1970s Sculptures

Wonderful and one of a kind nude sculpture by Noche Crist (1909-2004). Sculpture is made from polyester resin. Catalogue of a postumous retrospective in 2008 at the American Universi...

Salviati Marina, c. 1970's Sommerso Glass - Murano 13 x 5 x 3.12 in

Salviati Marina, c. 1970's Sommerso Glass - Murano 20 x 9 x 4 in

Somewhere on the Reservation, Bronze,Sculpture, by Allan Houser, Apache, Singers Allan Houser (Haozous), Chiricahua Apache 1914-1994 recipient of the National Medal of Arts in 1992. Allan Houser's father Sam, was part of the small band of Apaches who traveled with Geronimo and surrendered in southern Arizona in 1886. Allan's parents were imprisoned with that group in Ft. Sill, Oklahoma. He was the first child to be born in freedom to those Apaches and a fluent speaker of the Chiricahua language. Allan Houser is an important artist in that he is of the culture he depicts in his artwork. Allan's parents would tell stories and sing songs recalling the experiences on the warpath. Our gallery represented Allan Houser from 1974 until his passing in 1994 and were investors and provided quality control in the foundry process. Allan Houser's work is many international collections including the Georges Pompidou Centre, The Smithsonian National Portrait Gallery, The Dahlem Museum among others. Allan Houser (Haozous), Chiricahua Apache (1914-1994) Selected Collections Centre Georges Pompidou, Paris, France * “They’re Coming”, bronze Dahlem Museum, Berlin, Germany Japanese Royal Collection, Tokyo, Japan “The Eagle”, black marble commissioned by President William J. Clinton United States Mission to the United Nations, New York City, NY *"Offering of the Sacred Pipe”, monumental bronze by Allan Houser © 1979 Presented to the United States Mission to the United Nations as a symbol of World Peace honoring the native people of all tribes in these United States of America on February 27, 1985 by the families of Allan and Anna Marie Houser, George and Thelma Green and Glenn and Sandy Green in New York City. National Portrait Gallery, Smithsonian, Washington, DC * Portrait of Geronimo, bronze National Museum of American Art, Smithsonian, Washington, D.C. * “Buffalo Dance Relief”, Indiana limestone National Museum of the American Indian, Smithsonian, Washington, D.C. *Sacred Rain Arrow, (Originally dedicated at the US Senate Committee on Indian Affairs, US Senate Building) “Goat”, “To The Great Spirit” - dedicated in 1994 at the Vice President’s Residence in Washington, D.C.. Ceremony officiated by Hillary Rodham Clinton and Tipper Gore. Oklahoma State Capitol, Oklahoma City, Ok * “As Long As the Waters Flow”, bronze Gilcrease Museum, Tulsa, OK *Sacred Rain Arrow, bronze Fort Sill, Oklahoma *”Chiricahua Apache Family”, bronze Donated and dedicated to Allan Houser’s parents Sam and Blossom Haozous by Allan Houser and Glenn and Sandy Green The Heard Museum, Phoenix, Arizona *Earth Song, marble donated by Glenn and Sandy Green The Clinton Presidential Library, Arkansas * “May We Have Peace”, bronze The George H.W. Bush Presidential Library, College Station, Texas *"Offering to the Great Spirit", bronze The British Royal Collection, London, England *Princess Anne received "Proud Mother", bronze in Santa Fe Allan Houser’s father Sam Haozous, surrendered at the age of 14 with Geronimo and his band of Warm Springs Chiricahua Apache people in 1886 in Southern Arizona. This was the last active war party in the United States. This group of Apache people was imprisoned for 27 years starting in Fort Marion, Florida and finally living in captivity in Fort Sill, Oklahoma. Allan Houser was born in 1914. His artwork is an ongoing testimony to Native life in America – its beauty, strength and poignancy. Allan Houser is from the culture and portrayed his people in an insightful and authentic way. Because of the era in which he lived, he had a rare understanding of American Indian life. Allan was the first child born after the Chiricahua Apaches were released from 27 years of captivity. Allan grew up speaking the Chiricahua dialect. Allan heard his father’s stories of being on the warpath with Geronimo and almost nightly heard his parents singing traditional Apache music. Allan’s father knew all of Geronimo’s medicine songs. Allan had an early inclination to be artistic. He was exposed to many Apache ceremonial art forms: music, musical instruments, special dress, beadwork, body painting and dynamic dance that are integral aspects of his culture. His neighbors were members of many different tribes who lived in Oklahoma. Allan eagerly gained information about them and their cultures. Allan gathered this information and mentally stored images until he brought them back to life, years later, as a mature artist. Allan Houser was represented by Glenn Green Galleries (formerly known as The Gallery Wall, Inc.) from 1973 until his death in 1994. The gallery served as agents, advocates, and investors during this time. In 1973 the Greens responded enthusiastically to the abstraction and creativity in Houser’s work. They were impressed, not only with his versatility and talent but with the number of mediums he employed. His subject matter was portrayed in styles ranging from realism, stylized form to abstraction. With encouragement from the Greens, Houser at the age of 61, retired from his post as the head of the sculpture department at the Institute of American Indian Arts in Santa Fe, New Mexico in 1975 to begin working full-time creating his art. The next 20-year period was an exciting time for Allan, the gallery, and for the Green family. He created a large body of sculpture in stone, wood and bronze. For many years Glenn Green Galleries co-sponsored many editions of his bronzes and acted as quality control for the bronze sculptures according to Houser’s wishes. As both agents and gallery representatives, the Greens promoted and sold his art in their galleries in Phoenix and Scottsdale, Arizona and in Santa Fe, New Mexico. They had bi-annual exhibits in their galleries to feature Houser’s newest work and sponsored and arranged international museum shows in America, Europe and Asia. They travelled for these events including a trip to Carrara, Italy to the famed quarries of Michelangelo and together co-financed and arranged the purchase of 20 tons of marble. A watershed event for Allan Houser’s career occurred in the early 1980’s when Glenn Green Galleries arranged with the US Information Agency a touring exhibit of his sculpture through Europe. This series of exhibits drew record attendance for these museums and exposed Houser’s work to an enthusiastic art audience. This resulted in changing the perception of contemporary Native art in the United States where Houser and Glenn Green Galleries initially faced resistance from institutions who wanted to categorize him in a regional way. The credits from the European exhibits helped open doors and minds of the mainstream art community in the United States and beyond. Senator Daniel Inouye of Hawaii was a supporter of Allan Houser’s artwork. We worked with Senator Inouye on many occasions hosting events at our gallery and in Washington D.C in support of the formation of the Smithsonian’s National Museum of the American Indian in Washington, D.C. and other causes supporting Native Americans. Allan Houser is shown below presenting his sculpture “Swift Messenger” to Senator Inouye in Washington, D.C.. This sculpture was eventually given to the National Museum of the American Indian, Smithsonian’s permanent collection. It is now currently on loan and on display in the Oval Office. President Biden’s selection of artwork continues our gallery’s and Allan’s connection to the White House from our time working with Allan Houser from 1974 until his passing in 1994. “It was important for President Biden to walk into an Oval that looked like America and started to show the landscape of who he is going to be as president,” Ashley Williams...

