1970s Sculptures

Sheila Hicks Tapisseries du Vent, 1973 Signed on the reverse Synthetic raffia weaving with Lucite rods 56" high x 34ʺ wide x 6ʺ deep Sheila Hicks was born in Hastings, Nebraska, an...

A suite of 2 sculptures. Lovers, man and woman nestled together. sleek minimalist mod sculpture. polished finish on one side. not sure if theese are stell or aluminium. they are cast and signed in Hebrew with initials and numbered 9/9. It is 2 parts that nest together. Aharon Bezalel (born Afghanistan 1926) Born in Afghanistan in 1926 and immigrated to Israel at an early age. As a youth was engaged as a silversmith and craftsman, and was a student of the sculptor Zev Ben-Zvi from whom he absorbed the basic concepts of classic and modernist art and interpreted, according to them, ideas based on ancient Hebrew sources. Aharon Bezalel works and resides in Jerusalem, he taught art for many years. “I saw myself as part of this region. I wanted to find the contact between my art and my surroundings. Those were the first years of Jean Piro’s excavations at the Beer-Sheba mound. They found there, for example, the Canaanite figurines that I especially liked and that were an element that connected me with the past and with this place.” “…a seed and sperm or male and female. These continue life. The singular, the individual alone, cannot exist; I learned this from my father who dabbled with the Kabbalah.” (Aharon Bezalel, excerpt from an interview with David Gerstein) “The singular in Aharon Bezalel’s work is always potentially a couple if not a threesome, the one is also the many: when the individual is revealed within the group he will always seek a huddling, a clinging together. The principle of modular construction is required by this perception of unity and multiplicity, as modular construction in his work is an act of conception or defense. Two poles of unity, potentially alone, exist in Aaron Bezalel’s world: From a formal, sculptural sense these are the sphere and pillar, metaphorically these are the female in the final stages of pregnancy and the solitary male individual. Sphere-seed-woman; Pillar-strand-man. The disproportional, small heads in Aharon Bezalel’s figures leave humankind in it’s primal physical capacity. The woman as a pregnancy or hips, the man as an aggressive or defensive force, the elongated chest serves as a phallus and weapon simultaneously. (Gideon Ofrat) EIN HAROD About the Museum's Holdings: Israeli art is represented by the works of Reuven Rubin, Zaritzky, Nahum Gutman, Mordechai Ardon, Aharon Kahana, Arie Lubin, Yehiel Shemi...

"Volti", Italian for the word "faces", is a playful ceramic pottery charger that makes an exquisite table piece or decorative object to hang for any home due to it colorful and natur...

A classic relic from the American West, Spampinato's exquisite solid bronze sculpture is beauty, grace and action-packed. Signature inscribed on sculpture and plate stamped on base. ...

Nancy Genn, American (b. 1929) Marshfield 25 (1977) Handmade paper collage Hand signed verso Dimensions: 20 1/8 x 22 inches Utilizing what is now known as the 'Genn Method,' Nancy Genn created three-dimensional abstract works of handmade paper, gaining international recognition in the 1970s Nancy Genn is an American artist living and working in Berkeley, California known for works in a variety of media, including paintings, bronze sculpture, printmaking, and handmade paper rooted in the Japanese washi paper making tradition. Her work explores geometric abstraction, non-objective form, and calligraphic mark making, and features light, landscape, water, and architecture motifs. She is influenced by her extensive travels, and Asian craft, aesthetics and spiritual traditions. Nancy Genn was born in 1929 in San Francisco, California. She recognized early that she would pursue a career as an artist. Her mother, Ruth Wetmore Thompson Whitehouse, was a painter and UC Berkeley alumna who played a leadership role in the San Francisco Women Artists organization. Genn studied at San Francisco Art Institute (then California School of Fine Arts) with painter Hassel Smith, and at the Art Department at the University of California, Berkeley (1948–49) with Professors Margaret Peterson and John Haley, and fellow students Sam Francis and Sonya Rapoport. In 1949 she married Vernon “Tom” Genn, an engineer raised in Japan, with whom she had three children. Career Genn's first noted solo exhibition was in 1955 at Gump's Gallery in San Francisco. She received international recognition through her inclusion in French art critic Michel Tapié’s seminal text Morphologie Autre (1960), which cited her as one of the most important exponents of post-war informal art. In 1961, Genn began creating bronze sculptures using the lost-wax casting method. Influenced by noted sculptor and family friend Claire Falkenstein, who used open-formed structures in her work, Genn cast forms woven from long grape vine cuttings, and produced vessels, fountains, fire screens, a menorah, a lectern, and, notably, the Cowell Fountain (1966) at UC Santa Cruz. In 1963 her sculptural work was exhibited with Berkeley artists Peter Voulkos and Harold Paris in the influential exhibition Creative Casting curated by Paul J. Smith at the Museum of Contemporary Crafts, New York. Genn was one of the first American artists to express herself through handmade paper, first receiving wide recognition via exhibitions at Susan Caldwell Gallery, New York, beginning in 1977, and in traveling exhibitions with Robert Rauschenberg and Sam Francis. In 1978-1979, supported by the National Endowment for the Arts and Japan Creative Arts Fellowship, she studied papermaking in Japan, visiting local paper craftspeople, working in Shikenjo studio in Saitama Prefecture, and exhibiting her work in Tokyo. She also learned techniques from Donald Farnsworth...

