Wood Sculptures

Size includes wood mounting. George Aarons (born Gregory Podubisky, in St. Petersburg, Russia, 1896 - died in Gloucester, Massachusetts 1980) was a distinguished sculptor who lived ...

Rare and remarkable Anglo Indian box turtle tea caddy, the well marked upper shell hollowed and intricately filled with a star inlaid panel, the base with a lidded box, all in exotic...

"Small Sitting Figure V" is a bronze sculpture of a sitting nude female on a white wooden frame. Edition 18, signed, numbered and dated on the back. The wooden block can be hung on ...

Medium: bleached poplar, concrete As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the vis...

Sphere lamp d = 28cm rust with oak base oxidized 20x20x78. Customization possible and designed in 2010. Also available to order in stainless steel. You will find an exceptional and ...

Wooden sculpture

'We surround ourselves with elements from nature in the form of manicured lawns, sculpted trees, and our domesticated companions. We bend the natural world to our tastes and create a...

Blue circular wall sculpture with nautical relief, miniature figure and coastal imagery inspired by memory, travel and the emotional pull of the sea. Portami Al Mare (Bring Me to th...

Marble and Wood Sculpture 10 x 10 x 2.5 inches unsigned In this unique sculpture Duff Browne achieves a striking synthesis of rugged Western iconography and minimalist, high-materia...

The artwork is a three-state model of an inorganic body, beginning with a black, alien-like rock formation, which gradually unfolds as it evolves, revealing its contents as a whitish...

The object is a part of a furniture, glass door opening a little bit difficult to close, due to the age. Wood in good shape, probably end of 19th Century or early 20th Century. This ...

This mask was created by an unknown artist from New Guinea. It depicts an elongated face with carved wood and cowry shells for eyes. Mask: 29 x 8 in, incl...

This wall-mounted pop sculpture by María Magán consists of dozens of hand-molded silicone forms arranged in a dense gradient composition within a classical white wooden frame. Made f...

This wall-mounted pop object sculpture by María Magán features dozens of hand-molded chewing gum-like elements crafted in polyvinyl silicone, a material commonly used in dental pract...

Unknown Artist - The Cross of Salvation, Medium: Resin Cast and Wood Sculpture, Size: 18.5 x 12 x 6 in. (46.99 x 30.48 x 15.24 cm)

Lovelace’s Tribute 2018 sung by Christina Tsers This installation is in honor of Ada Lovelace, generally recognized as the first computer programmer. Lovelace was the daughter of ...

DAD HAT is a sculpture by Ray Padrón created in 2019 from painted and carved soft maple wood. The piece belongs to a series of work centering around clothing i...

Wood and iron sculpture realized by Tatiana Pomus in 1977. Exhibited at Quadriennale Nazionale d'Arte di Roma in the same year. Placed on a marble base. Height without base: 196 c...

This 5" hand-painted sculptural cube by Sofie Swann is made with acrylic paint and gesso on wood. It features a grey, white, and beige palette with imperfect white circular forms arr...

Joseph Havel Nothin, 2008 Double woven silk taffeta labels, acrylic construction, plywood 24 1/2 x 24 1/2 inches

The artistic collaboration of Kelly Bugden + Van Wifvat has produced a thought-provoking body of sculptures, paintings, and constructions. Nature, childhood memories, and everyday archetypes take shape in unexpected combinations of materials. The works emerged as the tactile and visual senses channeled the ritualistic power and materiality of selected artifacts. The resulting objects exist in a space between what they were originally and what they could become. A wheel, for example, is distorted as if seen through a prism. Their collaboration grew out of years of shaping materials into one-of-a-kind objects. Intuitively, the process of creating with their hands took an inward turn. Prism is a travelogue through memories and dreams, yielding abstract forms that capture moments of transformation. Van Wifvat grew up with eight siblings and studied sculpture and environmental design in Minneapolis at MCAD. In 1979, he opened a storefront art gallery to promote the work of local artists. The space featured printed materials—art books, periodicals, fanzines, and postcard’s. Wifvat moved to New York in 1983 to study at the Fashion Institute of Technology and Parsons. In 1987, he co-founded Van Gregory & Norton design studio, specializing in convex mirrors and curtain hardware...

