1970s Sculptures

The Herons, pair of chiseled bronze subjects, the body with a green patina and the head with a purple patina, 1960s-1970s. The two herons or storks are presented in different attitud...

A fine & large bronze sculpture "Basket Dancers", by the celebrated American sculptor Glenna Goodacre (1939-2020). A beautiful and sensitively rendered bronze sculptural group depict...

Wonderful small scale abstract figurative stone Venus sculpture by Doris Ann Warner (American, 1925-2010), 1975. A highly abstracted female form is expressed through the organic, fl...

Bronze, dark and brown patina, realized in 1973. Dali's printed signature in on the plinth. Edition 616/1000 on the side. Foundry stamp "Fonderia Venturi". Published by Euro Art. ...

This is an artwork created by the well known Italian artist Carmelo Cappello. It is a multiple, an Abstract Sculpture one of the identical 99 specimen edited in 1978. This piece is ...

Arman Temps 2 (Mecanismes de montres) 1976 Accumulation of watch parts on three sheets of Plexiglas, encased in a box Dimensions: 18.125 h × 18.125 w × 4.375 d in (46 × 46 × 11 cm) H...

This Estuardo Maldonado sculpture in engraved stainless steel, it's a unique artist's one-of-a-kind piece. The support is in satinated steel.

One of a kind sculpture by Noche Crist (1909-2004). Noche Crist was an American artist born in Romania. Sculpture is made from polyester resin. Catalogue of a postumous retrospective...

Modern Abstract Bronze Sculpture #79 Dynamic bronze sculpture by Doris Ann Warner (American, 1925-2010), circa 1970. This piece is twisted and folded in on itself, implying movement...

"Carta Series # 45, Paper Imbeds" Experimental Printmaking Wall Sculpture Handmade paper sculpture by Harold Paris (American, 1925-1979). This piece exemplifies post-minimalist and ...

Wonderful small scale abstract figurative stone Venus sculpture by Doris Ann Warner (American, 1925-2010), 1975. A highly abstracted female form is expressed through the organic, fl...

Mario Ceroli (Italian, 1938-) Untitled c. 1970 Wood collage on paper Cut wood attached to paper, depicting multiple figures facing each other. Hand signed and numbered to lower right 'Ceroli prova d'artista'. This work is an artist's proof. (not sure of edition) Dimensions: Framed 35.5 x 47.5. sheet 27.25 x 39.5 Provenance: Basel Art Fair, 1976 CDS Gallery, New York (bears label verso) Exhibited: Emilio Cerolli, 1976, Sala Funacion Mendoza, Caracas, Venezuela, An International Scene, 20 September - 20 December 2003, CDS Gallery, New York Mario Ceroli, born 1938 in Castel Frentano, Province of Chieti, Italy Mario Ceroli is an Italian sculptor. His work has been exhibited at the Museum of Modern Art in New York City and the Mississippi Museum of Art in Jackson, Mississippi. Ceroli is one of the most influential artists of the Italian post-war period. Ceroli moved to Rome at the age of ten where he later graduated from 'Accademia delle Belle Arti'. At the Art Institute he worked under the guidance of Leoncillo Leonardi, Pericle Fazzini and Ettore Colla, where he experimented with the use of ceramic. In 1958, he first exhibited these works at the Premium Spoleto. In the same year Ceroli held his first solo exhibition at Galleria San Sebastianello of Rome. During 1959 he began to experiment with new materials, particularly with raw wood, such as Russian pinewood. He used these materials to create silhouetted shapes in his furniture and objects that related simplistically to the surrounding space. In the 1960's Ceroli took part in exhibitions related to the "Arte de Povera" group. He had also been involved as screenplay director collaborating with "II Teatro Stabile" in Turin and with "La Scala" In Milan. He was part of the generation of Italian post war artists that included Aligliero Boetti, Lucio Fontana, Alberto Burri, Pino Pascali, Piero Manzoni, Enrico Castellani, Arnaldo Pomodoro, Michelangelo Pistoletto, Mimmo Rotella, Emilio Vedova. One of Ceroli's major works was his 'Mobili nella Valle' series, inspired directly by the Giorgio De Chirico 1927 painting...

Wall sculpture assemblage by Gertie Lowe, from 1978, is a conceptual abstract with everyday objects. Muted neutral tones are contrasted with vibrant accents. Signed and dated verso...

Here for your consideration is an original beautifully patinated solid bronze standing female nude by the Bulgarian/American artist, Ana Ranguel Daltchev. Incised artist signature o...