Signed and numbered (lower right). Steel and cast iron base (10 x 10 cm). Bibliography: Giuseppe Appella, I Multipli di Consagra, Ed. La Cometa, n. 19. Ver...

Genre: Modern Subject: Abstract Medium: Other Surface: Paper Country: United States Dimensions w/Mat: 20" x 21" Bas relief on hand-made paper; Visual statement of society’s role in...

In 1972, the women’s movement was in full flower. Suzanne Benton had been an early activist, a founder and organizer of NOW Chapters, CT Feminists in the Arts, Women, Metamorphosis 1 (in New Haven, CT, the first women’s art festival in the USA). She'd already been creating metal sculpted masks and working with them in mask tale performances of Women of Myth and Heritage. Her inaugural performance of Sarah and Hagar n 1972 took place at Lincoln Center in NYC. Benton then became the artistic director and producer of an evening on Broadway, Four Chosen Women (performers included herself as mask tale performer, author Anais Nin, actress Vinie Burroughs and dancer Joan Stone). The evening took place at the Edison Theatre, November 22, 1972. While developing the evening on Broadway, Benton met renowned Swedish actress and Hollywood star, Viveca Lindfors. Viveca was then working on her solo performance, I AM A WOMAN, and was looking for a unique theatre set for the show. The happenstance that brought Viveca and Suzanne together. At that same time, recent travel to Macchu Picchu inspired her with the mountain’s great stones sitting on the edge of precipices. These vast stones led her to create welded steel Seated Sculpture Works. Viveca was intrigued by the concept and let her own imagination fly. Imagining a set of welded steel sculpture, she took the leap in commissioning Suzanne with complete faith in artist's ability to fulfill her mandate. Benton created groups of welded sculptures for two theater sets. Protection is one of three sculptures in first set created in 1973. Mother and Child, Pelvic Woman, Facing Each Other are three of five works from the 1974 second set. The first toured with her shows throughout the East Coast and into Toronto, Canada. The second set, created to nest together could travel as checked baggage for international and domestic airline travel. They flew to Denmark in 1980 for her performance at the UN sponsored 1980 Women’s International Conference, Copenhagen. In addition to creating the theatre sets, Benton mounted exhibitions of her masks and sculptures in the lobbies of theatres where she performed (NYC and Northampton). Continuing on with this theme, Becoming is her 1975 Seated Sculpture Work. The theatre sets were returned at the final end of its long run. These Seated Sculpture Works have often been featured in exhibitions, including both the 2003 and 2005 retrospectives. They are part of an oeuvre of 797 sculptures and masks. What attracted her to welded sculpture? This excerpt from her book, The Art of Welded Sculpture, Van Nostrand Reinhold, 1975 speaks of its lure: "Early in my life, when I had decided to become an artist, I had had an inner vision of being able to hold the physical material of my art in such a way as to bring it into existence with my hands. In welding, I wear a mask, a heavy apron, and gloves. I heat the metal and make it bend so smoothly and gracefully; I cut the metal, rigid metal, into endless shapes; I join the pieces by causing them to flow together with the heat of the flame. Welding was a return to my adolescent vision. It was fulfillment. At that beginning time I felt that even if I went no further, this experience in itself gave me astounding satisfaction. It was as thrilling as the moment of birth. It was my birth." (Pelvic Woman and Protection are illustrated in the book): What began in 1965 became by 2017 an oeuvre of 797 sculptures and masks. The magic of the welding mask...