Modern abstract brutalist metal sculpture by Houston artist Bob Fowler. The work features a skeletal figure welded in a box or locker. Firmly attached to a white and natural wood bas...

"Spomenik" is a wood wall sculpture. Made for repurposed oak, mahogany, walnut, leather, suede and brass tacks, the piece has an overtly architectural feel. Inspired by brutalist mo...

This Series focuses on the combination of wood and sleek modern painted panels. I feel they are retro-futurist. The juxtaposition of the organic and warm wood grain with jutting, sha...

"Gotham" is a minimalist and modernist, solid wood wall sculpture that brings bold statement to wherever it is placed. Artist Scott Troxel says "The piece is part of my popular "Sm...

"Balken" is a minimalist and modernist wood wall sculpture that brings bold statement to wherever it is placed. The piece was inspired by my love for brutalist architecture of the ...

"Tonka II" is the second piece in a 3 piece series of monochromatic wall sculptures. Tonka I features a matte off-white finish made from high end automotive enamel. The result is a ...

This shamanic figure was created by the Nepalese Dolpo people. It depicts a man with arms at his side. 11 1/2" x 2 1/4" x 1 1/2" figure Dolpo is a region in Nepal. The Dolpo peopl...

Basswood, white lacquer As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual languag...

This extraordinary garden torch "Wings" on oxidised oak pedestal is a real eye-catcher for your house or garden. The included burner already contains individual lava stones, so this...

This sculptural wall piece is crafted from two interlocking wooden elements forming a single 50 cm circle. The surface is deeply carved with an intricate network of intersecting line...

This sculptural wall piece consists of two wooden segments forming a divided circle. The surface is entirely hand-carved with a dense geometric grid, creating a rhythmic, almost arch...

This wooden wall sculpture is part of the “Tectonics” series. The series explores structure, tension, and the relationship between surface and depth. Through carving and controlled ...

"Vortex" is a sculptural wall piece carved from solid wood and shaped through fire, texture, and movement. The concentric patterns evoke the motion of water drawn into a vortex, whil...

"Vortex 03" is a sculptural wall piece composed of carved wooden elements that together form a circular structure. Through fire, texture, and relief carving, the work evokes the moti...

Extraordinary garden torch with one burner insert on an untreated oak spot. If the spot is set up outside, she develops a gray patina. There are already individual lava stones in th...

The name Ray Johnson most prominently refers to the seminal American artist Ray Johnson (1927–1995). Known as "New York's most famous unknown artist," he was a pioneer of Pop Art, Ne...

David E. Peterson Puzzle # 103, 2016 Maple, mdf, acrylic and uv resin 13h x 18w x 1.50d in 33.02h x 45.72w x 3.81d cm DAVID E. PETERSON (b. 1979, USA) An abstract painter inspired ...

Peyton Pickenpaugh says of her work… In my work, I explore the hidden histories of women, feminist reinterpretations of myth, and the spiritual resonance of materiality. Through lay...

With the exception of the dark metallic one they are transparent and opaque glass. I have shot the photos on a dark background so you can better see the images. they are signed in in...

This contemporary wall sculpture by Rod Mireau is made of black wood and resin. Growing up in farm country, early images of broken machinery and wooden farm buildings set against p...

Ancient Light is a remarkable fusion of Colombia Quartz, Quartz Crystal, Olive Wood, and a handcrafted steel base, illuminated with integrated LED lights that reveal the natural bril...

Medium: oak As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual language. The figur...

Extraordinary garden torch with one burner insert on an untreated oak spot. If the spot is set up outside, she develops a gray patina. There are already individual lava stones in th...

Calvin Marcus Monument 8, 2018 Wood, glass, hot glue, cardboard, plastic, paper pulp, sulfur, ash, gesso, Cel-Vinyl, flashe, watercolor and other media sculpture 22" high x 13 1/4" w...

ST.ROPER is a 3D-printed sculpture by Ray Padrón created in 2016. The piece belongs to a series of work centering around clothing items and their relation t...

Contemporary mixed media sculpture titled "Mini-Brut" (in a nod to Brutalism) by Spanish artist Rubén Sánchez in collaboration with Amber Stories. This sculptural work combines black...

