Stone Sculptures

Artist: (Garo) Karapet Balakeseryan Medium: Ceramic, Clay, Handmade, One of a Kind Year: 2023 Style: Classic, Impressionism, Subject: Portrai...

Artist: (Garo) Karapet Balakeseryan Medium: Ceramic, One of a Kind Year: 2023 Style: Classic, Impressionism, Subject: The Thinker, Size: 17" ...

Artist: (Garo) Karapet Balakeseryan Medium: Hydro Stone, One of a Kind Year: 2023 Style: Classic, Impressionism, Subject: Happy Man, Size: 17" x 12'' x 8'' inch, (43x30cm), K...

Artist: (Garo) Karapet Balakeseryan Medium: Hydro Stone, One of a Kind Year: 2023 Style: Classic, Impressionism, Subject: Inseparable, Size: ...

Artist: (Garo) Karapet Balakeseryan Medium: Hydro Stone, One of a Kind Year: 2023 Style: Classic, Impressionism, Subject: Inseparable, Size: ...

Artist: (Garo) Karapet Balakeseryan Medium: Hydro Stone, One of a Kind Year: 2023 Style: Classic, Impressionism, Subject: Adam and Eva, Size:...

Artist: Kuno Vollet This elegant original cast bronze sculpture by German artist Kuno Vollet brings energy into any art collection. Each sculpture is different and the gold and bla...

"Eagle" is an original gold Brazilian soapstone sculpture by Native American carver William Skye. The artist signed the piece on the bottom. It depicts...

Artist: Ellen Brenner-Sorensen, American Title: Man Smoking Cigar Medium: White Marble Sculpture Size: 46 in. x 21 in. x 12 in. (116.84 cm x 53.34 cm...

A series of works .. ANCIENT .. ..FOREST .. ..AQUA .. all these series have a magical connection with each other. They have the ancient spirit of past civilizations and sections of d...

Kimiko by Gary Alsum Bronze ed/7, 54x19x20", comes with 3" high, 24" diameter sandstone round base as pictured in the garden images. Young woman in traditional attire holding an fan. Ideal scale for a garden setting. ABOUT THE ARTIST: Taking the knowledge passed on from artists such as Fritz White, Glenna Goodacre...

Robert Cook’s Splash sculpture draws inspiration from the iconic photograph of a drop of milk creating a circle and splash in a pool of milk. This fleeting moment of suspended motion sparked Cook’s exploration of how to capture such dynamic energy in a static form. Robert Cook was a great American sculptor and his works are in many museums and his iconic Dinoseras piece commands a spot on the street of New York at 51st Street. Important to note with this work that it is unique and there are no other casts. Cook sculpted in wax and when he cast this destroyed the wax and there was no mould. Very few sculptors work in this manner and it speaks to a very pure and altruistic form of sculpture. If perhaps he had been more commercially minded he would have done large editions but instead he valued singularity as in nature. In Splash, Cook freezes a moment of kinetic energy, capturing the elegant tension between impact and expansion. The sculpture embodies both grace and chaos, with a fluidity that suggests movement at the very instant it’s frozen in time. Cook’s mastery of his medium allows this dynamic moment to be immortalized in bronze, creating a powerful and emotional resonance that transcends the physical form, making Splash both a formal and philosophical exploration of time, space, and motion. Signed: R Cook...

Sculpture, Serpentine

Jaguar Head Sculpture Cultivated Marble Casted Wild Animal In Stock Chris Tap (1973, Amsterdam) attended university where he studied economy and cultural anthropology, before he bec...

Sinuosity sculpture. Pedestal mount. No wall mount available. Chiffon metallic finish. keywords; #sinuous, focus on material, sculptural folds, Aldo Chaparro, use of common material...

Territorios by Fernando Otero Measures: 20.5 in. H x 28.5 in. W x 4 in D Found objects in wood box wall sculpture One of a kind Artist Fernando Otero was born in Lima (1972). He gra...

Tuemini Ergo Sum Bronze Sculpture Nude Boy Male Figure Marble Stone - In Stock - Height Sculpture without Stone pedestal: 7...

Alabaster and wood

"Pious to the Core" by Mark Leichliter one-of-a-kind abstract Sculpture 24x6x6" Birch with Dakota Sandstone ABOUT THE ARTIST: ​I was born in Loveland, Colorado and now reside in n...

'Scratching Bird' is an original opal serpentine stone sculpture signed by the contemporary Zimbabwean artist Chenjerai Chiripanyanga. The artist presents in this sculpture a highly abstracted figure of a bird, the long beak and eye of which emerges shining and polished from within the rough-hewn surface of the stone. Though Chiripanyanga is trained in the Shona stone carving tradition, the way that the bird seems to be revealed out of the stone reminds of the "unfinished" sculptures of Michelangelo...