Victor Vasarely (1908-1997) Axo This piece is hand signed and numbered circa 1972-1977 I have seen it described as enamel on steel and enamel on aluminium. it is a serigraph on meta...

Untitled, 1975 Bronze ED. 1 of 6 20 x 6 x 4 in Literature: Le Minotaure. Cardenas 1925-2001. May 15 - June 15, 2003. Illustrated on page 9 of the catalog.

"Carta Series # 45, Paper Imbeds" Experimental Printmaking Wall Sculpture Handmade paper sculpture by Harold Paris (American, 1925-1979). This piece exemplifies post-minimalist and ...

Victor VASARELY ( 1906 -1997 ) VEGA MIR Sérigraphie sur verre signée au recto et au verso . Edition sur 200. Extrait de l'album BACH 1973. 50 X 50 X 7cm .

A unique carved marble sculpture by well-known Italian/Venezuelan Kinetic Artist, Domenico Casasanta (1935 - ). It is signed and dated 1972. Artist: Domenico Casasanta, Italian (1...

Petite Cuirasse Bronze Torso Sculpture Igot Mitoraj (Polish, 1944-2014) signed in the mold, from an unnumbered edition of 1500 bronze with gilt patina on lucite base. Dimensions of...

Raul Diaz (Argentina, b.1950). Abstract Figure, ca. 1970s. Canved Walnut. Measures 17 inches tall including wood base. Carved signature in lower region. Excellent condition. An ear...

Victor VASARELY ( 1906 -1997 ) VEGA MIR Sérigraphie sur verre signée au recto et au verso . Edition sur 200. Extrait de l'album BACH 1973. 50 X 50 X 7cm .

A Rosenthal decorative plate created in collaboration with German artist Gunter Fruhtrunk dating from 1974. A modern design in Fruhtrunk's c...

An official artist of the Nazi regime, trained in Montparnasse in the 1930s, Arno Breker continued to sculpt after the fall of the Third Reich, producing large-scale public commissions in Germany and portraits of prominent figures. The two small bronzes presented here, dated around 1978, are part of a long tradition of prancing horses dating back to antiquity. The asymmetrical treatment of the two front legs and the inclination of the head make these two copies of the same artwork a highly decorative pair. 1. Arno Breker, a prolific sculptor, from the Bohemia of Montparnasse to the commissions from the Third Reich ... and from the Federal Republic of Germany The son of a stone carver, Arno Breker studied fine art and anatomy in his native Elberfeld. At the age of 20, he entered the Düsseldorf Academy of Art. He moved to Paris in 1926, where he continued his training in the studio of Maillol, who dubbed him "the German Michelangelo of the twentieth century". He shared a studio with Alexandre Calder and frequented Jean Cocteau, Foujita, Brancusi, Pablo Picasso and other artists of the bohemian Paris of the time. It was also in Paris in 1933 that he met Demetra Messala, the daughter of a Greek diplomat who posed for Maillol and Picasso, whom he married in 1937. Having won the Prussian Prix de Rome in 1932, he left Paris to stay at the Villa Massimo, the German Academy in Rome. Returning to Germany in 1934, his style evolved towards a more marked imitation of ancient sculpture. He created two monumental statues for Berlin's Olympic Stadium, before being appointed professor at the Berlin College of Fine Arts in 1937. He came to the attention of the Reich Propaganda Ministry, which awarded him several commissions and provided him with three large studios in which Breker produced many monumental sculptures to the glory of the regime. On June 23, 1940, Breker accompanied Adolf Hitler during a visit to Paris. During the Occupation, his political connections enabled him to intervene on behalf of many artists pursued by the Nazis: for example, he protected Pablo Picasso (then a Communist) from Kommandantur officers. Most of Arno Breker's work was destroyed in Berlin at the end of the war in 1945 by bombing and intentional destruction perpetrated by soldiers of the victorious powers. After the fall of the Nazi regime, however, Arno Breker was never prosecuted. He opened a new studio in Düsseldorf, where he sculpted until his death in 1991. He then carried out several public commissions in Germany (Bayreuth, Wuppertal), as well as portraits of numerous personalities, including King Mohammed V of Morocco, Léopold Sedar Senghor (commissioned by the Académie Française in 1978) and the two chancellors of the Federal Republic of Germany, Konrad Adenauer and Ludwig Erhard. The Arno Breker Museum in Nörvenich is now exhibiting some of his artworks. 2. Related artworks: from the Wild Horses of the Quirinal to the Horses of Marly The prancing horse is a major iconographic theme, found in a series of sculptures from Antiquity, the Renaissance and the Classical Age. Various photos from Arno Breker's studio in Berlin confirm the predominant place of equine representations in his work (alongside male nude statues), and confirm that this reduced version created in 1978 is part of the artist's preferred repertoire. Prancing horses are generally associated with a male figure in a group that, through a reference drawn from Antiquity, symbolizes man's domination over nature. In this respect, it is very interesting to compare our small bronzes with the horse forming part of a large sculpture by Arno Breker (made in 1936 and probably destroyed in 1945) depicting Alexander taming Bucephalus. This statue is itself directly inspired by one of the best-known works of 18th-century French sculpture...

