glasgow UK City for Architecture & Design celebration. Currently, Scott is working on a botanical body of work inspired while drinking a glass of rose in Provence, surrounded by a blossoming white French rose garden. Flowers are an ideal subject for Scott’s linear execution, as no two images are the same based on rosette whorl and luminous petals radiating from a single node. Kilgour attended the Glasgow School of Art and has been featured in media outlets including Interview Magazine, New York Magazine and Elle Décor. Select Group Exhibitions 2019 MM Gallery, New York, Regarding Tom & Henry - Tom Slaughter, Stephen Hannock, Robert Harms, Scott Kilgour, Ray Charles White. 2018 Elga Wimmer Gallery, New York, Bloom / Wilt / Bloom - Donald Baechler, Crash, Alex Katz, Donald Sultan, Scott Kilgour, Andy Warhol. 2017 Howl Arts, Arturo Vega...

Concrete Sculptural Planter inspired by En Iwamura Vessels 8 inch Tall / Hand casted and pigmented. 1 of 1 (Last picture is not actual vessel, it is a different variant but is pict...

Smooth surfaced, engineered white marble sculpture flecked almost imperceptibly with grey has been sculpted into an elegant abstracted wave. Pierced by three openings the graceful sh...

This is a gorgeous hand-carved white marble object. The marble is polished and has an amazing tactile feeling. This piece is celebrates our conne...

"INNER VIEW_Open_Nexus II" by Caroline Ramersdorfer Marble and granite Shippable in 8-10 weeks. Please contact gallery for further information. Ramersdorfer carves slabs of marble ...

"Before the Animals" by Chapel 36x14x8" one-of-a-kind sculpture Mixed Media: Cast Bronze, Dyed Concrete, Steel, Marble This particular piece is available from the estate of the artist. It is in excellent, like-new, condition. Shipping price includes the custom packing necessary for safe transport of fine art. Chapel, 1948-2021, Artist's Statement: “I was raised on the Western Slope of Colorado, with almost unfettered access to the American wilderness. I currently reside on a sailboat in Oakland, CA with my studio in nearby San Leandro. I work with permanent materials including bronze, steel, stainless steel, aluminum, glass and stone. It is my contention that a work of art must include a complete environment, not just a single object. In my opinion, it is very difficult to convey meaning with either pure abstraction, or pure representation. Describing an abstract concept with another abstraction does not define the subject. There is nothing in a completely non-objective artwork from the viewers experience upon which to base some meaning. One the other hand, a completely realistic presentation doesn't define an abstraction any better than a dictionary. This is why my sculpture is a blend - the symbolic joining of modern man with primitive experience. They are in-depth studies of the archetypes and symbols used to communicate their relevance to our everyday lives. Mythology, poetry and art are humanity's attempt to describe the mysteries of life which are beyond our ability to consciously comprehend. This is the appeal of the visual arts, poetry, literature and music; they excite an emotional response, or memory that transcends mere words.” - Ron Chapel...

Antique bronze sculpture of male nude reading a letter or proclamation. Marble base, 19th century. Unsigned.

Hydrocal, pigmented concrete, paint and polyurethane Hand-signed by artist Frame: Not included This work includes a certificate of authenticity.

A bronze sculpture by Mark Eastridge. A surrealist composition of a bronze case gas mask sitting atop a glove. Artist: Mark Eastridge, American Title: Nonsense (Gas Mask) Medium: Br...

By Mark P. Williamson 17" x 8" x 6" Limestone

'Mother and Child' is an original opal serpentine sculpture signed by the Zimbbwean artist Samuel Likongwe. Based in Harare, Likongwe was trained in the Shona stone sculpting traditi...

Vase blue flower. 2017. Stone mass, h 13 cm, diam. 15.5 cm

Ivy Naté uses universally recognizable objects in non-traditional ways. She creates both large-scale installations and smaller works. Yet, each express Ivy’s captivation with raw hum...

Wall mount or pedestal mount. Absinthe metallic finish. 20"x16"x8" keywords; sinuous, focus on material, sculptural folds, Aldo Chaparro, use of common materials, creased crinkled an...

Horseback Riding Out West, a stone sculpture by Robin Anatar. This piece was carved out of Alabaster and stained with custom oil stains. Robin trave...

Infinity loops Stone mass h 21 cm; w 11 cm; d 11 cm Small gray color abstract sculpture "Infinity loops" from stone mass

“It took two years of tireless experimentation for me to develop the process of casting paper into bronze, another seven years to perfect, and it continues to evolve today.” - Kevin ...

'Face' is an original cobalt sculpture by the Zimbabwean artist Obert Mukumbi. This sculpture demonstrates the artist's influence from the great Shona...