San Carlos Girl, bronze, sculpture, by Allan Houser, Apache, woman, brown lifetime casting limited edition Allan Houser (Haozous), Chiricahua Apache 1914-1994 recipient of the National Medal of Arts in 1992. Allan Houser's father Sam, was part of the small band of Apaches who traveled with Geronimo and surrendered in southern Arizona in 1886. Allan's parents were imprisoned with that group in Ft. Sill, Oklahoma. He was the first child to be born in freedom to those Apaches and a fluent speaker of the Chiricahua language. Allan Houser is an important artist because he is of the culture he depicts in his artwork. Allan's parents would tell stories and sing songs recalling the experiences on the warpath. Our gallery represented Allan Houser from 1974 until his passing in 1994 and were investors and provided quality control in the foundry process. Allan Houser's work is in many international collections including the Georges Pompidou Centre, The Smithsonian National Portrait Gallery, and The Dahlem Museum among others. Allan Houser (Haozous), Chiricahua Apache (1914-1994) Selected Collections Centre Georges Pompidou, Paris, France * “They’re Coming”, bronze Dahlem Museum, Berlin, Germany Japanese Royal Collection, Tokyo, Japan “The Eagle”, black marble commissioned by President William J. Clinton United States Mission to the United Nations, New York City, NY *"Offering of the Sacred Pipe”, monumental bronze by Allan Houser © 1979 Presented to the United States Mission to the United Nations as a symbol of World Peace honoring the native people of all tribes in these United States of America on February 27, 1985 by the families of Allan and Anna Marie Houser, George and Thelma Green and Glenn and Sandy Green in New York City. National Portrait Gallery, Smithsonian, Washington, DC * Portrait of Geronimo, bronze National Museum of American Art, Smithsonian, Washington, D.C. * “Buffalo Dance Relief”, Indiana limestone National Museum of the American Indian, Smithsonian, Washington, D.C. *Sacred Rain Arrow, (Originally dedicated at the US Senate Committee on Indian Affairs, US Senate Building) “Goat”, “To The Great Spirit” - dedicated in 1994 at the Vice President’s Residence in Washington, D.C.. The ceremony officiated by Hillary Rodham Clinton and Tipper Gore. Oklahoma State Capitol, Oklahoma City, Ok * “As Long As the Waters Flow”, bronze Gilcrease Museum, Tulsa, OK *Sacred Rain Arrow, bronze Fort Sill, Oklahoma *” Chiricahua Apache Family”, bronze Donated and dedicated to Allan Houser’s parents Sam and Blossom Haozous by Allan Houser and Glenn and Sandy Green The Heard Museum, Phoenix, Arizona *Earth Song, marble donated by Glenn and Sandy Green The Clinton Presidential Library, Arkansas * “May We Have Peace”, bronze The George H.W. Bush Presidential Library, College Station, Texas *"Offering to the Great Spirit", bronze The British Royal Collection, London, England *Princess Anne received "Proud Mother", bronze in Santa Fe Allan Houser’s father Sam Haozous, surrendered at the age of 14 with Geronimo and his band of Warm Springs Chiricahua Apache people in 1886 in Southern Arizona. This was the last active war party in the United States. This group of Apache people was imprisoned for 27 years starting in Fort Marion, Florida and finally living in captivity in Fort Sill, Oklahoma. Allan Houser was born in 1914. His artwork is an ongoing testimony to Native life in America – its beauty, strength and poignancy. Allan Houser is from the culture and portrayed his people in an insightful and authentic way. Because of the era in which he lived, he had a rare understanding of American Indian life. Allan was the first child born after the Chiricahua Apaches were released from 27 years of captivity. Allan grew up speaking the Chiricahua dialect. Allan heard his father’s stories of being on the warpath with Geronimo and almost nightly heard his parents singing traditional Apache music. Allan’s father knew all of Geronimo’s medicine songs. Allan had an early inclination to be artistic. He was exposed to many Apache ceremonial art forms: music, musical instruments, special dress, beadwork, body painting and dynamic dance that are integral aspects of his culture. His neighbors were members of many different tribes who lived in Oklahoma. Allan eagerly gained information about them and their cultures. Allan gathered this information and mentally stored images until he brought them back to life, years later, as a mature artist. Allan Houser was represented by Glenn Green Galleries (formerly known as The Gallery Wall, Inc.) from 1973 until his death in 1994. The gallery served as agents, advocates, and investors during this time. In 1973 the Greens responded enthusiastically to the abstraction and creativity in Houser’s work. They were impressed, not only with his versatility and talent but with the number of mediums he employed. His subject matter was portrayed in styles ranging from realism, stylized form to abstraction. With encouragement from the Greens, Houser at the age of 61, retired from his post as the head of the sculpture department at the Institute of American Indian Arts in Santa Fe, New Mexico in 1975 to begin working full-time creating his art. The next 20-year period was an exciting time for Allan, the gallery, and for the Green family. He created a large body of sculpture in stone, wood and bronze. For many years Glenn Green Galleries co-sponsored many editions of his bronzes and acted as quality control for the bronze sculptures according to Houser’s wishes. As both agents and gallery representatives, the Greens promoted and sold his art in their galleries in Phoenix and Scottsdale, Arizona and in Santa Fe, New Mexico. They had bi-annual exhibits in their galleries to feature Houser’s newest work and sponsored and arranged international museum shows in America, Europe and Asia. They travelled for these events including a trip to Carrara, Italy to the famed quarries of Michelangelo and together co-financed and arranged the purchase of 20 tons of marble. A watershed event for Allan Houser’s career occurred in the early 1980’s when Glenn Green Galleries arranged with the US Information Agency a touring exhibit of his sculpture through Europe. This series of exhibits drew record attendance for these museums and exposed Houser’s work to an enthusiastic art audience. This resulted in changing the perception of contemporary Native art in the United States where Houser and Glenn Green Galleries initially faced resistance from institutions who wanted to categorize him in a regional way. The credits from the European exhibits helped open doors and minds of the mainstream art community in the United States and beyond. Senator Daniel Inouye of Hawaii was a supporter of Allan Houser’s artwork. We worked with Senator Inouye on many occasions hosting events at our gallery and in Washington D.C in support of the formation of the Smithsonian’s National Museum of the American Indian in Washington, D.C. and other causes supporting Native Americans. Allan Houser is shown below presenting his sculpture “Swift Messenger” to Senator Inouye in Washington, D.C.. This sculpture was eventually given to the National Museum of the American Indian, Smithsonian’s permanent collection. It is now currently on loan and on display in the Oval Office. President Biden’s selection of artwork continues our gallery’s and Allan’s connection to the White House from our time working with Allan Houser from 1974 until his passing in 1994. “It was important for President Biden to walk into an Oval that looked like America and started to show the landscape of who he is going to be as president,” Ashley Williams...