FINE ART ACQUISITIONS ARTIST: Salvador Dali TITLE: Song of Songs of Solomon Sculpture MEDIUM: Bronze medal SIGNED: Signed in the sculpture, not hand signed MEASUREMENTS: sc...

Janus. Pair of bronze sculptures. Edition by Artcurial. Numbered 27/250 and 28/250. He was born Henri Étienne-Martin 4 February 1913 in Loriol, Drôme, France. He attended the Ecole des Beaux Arts de Lyon from 1929 to 1933, where he met Marcel Michaud. Martin moved to Paris in 1934, working at the studio of Charles Malfray at the Académie Ranson where he came into contact with such painters as Roger Bissière, Jean Le Moal, Jean Bertholle, Alfred Manessier, Zelman, Véra Pagava...

This superbly handcrafted abstract wooden wall art sculpture panel was designed by French artist Maxime Tendero (1927-1998) in 1973. Mounted o...

Serie Sintesis Jesus Rafael Soto, Venezuelan (1923–2005) Date: 1979 Screenprint on Plexiglass and Metal Rods Edition of 36/110 Size: 11.8 x 27.5 x 5 in. (29.97 x 69.85 x 12.7 cm) Pub...

A fine & large bronze sculpture "Basket Dancers", by the celebrated American sculptor Glenna Goodacre (1939-2020). A beautiful and sensitively rendered bronze sculptural group depict...

Jules Agard ( 1905 - 1986 ) " Tête de femme " Sculpture surréaliste réalisée en terre rouge de Salernes et montée au tour . le corps est bombé et creusé alternativement . le col se...

Sculpture art using Ping Pong balls and color markers by Roger Coast (American, 20th Century), circa 1970's. Size 11"H x 11"W, x .5"D lacquer ping-pon...

Eilene, bronze portrait, female by John Waddell, Arizona sculptor Waddell was born in Des Moines, Iowa in 1921 and moved to Evansville, Indiana at the age of ten. There he began to ...

Melanie Sherman Vintage Moth III (Hand-Painted, Gold Luster, Vintage Imagery) Porcelain, Glaze, Overglaze, Chinapaints, 24k German Gold Luster Year: 2025 Size: 4.5 x 6 x 0.5 inches S...

Beautiful ca. 1970s sculpture depicting African boy. Carved and stained hardwood. Some splits in wood consistent with age, not damage. Signed indistinctly on back of platform.

Discover the Essence of Joy: Karel Appel's "Clown Cat" 9/10 Limited Edition Sculpture in Acrylic on wood. Crafted from the finest wood, its playful contours and vibrant hues captiva...

Yaacov Agam, Purple blue, Kinetic art, Israeli art most, Israeli art

CLAUDE LALANNE (1925-2019) Pomme Bouche circa 1975 Ed. 250 pcs Bronze with a golden patina 13.5 x 12 x 11.5 cm Monogrammed, signed and numbered underside : CL, Lalanne, 177/250 Certi...

Sam Gilliam (1933–2022) is beloved as one of the 20th century's most important abstract artists. He was a true innovator in the evolution of American abstraction. Several groundbreak...

Original stainless steel sculpture. Incised "Leon Ferrari 1978" on a metal plaque affixed to the lower area of the sculpture. Certificate of Authenticity is included. Please do n...

ARNALDO POMODORO Medaglia 25 Anni Tecno (Two Sided Bronze Medallion), 1979 Bronze (incised signature) 2 1/2 × 2 × 7/10 inches Edition 196/1600 Unframed This beautiful two sided limit...

Salvador Dali Fecundity - Bas Relief Silver Sculpture, 1977 Dimensions: 24 x 18 cm Framed: 38 x 33 cm Signed on the bas relief and printed signature on the certificate on the back. ...