"Sisyphean Circle (tank top)" by John Van Alstine Riverstone, stainless, galvanized, and powder-coated steel The sculpture of John Van Alstine beautifully, and powerfully, balances ...

This Figurative sculpture in black Belgian marble by Lutfi Romhein has a very fine grain which provides a really soft touch. A graduate from the Academy of Fine Arts of Carrare, in ...

This figurative sculpture by Lutfi Romhein depicts a female nude bust in Belgian black marble mounted on a grey marble base. It has a very fine grain which provides a really soft tou...

Artist: Jack Graves III (American, 1988-) Title: "Dying Achilles" Series: Sculpture *Signed, titled, and dated by Graves on bottom Year: 2026 Medium: Original Acrylic and Enamel Pain...

"Cumulus Stone No. 1" by Norman Mooney Carrara Marble, Stainless Steel In 1994 Mooney moved from Ireland to New York City and has been exhibiting locally and internationally for mor...

Naturalistic figure of a women with long hair and a long dress. The stone is a darker blue toned with natural veins and speckling. The figure is signed on the bottom of the dress.

Wearing Thin by Jane DeDecker Abstract Figurative Bronze 29x15x11" Ed/11 ABOUT THE ARTIST: Jane DeDecker has been making a major contribution to the world sculpture scene since 1986...

Pradeep Jogdand - Untitled Black Marble H 28 x W 24 x D 14 inches ( Delivered ) Pradeep Jogdand (born 1987) is a young sculptor based in Mumbai. He did his BFA in sculpture from J.J...

Marble

This monumental pair of sculptures in "Bardiglio" marble represent Greek Athletes figure , on a cylindrical base . Exaltation of the male strength and beauty, inspired by the trend i...

Resin on a slate composite base Unique Signed and numbered 828 Weight 3.35kgs Philip Hearsey, born in 1946, is a renowned British sculptor living and working in Longtown, Herefordsh...

Finely carved mythological subject in Vicenza limestone of Hercules in excellent condition from an estate of Veneto. Timeless decoration for your interior or garden. Measurements: ...

This Bronze portrait by Constantin Antonovici is laid directly into the surface of a cut slab of white marble. Intense and hollow eyes stare out from a smiling visage, creating an un...

Full title: "The Sound of Silence - Simon and Garfunkel" is made with Carrara marble, black Etruscan stone, and rope. It is 30.1kg In Lluís Cera’s sculptures, soft, voluptuous form...

Bronze Marble Wood Sculpture Four separate pieces, unsigned artist Sarah Schwartz was born 1953 Chicago, Illinois. Education: 1971-72 York University/Ontario College of Art, Toronto...

AMERICA MARTIN "Two Birds of Paradise Tall" Sand Blasted Pepper Marble Size: 22 x 13 x 6.5 Inches Edition: 1/1 AMERICA MARTIN "Flowers for Warhol Tall" Sand Blasted Pepper Marble S...

Herinnering 2 Memory 2 Bronze People on Bench Figurative Sculpture Contemporary Jits Bakker was a versatile Dutch artist: sculptor, painter, watercolorist, drawer, glass artist, sil...

Victor Prodanchuk "Festive" 2006

"Tempests" Bronze & Marble Sculpture 12" x 8" in by Ibrahim Abd Elmalak Double-faced Bronze & Marble Signed & Dated Sculptures that mostly depict his characteristic ...

Artist: Kuno Vollet Title: Balance 2 Materials: Bronze, black granite base Size: 42 x 22 cm _______________________________________________________________________ This elegant...

Artist: Kuno Vollet Title: Golden Gingko with 6 leaves art sculpture Materials: Cast brass, gold leaf, black granite base (rough or smooth finish available) Size: 60 x 9 x 9 cm 2...

Francesco passaniti Concrete sculpture painting with blue resin inclusion Same previous work 58,5 x 58,5 x 1,5 cms 420 euros Circa 2008 Identified ...

Large Saint Sebastian finely carved in alabaster. The saint is attached to a column surmounted by a capital, beautiful soft features and superb hair wi...

"Eagle & Bear" is an original yellow speckled Brazilian soapstone sculpture by Leroy Henry. The artist signed and dated the piece on the bottom. This sculpture depicts the head of an...

Objects found in historical institutions are reexamined and reinterpreted. Landscape paintings once used to romanticize and to politicize notions of manifest destiny, are now recreat...