Ruth Duckworth Full Tea Service (INV# NP3746) stoneware and glaze teapot: 8.25 x 7 x 3.5” creamer: 3.25 x 2 x 2.25” sugar bowl: 1.5 x 3.25” approx. cup: 3 x 2.5 x 1.75” approx. saucer: .75 x 4.5 x 4.5” circa 1972 signed RWD Ruth Duckworth (1919-2009) was born in Hamburg, Germany as the youngest of five children. The daughter of a Jewish woman, Duckworth had to leave Nazi Germany for her studies in sculpture and drawing, attending the Liverpool College of Art in 1936. She later studied at the Hammersmith School of Art, the City and Guilds of London Art School, and the Central School of Arts and Crafts. She joined the faculty of the University of Chicago in 1964 and, upon retiring from the university in 1977, moved her studio space to a former pickle plant in Lakeview, Chicago. Her work is featured at such institutions as the Art Institute of Chicago; Boston Museum of Fine Arts; Windsor Castle, England; Stuttgart Museum, Germany; National Museum of Modern Art, Japan; Museum Boymans-Van Beuningen, The Netherlands, Philadelphia Museum of Art; The Smithsonian Institution, Washington, DC; National Museum of Scotland; Kestner Museum, Germany; Schleswig Holsteinisches Landesmuseum, Germany; Museum fur Kunst und Gewerbe, Germany; City Museum, Bassano Del Grappo, Italy; Buckingham County Museum, England; Utah Museum of Fine Arts, Utah; American Craft Museum , New York; Los Angeles County Art Museum, California; Evanston Public Library, Illinois; The Metropolitan Museum of Art, New York. Most recently, Ruth Duckworth had a major exhibition at Salon 94...

