After the Dance, bronze sculpture, realism, Native American, Man, Woman, Embrace

View Similar Items

Charles Cary Rumsey - Rams Head Sculpture in Bronze by Charles Rumsey

Charles Cary Rumsey - The Old Virginian, Bronze of a Horse and Rider with Dogs by Charles Rumsey

Charles Cary Rumsey - Dog Bronze Foxhound Sculpture by Charles Rumsey

Charles Cary Rumsey - Winning the Race Galloping Horse and Rider in Bronze by Charles Rumsey

Charles Cary Rumsey - Sculpture of a Polo Player Harrison Tweed by Charles Rumsey

Kathleen Friedenberg - "Ground Zero" Bronze German Shepherd Dog Searching for Survivors

Nadín Ospina - Caimán monstruo americano

Nadín Ospina - Americano 1/7, 2/7, 3/7, 4/7, 5/7

Huang Yulong - "Dear Thedodsia" Bronze Sculpture 13 x 15 x 13 inch Edition 3/8 by Huang Yulong

Huang Yulong - "Cover" Bronze Sculpture Edition 1/8 by Huang Yulong

Huang Yulong - "YoBro!! 2" Bronze Sculpture 90" x 20" x 16" inch Edition 3/3 by Huang Yulong

Huang Yulong - "Leader" Porcelain Sculpture Edition 10/10 by Huang Yulong

Video Loading

Want more images or videos?

Request additional images or videos from the seller

1 of 5

Allan Houser
After the Dance, bronze sculpture, realism, Native American, Man, Woman, Embrace

About the Item

After the Dance, bronze sculpture, realism, Native American, Man, Woman, Embrace limited bronze edition, lifetime casting Allan Houser (Haozous), Chiricahua Apache (1914-1994) Selected Collections Centre Georges Pompidou, Paris, France * “They’re Coming”, bronze Dahlem Museum, Berlin, Germany Japanese Royal Collection, Tokyo, Japan “The Eagle”, black marble commissioned by President William J. Clinton United States Mission to the United Nations, New York City, NY *"Offering of the Sacred Pipe”, monumental bronze by Allan Houser © 1979 Presented to the United States Mission to the United Nations as a symbol of World Peace honoring the native people of all tribes in these United States of America on February 27, 1985 by the families of Allan and Anna Marie Houser, George and Thelma Green and Glenn and Sandy Green in New York City. National Portrait Gallery, Smithsonian, Washington, DC * Portrait of Geronimo, bronze National Museum of American Art, Smithsonian, Washington, D.C. * “Buffalo Dance Relief”, Indiana limestone National Museum of the American Indian, Smithsonian, Washington, D.C. *Sacred Rain Arrow, (Originally dedicated at the US Senate Committee on Indian Affairs, US Senate Building) “Goat”, “To The Great Spirit” - dedicated in 1994 at the Vice President’s Residence in Washington, D.C.. Ceremony officiated by Hillary Rodham Clinton and Tipper Gore. Oklahoma State Capitol, Oklahoma City, Ok * “As Long As the Waters Flow”, bronze Gilcrease Museum, Tulsa, OK *Sacred Rain Arrow, bronze Fort Sill, Oklahoma *”Chiricahua Apache Family”, bronze Donated and dedicated to Allan Houser’s parents Sam and Blossom Haozous by Allan Houser and Glenn and Sandy Green The Heard Museum, Phoenix, Arizona *Earth Song, marble donated by Glenn and Sandy Green The Clinton Presidential Library, Arkansas * “May We Have Peace”, bronze The George H.W. Bush Presidential Library, College Station, Texas *"Offering to the Great Spirit", bronze The British Royal Collection, London, England *Princess Anne received "Proud Mother", bronze in Santa Fe Allan Houser’s father Sam Haozous, surrendered at the age of 14 with Geronimo and his band of Warm Springs Chiricahua Apache people in 1886 in Southern Arizona. This was the last active war party in the United States. This group of Apache people was imprisoned for 27 years starting in Fort Marion, Florida and finally living in captivity in Fort Sill, Oklahoma. Allan Houser was born in 1914. His artwork is an ongoing testimony to Native life in America – its beauty, strength and poignancy. Allan Houser is from the culture and portrayed his people in an insightful and authentic way. Because of the era in which he lived, he had a rare understanding of American Indian life. Allan was the first child born after the Chiricahua Apaches were released from 27 years of captivity. Allan grew up speaking the Chiricahua dialect. Allan heard his father’s stories of being on the warpath with Geronimo and almost nightly heard his parents singing traditional Apache music. Allan’s father knew all of Geronimo’s medicine songs. Allan had an early inclination to be artistic. He was exposed to many Apache ceremonial art forms: music, musical instruments, special dress, beadwork, body painting and dynamic dance that are integral aspects of his culture. His neighbors were members of many different tribes who lived in Oklahoma. Allan eagerly gained information about them and their cultures. Allan gathered this information and mentally stored images until he brought them back to life, years later, as a mature artist. Allan Houser was represented by Glenn Green Galleries (formerly known as The Gallery Wall, Inc.) from 1973 until his death in 1994. The gallery served as agents, advocates, and investors during this time. In 1973 the Greens responded enthusiastically to the abstraction and creativity in Houser’s work. They were impressed, not only with his versatility and talent but with the number of mediums he employed. His subject matter was portrayed in styles ranging from realism, stylized form to abstraction. With encouragement from the Greens, Houser at the age of 61, retired from his post as the head of the sculpture department at the Institute of American Indian Arts in Santa Fe, New Mexico in 1975 to begin working full-time creating his art. The next 20-year period was an exciting time for Allan, the gallery, and for the Green family. He created a large body of sculpture in stone, wood and bronze. For many years Glenn Green Galleries co-sponsored many editions of his bronzes and acted as quality control for the bronze sculptures according to Houser’s wishes. As both agents and gallery representatives, the Greens promoted and sold his art in their galleries in Phoenix and Scottsdale, Arizona and in Santa Fe, New Mexico. They had bi-annual exhibits in their galleries to feature Houser’s newest work and sponsored and arranged international museum shows in America, Europe and Asia. They travelled for these events including a trip to Carrara, Italy to the famed quarries of Michelangelo and together co-financed and arranged the purchase of 20 tons of marble. A watershed event for Allan Houser’s career occurred in the early 1980’s when Glenn Green Galleries arranged with the US Information Agency a touring exhibit of his sculpture through Europe. This series of exhibits drew record attendance for these museums and exposed Houser’s work to an enthusiastic art audience. This resulted in changing the perception of contemporary Native art in the United States where Houser and Glenn Green Galleries initially faced resistance from institutions who wanted to categorize him in a regional way. The credits from the European exhibits helped open doors and minds of the mainstream art community in the United States and beyond. Senator Daniel Inouye of Hawaii was a supporter of Allan Houser’s artwork. We worked with Senator Inouye on many occasions hosting events at our gallery and in Washington D.C in support of the formation of the Smithsonian’s National Museum of the American Indian in Washington, D.C. and other causes supporting Native Americans. Allan Houser is shown below presenting his sculpture “Swift Messenger” to Senator Inouye in Washington, D.C.. This sculpture was eventually given to the National Museum of the American Indian, Smithsonian’s permanent collection. It is now currently on loan and on display in the Oval Office. President Biden’s selection of artwork continues our gallery’s and Allan’s connection to the White House from our time working with Allan Houser from 1974 until his passing in 1994. “It was important for President Biden to walk into an Oval that looked like America and started to show the landscape of who he is going to be as president,” Ashley Williams, the deputy director of Oval Office operations, told The Washington Post. January 2021