Artist: Jack Graves III (American, 1988-) Title: "Diana Sculpture II" Series: Sculpture *Signed, titled, and dated by Graves on bottom Year: 2022 Medium: Original Acrylic and Enamel Painted Cast Marble Sculpture Dimensions: 17" tall x 6.88" wide x 6" deep Weight: 3 pounds Condition: In mint condition Notes: This is a unique work, not from an edition. The raw white cast marble sculpture itself was not created by the artist; it is a found object which Graves has hand-painted and transformed with his own design. The sculpture is cast marble: over 90% natural crushed Greek Marble stone with a small amount of resin poured into a mold, made in Heraklion, Greece. Diana is a goddess in Roman and Hellenistic religion, primarily considered a patroness of the countryside, hunters, crossroads, and the Moon. She is equated with the Greek goddess Artemis, and absorbed much of Artemis' mythology early in Roman history, including a birth on the island of Delos to parents Jupiter and Latona, and a twin brother, Apollo, though she had an independent origin in Italy...

Masatoyo Kishi (Japanese‑American, 1924 - 2017) was an artist whose career bridged East and West, combining his early studies in physics and mathematics with a long‑standing commitme...

Polished bronze on marble base. Incised with the artist's signature and numbered 6/8 on the verso.

"CAMBRE V" by John Van Alstine Slate, Steel & Pigment Stone, Metal, Sculpture, Abstract, Contemporary, Large, Outdoor, Industrial, Industry, Nature, Orange The sculpture of John Va...

Allegory of Love by Albert-Ernest CARRIER-BELLEUSE (1824-1887) A sculpted group in white Carrara marble signed "A. Carrier" and dated "1868" France 1868 height 68,5 cm width 25 cm...

"Cutouts" by Jane DeDecker Figurative Bronze, 41x40x20" Sandstone bench is included. A girl sits quietly unfolding her paper cutouts. Great piece for a...

'Flower' is an original opal serpentine sculpture by the Zimbabwean artist Obert Mukumbi. In the sculpture, Obert emphasizes the abstract qualities of the natural forms of the calla lily: At the center, a tall and wide stamen reaches upward as curving leaves and petals break away and curve outward. The massive bulk of the usually delicate flower, as though it has been enlarged, reminds of the paintings of American modernist Georgia O'Keefe, who often used close views and thoughtful cropping to find abstract forms in nature. Here, however, the approach to the subject is purely immersed in the Shona tradition where the stone material is celebrated through contrast between rough and smooth texture and appreciation for deep colors. opal stone (serpentine) signed "O. Mukumbi" along base 22 x 12 x 12 inches Overall excellent condition with no signs of wear or damage. Obert Mukumbi was born on February 11, 1974 in the village of Dengu in Bindura, some 86 kilometers north east of Harare, Zimbabwe, where he likewise completed his O-levels in school. During his education, he was interested in wood craft. By age twelve, however, he began working in stone under the guidance and encouragement of his brother Kennedy...

'Playing Sisters' is an original black serpentine sculpture by the celebrated second generation Shona artist Colleen Madamombe. The sculpture presents a character common to Madamombe...

A very good antique Neo-Classical bronze of a Bacchante or Maenad, by Spanish sculptor Gustave Obiols Delgado (1858-1902). The sculpture circa 1890. This large & very attractive, fin...

Ben Young’s sculpture fluidly blends glass, concrete, bronze, steel, and light to depict romantic and pensive imagery highlighting the fragility of our climate and its most precious resource – water. Born in Australia and raised in New Zealand, Young is an avid surfer and environmentalist, inspired by a lifetime on and around oceans, bays, and reefs, with an intimate understanding of the challenges our precious ecosystems face. Young’s thought-provoking sculpture shows great range, portraying the beauty and solitude of life on the ocean, haunting depths of the deep sea, and stunning and relaxing upside of island life. Water is many things to many people, which Young encapsulates brilliantly in his work, encompassing themes of sustainability throughout. Using concrete to create mountains, crevasses, sand bars, and cliffs, Young’s innovative use of materials is transportative. With hand-carved glass as his guiding medium, Young amplifies light and its relationship with water – our most sacred element – to create a glowing unity that people from around the world connect with on a personal level, whether they are beachside or in the Desert. Ben Young’s exhibition Delicate Space at Chesterfield Gallery...

Jesús Curiá Perez Horse II bronze and artificial stone 27.50h x 22w x 9.50d in 69.85h x 55.88w x 24.13d cm JCP062 Jesús Curiá's sculptures arouse something more than purely aestheti...