This Art Deco stylized work is by one of America's greatest sculptors. This is a wonderful and unique depiction of Motherhood different than a mother cradling a single child, here w...

This amazing sculpture figures a peacock making the wheel. Each feather is made of a slice of transparent agate, soldered with brass to the rest of the wheel. The agate wheel is me...

Contemporary abstract steel standing sculpture, Signed to base "Opera / DA / 87". 1987 Provenance: From the Walden Collection Dimensions: 45 1/2" H; Base: 6 1/2" Diam. Large Abstra...

William Weege (b. 1935). American Pop Art Artist. Colorful mixed media on a vintage vinyl LP record Hand signed and dated 1976 recto. Born in Milwaukee, Wisconsin in 1935, Weege studied printmaking, collage and sculpture at the University of Wisconsin. In the late 60's Vietnam war era his politically charged radical anti war posters...

In 1972, the women’s movement was in full flower. Suzanne Benton had been an early activist, a founder and organizer of NOW Chapters, CT Feminists in the Arts, Women, Metamorphosis 1 (in New Haven, CT, the first women’s art festival in the USA). She'd already been creating metal sculpted masks and working with them in mask tale performances of Women of Myth and Heritage. Her inaugural performance of Sarah and Hagar n 1972 took place at Lincoln Center in NYC. Benton then became the artistic director and producer of an evening on Broadway, Four Chosen Women (performers included herself as mask tale performer, author Anais Nin, actress Vinie Burroughs and dancer Joan Stone). The evening took place at the Edison Theatre, November 22, 1972. While developing the evening on Broadway, Benton met renowned Swedish actress and Hollywood star, Viveca Lindfors. Viveca was then working on her solo performance, I AM A WOMAN, and was looking for a unique theatre set for the show. The happenstance that brought Viveca and Suzanne together. At that same time, recent travel to Macchu Picchu inspired her with the mountain’s great stones sitting on the edge of precipices. These vast stones led her to create welded steel Seated Sculpture Works. Viveca was intrigued by the concept and let her own imagination fly. Imagining a set of welded steel sculpture, she took the leap in commissioning Suzanne with complete faith in artist's ability to fulfill her mandate. Benton created groups of welded sculptures for two theater sets. Protection is one of three sculptures in first set created in 1973. Mother and Child, Pelvic Woman, Facing Each Other are three of five works from the 1974 second set. The first toured with her shows throughout the East Coast and into Toronto, Canada. The second set, created to nest together could travel as checked baggage for international and domestic airline travel. They flew to Denmark in 1980 for her performance at the UN sponsored 1980 Women’s International Conference, Copenhagen. In addition to creating the theatre sets, Benton mounted exhibitions of her masks and sculptures in the lobbies of theatres where she performed (NYC and Northampton). Continuing on with this theme, Becoming is her 1975 Seated Sculpture Work. The theatre sets were returned at the final end of its long run. These Seated Sculpture Works have often been featured in exhibitions, including both the 2003 and 2005 retrospectives. They are part of an oeuvre of 797 sculptures and masks. What attracted her to welded sculpture? This excerpt from her book, The Art of Welded Sculpture, Van Nostrand Reinhold, 1975 speaks of its lure: "Early in my life, when I had decided to become an artist, I had had an inner vision of being able to hold the physical material of my art in such a way as to bring it into existence with my hands. In welding, I wear a mask, a heavy apron, and gloves. I heat the metal and make it bend so smoothly and gracefully; I cut the metal, rigid metal, into endless shapes; I join the pieces by causing them to flow together with the heat of the flame. Welding was a return to my adolescent vision. It was fulfillment. At that beginning time I felt that even if I went no further, this experience in itself gave me astounding satisfaction. It was as thrilling as the moment of birth. It was my birth." (Pelvic Woman and Protection are illustrated in the book): What began in 1965 became by 2017 an oeuvre of 797 sculptures and masks. The magic of the welding mask...