Retaining a fine patina and in overall good condition. Signed with initials SB. I believe the edition size was 7 But I cannot find a mark. Stanley Bleifeld (1924 – 2011) was an American sculptor. Stanley Bleifeld was born and raised in Brooklyn, New York, Bleifeld earned bachelor of fine arts, bachelor of science in education and in 1949 a master of fine arts degree in painting at Tyler School of Art of Temple University. After a trip to Rome in 1959 or 1960 he gave up painting for sculpture. He began his fine-art career as a painter. However, a visit to Italy and exposure to the bronzes of Donatello, Michelangelo, and Ghiberti changed his direction He worked with the Art Foundry of Massimo del Chiaro and alongside artists such as Lucchesi, Harry Marinsky, Fernando Botero, Igor Mitoraj and Ivan Theimer. Many of his early pieces were religious subjects, and reflected both painting and sculptural techniques in bas reliefs* that had "liquid landscapes in undulating reliefs and free-flowing portraits reminiscent of classical fragments" (166-167). He later turned from these abstract pieces to more realistic figures in bronze. Bleifeld was a National Academician in Sculpture, and a member of the National Academy of Design, and helped set policy for that organization. He was also President of the National Sculpture Society. Past presidents of the society have included John Quincy Adams Ward, James Earle Fraser, Chester Beach, Wheeler Williams, Leo Friedlander, Neil Estern, and Cecil de Blaquiere Howard. The first woman to gain admission into the NSS was Theo Alice Ruggles Kitson, in 1893. She was followed a few years later by Enid Yandell and Bessie Potter Vonnoh in 1898; Janet Scudder in 1904; Anna Hyatt Huntington in 1905 and Evelyn Longman and Abastenia St. Leger Eberle in 1906. In 1946, Richmond Barthé was likely the first African-American to be admitted. In 1994, the NSS held their first exhibition outside the United States at the Palazzo Mediceo Di Seravezza in Italy. Titled “100 Years of the National Sculpture Society of the United States of America in Italy” it ran from the 16th of July through the 4th of September and was curated by Nicky and Stanley Bleifeld along with Costantino Paolicchi, Lodovico Gierut and Paolo Giorgi. Among the 60 notable American sculptors whose work was selected for the exhibition were Stanley Bleifeld, Andrew DeVries, Neil Estern, Leonda Finke, Bruno Lucchesi, Barbara Lekberg...

This is an original wooden sculpture with hand painting on both sides. it does not appear to be signed or numbered and does not currently have any label. I believe this might be the ...

Henry Moore (1898-1986) is one of the most revered and influential British artists of the 20th century. While he worked in a number of different media and styles, Moore is best known...

Bronze sculpture of blind Samson collapsing the temple in the ultimate act in the story of Samson and Delilah created by American artist Arnold Goldstein...

Victor Vasarely “Zebra” 1977 Porcelain Rosenthal Ed. 2761 of 3000 14 x 12 in

Allan Houser (Haozous), Chiricahua Apache 1914-1994 recipient of the National Medal of Arts in 1992. Allan Houser's father Sam, was part of the small band of Apaches who traveled wit...

Terracotta Sculpture by Swedish artist Evert Lindfors (1927-2016), made in the 1970s. Evert moved to France in the 1940s where he studied at the École des Beaux-Arts in Paris. He worked from the mid-1950s as a painter in Lacoste in Provence, France. Towards the end of the 1960s, he switched to terracotta sculpture. He met his friend Torsten Renqvist...

Bronze medallion depicting a Pueblo Buffalo Dancer in relief form. Among Houser's first bronze work created and cast in the artist's lifetime at Nambe Foundry in New Mexico. Allan Houser...

Il Trovatore, Chirico, Multiples, 1970's, Bronze, Sculpture, Surrealiste Il trovatore Ed. 250 pcs 1971 Bronze with silver patina H. 31 cm Signed and date...

Elza Mayhew (1916-2004) was known for her abstract bronze sculptures, many large scale, that were described by Colin Graham of the Art Gallery of Greater V...

Edris Eckhardt (American, 1905-1998) Vernal Equinox, c. 1975 Bronze Signed on base 16.5 x 4 x 3 inches Born in Cleveland, Ohio January 28, 1905, Edris was given the name Edythe Alin...

Paul Wunderlich Leaf Bronze Sculpture Signed, Numbered 248/350 Dated 1979 Paul Wunderlich, (1927 - 2010) Born in Eberswalde on 10 March 1927. The German painter studied at the K...

This is an artwork created by the well known Italian artist Carmelo Cappello. This Carmelo Cappello Abstract Sculpture is a very interesting example of the approach of the artist to...