A white marble sculpture by Domenico Casasanta from 1972. A pristine, minimalist object of modernist, architectural features. Artist: Domenico Casasanta, Italian (1935 - ) Titl...

By Duff Browne Marble sculpture on black marble base. Dimensions: 17.5" H x 8" W

"CAMBRE V" by John Van Alstine Slate, Steel & Pigment Stone, Metal, Sculpture, Abstract, Contemporary, Large, Outdoor, Industrial, Industry, Nature, Orange The sculpture of John Va...

Concrete Sculptural Planter inspired by En Iwamura Vessels 8 inch Tall / Hand casted and pigmented. 1 of 1 (Last picture is not actual vessel, it is a different variant but is pict...

keywords; #sinuous, focus on material, sculptural folds, Aldo Chaparro, use of common materials, creased crinkled and wrinkled, angular, abstract sculpture, angular, process-oriented...

Infinity loops. Stone mass h 18,5 cm Small gray color abstract sculpture "Infinity loops" from stone mass

"Thinking Man" by Denny Haskew Figurative Bronze (After Egon Schiele) 13x11x7" ed/15 "Thinking Man puzzeled over this being a flock of clouds are in my head. people are everywhere, ...

'Proud Woman' is an original stone sculpture dress hair singed by the Zimbabwean artist P. Mua. The artist presents an elegant and curvilinear figure of a woman, her hair seeming to ...

Jaguar Head Sculpture Cultivated Marble Casted Wild Animal In Stock Chris Tap (1973, Amsterdam) attended university where he studied economy and cultural anthropology, before he bec...

Biomorphic yet industrial style to Dena Paige Fischer's sculptural votive candle holder. The stacked cubes are painted and smooth, piled upon one another into a column, or as the artist calls it, a totem. The pastel pigmented concrete in peach and lavender looks almost soft. This sculptural votive candle holder is a functional and decorative tabletop art...

"Three Hulls IV" by Aurelio Torres Contemporary sculpture made from reclaimed lumber and concrete Aurelio Torres is a classically trained painter who distills the aesthetic laws of ...

Oriano Galloni Silent Soul #7, 2026 Wood and marble sculpture 103.9 x 18.1 x 13.7 in (263.91 x 45.97 x 34.8 cm)

Untitled "Marble Fragment 1" 2019, acrylic, landscape, wall sculpture, clouds, purple, blue

keywords; #sinuous, focus on material, sculptural folds, Aldo Chaparro, use of common materials, creased crinkled and wrinkled, angular, abstract sculpture, angular, process-oriented...

Vase with silver glaze 2017. Stone mass, 19x23,5x15,5 cm

Nude / Figure / Love Marble

CANANA original realistic wood piece unique sculpture Josep Maria Codina Corona (Igualada, 1935 - Barcelona, ​​​​2006) was a Catalan sculptor. He goes to study at the Escola de la L...

PIETRO BARZANTI Italian, 1825-1895 Allegory Of Spring Signed ‘P. Milanes/Galleria/P.Bazzanti/Florence.’ Carved White Italian marble circa 19TH C...

Torso of a woman by Auguste HENG (1891-1968) Sculpture in pink marble stone Signed on the base " A. Heng " Presented on an olive-wood base France circa 1925 height 34,5 cm height ...

"Mermaid" is a unique springstone sculpture by the Shona artist Farai Darare. It depicts a woman's face and an abstracted body that loops around to frame an oval of negative space. This piece is expertly carved to showcase two textures from the same stone. This sculpture weighs 30 pounds (approximately 13.6 kg). 16 3/4" x 8" x 5 1/4" art 30 lbs Farai Walter Darare started working as a washer and polisher for his father's sculptures when he was seven years old. He worked and studied under the renowned Shona sculptors Chikumbirike, Runyanga, Muropa, and his father Casper Darare...

Phillip King Yellow Disc, 2007 Hand painted steel on a marble base Signed and numbered 21/35 on base. Provenance: Bernard Jacobson Gallery, London Private Collection, UK 5 3/5 × 12 ...

'Coming From the Fields' is an original black serpentine sculpture by the celebrated second generation Shona artist Colleen Madamombe. The sculpture presents a character common to Ma...

Ferdinand Preiss (German, 1882 - 1943) Hoop Girl & Sonny Boy Cold-painted bronze Circa 1930, Art Deco Period Dimensions: 8.18 Inches Tall x 4.65 Inches wide x 2.75 inches deep. ...

