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Jacques LipchitzThe Struggle, Rare Sterling Silver Israeli Judaica Cubist Sculpture Plate Plaquec.1970s
c.1970s
$1,200
£890.45
€1,037.25
CA$1,670.41
A$1,860.15
CHF 968.11
MX$22,935.43
NOK 12,329.57
SEK 11,588.60
DKK 7,739.16
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About the Item
Sculptor Jacques Lipchitz Terling Silver Anniversary Silver Sculpture Plate Israel
This is a beautiful sterling silver commemorative plate. It was specially made for the Silver Anniversary of Israel. It was designed by the famous artist Jacques Lipchitz. The plate shows a struggle between "Israel" (man holding menorah) and an Angel. The plate measures 11 3/4" around and weighs 29.4 ozt. This plate is sterling silver mounted on a bronze base. The back of the plate has all the numbers and signature of the artist. This plate is also displayed in the Museum of Israel. The original fitted box is also included.
Jacques Lipchitz (1891-1973) was a Cubist sculptor, from late 1914. Lipchitz retained highly figurative and legible components in his work leading up to 1915–16, after which naturalist and descriptive elements were muted, dominated by a synthetic style of Crystal Cubism. In 1920 Lipchitz held his first solo exhibition, at Léon Rosenberg's Galerie L'Effort Moderne in Paris. Fleeing the Nazis he came to the US and settled in New York City and eventually Hastings-on-Hudson.
Jacques Lipchitz was born Chaim Jacob Lipschitz, in a Litvak family, son of a building contractor in Druskininkai, Lithuania, then within the Russian Empire. At first, under the influence of his father, he studied engineering, but soon after, supported by his mother he moved to Paris (1909) to study at the École des Beaux-Arts and the Académie Julian.
It was there, in the artistic communities of Montmartre and Montparnasse, that he joined a group of artists that included Juan Gris and Pablo Picasso as well as where his friend, Amedeo Modigliani, painted Jacques and Berthe Lipchitz.
Living in this environment, Lipchitz soon began to create Cubist sculpture. In 1912 he exhibited at the Salon de la Société Nationale des Beaux-Arts and the Salon d'Automne with his first solo show held at Léonce Rosenberg's Galerie L'Effort Moderne in Paris in 1920. In 1922 he was commissioned by the Barnes Foundation in Merion, Pennsylvania to execute five bas-reliefs.
With artistic innovation at its height, in the 1920s he experimented with abstract forms he called transparent sculptures. Later he developed a more dynamic style, which he applied with telling effect to bronze compositions of figures and animals.
With artistic innovation at its height, in the 1920s he experimented with abstract forms he called transparent sculptures. Later he developed a more dynamic style, which he applied with telling effect to bronze figure and animal compositions.
With the German occupation of France during World War II, and the deportation of Jews to the Nazi death camps, Jacques Lipchitz had to flee France. With the assistance of the American journalist Varian Fry in Marseille, he escaped the Nazi regime and went to the United States. There, he eventually settled in Hastings-on-Hudson, New York. In 1954 a Lipchitz retrospective traveled from The Museum of Modern Art in New York to the Walker Art Center in Minneapolis and The Cleveland Museum of Art. In 1959, his series of small bronzes "To the Limit of the Possible" was shown at Fine Arts Associates in New York. Lipchitz taught one of the most famous contemporary artists, Marcel Mouly.
Beginning in 1963 he returned to Europe where he worked for several months of each year in Pietrasanta, Italy. In 1972 his autobiography was published on the occasion of an exhibition of his sculpture at The Metropolitan Museum of Art in New York.
He had studied at the Ecole des Beaux Arts in Paris from 1909 to 1911 and at the Academy Julian. He arrived in America when the Abstract Expressionist movement was beginning to take hold, and this likely influenced the much more emotional expression of the later part of his career. His work was much more emotional and rounded in form than the earlier cubist work, and is subject matter was epic, reflecting his interest in myths, heroic tales and religious symbolism. La Ruche, the artists' complex south of Montparnasse that Lipchitz knew well during his first years in Paris. He was a denizen of La Ruche which provided refuge for Jewish emigres like Chaim Soutine, Amedeo Modigliani and Marc Chagall, who shared with Lipchitz an irrepressible expressionist impulse. The balance between unbridled Eastern expressiveness and French clarity helps characterize Lipchitz's successful Parisian work. Jacques Lipchitz died in Capri, Italy. His body was flown to Jerusalem for burial.
- Creator:Jacques Lipchitz (1891-1973, French)
- Creation Year:c.1970s
- Dimensions:Height: 1 in (2.54 cm)Diameter: 11.75 in (29.85 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:minor scratching and wear to surface. see photos.
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU38210959132
Jacques Lipchitz
Biography: Jacques Lipchitz was a celebrated Lithuanian-born French sculptor best known for his Cubist works depicting figures, portraits, and still lifes made of bronze or stone. Born Chaim Jacob Lipchitz on August 22, 1891 in Druskinikai, Lithuania to a Litvak (Lithuanian Jewish) family. To please his parents, Lipchitz studied engineering as a young man. But around 1909, he decided to pursue art instead and moved to Paris to study at the Ecole des Beaux Arts and the Académie Julian in Paris. Lipichitz was a part of the artistic milieu in the famed Montmarte neighborhood of Paris, which included Pablo Picasso, Amedeo Modigliani, and Juan Gris. He became especially influenced with work by Pablo Picasso, who had pioneered a style of art called Cubism. Cubism was an art movement in which images were fractured and broken into simultaneous fragmented shards of perspective. It was strongly geometric and not based on traditional representational art like portraits or landscapes. At the beginning of his career, Lipchitz created figural sculptures, but by around 1913 he'd shifted direction toward Cubism. At the time, most Cubist artists were painters, but Lipchitz had met Russian sculptor Alexander Archipenko, who was experimenting with Cubist sculpture. However he always retained recognizable figural elements in his work.
When faced with the Nazi occupation, he fled to the United States during World War II. Lipchitz went on to have a retrospective exhibition in 1954 which travelled from The Museum of Modern Art in New York to the Walker Art Center in Minneapolis, and finally to the Cleveland Museum of Art. Today, his works are in the collections of the Art Institute of Chicago, The Metropolitan Museum of Art in New York, the Tate Gallery in London, the Los Angeles County Museum of Art, and the National Gallery of Art in Washington, D.C., among others. Lipchitz died on May 16, 1973 in Capri, Italy.
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