Linda Stein, Manhattan Outreach 005 - Mixed Media Contemporary Wall Sculpture These wall constructions and dioramas were made in the 1970s when Linda Stein was also working on her B...

Jean-Robert Ipoustéguy Personnage en mouvement 1976 Bronze 25 x 12 x 12 in, 63 x 30 x 30 cm Dated and signed "Ipoustéguy" Edition 5/8 Private Collection of Didier Marien ...

Moving Planes dates from the period in Iommi’s body of work that corresponds to the so-called “Baroque” period of Concrete Art. This is a sophisticated work that picks up exploring i...

This is a very rare piece of Israeli Studio Ceramics art from the 70s. it has a patina of dust on it but I have left it as is. it is signed Sharir and dated 1975. Studio pottery is pottery made by amateur or professional artists or artisans working alone or in small groups, making unique items or short runs. Typically, all stages of manufacture are carried out by the artists themselves.Studio pottery includes functional wares such as tableware, cookware and non-functional wares such as sculpture. Studio potters can be referred to as ceramic artists, ceramists, ceramicists or as an artist who uses clay as a medium. Grayson Perry. Some studio potters now prefer to call themselves ceramic artists, ceramists or simply artists. Studio pottery is represented by potters all over the world and has strong roots in Britain. Since the second half of the 20th century ceramics has become more highly valued in the art world. There are now several large exhibitions worldwide, including Collect and Origin (formerly the Chelsea crafts fair) in London, International Sculpture Objects & Functional Art Fair (SOFA) Chicago and International Sculpture Objects & Functional Art Fair (SOFA) New York which includes ceramics as an art form. Ceramics have realized high prices, reaching several thousands of pounds for some pieces, in auctions houses such as Bonhams and Sothebys. Possibly David Sharir but I have found nothing similar. Lucie Rie, Hans Coper Elizabeth Fritsch, Ruth Duckworth began to experiment\abstract ceramic objects, varied surface and glaze effects to critical acclaim. European artists coming to the United States contributed to the public appreciation of pottery as art, and included Marguerite Wildenhain, Maija Grotell, Susi Singer and Gertrude and Otto Natzler. Significant studio potters in the United States include Otto and Vivika Heino, Warren MacKenzie, Paul Soldner, Peter Voulkos and Beatrice Wood. The Israeli ceramics...

Ruth Duckworth Full Tea Service (INV# NP3746) stoneware and glaze teapot: 8.25 x 7 x 3.5” creamer: 3.25 x 2 x 2.25” sugar bowl: 1.5 x 3.25” approx. cup: 3 x 2.5 x 1.75” approx. saucer: .75 x 4.5 x 4.5” circa 1972 signed RWD Ruth Duckworth (1919-2009) was born in Hamburg, Germany as the youngest of five children. The daughter of a Jewish woman, Duckworth had to leave Nazi Germany for her studies in sculpture and drawing, attending the Liverpool College of Art in 1936. She later studied at the Hammersmith School of Art, the City and Guilds of London Art School, and the Central School of Arts and Crafts. She joined the faculty of the University of Chicago in 1964 and, upon retiring from the university in 1977, moved her studio space to a former pickle plant in Lakeview, Chicago. Her work is featured at such institutions as the Art Institute of Chicago; Boston Museum of Fine Arts; Windsor Castle, England; Stuttgart Museum, Germany; National Museum of Modern Art, Japan; Museum Boymans-Van Beuningen, The Netherlands, Philadelphia Museum of Art; The Smithsonian Institution, Washington, DC; National Museum of Scotland; Kestner Museum, Germany; Schleswig Holsteinisches Landesmuseum, Germany; Museum fur Kunst und Gewerbe, Germany; City Museum, Bassano Del Grappo, Italy; Buckingham County Museum, England; Utah Museum of Fine Arts, Utah; American Craft Museum , New York; Los Angeles County Art Museum, California; Evanston Public Library, Illinois; The Metropolitan Museum of Art, New York. Most recently, Ruth Duckworth had a major exhibition at Salon 94...