After the rain. 2009, stone wear, 50x31x26 cm Gray abstract sculpture from stone

"Night and Day, Cranes" by Chapel 35x10x10" 4/21 Mixed Media: Cast Bronze, Stainless Steel, Granite Base The base takes on more significance in this sculpture as an illusion of water, the imagery etched into the polished granite is a reflection of the cast bronze crane couple who rest on one leg while preening together. This particular piece is available from the estate of the artist. It is in excellent condition. This edition closed early due to the death of the artist, all molds have been destroyed. Shipping price includes the custom packing necessary for safe transport of fine art. Chapel, 1948-2021, Artist's Statement: “I was raised on the Western Slope of Colorado, with almost unfettered access to the American wilderness. I currently reside on a sailboat in Oakland, CA with my studio in nearby San Leandro. I work with permanent materials including bronze, steel, stainless steel, aluminum, glass and stone. It is my contention that a work of art must include a complete environment, not just a single object. In my opinion, it is very difficult to convey meaning with either pure abstraction, or pure representation. Describing an abstract concept with another abstraction does not define the subject. There is nothing in a completely non-objective artwork from the viewers experience upon which to base some meaning. One the other hand, a completely realistic presentation doesn't define an abstraction any better than a dictionary. This is why my sculpture is a blend - the symbolic joining of modern man with primitive experience. They are in-depth studies of the archetypes and symbols used to communicate their relevance to our everyday lives. Mythology, poetry and art are humanity's attempt to describe the mysteries of life which are beyond our ability to consciously comprehend. This is the appeal of the visual arts, poetry, literature and music; they excite an emotional response, or memory that transcends mere words.” - Ron Chapel...

"The Beach" by Chapel 20x36x6" one-of-a-kind sculpture Mixed Media: Cast Bronze, Marble, Stainless Steel, Steel This particular piece is available from the estate of the artist. It is in excellent, like-new, condition. Shipping price includes the custom packing necessary for safe transport of fine art. Chapel, 1948-2021, Artist's Statement: “I was raised on the Western Slope of Colorado, with almost unfettered access to the American wilderness. I currently reside on a sailboat in Oakland, CA with my studio in nearby San Leandro. I work with permanent materials including bronze, steel, stainless steel, aluminum, glass and stone. It is my contention that a work of art must include a complete environment, not just a single object. In my opinion, it is very difficult to convey meaning with either pure abstraction, or pure representation. Describing an abstract concept with another abstraction does not define the subject. There is nothing in a completely non-objective artwork from the viewers experience upon which to base some meaning. One the other hand, a completely realistic presentation doesn't define an abstraction any better than a dictionary. This is why my sculpture is a blend - the symbolic joining of modern man with primitive experience. They are in-depth studies of the archetypes and symbols used to communicate their relevance to our everyday lives. Mythology, poetry and art are humanity's attempt to describe the mysteries of life which are beyond our ability to consciously comprehend. This is the appeal of the visual arts, poetry, literature and music; they excite an emotional response, or memory that transcends mere words.” - Ron Chapel...

'Father Christmas,' an original springstone sculpture by the Zimbabwean artists Tendai Marowa and Stanley Chideu, would make an excellent holiday gift...

Jesús Curiá Perez Horse II bronze and artificial stone 27.50h x 22w x 9.50d in 69.85h x 55.88w x 24.13d cm JCP062 Jesús Curiá's sculptures arouse something more than purely aestheti...

Strata Carrara Marble Sculpture, Geometric Abstract, 2024, 28x17cm, Contemporary Bold and architecturally precise, this white Carrara marble sculpture by Argentine-Croatian artist I...

'Mother and Child' is an original stone sculpture by the Zimbabwean artist Obert Mukumbi. This sculpture is unlike most other examples of Shona sculpture in that it has been carved to sit on a step, ledge or shelf rather than to stand upright. While this difference offers the chance for a more interactive artwork that can be set in unexpected locations, the aesthetics sensibilities that Obert applies to the subject are steeped in the Shona tradition. The materiality of the stone is on full display, with the artist playing with textures of rough-hewn stone and smooth polish. In addition, the mother and child show an intimate relationship, a common and desired theme amongst Shona artists. springstone not signed 25 x 10 x 11 inches, overall body stands 16 inches tall from seat legs extend 9.25 inches downward from seat concrete base included at request of buyer 95 lbs Overall excellent condition with no signs of wear or damage. Obert Mukumbi was born on February 11, 1974 in the village of Dengu in Bindura, some 86 kilometers north east of Harare, Zimbabwe, where he likewise completed his O-levels in school. During his education, he was interested in wood craft. By age twelve, however, he began working in stone under the guidance and encouragement of his brother Kennedy Musekiwa...