Terracotta Sculpture by Swedish artist Evert Lindfors (1927-2016), made in the 1970s. Evert moved to France in the 1940s where he studied at the École des Beaux-Arts in Paris. He worked from the mid-1950s as a painter in Lacoste in Provence, France. Towards the end of the 1960s, he switched to terracotta sculpture. He met his friend Torsten Renqvist...

Plains Indian Medallion, bronze, Nambe, Allan Houser, small life-time casting Allan Houser (Haozous), Chiricahua Apache 1914-1994 recipient of the National Medal of Arts in 1992. Allan Houser's father Sam, was part of the small band of Apaches who traveled with Geronimo and surrendered in southern Arizona in 1886. Allan's parents were imprisoned with that group in Ft. Sill, Oklahoma. He was the first child to be born in freedom to those Apaches and a fluent speaker of the Chiricahua language. Allan Houser is an important artist in that he is of the culture he depicts in his artwork. Allan's parents would tell stories and sing songs recalling the experiences on the war path. This bronze edition is a life-time casting. Our gallery represented Allan Houser from 1974 until his passing in 1994 and were investors and provided quality control in the foundry process. Allan Houser's work is many international collections including the Georges Pomidou Centre, The Smithsonian National Portrait Gallery, The Dahlem Museum among others. Allan’s first bronze sculptures were started in the late 1960’s and were cast at Nambe Foundry. At the time the foundry was producing both Nambeware and was doing some sculptural foundry work. There was a fire at Nambe and they lost many of the molds for sculpture as well as their records. We acquired these works directly from Allan Houser. Allan Houser (Haozous), Chiricahua Apache (1914-1994) Selected Collections Centre Georges Pompidou, Paris, France * “They’re Coming”, bronze Dahlem Museum, Berlin, Germany Japanese Royal Collection, Tokyo, Japan “The Eagle”, black marble commissioned by President William J. Clinton United States Mission to the United Nations, New York City, NY *"Offering of the Sacred Pipe”, monumental bronze by Allan Houser © 1979 Presented to the United States Mission to the United Nations as a symbol of World Peace honoring the native people of all tribes in these United States of America on February 27, 1985 by the families of Allan and Anna Marie Houser, George and Thelma Green and Glenn and Sandy Green in New York City. National Portrait Gallery, Smithsonian, Washington, DC * Portrait of Geronimo, bronze National Museum of American Art, Smithsonian, Washington, D.C. * “Buffalo Dance Relief”, Indiana limestone National Museum of the American Indian, Smithsonian, Washington, D.C. *Sacred Rain Arrow, (Originally dedicated at the US Senate Committee on Indian Affairs, US Senate Building) “Goat”, “To The Great Spirit” - dedicated in 1994 at the Vice President’s Residence in Washington, D.C.. Ceremony officiated by Hillary Rodham Clinton and Tipper Gore. Oklahoma State Capitol, Oklahoma City, Ok * “As Long As the Waters Flow”, bronze Gilcrease Museum, Tulsa, OK *Sacred Rain Arrow, bronze Fort Sill, Oklahoma *”Chiricahua Apache Family”, bronze Donated and dedicated to Allan Houser’s parents Sam and Blossom Haozous by Allan Houser and Glenn and Sandy Green The Heard Museum, Phoenix, Arizona *Earth Song, marble donated by Glenn and Sandy Green   The Clinton Presidential Library, Arkansas * “May We Have Peace”, bronze The George H.W. Bush Presidential Library, College Station, Texas *"Offering to the Great Spirit", bronze The British Royal Collection, London, England *Princess Anne received "Proud Mother", bronze in Santa Fe Allan Houser’s father Sam Haozous, surrendered at the age of 14 with Geronimo and his band of Warm Springs Chiricahua Apache people in 1886 in Southern Arizona. This was the last active war party in the United States. This group of Apache people was imprisoned for 27 years starting in Fort Marion, Florida and finally living in captivity in Fort Sill, Oklahoma. Allan Houser was born in 1914. His artwork is an ongoing testimony to Native life in America – its beauty, strength and poignancy. Allan Houser is from the culture and portrayed his people in an insightful and authentic way. Because of the era in which he lived, he had a rare understanding of American Indian life. Allan was the first child born after the Chiricahua Apaches were released from 27 years of captivity. Allan grew up speaking the Chiricahua dialect. Allan heard his father’s stories of being on the warpath with Geronimo and almost nightly heard his parents singing traditional Apache music. Allan’s father knew all of Geronimo’s medicine songs. Allan had an early inclination to be artistic. He was exposed to many Apache ceremonial art forms: music, musical instruments, special dress, beadwork, body painting and dynamic dance that are integral aspects of his culture. His neighbors were members of many different tribes who lived in Oklahoma. Allan eagerly gained information about them and their cultures. Allan gathered this information and mentally stored images until he brought them back to life, years later, as a mature artist. Allan Houser was represented by Glenn Green Galleries (formerly known as The Gallery Wall, Inc.) from 1973 until his death in 1994. The gallery served as agents, advocates, and investors during this time. In 1973 the Greens responded enthusiastically to the abstraction and creativity in Houser’s work. They were impressed, not only with his versatility and talent but with the number of mediums he employed. His subject matter was portrayed in styles ranging from realism, stylized form to abstraction. With encouragement from the Greens, Houser at the age of 61, retired from his post as the head of the sculpture department at the Institute of American Indian Arts in Santa Fe, New Mexico in 1975 to begin working full-time creating his art. The next 20-year period was an exciting time for Allan, the gallery, and for the Green family. He created a large body of sculpture in stone, wood and bronze. For many years Glenn Green Galleries co-sponsored many editions of his bronzes and acted as quality control for the bronze sculptures according to Houser’s wishes. As both agents and gallery representatives, the Greens promoted and sold his art in their galleries in Phoenix and Scottsdale, Arizona and in Santa Fe, New Mexico. They had bi-annual exhibits in their galleries to feature Houser’s newest work and sponsored and arranged international museum shows in America, Europe and Asia. They travelled for these events including a trip to Carrara, Italy to the famed quarries of Michelangelo and together co-financed and arranged the purchase of 20 tons of marble. A watershed event for Allan Houser’s career occurred in the early 1980’s when Glenn Green Galleries arranged with the US Information Agency a touring exhibit of his sculpture through Europe. This series of exhibits drew record attendance for these museums and exposed Houser’s work to an enthusiastic art audience. This resulted in changing the perception of contemporary Native art in the United States where Houser and Glenn Green Galleries initially faced resistance from institutions who wanted to categorize him in a regional way. The credits from the European exhibits helped open doors and minds of the mainstream art community in the United States and beyond. Senator Daniel Inouye of Hawaii was a supporter of Allan Houser’s artwork. We worked with Senator Inouye on many occasions hosting events at our gallery and in Washington D.C in support of the formation of the Smithsonian’s National Museum of the American Indian in Washington, D.C. and other causes supporting Native Americans. Allan Houser is shown below presenting his sculpture “Swift Messenger” to Senator Inouye in Washington, D.C.. This sculpture was eventually given to the National Museum of the American Indian, Smithsonian’s permanent collection. It is now currently on loan and on display in the Oval Office. President Biden’s selection of artwork continues our gallery’s and Allan’s connection to the White House from our time working with Allan Houser from 1974 until his passing in 1994. “It was important for President Biden to walk into an Oval that looked like America and started to show the landscape of who he is going to be as president,” Ashley Williams...