FAUSTO RAMOS "NUDE WITH DRAPE" WOOD, SIGNED CUBA, DATED 1972 56.5 INCHES Acquired from the artist

An original bronze sculpture by Constantin Antonovici from his portrait series. Referenced in "Antonovici" by Uricariu & Bulat, pg 334. Antonovici was born in Neamt, Romania on February 18, 1911, and graduated from the Fine Arts Academy in Iasi, Romania, in 1939. In 1940, Antonovici studied in Zagreb with the famous Croatian sculptor Ivan Mestrovici, until his arrest by Italian fascists. Antonovici himself survived imprisonment in Germany for his refusal to fight on the side of the Nazis. After the war, he continued his studies in Vienna, under the tutelage of Professor Fritz Behn...

Artist: Constantin Antonovici, Romanian (1911 - 2002) Title: Hippie - Man Medium: Bronze Sculpture, signature, date inscribed Size: 23.5 x 11.5 x 1 in. (59.69 x 29.21 x 2.54 cm) Marble Base: 3 x 10 x 8.5 inches An original bronze sculpture by Constantin Antonovici from his Portrait Series. Referenced in "Constantin Antonovici: Sculptor of Owls", pg 69 Antonovici was born in Neamt, Romania on February 18, 1911, and graduated from the Fine Arts Academy in Iasi, Romania, in 1939. In 1940, Antonovici studied in Zagreb with the famous Croatian sculptor Ivan Mestrovici, until his arrest by Italian fascists. Antonovici himself survived imprisonment in Germany for his refusal to fight on the side of the Nazis. After the war, he continued his studies in Vienna, under the tutelage of Professor Fritz Behn...

Artist: Paul Von Ringelheim, Austrian/American (1933 - 2003) Title: Bust of Alberto Giacometti Year: Circa 1970 Medium: Painted Plaster Size: 29.5 x 13 x 17.5 inches

Artist: Constantin Antonovici, Romanian (1911 - 2002) Title: Hippie - Woman Medium: Bronze Sculpture, signature, date inscribed Size: 21 x 11 x 1.25 in. (53.34 x 27.94 x 3.18 cm) Marble Base: 2.5 x 9.5 x 6 inches An original bronze sculpture by Constantin Antonovici from his Portrait Series. Referenced in "Constantin Antonovici: Sculptor of Owls", pg 69 Antonovici was born in Neamt, Romania on February 18, 1911, and graduated from the Fine Arts Academy in Iasi, Romania, in 1939. In 1940, Antonovici studied in Zagreb with the famous Croatian sculptor Ivan Mestrovici, until his arrest by Italian fascists. Antonovici himself survived imprisonment in Germany for his refusal to fight on the side of the Nazis. After the war, he continued his studies in Vienna, under the tutelage of Professor Fritz Behn...

A unique wall-hanging steel sculpture by Preston Abernathy (American XXth). The work is a solid panel of brushed, polished and etched stainless steel in a geometric pattern with gre...

The width dimensions are variable. the tallest height is 11.5 inches. Family group. A suite of three bronze sculptures. Aharon Bezalel (born Afghanistan 1926) Born in Afghanistan in 1926 and immigrated to Israel at an early age. As a youth was engaged as a silversmith and craftsman, and was a student of the sculptor Zev Ben-Zvi from whom he absorbed the basic concepts of classic and modernist art and interpreted, according to them, ideas based on ancient Hebrew sources. Aharon Bezalel works and resides in Jerusalem, he taught art for many years. “I saw myself as part of this region. I wanted to find the contact between my art and my surroundings. Those were the first years of Jean Piro’s excavations at the Beer-Sheba mound. They found there, for example, the Canaanite figurines that I especially liked and that were an element that connected me with the past and with this place.” “…a seed and sperm or male and female. These continue life. The singular, the individual alone, cannot exist; I learned this from my father who dabbled with the Kabbalah.” (Aharon Bezalel, excerpt from an interview with David Gerstein) “The singular in Aharon Bezalel’s work is always potentially a couple if not a threesome[…] the one is also the many: when the individual is revealed within the group he will always seek a huddling, a clinging together. The principle of modular construction is required by this perception of unity and multiplicity, as modular construction in his work is an act of conception or defense. Two poles of unity, potentially alone, exist in A. Bezalel’s world: From a formal, sculptural sense these are the sphere and pillar, metaphorically these are the female in the final stages of pregnancy and the solitary male individual. Sphere-seed-woman; Pillar-strand-man. The disproportional, small heads in A. Bezalel’s figures leave humankind in it’s primal physical capacity. The woman as a pregnancy or hips, the man as an aggressive or defensive force, the elongated chest serves as a phallus and weapon simultaneously. (Gideon Ofrat) EIN HAROD About the Museum's Holdings: Israeli art is represented by the works of Reuven Rubin, Zaritzky, Nahum Gutman, Mordechai Ardon, Aharon Kahana, Arie Lubin, Yehiel Shemi, Yosl Bergner and others. The graphic arts collection contains drawings and graphic works by Pissaro, Modigliani, Pascin, Chagall (almost all of his graphic work), and numerous other artists. The sculpture collection includes works by Jewish sculptors from all over the world including leading Israeli sculptors; Ben Zvi, Lishansky, David Palombo, Yehiel Shemi, Aharon Bezalel and Igael Tumarkin. Many Jewish sculptors from all parts of the world, beginning with Antokolski, are represented in the collection. In the sculpture courtyard there are works by Chana Orloff, Jacob Epstein (the works he bequeathed to the Museum), Glicenstein, Loutchansky, Constant and Indenbaum from Western Europe; Glid from Yugoslavia; Zorach, Gross and Harkavy from the United States; and most of the outstanding sculptors of Israel : Ben-Zvi, Lishansky, Ziffer, Lehmann, Feigin, Sternschuss, Palombo ( who executed the iron gate...