"Joyful Bowler" is a serpentine sculpture signed by Felix Mlungisi an African Shona. This figure is shown squatting and looking upwards with eyes closed. Their hair is not polished s...

Large Aqua Metallic Wall or pedestal mount keywords; #sinuous, focus on material, sculptural folds, Aldo Chaparro, use of common materials, creased crinkled and wrinkled, angular, a...

A Museum Quality French White Marble Roundel Relief of Emperor Napoleon III, circa 1860. The quality of this marble sculpture of Napoleon III is trul...

This piece by Brian Jobe consists of two separate stacks of concrete and steel. The stack to the left is a bit taller than the other stack, as the top-most block of corrugated concrete has been turned on its side. Beneath the corrugated concrete blocks on each sculpture is a steel plate that balances the concrete blocks on top of two breeze blocks...

Marble

'Special Catch' is an original sculpture signed by the Zimbabwean artist Chemedu Jemali. The sculpture presents the head and torso of a figure clutching to a fish, each highly abstra...

Larger than mid sized. Purple Metallic Pedestal mount keywords; #sinuous, focus on material, sculptural folds, Aldo Chaparro, use of common materials, creased crinkled and wrinkled,...

Mid sized. Aqua Metallic. keywords; #sinuous, focus on material, sculptural folds, Aldo Chaparro, use of common materials, creased crinkled and wrinkled, angular, abstract sculptur...

Sculpted in bronze and mounted on a polished basalt stone base, Businessman is a sharp, symbolic work that captures the essence of power, stability, and calculated success. The figu...

Society Lioness is a striking sculptural embodiment of modern femininity, power, and refined ambition. Cast in bronze and finished with cold enamel, the figure depicts a confident bu...

Standing angel with banner Flemish Around 1450/60 Sandstone 60 x 21 x 15 cm This museum figurine shows a standing angel with a banner in his right hand and a small box in his left. The youthful, ageless figure wears a coat held together with a triangular, floral brooch in front of the chest over a long robe. The angel’s gaze is directed forward, his head tilted slightly to the left. The elongated face is sculpted: the large almond-shaped eyes with accentuated upper and lower eyelids are alertly open and sharp eyebrows lead directly into the root of the nose. The straight nose above the pronounced mouth completes the idealized oval face of the angel and his calm, internalized facial expression. What is particularly remarkable, however, is the magnificent curls, which are only partially tamed by a simple headband. As if puffed up by the wind, the hair, which is sometimes streaked in parallel, sometimes wildly twisted and richly curled, stands out dynamically from the ears. The tilted head with these sideways protruding waves of hair thus conveys an immediate impression of movement. The physicality of the sculpture is expressed particularly through this organic, lifelike movement of the loosened hair. The lively overall impression of the figure is further enhanced by the multiple rolled banners that the angel presents to the viewer. The outstretched palm of the right hand appears both intimate and confidential as well as mystically revealing. This banderole winds in gentle curves in front of the figure’s body, throws a fold over the second attribute in the angel’s left hand and falls downwards in a loose manner. The volute-shaped rolled up end of the banner clearly shows the fine texture of the banner and at the same time draws the viewer’s attention to the small cube-shaped box that the angel is holding in its slender, long-limbed fingers. The cube is decorated with a Gothic quatrefoil motif, which is often seen in the architectural tracery of windows, but was also often used to decorate caskets and other small treasures. The sweeping gestures in the presentation of the attributes suggest three-dimensionality, in contrast to the tubular folds at the base of the neck and the intricate draperies in flat and multiple overlapping garment sections. The soft curves of the folds give the impression that the clothing is made of a heavy fabric that falls diagonally down the front and is laid in several bowl folds under the right hand. Overall, the sculptural work testifies to the highest artistic skill, which emphasizes the virtuosity of sculpture in its precious and representative overall impression. The memorable characteristics recognizable here can be seen in comparable pictorial works from Utrecht around the middle of the 15th century, when sculptural art – especially stone sculpture – was characterized by a remarkably high quality. Particularly noteworthy is the accentuated Utrecht head type with an elongated oval face, almond-shaped eyes with heavy lids and dense, vividly protruding tufts of hair framing the head. For example, the figure is comparable to a capital of an angel on the east side of the rood screen of the Joriskerk in Amersfoort (province of Utrecht) from the second quarter of the 15th century. Not only the physiognomy and hair, which in the comparative example stand somewhat more horizontally to one side, but also the garment puff above the girdle are similar. Even more related motifs, such as the cleverly placed bowl folds, can be found on the limestone figure...

keywords; #sinuous, focus on material, sculptural folds, Aldo Chaparro, use of common materials, creased crinkled and wrinkled, angular, abstract sculpture, angular, process-oriented...