Artist: James Rosenquist (1933-2017) Title: Carousel, State II (Glenn 131A) Year: 1978 Medium: Etching & Aquatint on Pescia Italia paper Edition: 21/78, plus proofs Size: 22.75 x 40 ...

Vasarely, Victor Oltar Zoelo - I - 1970's Multi Wave Cube Silkscreen, Acrylic Glass sculpture Hand Signed And Numbered in black marker. Edition: 115/200 Size with base: 7.5 x 4 x 4 i...

Evocative figurative abstract sculpture of the head of a tribal creature by Nathaniel Sirles (American, b. 1954). Signed and dated "N. Sirles 1970" on the bottom. Sirles completed th...

Wonderful and one of a kind nude sculpture by Noche Crist (1909-2004). Sculpture is made from polyester resin. Catalogue of a postumous retrospective in 2008 at the American Universi...

This elegant stainless steel sculpture relies on forms that change according to the angles at which the piece is observed. It rests on three points that change as the piece is moved....

Jesus Rafael Soto "Hannover" 1970 Color silkscreen on transparent plexiglass panel, metal rods on nylon threads. It has the original box. 7 x 21 x 5 in Ed. 170 of 200 Provenance: Va...

Indian Ponies, realistic bronze sculpture, dark brown patina, horses, Nambe Foundry limited edition bronze solid casting Allan Houser (Haozous), Chiricahua Apache (1914-1994) Selec...