Creator:
Allan Houser (1914 - 1994, Native American, Apache)
Dimensions:
Height: 13.75 in (34.93 cm)Width: 9.5 in (24.13 cm)Depth: 8.5 in (21.59 cm)
Medium:
Bronze
Period:
1970-1979
Condition:
Gallery Location:
Santa Fe, NM
Reference Number:
1stDibs: LU19126947282

More Ways To Browse

Japanese House

Vintage European House

Houser Bronze

Used Doors For Houses

The Stone By The Door

Dancing Bronze

Dance Bronze

Figurative Dancer Sculpture

Marble Used In Houses

Vintage Stone House

Sculpture Of French Woman

Wood Door House

Large American Bronze

After the Dance, bronze sculpture, realism, Native American, Man, Woman, Embrace

View Similar Items

Allan Houser
After the Dance, bronze sculpture, realism, Native American, Man, Woman, Embrace

About the Item

1990s Contemporary Still-life Sculptures

Eduardo Oropeza
Lovers of Chimayo by Eduardo Oropeza, Bbronze Sculpture, Couple, Edition, Chicano, 1993

2010s Contemporary Figurative Sculptures

Troy Williams
Listening, bronze sculpture, childs portrait, black granite base, green patina

1990s Contemporary Figurative Sculptures

Melanie Yazzie
John Blackhorse Hangs Out At Earl's, bronze rez dog sculpture, blue, Navajo, 1996

2010s Contemporary Figurative Sculptures

Melanie Yazzie
Little Blue Yazzie Sits at the Ganado Post Office, bronze sculpture, Navajo bunny, 2014

1990s Contemporary Still-life Sculptures

Eduardo Oropeza
Contemplating the Angel by Eduardo Oropeza, bronze sculpture, angel, church, 1995

1970s Contemporary Figurative Sculptures

Allan Houser
End of the Hunt, by Allan Houser, bronze, sculpture, wildlife, eagle, rabbit