This Golek puppet was made by an unknown Indonesian artist using wood and cloth. It is approximately 20" tall. Traditional Wayang Golek plays can be compared to European and North America: most performances revolve around Kings, Queens, Princes and Princesses who fight against evil, mystical, beings to (usually) end happily. Three-dimensional Indonesian puppets...

Michele Brody, Re-Blooms, Installation, Handcast Paper, Bamboo, 8'h x 5'w x 3'd, 2019 The essence of Michele Brody’s work thrives on the interaction with new communities and place-...

Abstract expressionist assemblage with found objects typical of an artist's studio floor by Bay Area artist Michael Pauker (American, b. 1957). Applied paint brushes, caps and tubes of paint, a few letters, putty knife, with splashes of color on wood. Unsigned. From the collection of the artist's work. Unframed. Image size: 11.25"H x 25.75"W Bay Area artist and art educator Michael Pauker was born in New York in 1957 and knew he wanted to be an artist from the age of 15. He earned a Bachelor’s in Fine Arts at SUNY Purchase in his native state of New York. In 1989 he went on to earn an M.F.A at Mills College in Oakland and was awarded the City of Oakland Artist Fellowship in Painting. He has been a Bay Area resident since 1988. His work has been exhibited widely across the U.S., as well as in Japan and Costa Rica, and is included in the collection of the Fine Arts Museums of San Francisco. Exhibitions include: 2007 Contemporary Art Museum, San Jose, Costa Rica 2007 “The Ebay Art Project,” Works/San Jose, San Jose, CA 2003 “Found Imagery: The Art of Collage,” Fresno Art Museum,Fresno, CA 2003 “Cut, Copy, Paste,” De Saisset Museum, Santa Clara, CA 2003 “20th Annual Exhibition,” Berkeley Art Center, Berkeley, CA 2002 “40 by 40...

Over many decades Loren Eiferman has created and mastered a unique technique of working with wood—her primary material. First, she begins with a drawing of an idea. Then she takes a daily walk in the woods surrounding her studio and collects tree limbs and long sticks that have fallen to the ground. She never chops down a living tree or uses green wood. Eiferman allows the wood time to cure in the studio to make sure it won’t check or crack. Next, she debarks the branch and looks for shapes found within each piece of wood. Using a Japanese hand saw, she cuts and connect these small shapes together using dowels and wood glue. Then, all the open joints get filled with a home made putty, which is then sanded so she can see the newly formed shapes. This process is until the new sculpture appears like the original line drawing but in space. She wants the work to appear as if it grew in nature, when in fact each sculpture is composed of over 100 small pieces of wood that are seamlessly jointed together. Her work can be called the ultimate recycling: taking the detritus of nature and giving it a new life. We have all at one point or another picked up a stick from the ground—touched the wood, peeled the bark off with our fingernails. Her work taps into that same primal desire of touching nature and being close to it. Trees connect us back to nature, back to this Earth. Her work has a meditative quality to it—a quiet, calming energy. Her influences are many; from looking at nature and plant life on this Earth to researching the heavenly bodies in the images beamed back from the Hubble Telescope. From studying ancient Buddhist mandalas and designs to delving deeper into quantum physics. And from researching mysterious manuscripts to studying the patterns inside our brains. Her newest body of work is inspired by the illustrations found in the Voynich Manuscript. This 250-page book, is believed to have been written in the early 15th century, of a mysterious origin and purpose. Written in an unknown language and currently housed at Yale University’s Beinecke Rare Book Library, the manuscript has eluded all attempts in the intervening centuries to decode or decipher its purpose and meaning. This enigmatic book is divided into 6 different sections (herbal, astronomical, biological, cosmological, pharmaceutical and recipes). Having discovered the images contained in this codex over the Internet, Eiferman felt an immediate, profound and inexplicable connection to this manuscript and its creator. The artist is currently transposing the “herbal” section of manuscript into sculptures. This section has drawings in it of plants and flowers that do not really exist in nature—past or present. These aren’t just pretty images of flowers—they also contain the wacky root systems and seemingly out of proportion leaves, stamens and pistils. Loren Eiferman was born in Brooklyn, NY. She received her BFA from SUNY Purchase. Her work has been exhibited extensively throughout the Tri-State region including gallery and museum exhibitions in the Hudson Valley and Connecticut. Her work is included in numerous corporate and private art collections. In 2014 she was awarded a NYC MTA Arts & Design art commission to produce steel railings...