Plains Indian Medallion, bronze, Nambe, Allan Houser, small life-time casting Allan Houser (Haozous), Chiricahua Apache 1914-1994 recipient of the National Medal of Arts in 1992. Allan Houser's father Sam, was part of the small band of Apaches who traveled with Geronimo and surrendered in southern Arizona in 1886. Allan's parents were imprisoned with that group in Ft. Sill, Oklahoma. He was the first child to be born in freedom to those Apaches and a fluent speaker of the Chiricahua language. Allan Houser is an important artist in that he is of the culture he depicts in his artwork. Allan's parents would tell stories and sing songs recalling the experiences on the war path. This bronze edition is a life-time casting. Our gallery represented Allan Houser from 1974 until his passing in 1994 and were investors and provided quality control in the foundry process. Allan Houser's work is many international collections including the Georges Pomidou Centre, The Smithsonian National Portrait Gallery, The Dahlem Museum among others. Allan’s first bronze sculptures were started in the late 1960’s and were cast at Nambe Foundry. At the time the foundry was producing both Nambeware and was doing some sculptural foundry work. There was a fire at Nambe and they lost many of the molds for sculpture as well as their records. We acquired these works directly from Allan Houser. Allan Houser (Haozous), Chiricahua Apache (1914-1994) Selected Collections Centre Georges Pompidou, Paris, France * “They’re Coming”, bronze Dahlem Museum, Berlin, Germany Japanese Royal Collection, Tokyo, Japan “The Eagle”, black marble commissioned by President William J. Clinton United States Mission to the United Nations, New York City, NY *"Offering of the Sacred Pipe”, monumental bronze by Allan Houser © 1979 Presented to the United States Mission to the United Nations as a symbol of World Peace honoring the native people of all tribes in these United States of America on February 27, 1985 by the families of Allan and Anna Marie Houser, George and Thelma Green and Glenn and Sandy Green in New York City. National Portrait Gallery, Smithsonian, Washington, DC * Portrait of Geronimo, bronze National Museum of American Art, Smithsonian, Washington, D.C. * “Buffalo Dance Relief”, Indiana limestone National Museum of the American Indian, Smithsonian, Washington, D.C. *Sacred Rain Arrow, (Originally dedicated at the US Senate Committee on Indian Affairs, US Senate Building) “Goat”, “To The Great Spirit” - dedicated in 1994 at the Vice President’s Residence in Washington, D.C.. Ceremony officiated by Hillary Rodham Clinton and Tipper Gore. Oklahoma State Capitol, Oklahoma City, Ok * “As Long As the Waters Flow”, bronze Gilcrease Museum, Tulsa, OK *Sacred Rain Arrow, bronze Fort Sill, Oklahoma *”Chiricahua Apache Family”, bronze Donated and dedicated to Allan Houser’s parents Sam and Blossom Haozous by Allan Houser and Glenn and Sandy Green The Heard Museum, Phoenix, Arizona *Earth Song, marble donated by Glenn and Sandy Green   The Clinton Presidential Library, Arkansas * “May We Have Peace”, bronze The George H.W. Bush Presidential Library, College Station, Texas *"Offering to the Great Spirit", bronze The British Royal Collection, London, England *Princess Anne received "Proud Mother", bronze in Santa Fe Allan Houser’s father Sam Haozous, surrendered at the age of 14 with Geronimo and his band of Warm Springs Chiricahua Apache people in 1886 in Southern Arizona. This was the last active war party in the United States. This group of Apache people was imprisoned for 27 years starting in Fort Marion, Florida and finally living in captivity in Fort Sill, Oklahoma. Allan Houser was born in 1914. His artwork is an ongoing testimony to Native life in America – its beauty, strength and poignancy. Allan Houser is from the culture and portrayed his people in an insightful and authentic way. Because of the era in which he lived, he had a rare understanding of American Indian life. Allan was the first child born after the Chiricahua Apaches were released from 27 years of captivity. Allan grew up speaking the Chiricahua dialect. Allan heard his father’s stories of being on the warpath with Geronimo and almost nightly heard his parents singing traditional Apache music. Allan’s father knew all of Geronimo’s medicine songs. Allan had an early inclination to be artistic. He was exposed to many Apache ceremonial art forms: music, musical instruments, special dress, beadwork, body painting and dynamic dance that are integral aspects of his culture. His neighbors were members of many different tribes who lived in Oklahoma. Allan eagerly gained information about them and their cultures. Allan gathered this information and mentally stored images until he brought them back to life, years later, as a mature artist. Allan Houser was represented by Glenn Green Galleries (formerly known as The Gallery Wall, Inc.) from 1973 until his death in 1994. The gallery served as agents, advocates, and investors during this time. In 1973 the Greens responded enthusiastically to the abstraction and creativity in Houser’s work. They were impressed, not only with his versatility and talent but with the number of mediums he employed. His subject matter was portrayed in styles ranging from realism, stylized form to abstraction. With encouragement from the Greens, Houser at the age of 61, retired from his post as the head of the sculpture department at the Institute of American Indian Arts in Santa Fe, New Mexico in 1975 to begin working full-time creating his art. The next 20-year period was an exciting time for Allan, the gallery, and for the Green family. He created a large body of sculpture in stone, wood and bronze. For many years Glenn Green Galleries co-sponsored many editions of his bronzes and acted as quality control for the bronze sculptures according to Houser’s wishes. As both agents and gallery representatives, the Greens promoted and sold his art in their galleries in Phoenix and Scottsdale, Arizona and in Santa Fe, New Mexico. They had bi-annual exhibits in their galleries to feature Houser’s newest work and sponsored and arranged international museum shows in America, Europe and Asia. They travelled for these events including a trip to Carrara, Italy to the famed quarries of Michelangelo and together co-financed and arranged the purchase of 20 tons of marble. A watershed event for Allan Houser’s career occurred in the early 1980’s when Glenn Green Galleries arranged with the US Information Agency a touring exhibit of his sculpture through Europe. This series of exhibits drew record attendance for these museums and exposed Houser’s work to an enthusiastic art audience. This resulted in changing the perception of contemporary Native art in the United States where Houser and Glenn Green Galleries initially faced resistance from institutions who wanted to categorize him in a regional way. The credits from the European exhibits helped open doors and minds of the mainstream art community in the United States and beyond. Senator Daniel Inouye of Hawaii was a supporter of Allan Houser’s artwork. We worked with Senator Inouye on many occasions hosting events at our gallery and in Washington D.C in support of the formation of the Smithsonian’s National Museum of the American Indian in Washington, D.C. and other causes supporting Native Americans. Allan Houser is shown below presenting his sculpture “Swift Messenger” to Senator Inouye in Washington, D.C.. This sculpture was eventually given to the National Museum of the American Indian, Smithsonian’s permanent collection. It is now currently on loan and on display in the Oval Office. President Biden’s selection of artwork continues our gallery’s and Allan’s connection to the White House from our time working with Allan Houser from 1974 until his passing in 1994. “It was important for President Biden to walk into an Oval that looked like America and started to show the landscape of who he is going to be as president,” Ashley Williams...