1910s Abstract Impressionist Figurative Sculptures

Charles Cary Rumsey
Sculpture of a Polo Player Harrison Tweed by Charles Rumsey, 1912

Early 2000s Realist Figurative Sculptures

Kathleen Friedenberg
"Ground Zero" Bronze German Shepherd Dog Searching for Survivors , 2003

1910s American Realist Figurative Sculptures

Charles Cary Rumsey
Rams Head Sculpture in Bronze by Charles Rumsey, 1918

1910s American Impressionist Figurative Sculptures

Charles Cary Rumsey
The Old Virginian, Bronze of a Horse and Rider with Dogs by Charles Rumsey, 1917

1910s American Realist Figurative Sculptures

Charles Cary Rumsey
Dog Bronze Foxhound Sculpture by Charles Rumsey, 1910

1910s American Impressionist Figurative Sculptures

Charles Cary Rumsey
Winning the Race Galloping Horse and Rider in Bronze by Charles Rumsey, 1910

Recently Viewed

More Ways To Browse

After the Dance, bronze sculpture, realism, Native American, Man, Woman, Embrace

View Similar Items

Allan HouserAfter the Dance, bronze sculpture, realism, Native American, Man, Woman, Embrace

About the Item

1990s Contemporary Still-life Sculptures

Eduardo OropezaLovers of Chimayo by Eduardo Oropeza, Bbronze Sculpture, Couple, Edition, Chicano, 1993

2010s Contemporary Figurative Sculptures

Troy WilliamsListening, bronze sculpture, childs portrait, black granite base, green patina

1990s Contemporary Figurative Sculptures

Melanie YazzieJohn Blackhorse Hangs Out At Earl's, bronze rez dog sculpture, blue, Navajo, 1996

2010s Contemporary Figurative Sculptures

Melanie YazzieLittle Blue Yazzie Sits at the Ganado Post Office, bronze sculpture, Navajo bunny, 2014

1990s Contemporary Still-life Sculptures

Eduardo OropezaContemplating the Angel by Eduardo Oropeza, bronze sculpture, angel, church, 1995

1970s Contemporary Figurative Sculptures

Allan HouserEnd of the Hunt, by Allan Houser, bronze, sculpture, wildlife, eagle, rabbit

1910s Abstract Impressionist Figurative Sculptures

Charles Cary Rumsey Sculpture of a Polo Player Harrison Tweed by Charles Rumsey, 1912

Early 2000s Realist Figurative Sculptures

Kathleen Friedenberg"Ground Zero" Bronze German Shepherd Dog Searching for Survivors , 2003

1910s American Realist Figurative Sculptures

Charles Cary RumseyRams Head Sculpture in Bronze by Charles Rumsey, 1918

1910s American Impressionist Figurative Sculptures

Charles Cary RumseyThe Old Virginian, Bronze of a Horse and Rider with Dogs by Charles Rumsey, 1917

1910s American Realist Figurative Sculptures

Charles Cary RumseyDog Bronze Foxhound Sculpture by Charles Rumsey, 1910

1910s American Impressionist Figurative Sculptures

Charles Cary RumseyWinning the Race Galloping Horse and Rider in Bronze by Charles Rumsey, 1910

Recently Viewed

More Ways To Browse

Allan Houser
After the Dance, bronze sculpture, realism, Native American, Man, Woman, Embrace

Eduardo Oropeza
Lovers of Chimayo by Eduardo Oropeza, Bbronze Sculpture, Couple, Edition, Chicano, 1993

Troy Williams
Listening, bronze sculpture, childs portrait, black granite base, green patina

Melanie Yazzie
John Blackhorse Hangs Out At Earl's, bronze rez dog sculpture, blue, Navajo, 1996

Melanie Yazzie
Little Blue Yazzie Sits at the Ganado Post Office, bronze sculpture, Navajo bunny, 2014

Eduardo Oropeza
Contemplating the Angel by Eduardo Oropeza, bronze sculpture, angel, church, 1995

Allan Houser
End of the Hunt, by Allan Houser, bronze, sculpture, wildlife, eagle, rabbit

Charles Cary Rumsey
Sculpture of a Polo Player Harrison Tweed by Charles Rumsey, 1912

Kathleen Friedenberg
"Ground Zero" Bronze German Shepherd Dog Searching for Survivors , 2003

Charles Cary Rumsey
Rams Head Sculpture in Bronze by Charles Rumsey, 1918

Charles Cary Rumsey
The Old Virginian, Bronze of a Horse and Rider with Dogs by Charles Rumsey, 1917

Charles Cary Rumsey
Dog Bronze Foxhound Sculpture by Charles Rumsey, 1910

Charles Cary Rumsey
Winning the Race Galloping Horse and Rider in Bronze by Charles Rumsey, 1910