Dorothy Thorpe This wonderful piece was designed by Dorothy Thorpe in America during the 1960s Born in Salt Lake City in 1901, Dorothy Thorpe was a mid-century American artist who de...

Wonderful and one of a kind nude sculpture by Noche Crist (1909-2004). Sculpture is made from polyester resin. Catalogue of a postumous retrospective in 20...

This Bronze portrait by Constantin Antonovici is laid directly into the surface of a cut slab of white marble. Intense and hollow eyes stare out from a smiling visage, creating an un...

Artist: Paul Von Ringleheim, Austrian/American (1933 - 2003) Title: Bust - II Year: Circa 1970 Medium: Painted Plaster Size: 26 x 11 x 15.5 inches

An original carved marble sculpture by Constantin Antonovici from his "Bird and Animal Series". Referenced in "Constantin Antonovici: Sculptor of Owls", pg 83 Antonovici was born in...

Michaela Ahlmann, Standing boy with trumpet, made between 1970 and 1982, model number 1792, first choice. Porcelain with underglaze painting. 18.5 cm (height) x 8 cm (length) x 7 cm ...

Sculptor Jacques Lipchitz Terling Silver Anniversary Silver Sculpture Plate Israel This is a beautiful sterling silver commemorative plate. It was spec...

A freestanding 3-dimensional work that wonderfully captures both the spirit and draftsmanship of this great American artist. I have included a pic of an identical sculpture in this s...

Referenced in Uricariu & Bulat "Antonovici" on page 134, this bronze sculpture by Constantin Antonovici plays on a common shape composition of the artist's practice. At their core, t...

BILLY, 1975, epoxy painting on riveted fiberglass and aluminum, titled signed and dated verso . Gallery label from Obelisk Gallery, Boston, MA Tom Holland (born 1936 in Seattle, Was...

A minimalist depiction of a woman in a large hat by Constantin Antonovici. This white marble sculpture is composed almost entirely of two colliding ovals, with a few ridges visible o...

Without Name, Mid-Century Abstract Woven Tapestry, Textile Wall Sculpture, Hand dyed wool, 52" x 38" (1973) by Czech textile artist, Jan Jladik...

This Brutalist wall sculpture was made in 1970 by assembling and folding patinated and hammered copper and brass sheets mounted on plywood. Stephen Chun...

Painted welded steel.

Jules Agard ( 1905 - 1986 ) " Tête de femme " Sculpture surréaliste réalisée en terre rouge de Salernes et montée au tour . le corps est bombé et creusé alternativement . le col se...

HAMADA SHOJI, (Tokyo 1894 - Mashiko 1978) Enso Teacup, ca. 1970. Natural clay and glaze, worked on a lathe (h 90 mm x Ø 135 mm). Mashiko Chawan tea cup, with Gosumarumon overlapping...