A white marble sculpture by Mario DeNoto. A modern abstract figure of subtly human-like features and slight gray veining. Artist: Mario DeNoto Title: Abstract Figure Medium: White...

Bronze sculpture of a wild mustang horse created by American artist Arnold Goldstein. This artwork has the signature and numbering inscribed. Numbered...

Impressed with artist’s seal Porcelain, radiating inlaid lines, manganese bands to rim and foot, with kiln splits 5 x 11 1/2 inches

Combining patterns reminiscent of tessellation and a large grid-like system, Vasarely turns a plain hexagon into a concave surface. Shades of light and dark play across the 'facets' ...

Fabbri was born in Quarrata (Tuscany). At the age of 12, he attended the Scuola d'Arte in Pistoia and then, under the instruction of the painter Fabio Casanova, he decided to embark on an artistic career and created his first sculptures, mainly using the wax and plaster. In 1932 Fabbri, in order to continue his education at the Accademia di Belle Arti, moved to Florence where he frequented the artists' Caffè Giubbe Rosse, meeting point for the intellectuals known as the Ermetici Group (Eugenio Montale, Carlo Bo, etc.) and also came into contact with the painter Ottone Rosai and the poet Mario Luzi. At the end of the year he moved to Albisola (Savona), where he worked in the La Fiamma...

Untitled Biomorphic Form Abstract Sculpture Onyx Sculpture on granite base. Artist signature Graham dated 73. Richard D. Graham is a Postwar & Contemporary artist born in 1940 know...

Belle Main (Les mains libre) is a bronze sculpture realized by Man Ray in 1971. Signed with initials and numbered on the base. Cast by Fratelli Barberis in Turin for Luciano Anselm...

The Herons, pair of chiseled bronze subjects, the body with a green patina and the head with a purple patina, 1960s-1970s. The two herons or storks are presented in different attitud...

This amazing sculpture figures a peacock making the wheel. Each feather is made of a slice of transparent agate, soldered with brass to the rest of the wheel. The agate wheel is me...