First Bite,female figure holding apple,garden of eden,bronze sculpture Williams First Bite, female figure holding apple, garden of eden, bronze sculpture Expressing Situations and Beings in Human Form Sculptor Troy Williams unites the timeless and the contemporary in sculptures of rare beauty and meaning Beyond all the narrative potential of the three obvious physical dimensions of Troy Williams’ sculpture there are many other considerations that contribute greatly to the enjoyment, appreciation, and understanding of his entrancing 360-degree works of figurative art. Among these are the emotional responses and intellectual interpretations that first go into the artist’s creative process and then into every subsequent spectator’s viewings at least somewhat differently each time. Some artists insist on leaving these entirely up to each viewer, but Williams is glad to enrich the experience by inviting the viewer in for a little insight into the artist’s intention. Certain ambiguities and unintended provocations might otherwise arise, as Williams uses original combinations of materials or ideas in highly original ways. For the sophisticated clientele of Glenn Green Galleries Williams specializes in figurative and facial sculptures hewn from fallen woods he finds while running near his home in the mountains of north central New Mexico. Williams has in the past worked with exotic woods, but now avoids them in a desire to protect the people, plants, and animals that depend on a vibrant, healthy, and unexploited local ecosystems. Finding dead and downed wood also introduces an element of serendipitous chance into the sculptor’s process of selection and inspiration. Nature provides an exquisite mass of workable solids, surfaces, patterns, and curves in cottonwood and the many varieties of juniper this sculptor favors. Troy Williams simply rescues these from the elements and then elevates them to timeless treasures by relating them to themes that express our deepest nature. Awake to the most beautiful twists, turns, and striations already present in these found mediums, Williams is naturally and passionately drawn to every stage of freeing the underlying sculpture. Following the wood’s ingrained tendencies is always a creative guide for Williams. Growing up in an Indiana farming community, his dad a family practice doctor and his mother an artist, Troy has always felt an affinity for the earth and especially its mountains. He initially came west to study agriculture at Fort Lewis College in Durango, Colorado, attracted there by a setting where his athletic nature could find full expression. His interest in an agriculture career gave way to his love of the mountains. In order to continue living in them and enjoy the hiking, climbing, and running he also loved, Troy worked for several years in a solar business, progressing from manufacturing to installations to design. On a fortuitous errand for a cousin back home, Troy happened into silversmithing and began producing simple, hammered ear cuffs. At this point the artistic nature that he had earlier suppressed in favor of athletics began to emerge strongly, and he expanded into more complex designs as he learned and mastered goldsmithing and lapidary. Another quantum leap occurred when he made his first copper face for a pendant. He couldn’t wait to see the face on a larger scale and was eager for the challenge of learning another art. He began sculpting metal, then stone, then came upon wood as his medium of choice. Wood had immediate allure: scented, expanding, contracting, and seeming to breathe. Williams was seduced by its warmth, the play of light on the complexion of its grain, and the inherent life force so evident in wood. He also learned to coax creative advantage from some of wood’s pitfalls, like soft spots, tricky grains composed of woody xylem and softer phloem; and to avoid the conditions that make it splinter. A quality of segmentation or fragmentation characterizes Williams’s sculptures and provides great visual satisfaction along with intriguing thematic provocation. One is struck by the beautiful outlines that might never be apparent had Williams not removed segments or created interior voids expressly to reveal them. When sculpting a face, Williams focuses on aspects that are mask-like, floating, and alive with contours that might not be visible were the artist to sculpt the full head. The segmentation in his exquisitely refined female figurative works incorporates solids, hollows, and curvilinear elements for reasons that are at once artistic, philosophical, and experiential. Besides attending basic college art classes, to understand more fully the human figure, Troy spent a summer in Europe...

A 1:28 scale reproduction of the original statue in Piazza Affari in Milan, L.O.V.E. stands for Libertà, Odio, Vendetta, Eternità and is an anti-fascist statement. Maurizio Cattelan L.O.V. E. White 2014 Concrete sculpture 40 × 18 × 18 cm (15.7 × 7.1 × 7.1 in) Stamped by artist's estate Edition of 200 In mint condition With original packaging and accompanied by a certificate of authenticity The statue, which bears the title of L.O.V.E., stands for Libertà, Odio, Vendetta, Eternità (Freedom, Hate, Vengeance, Eternity),was created in 2010 to stay in Piazza Affari (business district) in Milan. The artist himself states that the statue is an anti-fascist statement, transforming Italy’s Fascist hand salute from the 1930s by cutting off the fingers and mutilating the hand. The fingers, except the medium one, are not flexed but cut off. Nevertheless the impression is an unambiguous “fuck you” to the world of bankers and CEOs.This edition, 1:28 scale reproductions of the original statue, was released by Seletti in May 2014 and is made of concrete painted white. “My ideas are all the same but look different.„ —Maurizio Cattelan ABOUT THE ARTIST Born in Padua, Italy, in 1960, Cattelan has no formal training and considers himself an “art worker” rather than an artist. He has said that in addition to reading art...

'Face' is an original cobalt sculpture by the Zimbabwean artist Obert Mukumbi. This sculpture demonstrates the artist's influence from the great Shona...

By Bob Ragan Indiana Limestone 36" x 12" x 9.5" 319 lbs