Artist: Mattakitkosol Somchai Title: Gold Reindeer Year: Circa 1970 Medium: Bronze Sculpture mounted on Marble Base Size: 10.5 x 15.5 x 4 in. (26.67 x...

Artist: Lucio del Pezzo, Italian (1933 - ) Title: Chair Year: circa 1970 Medium: Sculpture Assemblage with wood, upholstery and paint, signed and numbered in ink Edition: 26/70 ...

Abstract bronze ribbon sculpture created by William Robert Stevenson. The sculpture includes a beautiful wooden base that includes a plaque with the artist's name. Artist Biography: William Robert Stevenson was born in 20 May 1925 in Eugene, Oregon. His family moved to Minneapolis, MN but he promptly returned to Oregon and Washington during the Great Depression to work in the Works Progress Administration (WPA). Hoping to study Art, his future was sidetracked when he was drafted into the United States Army at age 17 years old in early 1942. Being a strong swimmer, and having worked at stables as a child, he initially served in the last US Cavalry Corps, and also as a Swimming Instructor for the United States Army. Upon the abolition of the Cavalry Corps, he was trained as a Gunnar and Tank Commander for the M-4 Sherman Tank under General Patton...

Artist: Constantin Antonovici, Romanian (1911 - 2002) Title: Rabbit Year: 1975 Medium: Bronze Sculpture with Patina, signature and number inscribed Edition: 3/9 Size: 15.5 in. x...

A fine and rare aquatic themed Del Campo Studio wall sculpture by Virgilio Bari of Torino, Italy. This piece is masterfully constructed of welded steel rod, and freeform spill-castin...

Modern Cubist sculpture by Pearl Amstel of a Horse and Rider. Artist: Pearl Amsel (1931 - ) Title: Untitled - Horse and Rider Year: 1974 Me...

This modern abstract bronze sculpture by Bruggemann is characteristic of his work. His works derive from and depend largely upon elemental laws of physics and kinetic principles, approaching the practical limits of artistic statement combined with supreme craftsmanship. Artist: Winni Brueggemann, German Title: Floor Chimes...

This mixed media plexi sculpture by the American artist Larry Rivers is a modern take on portraiture. River's medium and use of vibrant colors are able to create a sense of playful...

A very cool and stylish mini folding screen of carved figures hand painted by an unknown artist. It is likely from around 1970, the figures are a bit surrealist and match in a stiff ...

Born in Winnipeg Canada, Michael Sectors work and craftmanship has been praised as remarkable. He brings contemporary techology to serve his art directing the fabrication of his work...

Modern abstract fish sculpture made of copper by Houston, TX artist Frank Dolejska. The work features a rounded fish shape with the word "let's" on the ...

This acrylic sculpture is a contemporary work in a soft shade of yellow. Yordan's sculpture would add a playful element to any modern space. Signed and numbered. Edition: 100.

This Modernist ceramic sculptures depicts an abstracted and cubist human form sitting cross legged with his back bent forward and arms outstretched. The sculpture, realized by Jaru o...

"Sea Wind" is an original bronze sculpture by Judye Frankowiak. The artist signed the piece. It depicts a woman with wind-swept hair. It is number 8 from an edition of 10. 8 1/2" x 6" x 7" art B.A. Michigan State University, East Lansing, Michigan Further study: Newark State College, Elizabeth N.J.: Education Summit Art Center, Summit, N.J.: Sculpture 1970-1978: Milwaukee Public Museum, Milwaukee, WI. Worked under contract in Exhibits and Graphics Dept. to create life-size human figures for exhibits and dioramas 1970 to Present: Provided exhibit and diorama sculpture...

Horse With Two Riders Large Outdoor Bronze Sculpture 1974 Artist signed, edition 2/6. Light blue green patina. Deaccessioned from the Boca Raton Museum of Art. This is a stunning ...

This ceramic sculpture is circa 1970 and offers an expressionistic view of a large flask. The geometric abstract pattern that separates the two tones lend...

Polished bronze on marble base. Incised with the artist's signature and numbered 6/8 on the verso.

Colin Webster Watson (1926-2007). A patinated cast bronze sculpture of a stylized bird with a steel ring. Signed, numbered and dated (1985). With a Tallix foundry mark. Measu...

Stainless steel and marble. Signed and numbered from edition of 350.