John De Andrea was a leading proponent of the Hyper-Realism movement in the 1960's and 1970's. This extraordinarily detailed painted resin sculpture of ...

"Don Quixote" 1979 Bronze (encased in original velvet box) Signed Lower right Numbered Lower Left 157/215 Size of Relief: 27" x 18.5" Size of Velvet box: 29.5" x 21" x 3.25" Provenance: Martin Lawrence Galleries Salvador Felipe Jacinto Dali was born May 11, 1904 in the small Spanish town of Figueras in the province of Catalunya. The name 'Salvador' had been given to an older brother who died in infancy. When Dali was born the name was passed on to him. No one could have known just how revolutionary and important this name would become to the art world. Growing up, Dali was a difficult child and refused to conform to family or community customs. Dali's father, a respected notary, his mother and younger sister all encouraged Dali's early interest in art. In fact, a room in the family home was the young artist's first studio. Early on, Dali's talent was already refined beyond his years, and with each year his talent only grew, as did his interests. After receiving private art lessons in Figueras for some time, Dali enrolled at the Escuela de Pintura, Escultura y Grabado de Bellas Artes de San Fernando in Madrid in 1921. There he joined an avant-garde circle of students that included film-maker Luis Bunuel and poet-dramatist Federico Garcia Lorca. Although Dali excelled in his academic pursuits, he never took final examinations, deeming that he had no need for the type of education offered by formal schooling. He was expelled and reinstated, yet it mattered little to him. Salvador Dali's passion for the arts and his need to experience life on his own terms could not be met within the confines of school. He left. This did not sit well with Dali's father however, and Salvador was subsequently disowned. With no true home left to him, Dali moved into a fisherman's shack in the small village of Port Lligat, two miles from Cadaques and not far from the French border. Port Lligat would become the site of Dali's future mansion home where he would spend many years of his life. It was at this time that Dali came under the influence of two forces that shaped his philosophy and his art. The first was Sigmund Freud's theory of the unconscious, introduced to Dali in Freud's book The Interpretation of Dreams. The second was his association with the French surrealists, a group of artists and writers led by the French poet Andre Breton. When Dali visited Paris for the first time, he was introduced to the leading surrealists in the movement, but because of his lack of interest in politics, he was eventually shunned by this group. It was also around this time that Dali met the woman who was to become one the most important people in his life... his wife and soul mate, Gala. Gala was a Russian girl...

Cornelis Zitman Divertimiento, 1973 Bronze, AP 72 x 34 x 45 cm 28.3 x 13.3 x 17.7 in. Cornelis Zitman (1926-2016) Born in Leiden in a family of builders, he enters the Fine Arts ...