Diane Englander uses formal means to create a place between discord and tranquility, a zone with a charged harmony that energizes as it also provides refuge. That often requires that the prettiness of an initial surface is made ugly, or there’s a conscious choice to avoid balance in the composition. Hers is a largely intuitive process, the materials entice her. Inspiration from the world that we don't call “art” is where she finds her muse: a wall, a landscape, a window shade transfused with light, a stretch of sand and shadow. Most influential are predecessors like Burri, Vicente, Tapies, Motherwell, Rauschenberg, medieval cloisonné, Vermeer, Breughel, and many, many more. A native New Yorker, Diane had an earlier career including 17 years as a management consultant to local nonprofits concerned with poverty or disenfranchisement; work in NYC government; and several years as a lawyer at a large NYC law firm. “I was brought up going to galleries and museums, a sometimes reluctant attendant to my parents’ passion for looking and for collecting. My own expressive energy must have simmered internally for years, occasionally emerging in photography, in quilt-making, in other tentative explorations, and certainly in providing opportunity and materials for my children to create. Not until those children were nearly grown did I come unequivocally to the need to make art myself.” In late 2006 Diane began making collages that started her on her current path; in late 2007 she left her consulting job to focus on her artwork full-time. She has studied with Bruce Dorfman at the Art Students League in New York, and has had solo exhibits at the Alexey von Schlippe...

Diane Englander uses formal means to create a place between discord and tranquility, a zone with a charged harmony that energizes as it also provides refuge. That often requires that the prettiness of an initial surface is made ugly, or there’s a conscious choice to avoid balance in the composition. Hers is a largely intuitive process, the materials entice her. Inspiration from the world that we don't call “art” is where she finds her muse: a wall, a landscape, a window shade transfused with light, a stretch of sand and shadow. Most influential are predecessors like Burri, Vicente, Tapies, Motherwell, Rauschenberg, medieval cloisonné, Vermeer, Breughel, and many, many more. A native New Yorker, Diane had an earlier career including 17 years as a management consultant to local nonprofits concerned with poverty or disenfranchisement; work in NYC government; and several years as a lawyer at a large NYC law firm. “I was brought up going to galleries and museums, a sometimes reluctant attendant to my parents’ passion for looking and for collecting. My own expressive energy must have simmered internally for years, occasionally emerging in photography, in quilt-making, in other tentative explorations, and certainly in providing opportunity and materials for my children to create. Not until those children were nearly grown did I come unequivocally to the need to make art myself.” In late 2006 Diane began making collages that started her on her current path; in late 2007 she left her consulting job to focus on her artwork full-time. She has studied with Bruce Dorfman at the Art Students League in New York, and has had solo exhibits at the Alexey von Schlippe...

Medium: Walnut and paint As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual langua...

Andisheh Avini Iranian-American (b. 1974) Untitled III (2007) Collage of Arabic or Persian Islamic calligraphic script texts. Artist shaped frame Signature stamp and I-20 (New York) ...

Profound Sculpture, in Excellent condition, created in Gold Leaf, Ebony and Wood hand-painted by Sculptor Lorenzo Servalli to narrate, in the year 1999, the Metaphor of Life, represented by Icarus, symbol of all of us, the Good People, who intensely Live each moment, as if it were the last, dancing together with the Beloved Person, surrounded by the difficulties of every day, symbolized by the Theater, almost frightening, in its red fire, with its stages, inscrutable, just as unknown is every future moment, yearning for Happiness... represented, from Above, with the Golden Sun...

Carved pine wood double figure sculpture depicting two intertwined human forms joined through a single continuous gesture. The Other Self is a unique hand-carved sculpture in which ...

Large carved wood standing figure sculpture assembled from geometric timber elements and expressive hand-carved forms. The Walker transforms the human body into an architectural con...

Mint Excess 2 by Chloe Hedden is a refreshing exploration of color and texture, evoking a sense of tranquility and renewal. The cool, vibrant mint hue is both soothing and invigorati...

Framed Hmong Ethnic Necklace, Silver Plated Metal, 20th Century – Laos, Thailand Extraordinary and rarely seen ethnic necklace made of silver plated metal, from Thailand. Recently f...