Artist: Richard Orlinski, French Title: Crystal Clear Blue Jeans Edition 1 of 8 Media: Epoxy resin Dimensions: 10.5 x 27.5 x 9 in. / 27 x 70 x 23 cm - - About the artist: Richard O...

Jesús Rafael Soto Quadrato 1974 Edition Denise René. Ed. 32/75 Acrylic on aluminum with painted metal rods 45.7 x 40 x 32 cm 17.9 x 15.7 x 12.5 in. Jesús Rafael Soto (1923 - 2005) ...

The title is "Miniature Serena w/ Pearled Gold Rim Cap and Candy Pink Tube". This artwork is the first of the edition, numbered 1 of 10. About the artist: Carole A. Feuerman (born 1945) is an American sculptor and author working in Hyperrealism. She is one of the three major artists credited...

A suite of 2 sculptures. Lovers, man and woman nestled together. sleek minimalist mod sculpture. polished finish on one side. not sure if theese are stel...

Stamped with the artist's monogram and numbered from the edition of 6 casts Cast at Lypiatt Foundry, 1974 Reference: F & C 672

Clark Bronson Born 1939 Utah Artist Image Size: Height 9 1/2'' Base Length 11 1/2'' Width 12 1/2" Medium: Bronze "Wild Wings" Canada Geese Biography C...

Born in Shanghai, China in 1933, Mark di Suvero emigrated to the U.S. in 1941. Raised in San Francisco, he attended the University of California, Santa Barbara and graduated from U.C. Berkeley in 1956 with a B.A. in Philosophy. His sculpture, generally classified as Abstract Expressionist, has been shown in galleries and museums in the U.S., Europe, Asia and Australia since the 1960's. Outdoor exhibitions have taken place in the Netherlands, Germany, France, Italy, Spain and a number of cities in the U.S. citywide shows include Paris, France; Venice, Italy; and New York City. In the U.S., cities with permanent installations of di Suvero's sculpture include Baltimore, Dallas, Grand Rapids, Houston, Los Angeles, Minneapolis, St. Louis, San Francisco, South Bend, and Toledo. In New York, di Suvero's work is in the permanent collections of the Museum of Modern Art, the Whitney Museum, the Metropolitan Museum of Art and the Storm King Art Center (Mountainville, NY). In 1977, di Suvero created the Athena Fountain to assist artists; composer Philip Glass and sculptor Ursula von...

Artist: Ernst Neizvestny, Russian (1926 - 2016) Title: Centaur Year: 1973-89 Medium: Bronze Sculpture, signature and numbering inscribed Edition: 7 Size: 84 x 65 x 36 in. (213.36 x 1...

Bob Scriver (American 1914-1999) "2 Seconds To Go" 1971 Bronze approx. 24" H. x 12W Signed and Titled on the Base Ed. 18/35 sculptor who carried on the realist...

Southwest Dance Shield, Allan Houser, relief, bronze, Contemporary Native art Allan Houser SOUTHWEST DANCE SHIELD bronze edition 24 ©1976 14.5" x 14.5" x 1.5" Allan Houser (Haozous...

Yaacov Agam "Star of Peace" c. 1970s Metal Ed. 2/300 approx. 9 x 2 x 2 inches Born in Israel on May 11, 1928. His father was a rabbi, a Talmudic scholar and a Kabbalist. The famil...

Organic sculpture by famous sculptor David Nash of a tree trunk that has been shaped into a square with a concentric square cut out in the middle. Artist Biography: David Nash is a British sculptor and Land artist and works primarily with natural materials and live trees. His wooden sculptures are made using heavy equipment including chainsaws and blowtorches, morphing trees into unexpected shapes such as his Oculus Block (2010), a melding of two Eucalyptus stumps into a solid square. Born on November 14, 1945 in Esher, England, he attended the Kingston College of Art and later the Chelsea School of Art. Among his first and best-known works is Ash Dome (1977), for which the artist planted a circle of ash trees to form a wooden dome...

RONALD BLADEN V (Mid Scale), 1973 Painted aluminum 60 1/2 x 106 x 8 inches Edition 1 of 3

bronze edition 25

Cast and Welded Bronze

Louise Nevelson’s room-sized wood sculptures have been hailed as emblematic of many different movements, including Abstract Expressionism, Cubism, and Surrealism. Monochromatic and u...

Fritz Bultman set himself apart from other Abstract Expressionists with his meticulously organized abstract compositions, use of sculpture, and the adoption of collage as a core prac...

Life-size sculpture of a mother resting with her on a chair. A bag of groceries hangs off the back of the chair.

wooden sculpture of found objects painted black. case with lid and hinges.

White stoneware